A RESIDENCY FOR ARTISTS FROM LATIN AMERICA AND THE CARIBBEAN IN PARIS
Association Noemi – Espace Brownstone and Art in Latin America have launched an open call that will select one artist for a two-and-a-half-month residency. Application deadline: October 15, 2026.
COLORS AND TEXTURES AT PLATEADA, LA PLATA’S ARGENTINE ART FAIR
With a work by Aldo de Sousa greeting visitors at the fair’s entrance, serving as a sort of La Plata city’s grial, as Facundo Belén—artistic director of Plateada alongside Virginia Martin—described it, Plateada presents its 2026 edition in the main hall of the Teatro Argentino in La Plata, Argentina.
LIGHT ANIMATES ALBANO AFONSO'S FOREST IN MALLORCA
In his exhibition in Pollença, the Brazilian artist proposes an immersive experience that moves beyond contemplation, inviting viewers to reflect on nature as an ongoing process of which human beings form an integral part.
IRENE GELFMAN TO PARTICIPATE IN SECRETS OF COLLECTING
Various leading figures from the collecting world will come together at the Museo Nacional de Arte Decorativo to discuss the power of cultural platforms to drive artists and projects forward.
COSMOS: PATRICE DE SANTA COLOMA DEVELOPED A RESIDENCY IN SAN LUIS POTOSÍ BETWEEN COLOR, MATTER, AND TERRITORY
The Franco-Argentine artist's project proposes that the work be born from direct contact between the artist's chromatic universe and the light, landscape, matter, and particularities of the Altiplano Potosino.
MEMORIA STRATA: A MATERIAL STUDY AS A TRIGGER FOR LATIN AMERICAN MIGRATORY MEMORY
"The spiral is a form of transit, a structure that transforms whoever moves through it." With that statement, curator Enzzo Hernández opened the presentation of Memoria Strata, the new artistic research project by Elmer Castillo, inaugurated on August 7 at Estudio-Galleria Mansión Castillo, in Havana.
EMILIA DE LAS CARRERAS, THE ARTIST WHO PRACTICES FICTIONAL TAXIDERMY
Just as Emilia de las Carreras (Buenos Aires, 1989) looks at the hermit crab and understands that leaving a mark means that life leaves marks on you too, engaging with her artistic practice inevitably means that little crusts of her narrative stick to us: the methodology she works with, her intuition as a collector, her thinking of the body as geology, her obsessions, her skeletal and exoskeletal sculptures. The artist's work explores bodies and their remains through a visual and sensory operation crossed with scientific research and self-knowledge, giving shape to pieces that evoke an intersection of the archaeological, the clinical, and the speculative. Her approach to art could easily fill dozens of pages; this is only one chapter.
MARINA DE CARO TAKES PART IN THE EKWC INTERNATIONAL RESIDENCY, THE NETHERLANDS
The Argentine artist is in Oisterwijk developing a project that will conclude once her works have reached different corners of the globe.
TWO PERUVIAN ARTISTS EXPLORE FOLIAGE AS MATERIAL AND METAPHOR AT LA MANCHA GALERÍA
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