LIVING ARCHIVE: AN INITIATIVE THAT HIGHLIGHTS LATIN AMERICAN ART IN THE UNITED KINGDOM
The project seeks to promote encounters, exchange, and the creation of networks within the British art ecosystem.
THE REINA SOFÍA STRENGTHENS THE FIGURE OF MARUJA MALLO
Máscara y compás underscores the importance of Maruja Mallo’s Latin American exile as a key stage in her artistic renewal, during which her avant-garde language expanded through the integration of the cultural and symbolic realities of Latin America.
PROCESSES OF A RESIDENCY: POETICS OF OVERFLOW AT SOLANAS ART EXPERIENCE
As part of the 2025 Latin American Residency Program, SAE presents a group exhibition that highlights the processes of production, research, and experimentation developed by eight artists in dialogue with Punta Ballena.
ALBERTO BARAYA’S GALICIA, BROUGHT TOGETHER AT FERNANDO PRADILLA
FIRST INDIGENOUS ART BIENNIAL IN BUENOS AIRES
The event will bring together 46 Indigenous artists from different regions of Argentina and neighboring countries, with exhibitions and activities taking place between February and April.
SPANISH GALLERIES AND TAX DISPARITY: A COMPETITIVE DISADVANTAGE
Spanish art galleries are protesting with a temporary closure against a tax policy that places them at a competitive disadvantage compared to their European counterparts. The sector is calling for the application of a reduced VAT rate to ensure commercial competitiveness and to continue strengthening and reinvesting in the cultural ecosystem.
FINAL WEEKS TO VISIT FERNANDO SAMPIETRO’S CRITICAL RETROSPECTIVE AT MUSEO CABAÑAS
The exhibition Antenas al vacío revisits the work of the Mexican artist and expands into a book that addresses contemporary art, experimental cinema, and Latin American visual thought.
THE GLACIER AND ITS ANDEAN GUARDIANS: ÁNGELA PONCE IN NEW YORK
The photographic work of the Peruvian artist reveals the lived realities of Andean communities in the face of climate change.
OPEN CALL FOR THE 2026 INTERNATIONAL SUMMER PROGRAM
A four-week intensive residency at The Watermill Center brings together artists from diverse disciplines in an experimental and collaborative environment. Application deadline: Wednesday, February 18, 2026.
THE CENSORSHIP OF MOURNING: SOUTH AFRICA AND THE 2026 VENICE BIENNALE
The exclusion of Gabrielle Goliath’s work due to its reference to Gaza exposes the tensions between memory, mourning, and political power in contemporary art.
Subscribe
to receive news through our weekly newsletter or information related to the world of art

