INTERVIEW WITH SEBA CALFUQUEO: "I'M INTERESTED IN BLOWING UP ESTABLISHED IDEAS ABOUT INDIGENEITY"
We spoke with Seba Calfuqueo about her first institutional exhibition in Europe, at the Museo Thyssen-Bornemisza in Madrid, a show that delves into the relationship with territory through history and identity, from a heterogeneous and contemporary perspective.
DOCUMENTA 16 UNVEILS ITS VISUAL IDENTITY AND OPENS TICKET SALES
Naomi Beckwith's edition runs in Kassel from June 12 to September 19, 2027, with a poster series and two books on the way.
"CIUDAD ARMERO": CARLOS GARAICOA ON THE COLOMBIAN TOWN THAT DISAPPEARED IN 1985
ART AND POLITICS IN PRESENT TIMES: GABRIELA GOLDER AT ARTHAUS
The exhibition Estado de Asamblea and a live action bring together images, voices, and texts to collectively discuss the present.
GÊ VIANA IN VIENNA: AFRO-BRAZILIAN MEMORY, SOUND, AND THE ARCHIVE
The Brazilian artist’s exhibition at the newly inaugurated MEZEKƎRƎ explores Afro-Pindoramic forms of knowledge and traditions through documentation, sound, and radiolas, creating spaces for encounter and the preservation of collective identity.
ESTEBAN VICENTE IN NEW YORK: THE PAINTER OF REALITY
Eighteen works from 1940 to 1996 arrive at the Instituto Cervantes following their run in Rome, Warsaw, and Paris.
INTERVIEW WITH JOSÉ ROCA: “THE SPECIFICITY OF A MEDIUM GENERATES EXPECTATIONS THAT CAN BE DISRUPTED”
A conversation with the curator of the 37th Ljubljana Biennale of Graphic Arts on navigating biennial management within a turbulent global landscape, detailing his collaborative, site-responsive project exploring expanded printmaking for the 2027 edition.
HISTORY IN PHOTOGRAPHY, A COPY OF A COPY: THOMAS DEMAND AT PROA
The Fukushima control room, Snowden's refuge in Moscow, and Bill Gates's dorm room: built in cardboard, photographed, and destroyed.
MARIA KANAKIS YANG APPOINTED DEPUTY DIRECTOR OF THE SOLOMON R. GUGGENHEIM MUSEUM
Experienced arts executive brings more than 15 years of leadership across major museums and performing arts institutions to the Guggenheim.
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