The exhibition by the Ecuadorian artist, featuring works created specifically for the Córdoba space, proposes a journey in which the viewer is invited to explore concepts such as migration, memory, and colonialism by moving through a space that brings together history and displacement.

Embajada presents in Madrid a group exhibition that traces a panorama of artistic practices from a Caribbean context exploring languages, identities, and cultural forms.

The Brazilian artist’s work starts from still life to reinterpret pictorial concepts, integrating references from art history into a distinctive visual language.

Melen (Lima, 2001), one of the most outstanding young artists of his generation, is participating in the current Making Context group exhibition, curated by Martin Gustavson and Rodrigo Gomez Olivos.

The Cuban employs the metaphor of chess to reflect on the tensions within the art industry, examining, from a postmodern perspective, originality, the commodification of aesthetics, and its impact on the artist.

The textile work of Trine Ellitsgaard emerges between her Scandinavian origins and Mexican craft traditions, where materials and techniques construct a dialogue between memory, territory, and form. 

The exhibition in Chicago brings together 36 Latin American artists who, through more than 40 works, challenge colonial narratives through critical, community-based, and resistance-oriented practices.

Into the Time Horizon, at the Nevada Museum of Art, unfolds as one of the most expansive surveys of environmental art in the United States, combining critical diagnosis with concrete proposals in the face of the climate crisis.

Tucked between Punta del Este and Montevideo in the unassuming coastal town of Atlántida, Uruguay, lies one of the most powerful and tenacious examples of twentieth-century architecture in the world: La Iglesia Cristo Obrero.