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Ivan Navarro

By: Señales Rojas 2010 – Art against the proliferation of barbarism, an IILA – Italo-Latin American Institute- project in collaboration with Fondazione Volume!

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Iván Navarro and his Proposal for a Monument for Víctor Jara

By: Señales Rojas 2010 – Art against the proliferation of barbarism, an IILA – Italo-Latin American Institute- project in collaboration with Fondazione Volume!

© Cortesía FIL Guadalajara/Guillermo Arias

With the thundering eloquence of arms, the footprints of violence come up, more and more frequently, throughout the country.

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La Muerte de Todos los Días, by Guillermo Arias, in Casa Escorza, Guadalajara

With the thundering eloquence of arms, the footprints of violence come up, more and more frequently, throughout the country.

Xavier Cortada, "(The Four Nucleotides:) Cytosine," oil on canvas, 60" x 48", 2010.

Can a DNA sequence generated randomly have any parallel to an existing life-form?

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Genetic Sequence Results from Xavier Cortada at The Frost Art Museum

Can a DNA sequence generated randomly have any parallel to an existing life-form?

-Horacio Coppola - Paris- 1934.

El Círculo de Bellas Artes (The Circle of Fine Arts) of Madrid welcomes to the Sala Picasso the work of Horacio Coppola, pioneer of photography of the Argentinean vanguard and an artist who has made one of the best portraits of Buenos Aires.

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The Círculo de Bellas Artes Of Madrid Welcomes the Work of the Photographer Horacio Coppola

El Círculo de Bellas Artes (The Circle of Fine Arts) of Madrid welcomes to the Sala Picasso the work of Horacio Coppola, pioneer of photography of the Argentinean vanguard and an artist who has made one of the best portraits of Buenos Aires.

Marta Chilindron, Fire, 2010, Maquette, vinyl. Courtesy of Cecilia de Torres, Ltd. New York

After three successful editions in New York and a first in London last June, PINTA, the unique Latin American Modern and Contemporary Art Fair, consolidates its position as a leading art fair in two world capitals, establishing new strategies in the Latin American art market.

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Pinta New York Inaugurates its Fourth Edition

After three successful editions in New York and a first in London last June, PINTA, the unique Latin American Modern and Contemporary Art Fair, consolidates its position as a leading art fair in two world capitals, establishing new strategies in the Latin American art market.

Bienal de Artes Visuales del Istmo Centroamericano

BAVIC is a platform for artists of Central America who are projecting their works at the international level.

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Announcing BAVIC, Seventh Visual Arts Biennial of the Central American Isthmus

BAVIC is a platform for artists of Central America who are projecting their works at the international level.

O. Ascanio Gallery

O. Ascanio Gallery opened its doors in the Wymwood art district in Miami this past September 11th, 2010.

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O. Ascanio Gallery Opens its Doors in Miami

O. Ascanio Gallery opened its doors in the Wymwood art district in Miami this past September 11th, 2010.

Liliana Porter, Argentinean, born 1941  Them  1996  Acrylic, black and white print and wood frame on canvas  Literal Collection  © Liliana Porter

Houston—October 2010— Cosmopolitan Routes: Houston Collects Latin American Art celebrates the ten-year anniversary of the Latin American art department at the Museum of Fine Arts, Houston, and the vital collection of art it has amassed in a short timeframe.

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Cosmopolitan Routes: Houston Collects Latin American Art

Houston—October 2010— Cosmopolitan Routes: Houston Collects Latin American Art celebrates the ten-year anniversary of the Latin American art department at the Museum of Fine Arts, Houston, and the vital collection of art it has amassed in a short timeframe.

Juan Raul Hoyos

In Alliance with the Fundación Fondo Internacional de las Artes - FIART- (International Art Fund Foundation) , 18 Ibero-American artists are coming together at the Biblioteca EPM/Sala de Ciudad, of the Museo de Arte Moderno de Medellín, MAMM.

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Puntos de Fuga . Arquitecturas Possibles

In Alliance with the Fundación Fondo Internacional de las Artes - FIART- (International Art Fund Foundation) , 18 Ibero-American artists are coming together at the Biblioteca EPM/Sala de Ciudad, of the Museo de Arte Moderno de Medellín, MAMM.

Reopening of the Art Museum of Ponce After Renovation

The new Art Museum of Ponce will open its doors again on November 14th after a multimillion dollar renovation and expansion project.

