THE BOGOTÁ BIENNIAL RETURNS IN 2027 AND ANNOUNCES ITS CURATORIAL TEAM
The second edition of the International Art and City Biennial will take place in September 2027, guided by a curatorial framework centered on relationships between human and non-human species.
LANDMARK OLGA DE AMARAL RETROSPECTIVE DEBUTS AT THE PULITZER ARTS FOUNDATION IN ST. LOUIS
Weaving the Infinite brings together 86 works curated by Stephanie Weissberg and will be on view in September.
FotoCreativaBA LAUNCHES TWO INTERNATIONAL OPEN CALLS IN EXPANDED PHOTOGRAPHY IN JAPAN AND CHINA
The Buenos Aires-based platform opens two simultaneous artist residency programs: one in collaboration with IDEA R LAB in Kurashiki and another with OrganHaus in Chongqing.
TRINI ENERGICI'S POETICS OF MATTER AT LA NEOMUDÉJAR
A Madrid exhibition brings together Trini Energici's material research, in which her work explores the transformation of materials as a metaphor for memory, territory, and change.
ALEXANDRE ESTRELA BRINGS ART, SCIENCE AND PHILOSOPHY INTO DIALOGUE IN ELVAS
The Portuguese artist concludes his exhibition trilogy at MACE with a solo exhibition in which children's drawings, cognitive development and representation intersect with references drawn from art, science and philosophy.
LATIN AMERICA RECONFIGURES THE CRITICAL FRAMEWORK OF THE CERVEIRA BIENNIAL
The 24th Cerveira International Art Biennial consolidates its commitment to contemporary art as a site of critical inquiry through a significant Latin American presence that interrogates territory, memory, and identity from decolonial and transnational perspectives.
MARCO A. CASTILLO’S DRAWINGS AS A REVISITATION OF REVOLUTIONARY UTOPIA
WHO WAS MIGUEL FERRANDO, THE DOMINICAN PAINTER OF NEW YORK'S QUEER DOWNTOWN SCENE?
RECLAIMING PAZ ERRÁZURIZ'S PHOTOGRAPHY OF RESISTANCE AT MUCAC
A solo exhibition in Málaga traces the career of the Chilean photographer and her ability to transform the portrayal of society's margins into an exercise in memory, dignity, and resistance.
GRAPHIC DESIGN AS ARTISTIC PRACTICE IN LATIN AMERICA AND THE CARIBBEAN: A HISTORICAL DEBT OF THE ART ECOSYSTEM
Graphic design is one of the most influential engines of contemporary visual culture in Latin America and the Caribbean. Its aesthetic, political, and social impact on the construction of identities and public spheres is undeniable. Yet its presence in the market and in the legitimizing structures of contemporary art continues to occupy a peripheral position.
SANDRA RAMOS IMAGINES NEW ITHACAS IN LAS PALMAS
The CAAM presents an exhibition dedicated to Sandra Ramos that positions art as a tool for imagining possible futures in the face of an unstable world. Through her work, the artist addresses themes such as identity, migration, and displacement from a critical and poetic perspective.
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