WHO ARE THE CURATORS THAT WILL LEAD THE NEXT BIENAL DE SÃO PAULO
For the second time in its history, two Brazilian curators take on the artistic direction of Latin America's largest visual arts event.
SILENCE HAS MATTER: ETHIOPIA BRINGS THE WORK OF TEGENE KUNBI TO THE VENICE BIENNALE
The exhibition offers a political reading through paintings that bring together sacred, industrial, and domestic textiles within a single visual field.
THE ART MARKET IN FIVE POINTS: SALARIES
Prestige at a Discount: Salaries and Careers in the Art World
EFG LATIN AMERICA ART AWARD PRESENTS THE NOMINATED ARTIST AT SP-ARTE 2026
Cristiano Lenhardt was selected for his series of works born from his encounter with the environmental tragedy of the 2024 floods in southern Brazil.
BOTERO RETURNS TO SEOUL WITH HIS LARGEST RETROSPECTIVE IN ASIA
More than 112 works by the Colombian master — several never shown before — arrive at the Hangaram Art Museum in an exhibition on view through August 30, 2026.
HOW TO READ A POROUS WORK AT PINTA LIMA 2026
In conversation with Ilaria Conti, curator of the fair's Radar section, we learn how to adjust our gaze when encountering the Guatemalan work of Angélica Serech, presented by La Galería Rebelde.
CUBA PRESENTS "FREE MEN" AT THE VENICE BIENNALE
Cuban artist Roberto Diago presents a sculptural installation that turns the scar into an emblem of identity and precariousness into an act of sovereignty.
NEREIDA APAZA MAMANI: A HISTORY OF MIGRATION AND VIOLENCE AT THE ICPNA CULTURAL IN MIRAFLORES
The exhibition Lengua materna (Mother language) is a journey through the intimate and social spaces that have shaped the work of the artist.
A CONVERSATION AROUND POLITICS, AFFECTION AND LISTENING WITH SOL HENARO
Director of the Museo Universitario del Chopo, Sol Henaro reflects on her role, the tensions within the institution, and the construction of communities from a curatorial perspective.
"NOBODY CAN DEFEAT ME": THE BRAZILIAN PAVILION IN VENICE BETWEEN SPIRITUALITY, HISTORY, AND NATURE
Curated by Diane Lima, the exhibition brings together Adriana Varejão and Rosana Paulino for the first time to rewrite the wounds of colonialism.
CARLOS RUNCIE TANAKA’S CERAMICS IN PINTA LIMA’S SPECIAL PROJECT
"Repeating and mastering form, shaping clay spheres, is like offering a prayer with no beginning or end in time. When I look, I hear distant music" — Carlos Runcie Tanaka (A Zen Parable and Ten Small Stories, 2007)
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