AFFAIR #4: COLLABORATIVE PROPOSALS TO EXPLORE
AFFAIR #4 opened its doors today, October 28, and will run through November 1 in Buenos Aires, Argentina. Featuring 34 galleries and projects, with free admission as a distinctive feature during the city’s busy art fair season, this edition brings together art, collecting, music, and performance. Arte al Día presents a tour to discover and rediscover artists and galleries.
MIGUEL ROTHSCHILD NOMINATED FOR THE EFG LATIN AMERICA ART AWARD
The Berlin-based Argentine artist was selected at Pinta BAphoto with a micro-perforated photograph.
“NO ENCHANTED GARDEN”: LATIN AMERICAN TEAM FOR JUSTICE AND GENDER AT ARTEBA 2026
The stand of the feminist civil society organization presents works by Nicola Costantino, Florencia Breccia, Guido Yannitto, Marina Daiez, and weaving collectives.
POP ART ICON MARISOL IN MUSEUM BOIJMANS VAN BEUNINGEN’S DEPOT
For the first time in 58 years, a major retrospective of the Venezuelan-American artist takes place in Rotterdam
FINAL DAYS TO PROPOSE EXHIBITIONS TO APEXART IN NEW YORK
The free call, open to people from anywhere, funds each project of the 2027-28 season with $10,000.
DAGOBERTO RODRÍGUEZ: TERRACOTTA SATELLITES AND A GYMNASIUM OF THOUGHT IN LUXEMBOURG
The co-founder of Los Carpinteros presents his first solo exhibition in the country at Château de Bourglinster and a former church in Roodt-sur-Syre.
THE 84-YEAR-OLD PANAMANIAN WOMAN HONORED BY ARGENTINE PHOTOGRAPHY
At the 22nd edition of Pinta BAphoto, the honored artist was Sandra Eleta, one of Latin America’s foundational photographers
FOUR ARTISTS IN THE FIRST BRAZILIAN PAVILION AT THE GWANGJU BIENNALE
Marcela Cantuária, Mariana Rocha, Vinicius Gerheim, and Vivian Caccuri take part in Devorações do Amanhã, curated by Aldones Nino and Bruna Levi.
PHOTOGRAPHY OVERFLOWS AFTER 200 YEARS AT PINTA BAphoto
The fair celebrates in Buenos Aires the expansion of the discipline and the way it blends with different materialities, taking shape in endless possibilities.
DANIEL VEGA: “THE AGREEMENT WITH THE OWNERS OF THE GELMAN COLLECTION IS CLOSELY LINKED TO THE AMBITION OF OUR PROJECT”
We spoke with Daniel Vega, director of Faro Santander, to address the cultural strategy of the center, its commitment to territorial engagement, and the controversy surrounding the Gelman Collection, which anchors one of its inaugural exhibitions.
FRIDA AS AN ICON: AN ARGUMENT BETWEEN THESIS AND THE BLOCKBUSTER
The Tate Modern presents a sociological reflection on the construction of Frida Kahlo as a cultural icon through a curatorial discourse that risks becoming a theoretical justification for a proposition of immense commercial appeal.
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