Cuauhtémoc Medina, a Mexican historian and curator with a PhD from the University of Essex and a career spanning Tate Modern, Manifesta, and the Shanghai Biennale, will lead the upcoming edition of the event.

The new center opens its doors with exhibitions devoted to the Gelman Collection and Mexican art, another exploring Leonora Carrington’s connection with Santander, and a third featuring a selection of masterpieces from the Banco Santander Collection.

The curator and researcher specializing in Caribbean and Latin American art joins Naomi Beckwith's team for the edition taking place in Kassel in 2027.

The exhibition at the museum in St. Louis features how exile, exchange, and collaboration in Buenos Aires shaped modern art.

Curated by María Isabel Rueda, the exhibition at Casa Hoffmann (Bogotá) defends the right to opacity and secrecy as a form of resistance against a visual culture that exposes everything.

Invited by Galería Gato to develop an in situ project, the Cuban conceptual art figure sets the immateriality of AI-generated synthetic images against the economic and social dimension of recycling in the South American context.

Yo, frágil brings together works by eight artists —including Nicolás Bacal, Marcela Cabutti, and Silvia Rivas— who explore interdependence through installations, sculptures, videos, and paintings. Through September 14 at Sarmiento 151, CABA.

The show occupies seven rooms on the first floor of Pina Luz and revisits the work of one of the most distinctive figures of Brazilian modernism, averse to nationalism and in pursuit of eternity.

With a career spanning more than two decades, Hernández Chong Cuy joins the museum tasked with developing a critical curatorial vision for its permanent collection.

Talks with curators and artists, live music, and guided tours lasting between 60 and 90 minutes join an agenda that also includes the exhibitions by Alejandra Seeber and Agustín Riganelli at the Museo Sívori.