ABOUT THE BLAQUIER-ARRIETA COLLECTION
This article is the first of a four-part series exploring how the collection was built, its journey towards the international market, the twelve paintings now coming to auction and, finally, what the sale results reveal about the market for major Impressionist and Post-Impressionist works.
TOBIAS OSTRANDER: “LATIN AMERICA IS A VERY POTENT SOURCE FOR RETHINKING ART HISTORY”
We speak with Tobias Ostrander, the Estrellita B. Brodsky Adjunct Curator of Latin American Art at Tate Modern, at a moment of growing international recognition for Latin American art, as the institution presents three major exhibitions. The conversation explores the region’s growing visibility, the reassessment of the art-historical canon, and the importance of building a global art history grounded in diverse perspectives and local contexts.
LONDON AND PARIS: TWO WEEKS TAKING THE PULSE OF THE ART MARKET
For years, the proximity of Frieze London and Art Basel Paris has prompted the same question: which city comes out on top? Having visited both fairs this autumn, I think the question deserves a different approach.
NICOLA COSTANTINO BRINGS A CERAMIC GARDEN TO L’SPACE GALLERY IN NEW YORK
MIGUEL ÁNGEL ROJAS: PRACTICES AND NARRATIVE FROM THE DARKNESS
The Museo Reina Sofía in Madrid reviews over half a century of the Colombian artist’s career with an exhibition that transforms the night and autobiographical experience into key elements for addressing identity, violence, and social and political conflicts through a consolidated formal language.
LIVING MEMORIES OF CASSAVA: PHOTOGRAPHY AND MBYA-GUARANÍ KNOWLEDGE IN BUENOS AIRES
Kalie Granier presents at Paco Urondo a project developed with the Tava Miri community in Misiones that explores the relationships between people, plants, and land.
SEBASTIÃO SALGADO IN MADRID: AN APPEAL TO THE BEAUTY AND FRAGILITY OF WATER
An exhibition in the Spanish capital gathers nearly one hundred photographs by the Brazilian artist, centering on the landscape aesthetics of water and advocating for the urgent need for its protection.
ART IS A LONG JOURNEY ATTAINED THROUGH DISCIPLINE: OLMEDO QUIMBITA
An interview with painter Olmedo Quimbita (Latacunga, Ecuador, 1965)
AMANDA DE LA GARZA: «MUSEUMS ARE NO LONGER REGARDED AS THE SOLE AUTHORITIES ON TRUTH»
The Mexican cultural practitioner and president of CIMAM discusses the principal challenges facing museums—from diversity and funding to ethics and independence—ahead of the Annual Conference of an organization seeking to broaden the voices participating within it.
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