ARTBO: MUCH MORE THAN AN ART FAIR
Some art fairs are defined primarily by their galleries, while others also seek to explain the cultural context in which they take place. ARTBO clearly belongs to the second category. Created in 2004 by the Bogotá Chamber of Commerce, it was conceived with an ambition that goes beyond organizing an art fair: to support the development of the art market, contribute to the city’s cultural ecosystem, and connect the Colombian and Latin American art scene with the international art world.
OPEN CALL: LAB ART PRIZE FOR CONTEMPORARY ART
Among the 12 finalists, awards will include up to €2,000 in acquisition, €1,000 in cash, and a monograph. Deadline: November 12.
TRANSFORMATION AND COEXISTENCE IN BRENDA CABRERA’S UNIVERSE
DOCUMENTA 16 UNVEILS ITS VISUAL IDENTITY AND OPENS TICKET SALES
Naomi Beckwith's edition runs in Kassel from June 12 to September 19, 2027, with a poster series and two books on the way.
SEBA CALFUQUEO: "I AM INTERESTED IN BLOWING UP PRE-ESTABLISHED IDEAS ABOUT THE INDIGENOUS"
We spoke with Seba Calfuqueo on the occasion of her first institutional exhibition in Europe, at the Museo Thyssen-Bornemisza in Madrid, an exhibition that delves into the relationship with territory through history and identity from a heterogeneous, contemporary perspective.
"CIUDAD ARMERO": CARLOS GARAICOA ON THE COLOMBIAN TOWN THAT DISAPPEARED IN 1985
ART AND POLITICS IN PRESENT TIMES: GABRIELA GOLDER AT ARTHAUS
The exhibition Estado de Asamblea and a live action bring together images, voices, and texts to collectively discuss the present.
GÊ VIANA IN VIENNA: AFRO-BRAZILIAN MEMORY, SOUND, AND THE ARCHIVE
The Brazilian artist’s exhibition at the newly inaugurated MEZEKƎRƎ explores Afro-Pindoramic forms of knowledge and traditions through documentation, sound, and radiolas, creating spaces for encounter and the preservation of collective identity.
ESTEBAN VICENTE IN NEW YORK: THE PAINTER OF REALITY
Eighteen works from 1940 to 1996 arrive at the Instituto Cervantes following their run in Rome, Warsaw, and Paris.
INTERVIEW WITH JOSÉ ROCA: “THE SPECIFICITY OF A MEDIUM GENERATES EXPECTATIONS THAT CAN BE DISRUPTED”
A conversation with the curator of the 37th Ljubljana Biennale of Graphic Arts on navigating biennial management within a turbulent global landscape, detailing his collaborative, site-responsive project exploring expanded printmaking for the 2027 edition.
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