THE WIND AS PROTAGONIST AT THE FINLAND PAVILION
Combining science, music, and theatricality, Jenna Sutela’s work—curated by Stefanie Hessler—explores the unpredictable nature of the wind and its connection to the contemporary environmental crisis.
RE-READING THE CÍRCULO DE BELLAS ARTES AS SUBJECT AND CRITICAL AGENT
La lechuza de Minerva reflects on the power of cultural institutions in the contemporary context and creates a space where proposals by Dagoberto Rodríguez, Regina Silveira, and Los Carpinteros, among others, coexist in order to re-read the trajectory of the institution itself.
THE UNFINISHED BUSINESS OF LIVING TOGETHER AT THE SWISS PAVILION
An exhibition that revisits television archives to reflect on coexistence as both a social promise and a contested field.
THE TRANSFORMATIVE SOUND, ACCORDING TO BENGOLEA, AT C3A
The exhibition brings together works created ad hoc by the artist in the city. Through them, she reinterprets craft and tradition from a contemporary perspective and invites the audience to understand sound as a language that redefines our relationship with the environment.
HUMANS, MACHINES, AND POSSIBLE FUTURES: THE LAST 100 YEARS AT NEW MUSEUM
The exhibition features more than 15 new commissions by artists such as Ryan Gander, Camille Henrot, Jamian Juliano-Villani, Wangechi Mutu, Hito Steyerl, Alice Wang, and Santiago Yahuarcani, among others.
DANCING OUR PROBLEMS: LATIN AMERICAN PRESENCE AT MOCA’S ART ON THE PLAZA 2026 AWARDS IN MIAMI
In a context marked by the debate on immigration in the United States, Joan Jiménez Suero (Perú) has been recognized by the Museum of Contemporary Art - North Miami (MOCA) for a proposal that reflects on the identity, memory, and resistance of the Latin diaspora.
QUESTIONING POWER AND COLONIAL STRUCTURES: CINTHIA MARCELLE INTERVENES AT SERRALVES
beginning, middle, beginning presents an installation by Brazilian artist Cinthia Marcelle, conceived specifically for the Central Gallery of the Serralves Museum. The work questions the linear conception of time and its relationship to colonial structures.
MARCELO BRODSKY IN WIESBADEN: MEMORY AS AN ACTIVE PRACTICE
The Kunsthaus Wiesbaden presents an exhibition surveying the work of the Argentine artist, where photography, archive, and activism intertwine to reflect on the traces of violence and human rights.
AFFECTIVE CARTOGRAPHIES AND ARCHITECTURES BY SOFÍA SALAZAR AT C3A
The exhibition by the Ecuadorian artist, featuring works created specifically for the Córdoba space, proposes a journey in which the viewer is invited to explore concepts such as migration, memory, and colonialism by moving through a space that brings together history and displacement.
THE RELIGIOUS AND EVERYDAY INTERSECTIONS OF MELEN AT PROYECTOAMIL
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