BRICKS AND RATIONAL SPIRIT, THE CHURCH CRISTO OBRERO IS “SILENTLY REVOLUTIONARY”
Mathematical design, red brick, and calibrated light take center stage in a work that rejects the traditional hierarchy of the church.
MIGUEL ESCOBAR INAUGURAL RECIPIENT OF THE IAN ROSENFELD FUND
Global selection underscores the Colombian singular pictorial language shaped by tension, staging, and introspective inquiry.
“CEDICIÓN” BY ALFREDO COLOMA: AN EPISTEMOLOGICAL INTERVENTION IN PLURINATIONAL BOLIVIA
“From a distance (while living in Europe), I saw another Bolivia through the ways it was (self-)represented on social media and in the press, and I consumed images produced in the country that did not fall within the sphere of ‘culture,’ yet in my view revealed a much richer complexity. The Cedición projects emerged from these collections of images, or from texts and representations that were not official, so to speak.” (Coloma, 2025).
MASP: CONTESTED NARRATIVES BETWEEN REPLICA AND WEAVING
Two parallel exhibitions revisit dominant narratives through practices that interrogate archive, materiality, and community in Latin America.
AT THE INTERSECTION OF SCIENCE AND POETICS: LUCÍA PIZZANI IN THE UNITED KINGDOM
WHITNEY BIENNIAL 2026, A FIELD DENSE WITH ENCOUNTERS
The intergenerational selection traces a sensitive map of practices connected to the United States, where affective, political, and technological ties intertwine through an experimental lens.
DIALOGUES WITH THE LEGACY OF BURLE MARX, AT MAC/CCB
Lugar de estar: o legado Burle Marx (A Place to Be: The Legacy of Burle Marx) is the exhibition presented by Lisbon’s MAC/CCB – Museum of Contemporary Art and Architecture Center, showcasing an extensive selection of landscape projects for public spaces developed by Roberto Burle Marx (São Paulo, Brazil, 1909 – Rio de Janeiro, Brazil, 1994) and his collaborators over nearly seventy years.
MODERN MEXICO CITY IN JUAN GUZMÁN’S PHOTOGRAPHS, AT ICME
The exhibition dedicated to the German-born photojournalist, featuring a selection from his archive—now safeguarded by the Fundación Televisa—focuses on documenting the transformation and growth of Mexico City in the mid-20th century, highlighting its social and urban contrasts.
GARAICOA AND IBARRA FEATURED IN CAAM’S INAUGURAL GROUP SHOW
The CAAM opens its new season with an exhibition showcasing five recent acquisitions, highlighting works by Carlos Garaicoa and Karlo Andrei Ibarra that explore memory, space, and transformation.
A REINTERPRETATION OF THE FUENTES ANGARITA COLLECTION AT LA NEOMUDÉJAR
La Neomudéjar presents over 130 works from the Fuentes Angarita Collection, mapping three decades of Latin American political art through themes of identity, gender, diaspora, and the memory of the body.
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