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Reopening of the Art Museum of Ponce After Renovation

The new Art Museum of Ponce will open its doors again on November 14th after a multimillion dollar renovation and expansion project.

Pasado, 2010, Acrylic on canvas, diptych, 72 x 72 inches. Acrílico sobre tela, díptico, 182.8 x 182.8 in.

Carmen Herrera (Havana, 1915) studied architecture at the University of Havana’s School of Architecture, where she discovered what she herself calls “the extraordinary world of straight lines”, which has remained a major interest to date.

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Carmen Herrera

Carmen Herrera (Havana, 1915) studied architecture at the University of Havana’s School of Architecture, where she discovered what she herself calls “the extraordinary world of straight lines”, which has remained a major interest to date.

Ana Tiscornia: For the time being, 2010. Painted wood, 18.5 x 15 x 13 in. Por el momento, 2010. Masera pintada, 47x38x33cm.

The spirit of “Optimismo Radical” (Radical Optimism) was already present in some of the streets around the New York gallery Josée Bienvenu.

By Laura F. Gibellini
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Radical Optimism

By Laura F. Gibellini

The spirit of “Optimismo Radical” (Radical Optimism) was already present in some of the streets around the New York gallery Josée Bienvenu.

Modern Negative, exhibition view (s). Courtesy Henrique Faria Fine Art. Negativa Moderna, vista(s) de la exposición. Cortesía Henrique Faria Fine Art

“Negativa Moderna” faces the viewer with a careful selection of works by fourteen Venezuelan artists, in a posthumous reflection on the legacy of the modernist project in Latin America (which Venezuela headed in the 1950s due to the wealth it derived from oil production).

By Laura F. Gibellini
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Modern Negative

By Laura F. Gibellini

“Negativa Moderna” faces the viewer with a careful selection of works by fourteen Venezuelan artists, in a posthumous reflection on the legacy of the modernist project in Latin America (which Venezuela headed in the 1950s due to the wealth it derived from oil production).

Painted Portraits, Courtesy Yossi Milo Gallery. Retratos Pintados, Cortesía Yossi Milo Gallery

There was a time when photography was not deemed susceptible of conveying the liveliness and the intensity that every good portrait required.

By Laura F. Gibellini
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Retratos Pintados

By Laura F. Gibellini

There was a time when photography was not deemed susceptible of conveying the liveliness and the intensity that every good portrait required.

Gerardo Muñoz. NUNO CERA "A room with a view #6, (Arts, Barcelona)", 2007. Courtesy Pedro Cera Gallery, Lisbon. Cortesía Galeria Pedro Cera, Lisboa.

Rooted in different intellectual fields contemporary philosophy, computer science, or cultural studies the exhibition “Atopia: Art and City in the Twentieth Century” is a response to a series of anguishing symptoms of the city in the culture of world globalization.

By Gerardo Munoz
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Atopía: Art and City in the Twentieth Century

By Gerardo Munoz

Rooted in different intellectual fields contemporary philosophy, computer science, or cultural studies the exhibition “Atopia: Art and City in the Twentieth Century” is a response to a series of anguishing symptoms of the city in the culture of world globalization.

Untitled (patio). Ca. 1953, Pencil and colored pencil on fragments of glued paper, 40.4 x 37 in. Anthony Petillo Collection, Milwaukee. Wi, USA. Sin título (patio) Ca. 1953. Lápiz y lápiz de color sobre frag- mentos de papel encolados. 102,8 x 91,4 cm. Colección Anthony Petullo, Milwaukee. Wi, EUA.

Martín Ramírez (Rincón de Velásquez, México, 1895) is one of those great mysteries that contemporary art presents from time to time. An emigrant to prosperous California in 1925, the 1929 collapse left him jobless and immersed in a deep depression that robed him of the power of speech.

By Álvaro de Benito Fernández
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Martín Ramírez

By Álvaro de Benito Fernández

Martín Ramírez (Rincón de Velásquez, México, 1895) is one of those great mysteries that contemporary art presents from time to time. An emigrant to prosperous California in 1925, the 1929 collapse left him jobless and immersed in a deep depression that robed him of the power of speech.

 Pardo's original design for the bookstore of the Dia Center for the Arts in New York. Credit: Jorge Pardo.

The Cuban American artist Jorge Pardo (Havana, 1963), who had a solo show at Gagosian Gallery Beverly Hills last summer, was chosen among the recipients of the prestigious fellowship MacArthur award.

