INTERVIEW WITH JOSÉ ROCA: “THE SPECIFICITY OF A MEDIUM GENERATES EXPECTATIONS THAT CAN BE DISRUPTED”
A conversation with the curator of the 37th Ljubljana Biennale of Graphic Arts on navigating biennial management within a turbulent global landscape, detailing his collaborative, site-responsive project exploring expanded printmaking for the 2027 edition.
ESTEBAN VICENTE IN NEW YORK: THE PAINTER OF REALITY
Eighteen works from 1940 to 1996 arrive at the Instituto Cervantes following their run in Rome, Warsaw, and Paris.
HISTORY IN PHOTOGRAPHY, A COPY OF A COPY: THOMAS DEMAND AT PROA
The Fukushima control room, Snowden's refuge in Moscow, and Bill Gates's dorm room: built in cardboard, photographed, and destroyed.
MARIA KANAKIS YANG APPOINTED DEPUTY DIRECTOR OF THE SOLOMON R. GUGGENHEIM MUSEUM
Experienced arts executive brings more than 15 years of leadership across major museums and performing arts institutions to the Guggenheim.
INSIDE MASP'S NEW UNDERGROUND PASSAGEWAY: 98 METERS OF BEATRIZ MILHAZES
Pietrolina borrows the rhythm of a Carnival parade, brought to life in 33 acrylic shades.
SIXTY YEARS OF LEANDRO KATZ, TOGETHER FOR THE FIRST TIME, AT THE BELLAS ARTES
La noche y las palabras brings together the artist's installations, photographs, films, and drawings, curated by Francisco Lemus and Mariana Marchesi.
JOSÉ BEDÍA: HERITAGE AND TRADITION AS AN ACT OF COMMUNICATION
"DISCO INFERNO" RAISES MEXICO'S DEAD AT GASWORKS, LONDON
ARTISTIC ECLIPSE IN BUENOS AIRES: ARTEBA, Pinta BAphoto and AFFAIR
In late October and early November, the city of Buenos Aires will host three fairs with three distinct identities in a single period of intense artistic activity.
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