Profiles

The curator of Constructive Spirit. Abstract Art in South and North America, 1920s-50s defends the sui generis character of the abstract art that emerged in Uruguay, Argentina, Brazil, Venezuela and the United States in the mid-twentieth century.

The name of Bonnie Clearwater, director of the Museum of Contemporary Art in North Miami, is associated to the vertiginous transformation of the Miami art scene.

In January 2009, the Venezuelan Julieta González accepted the challenge of being assistant curator of Latin American art at Tate Modern, one of the four international museums (the others are MoMA, New York; Museum of Fine Arts, Houston; and The Blanton Museum of Art, Austin) that host Latin American art in their collections.

The challenge to acquire visibility in order to communicate that which the artist wishes to convey

Carlos Basualdo is writing again, not from the intimacy of a poet, but as the speaker capable of conquering spaces in which the word of the artist resonates without interferences.

The name of Brazilian curator Adriano Pedrosa is inseparable from the process of creation of the role that an international curator may play in the 21st century.

Despite the lengthy trajectory of video art in the international context, Spain has been one of the last nations to incorporate audio visual works in its museums.