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Jorge Pardo Received the 2010 MacArthur Award

The Cuban American artist Jorge Pardo (Havana, 1963), who had a solo show at Gagosian Gallery Beverly Hills last summer, was chosen among the recipients of the prestigious fellowship MacArthur award.

Tony Capellán

While I roamed the halls of the Museo de Arte Moderno of Santo Domingo, I remembered an installation exposition of Tony Capellan in this museum in the late 90s.

By Enriquillo Rodríguez Amiama - Artista y Subdirector del Museo de Arte Moderno de Santo Domingo
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Tony Capellan at the Trienal of Santo Domingo

By Enriquillo Rodríguez Amiama - Artista y Subdirector del Museo de Arte Moderno de Santo Domingo

While I roamed the halls of the Museo de Arte Moderno of Santo Domingo, I remembered an installation exposition of Tony Capellan in this museum in the late 90s.

El Ojo Salvaje: Retratos Paraguayos

The exhibition Retratos Paraguayos en Dos Tiempos, at the CAV/Museo del Barro, presents chronologically different works that converge in a revealing manner even though their creators were never in contact.

By Adriana Almada
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Paraguayan Portraits in Two Eras

By Adriana Almada

The exhibition Retratos Paraguayos en Dos Tiempos, at the CAV/Museo del Barro, presents chronologically different works that converge in a revealing manner even though their creators were never in contact.

Allora & Calzadilla,, Scale of Justice Carried by Shore Foam, 2010

Allora & Calzadilla, the collective created for Jeniffer Allora (born 1974, USA) and Guillermo Calzadilla (born 1971, Cuba), is having its third individual show at Gallery Chantal Crousel in Paris.

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Allora & Calzadilla at Parisien Gallery Chantal Crousel

Allora & Calzadilla, the collective created for Jeniffer Allora (born 1974, USA) and Guillermo Calzadilla (born 1971, Cuba), is having its third individual show at Gallery Chantal Crousel in Paris.

IAC, INSTITUTION INSTITUCION

In the Brazilian scene, where there is still an evident absence of cultural centers with a minimally coherent program the Instituto de Arte Contemporáneo (Contemporary Art Institute) (IAC), inaugurated in Sao Paulo in 2006, constitutes a healthy exception.

By Jacopo Crivelli Visconti
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IAC

By Jacopo Crivelli Visconti

In the Brazilian scene, where there is still an evident absence of cultural centers with a minimally coherent program the Instituto de Arte Contemporáneo (Contemporary Art Institute) (IAC), inaugurated in Sao Paulo in 2006, constitutes a healthy exception.

Anita Teder. Gust. Arcilla negra y porcelana, 18.5 x 18 x 6.5 cm

Elit/Tile 2010, the Fourth International Ceramic Tile Triennial, held in collaboration with the Igneri Foundation/Art and Archaeology at the Centro León in Santiago de los Caballeros, Dominican Republic.

By Adriana Herrera Téllez
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Artistic Revelations in the Ceramic TileTriennial

By Adriana Herrera Téllez

Elit/Tile 2010, the Fourth International Ceramic Tile Triennial, held in collaboration with the Igneri Foundation/Art and Archaeology at the Centro León in Santiago de los Caballeros, Dominican Republic.

Tatlin’s Whisper #6 (Havana Version), 2009. Stage, podium, microphone, loudspeakers, curtain, 2 people in military fatigues, dove, audience, and 200 disposable cameras, Wilfredo Lam Center, Havana. Courtesy of Berezdivin Collection, San Juan, Puerto Rico. El susurro de Tatlin #6 (version para La Habana), 2009. Plataforma, podio, micrófonos, baffles, telón, dos personas con vestimenta militar de faena, paloma, público y 200 cámaras desechables. Centro Wifredo Lam, La Habana. Cortesía Colección Berezdivin, San Juan, Puerto Rico.

