LIVING ARCHIVE: AN INITIATIVE THAT HIGHLIGHTS LATIN AMERICAN ART IN THE UNITED KINGDOM

The project seeks to promote encounters, exchange, and the creation of networks within the British art ecosystem.

News

LIVING ARCHIVE: AN INITIATIVE THAT HIGHLIGHTS LATIN AMERICAN ART IN THE UNITED KINGDOM

The project seeks to promote encounters, exchange, and the creation of networks within the British art ecosystem.

THE REINA SOFÍA STRENGTHENS THE FIGURE OF MARUJA MALLO

Máscara y compás underscores the importance of Maruja Mallo’s Latin American exile as a key stage in her artistic renewal, during which her avant-garde language expanded through the integration of the cultural and symbolic realities of Latin America.

By De Benito, Álvaro
News

THE REINA SOFÍA STRENGTHENS THE FIGURE OF MARUJA MALLO

By De Benito, Álvaro

Máscara y compás underscores the importance of Maruja Mallo’s Latin American exile as a key stage in her artistic renewal, during which her avant-garde language expanded through the integration of the cultural and symbolic realities of Latin America.

KNOWLEDGE AND THE ORGANIC: NEBRASKA FLORES AT PONCE+ROBLES

Nebraska Flores transforms discarded books into organic installations inspired by natural forms of organization. Her intervention at Ponce+Robles proposes a rereading of language as a space for affective cohabitation between matter, body, and knowledge.

 

Galleries

KNOWLEDGE AND THE ORGANIC: NEBRASKA FLORES AT PONCE+ROBLES

Until 03/10/2026
Madrid, Spain
PROCESSES OF A RESIDENCY: POETICS OF OVERFLOW AT SOLANAS ART EXPERIENCE

As part of the 2025 Latin American Residency Program, SAE presents a group exhibition that highlights the processes of production, research, and experimentation developed by eight artists in dialogue with Punta Ballena.

Residences

PROCESSES OF A RESIDENCY: POETICS OF OVERFLOW AT SOLANAS ART EXPERIENCE

As part of the 2025 Latin American Residency Program, SAE presents a group exhibition that highlights the processes of production, research, and experimentation developed by eight artists in dialogue with Punta Ballena.

CARLOS CRUZ‑DIEZ AT CAYÓN: A LEGACY OF COLOR THEORY

El plano inestable (The Unstable Plane) upholds Carlos Cruz‑Diez’s investigative legacy in an exhibition that delves into the exploration of chromatic autonomy and dynamism while incorporating the visitor’s perception and experience.

 

Galleries

CARLOS CRUZ‑DIEZ AT CAYÓN: A LEGACY OF COLOR THEORY

Until 02/25/2026
Madrid, Spain
Alberto Baraya: Viaje a Galicia, vista general. Cortesía de Fernando Pradilla

Alberto Baraya brings together his projects Vento and Camelias Expedition, developed in Galicia, in an exhibition that combines video and installation as records of artistic and scientific action and research, reflecting on landscape, botany, and methods of exploration.

Galleries

ALBERTO BARAYA’S GALICIA, BROUGHT TOGETHER AT FERNANDO PRADILLA

Until 02/21/2026
Madrid, Spain
FIRST INDIGENOUS ART BIENNIAL IN BUENOS AIRES

The event will bring together 46 Indigenous artists from different regions of Argentina and neighboring countries, with exhibitions and activities taking place between February and April.

By Méndez, Violeta
News

FIRST INDIGENOUS ART BIENNIAL IN BUENOS AIRES

By Méndez, Violeta

The event will bring together 46 Indigenous artists from different regions of Argentina and neighboring countries, with exhibitions and activities taking place between February and April.

SPANISH GALLERIES AND TAX DISPARITY: A COMPETITIVE DISADVANTAGE

Spanish art galleries are protesting with a temporary closure against a tax policy that places them at a competitive disadvantage compared to their European counterparts. The sector is calling for the application of a reduced VAT rate to ensure commercial competitiveness and to continue strengthening and reinvesting in the cultural ecosystem.

By De Benito, Álvaro
MARKET

SPANISH GALLERIES AND TAX DISPARITY: A COMPETITIVE DISADVANTAGE

By De Benito, Álvaro

Spanish art galleries are protesting with a temporary closure against a tax policy that places them at a competitive disadvantage compared to their European counterparts. The sector is calling for the application of a reduced VAT rate to ensure commercial competitiveness and to continue strengthening and reinvesting in the cultural ecosystem.

FINAL WEEKS TO VISIT FERNANDO SAMPIETRO’S CRITICAL RETROSPECTIVE AT MUSEO CABAÑAS

The exhibition Antenas al vacío revisits the work of the Mexican artist and expands into a book that addresses contemporary art, experimental cinema, and Latin American visual thought.

News

FINAL WEEKS TO VISIT FERNANDO SAMPIETRO’S CRITICAL RETROSPECTIVE AT MUSEO CABAÑAS

The exhibition Antenas al vacío revisits the work of the Mexican artist and expands into a book that addresses contemporary art, experimental cinema, and Latin American visual thought.

THE GLACIER AND ITS ANDEAN GUARDIANS: ÁNGELA PONCE IN NEW YORK

The photographic work of the Peruvian artist reveals the lived realities of Andean communities in the face of climate change.

News

THE GLACIER AND ITS ANDEAN GUARDIANS: ÁNGELA PONCE IN NEW YORK

The photographic work of the Peruvian artist reveals the lived realities of Andean communities in the face of climate change.

OPEN CALL FOR THE 2026 INTERNATIONAL SUMMER PROGRAM

A four-week intensive residency at The Watermill Center brings together artists from diverse disciplines in an experimental and collaborative environment. Application deadline: Wednesday, February 18, 2026.

Open
Open Calls

OPEN CALL FOR THE 2026 INTERNATIONAL SUMMER PROGRAM

A four-week intensive residency at The Watermill Center brings together artists from diverse disciplines in an experimental and collaborative environment. Application deadline: Wednesday, February 18, 2026.

THE CENSORSHIP OF MOURNING: SOUTH AFRICA AND THE 2026 VENICE BIENNALE

The exclusion of Gabrielle Goliath’s work due to its reference to Gaza exposes the tensions between memory, mourning, and political power in contemporary art.

By Méndez, Violeta
News

THE CENSORSHIP OF MOURNING: SOUTH AFRICA AND THE 2026 VENICE BIENNALE

By Méndez, Violeta

The exclusion of Gabrielle Goliath’s work due to its reference to Gaza exposes the tensions between memory, mourning, and political power in contemporary art.

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