PERFORMANCE AND MYTH IN HECTOR CANONGE

Héctor Canonge began to explore the possibilities of performance almost without being aware of it. With an extensive career in the field of new media and the art surrounding these technologies, and almost by inertia, he incorporates the use of his body in one of his installations, Schema CorpoReal, where his body covered by bar codes was scanned by the public so that, through texts that emerged referring to parts of his body, they ended up constructing a narrative of identity.

By Álvaro de Benito
Reviews

PERFORMANCE AND MYTH IN HECTOR CANONGE

By Álvaro de Benito

Héctor Canonge began to explore the possibilities of performance almost without being aware of it. With an extensive career in the field of new media and the art surrounding these technologies, and almost by inertia, he incorporates the use of his body in one of his installations, Schema CorpoReal, where his body covered by bar codes was scanned by the public so that, through texts that emerged referring to parts of his body, they ended up constructing a narrative of identity.

May 08, 2024
EIGHT DECADES OF CUBAN FIGURATION AND NEO-FIGURATION

Eight Decades of Cuban Figuration and Neo Figuration, the exhibition at Latin Art Core curated by Dennys Matos, reviews more than eight decades of Cuban figurative and neo-figurative works through a selection of emblematic paintings and sculptures by 18 artists from different generations.

Galleries

EIGHT DECADES OF CUBAN FIGURATION AND NEO-FIGURATION

Until 05/25/2024
Miami, Estados Unidos
CHAOS THEORY AT THE GUGGENHEIM BILBAO

The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.

News

CHAOS THEORY AT THE GUGGENHEIM BILBAO

The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.

ANA GALLARDO'S RECONSTRUCTION AND “DELIRIUM”

It could have been an ordinary retrospective, but the decision to participate in some way in the creative process is a differential and even declarative point in Tembló acá un delirio, the exhibition that Museo CA2M in Móstoles delves into the figure, and at first hand, of Ana Gallardo (Rosario, Argentina, 1958).

By Álvaro de Benito
Reviews

ANA GALLARDO'S RECONSTRUCTION AND “DELIRIUM”

By Álvaro de Benito

It could have been an ordinary retrospective, but the decision to participate in some way in the creative process is a differential and even declarative point in Tembló acá un delirio, the exhibition that Museo CA2M in Móstoles delves into the figure, and at first hand, of Ana Gallardo (Rosario, Argentina, 1958).

May 07, 2024
OPEN CALL: SCIENCE, TECHNOLOGY & SOCIETY

Delfina Foundation announced an international open call for its upcoming winter 2025 residency season (January 6th–March 30th) under its recurring thematic program science technology society. Deadline to apply: May 19th, 2024.

Open
Open Calls

OPEN CALL: SCIENCE, TECHNOLOGY & SOCIETY

Delfina Foundation announced an international open call for its upcoming winter 2025 residency season (January 6th–March 30th) under its recurring thematic program science technology society. Deadline to apply: May 19th, 2024.

MEIAC PRESENTS MARTÍN LÓPEZ LAM’S PAISAJE TRANSFERIDO

The Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) in Badajoz is exhibiting, under the title Paisaje Transferido, a wide-ranging show by MartÍn Lopez Lam (Lima, Peru, 1981), one of the main exponents of graphic art in Spain, where he has been living for the last two decades.

By Álvaro de Benito
News

MEIAC PRESENTS MARTÍN LÓPEZ LAM’S PAISAJE TRANSFERIDO

By Álvaro de Benito

The Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) in Badajoz is exhibiting, under the title Paisaje Transferido, a wide-ranging show by MartÍn Lopez Lam (Lima, Peru, 1981), one of the main exponents of graphic art in Spain, where he has been living for the last two decades.

INTERVIEW WITH TANIA PARDO, NEW DIRECTOR OF CA2M MUSEUM

Tania Pardo (Madrid, Spain, 1976) is the new Director of the Museo Centro de Arte Dos de Mayo (CA2M Museum), the museum of contemporary art of the Community of Madrid. Pardo's career until her recent appointment has been built on a detailed work of promotion and visibility of emerging art through the curatorial actions she has developed in numerous Spanish institutions.

By Álvaro de Benito
Interviews

INTERVIEW WITH TANIA PARDO, NEW DIRECTOR OF CA2M MUSEUM

By Álvaro de Benito

Tania Pardo (Madrid, Spain, 1976) is the new Director of the Museo Centro de Arte Dos de Mayo (CA2M Museum), the museum of contemporary art of the Community of Madrid. Pardo's career until her recent appointment has been built on a detailed work of promotion and visibility of emerging art through the curatorial actions she has developed in numerous Spanish institutions.

LA CHOLA POBLETE EXHIBITS VIRGINS, COLONIALISM AND EROTICA IN GUAYMALLÉN

La Chola Poblete, Argentine artist and LGBTQ+ rights activist, draws confrontation between historical stereotypes and contemporary visual languages. Her colourful works in diverse media disrupt prevailing power structures and celebrate the rich culture of South American Indigenous peoples. Titled after her hometown, Guaymallén is La Chola’s solo exhibition at PalaisPopulaire, curated by Britta Färber, head of Deutsche Bank’s international art and culture program.

By Mercedes Abella
Reviews

LA CHOLA POBLETE EXHIBITS VIRGINS, COLONIALISM AND EROTICA IN GUAYMALLÉN

By Mercedes Abella

La Chola Poblete, Argentine artist and LGBTQ+ rights activist, draws confrontation between historical stereotypes and contemporary visual languages. Her colourful works in diverse media disrupt prevailing power structures and celebrate the rich culture of South American Indigenous peoples. Titled after her hometown, Guaymallén is La Chola’s solo exhibition at PalaisPopulaire, curated by Britta Färber, head of Deutsche Bank’s international art and culture program.

May 06, 2024

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