IT'S A BEAUTIFUL DAY, YOU'LL SEE SOMEONE COME ALONG AND RUIN IT

Walter Otero Contemporary Art

News

IT'S A BEAUTIFUL DAY, YOU'LL SEE SOMEONE COME ALONG AND RUIN IT

Walter Otero Contemporary Art

TWO PERUVIAN ARTISTS EXPLORE FOLIAGE AS MATERIAL AND METAPHOR AT LA MANCHA GALERÍA

Detrás del Follaje brings together textile works and drawings by Alejandra Ortiz de Zevallos alongside paintings and ceramics by Fabiola Gonzáles.

Galleries

TWO PERUVIAN ARTISTS EXPLORE FOLIAGE AS MATERIAL AND METAPHOR AT LA MANCHA GALERÍA

Until 09/04/2026
Lima, Perú
THE MORTON ARBORETUM ANNOUNCES "TREE DIMENSIONS," AN IMMERSIVE ART EXHIBITION IN ILLINOIS

Rommy González presents five large-scale sculptures that invite visitors to enter, explore, and experience trees in unique ways.

News

THE MORTON ARBORETUM ANNOUNCES "TREE DIMENSIONS," AN IMMERSIVE ART EXHIBITION IN ILLINOIS

Rommy González presents five large-scale sculptures that invite visitors to enter, explore, and experience trees in unique ways.

EMILIA DE LAS CARRERAS, THE ARTIST WHO PRACTICES FICTIONAL TAXIDERMY

Just as Emilia de las Carreras (Buenos Aires, 1989) looks at the hermit crab and understands that leaving a mark means that life leaves marks on you too, engaging with her artistic practice inevitably means that little crusts of her narrative stick to us: the methodology she works with, her intuition as a collector, her thinking of the body as geology, her obsessions, her skeletal and exoskeletal sculptures. The artist's work explores bodies and their remains through a visual and sensory operation crossed with scientific research and self-knowledge, giving shape to pieces that evoke an intersection of the archaeological, the clinical, and the speculative. Her approach to art could easily fill dozens of pages; this is only one chapter.

 

Interviews

EMILIA DE LAS CARRERAS, THE ARTIST WHO PRACTICES FICTIONAL TAXIDERMY

Just as Emilia de las Carreras (Buenos Aires, 1989) looks at the hermit crab and understands that leaving a mark means that life leaves marks on you too, engaging with her artistic practice inevitably means that little crusts of her narrative stick to us: the methodology she works with, her intuition as a collector, her thinking of the body as geology, her obsessions, her skeletal and exoskeletal sculptures. The artist's work explores bodies and their remains through a visual and sensory operation crossed with scientific research and self-knowledge, giving shape to pieces that evoke an intersection of the archaeological, the clinical, and the speculative. Her approach to art could easily fill dozens of pages; this is only one chapter.

 

THE DUTCH PAVILION AND A PERFORMANCE OF CONTRASTS IN VENICE

An orderly, Dutch line. A pavilion, white, tall and closed. We were given generic instructions: no filming, keep silent, respect the tempo of the piece. All the visitors entered together and we followed the implicit choreography, finding where to place ourselves in the space. There is something terribly solemn in performances that make room for waiting, that builds tension.

Reviews

THE DUTCH PAVILION AND A PERFORMANCE OF CONTRASTS IN VENICE

An orderly, Dutch line. A pavilion, white, tall and closed. We were given generic instructions: no filming, keep silent, respect the tempo of the piece. All the visitors entered together and we followed the implicit choreography, finding where to place ourselves in the space. There is something terribly solemn in performances that make room for waiting, that builds tension.

August 21, 2026
MASP PRESENTS INTERNATIONAL GROUP EXHIBITION “HISTÓRIAS LATINO-AMERICANAS”

Spanning five floors of the Pietro Maria Bardi Building, the exhibition brings together works by 148 artists, including previously unseen works, to examine how the idea of Latin America was constructed and continues to be contested today.

News

MASP PRESENTS INTERNATIONAL GROUP EXHIBITION “HISTÓRIAS LATINO-AMERICANAS”

Spanning five floors of the Pietro Maria Bardi Building, the exhibition brings together works by 148 artists, including previously unseen works, to examine how the idea of Latin America was constructed and continues to be contested today.

VENTANA GALERÍA PRESENTS “CORPORALIDADES” AT CANTRAL NEWBERY

The third edition of the curatorial cycle El amor puede funcionar brings together works by Jovita Kelmelmajer, Matías Jesús Funes, Romina Cruz, and guest artist Carla Fonseca.

Galleries

VENTANA GALERÍA PRESENTS “CORPORALIDADES” AT CANTRAL NEWBERY

The third edition of the curatorial cycle El amor puede funcionar brings together works by Jovita Kelmelmajer, Matías Jesús Funes, Romina Cruz, and guest artist Carla Fonseca.

“PANCHITO & MAXSI,” VIVIAN SUTER'S WORK IN ATHENS

Under the exhibition design by Japanese architect Hiroyuki Kimura, the Melas Martinos Gallery showcases the work of Vivian Suter—an artist who works with Guatemala’s natural elements—across two floors.

Galleries

“PANCHITO & MAXSI,” VIVIAN SUTER'S WORK IN ATHENS

Until 01/16/2027
Athens, Greece
TANIA CANDIANI, LEÓN FERRARI AND SARA FLORES: THREE PARALLEL SHOWS IN ARDEZ

On view through August 31 in proyectoamil, the program spans video, sculpture, and painting shaped by ritual, material experimentation, and ancestral knowledge systems.

News

TANIA CANDIANI, LEÓN FERRARI AND SARA FLORES: THREE PARALLEL SHOWS IN ARDEZ

On view through August 31 in proyectoamil, the program spans video, sculpture, and painting shaped by ritual, material experimentation, and ancestral knowledge systems.

SANDRA GAMARRA HESHIKI CONNECTS CIVIC PROTEST AND COLONIAL HISTORY IN HER NEW SHOW IN LIMA

Construction of Events brings together Andean ceramics, archival appropriation, and clay mural painting at the Museo de Arte Contemporáneo de Lima, tracing an arc of over four centuries of Peruvian history.

News

SANDRA GAMARRA HESHIKI CONNECTS CIVIC PROTEST AND COLONIAL HISTORY IN HER NEW SHOW IN LIMA

Construction of Events brings together Andean ceramics, archival appropriation, and clay mural painting at the Museo de Arte Contemporáneo de Lima, tracing an arc of over four centuries of Peruvian history.

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