DOMINÓ CANÍBAL is an initiative by the Culture and Tourism Council of the region of Murcia encompassed by the PAC (Proyecto de Arte Contemporáneo de Murcia 2010)

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"General Protest" By Tania Bruguera in Dominõ Canibal. PAC Murcia 2010

DOMINÓ CANÍBAL is an initiative by the Culture and Tourism Council of the region of Murcia encompassed by the PAC (Proyecto de Arte Contemporáneo de Murcia 2010)

Sergio Camargo, Relief No. 161-4, 1964, Painted wood relief, 48 x 26  x 5.5 inches (121.9 x 66 x 14  cm) LOT 173

Phillips de Pury & Company’s annual auction of Latin American art will feature contemporary art, photographs, design, and editions including highlights by Fernando Botero, Sergio Camargo, Wifredo Lam

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Annual Auction of Latin American Art by Phillips de Pury & Company in New York

Phillips de Pury & Company’s annual auction of Latin American art will feature contemporary art, photographs, design, and editions including highlights by Fernando Botero, Sergio Camargo, Wifredo Lam

EL ARTE ULTIMO DEL SIGLO XX DEL POSMINIMALISMO A LO MULTICULTURAL de GUASCH, ANNA MARIA

Anna Maria Guasch, accredited Art History professor at the Universidad de Barcelona and art critic, made a lecture about her essay: “From the new internationalism to local speeches: the crossroad of Latin American art on the way to post-modernity in a global age”, at the Museo Universitario Arte Contemporáneo, MUAC, Mexico City.

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Anna María Guasch and her Vision of the Crossroad of Latin American Art at the MUAC

Anna Maria Guasch, accredited Art History professor at the Universidad de Barcelona and art critic, made a lecture about her essay: “From the new internationalism to local speeches: the crossroad of Latin American art on the way to post-modernity in a global age”, at the Museo Universitario Arte Contemporáneo, MUAC, Mexico City.

Frases,  Carlos Garaicoa

Seven carpets rest on the floor of the oldest cooling camera in Matadero Madrid.

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Carlos Garaicoa at Matadero, Madrid

Seven carpets rest on the floor of the oldest cooling camera in Matadero Madrid.

Ergo, materia. Arte povera Presentación del libro Participan: Cuauhtémoc Medina Guillermo Santamarina Luis Felipe Ortega

The Museo Universitario Arte Contemporáneo (MUAC) launched the catalog for the Ergo, materia. Arte povera exposition, during an event with the participation of the curators Cuauhtémoc Medina, and Guillermo Santamarina, and the artist Luis Felipe Ortega.

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The MUAC Launched Catalog of the Ergo, materia. Arte povera Exposition

The Museo Universitario Arte Contemporáneo (MUAC) launched the catalog for the Ergo, materia. Arte povera exposition, during an event with the participation of the curators Cuauhtémoc Medina, and Guillermo Santamarina, and the artist Luis Felipe Ortega.

Gean Moreno/Ernesto Oroza Studio Scrap Stool 2 2010 Scrap wood, screws, rope

The growth of Miami's art community raises questions about its development and direction

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A Discussion About the Growth of Miami’s Art Community

The growth of Miami's art community raises questions about its development and direction

Arturo Herrera,  Padre  2009  Pintura acrílica sobre pared  6,08 x 4,57 m  Foto: Del Re/Stein

The chief curator of the 8th Mercosul Biennial José Roca, has announced the team of curators to work on the curatorial plans for this edition, which is due to take place from September to November 2011, in Porto Alegre, Brazil.

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Mercosul Biennial announces curatorial team for the 8th edition

The chief curator of the 8th Mercosul Biennial José Roca, has announced the team of curators to work on the curatorial plans for this edition, which is due to take place from September to November 2011, in Porto Alegre, Brazil.

Reação Em Cadeia Com Efeito Variável, Carla Zaccagnini. 2010

On September 18th there will be presented, as an integrating part of the exposition To be constructed by Laboratory 987, Reação em cadeia com efeito variável installation by the Argentine artist resident of São Paulo Carla Zaccagnini.

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Carla Zaccagnini: An Installation Around the Sense of Community and Collective Work at MUSAC

On September 18th there will be presented, as an integrating part of the exposition To be constructed by Laboratory 987, Reação em cadeia com efeito variável installation by the Argentine artist resident of São Paulo Carla Zaccagnini.

César Trasobares (Cuba, 1949) RINGHEAD (Exorcism from Style), 1983–present 5 cabinets with rings mixed media, variable dimensions Courtesy of the artist

In 1983, Cesar Trasobares began the construction of RINGHEAD (Exorcism from Style)

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César Trasobares: A Lecture About His Installation of Rings in Human Rites at Bass Museum

In 1983, Cesar Trasobares began the construction of RINGHEAD (Exorcism from Style)