The gallery will inaugurate a new venue where historical works by artists from the Global South will be presented.

On the Amador Causeway, right at the entrance to the Panama Canal of the Pacific Ocean, the Museum of Biodiversity takes place, with a structure that does not go unnoticed both for its shapes and for its color. It is an avant-garde building that coexists with the natural  environment.

During the Central American country’s art week, works that study histories, recreate them, and bring them into reflection will be presented. From the play with materials to the manipulation of space, Lulu Molinares, Cisco Merel, Arístides Ureña Ramos, and Isabel de Obaldía create pieces that propose alternative readings of memory, territory, and everyday life.

Amalanga Awafani, an exhibition by the South African visual artist in Panama City, leads us to think about the passage of time and how identity and dignity cease to be a constant.

The Panamanian gallery will host the work of Irene Kopelman this month, a project that keeps open the interval between seeing and understanding.

Inspired by the Amazon rainforest and the Florida Everglades, the project commissioned for the 2026 Whitney Biennial invites players to explore the interconnections between natural ecosystems and technological systems.

The museum seeks to reaffirm its leadership as a cultural institution and its commitment to a more sustainable, inclusive, and creative future for the country and the region. Application deadline: March 29, 2026.

Lucía Sanromán and Aimee Harrison to co-curate the 14th edition of the festival, taking place from 5 June 2027 until 12 September 2027.

Glenda León creates a space where art, sound, and dance engage in dialogue in the face of the erosion of traditional systems of belief, through symbols that allow us to rethink the meaning of the contemporary from a ritual perspective.