ART AND POLITICS IN PRESENT TIMES: GABRIELA GOLDER AT ARTHAUS
The exhibition Estado de Asamblea and a live action bring together images, voices, and texts to collectively discuss the present.
"CIUDAD ARMERO": CARLOS GARAICOA ON THE COLOMBIAN TOWN THAT DISAPPEARED IN 1985
GÊ VIANA IN VIENNA: AFRO-BRAZILIAN MEMORY, SOUND, AND THE ARCHIVE
The Brazilian artist’s exhibition at the newly inaugurated MEZEKƎRƎ explores Afro-Pindoramic forms of knowledge and traditions through documentation, sound, and radiolas, creating spaces for encounter and the preservation of collective identity.
ESTEBAN VICENTE IN NEW YORK: THE PAINTER OF REALITY
Eighteen works from 1940 to 1996 arrive at the Instituto Cervantes following their run in Rome, Warsaw, and Paris.
INTERVIEW WITH JOSÉ ROCA: “THE SPECIFICITY OF A MEDIUM GENERATES EXPECTATIONS THAT CAN BE DISRUPTED”
A conversation with the curator of the 37th Ljubljana Biennale of Graphic Arts on navigating biennial management within a turbulent global landscape, detailing his collaborative, site-responsive project exploring expanded printmaking for the 2027 edition.
HISTORY IN PHOTOGRAPHY, A COPY OF A COPY: THOMAS DEMAND AT PROA
The Fukushima control room, Snowden's refuge in Moscow, and Bill Gates's dorm room: built in cardboard, photographed, and destroyed.
MARIA KANAKIS YANG APPOINTED DEPUTY DIRECTOR OF THE SOLOMON R. GUGGENHEIM MUSEUM
Experienced arts executive brings more than 15 years of leadership across major museums and performing arts institutions to the Guggenheim.
INSIDE MASP'S NEW UNDERGROUND PASSAGEWAY: 98 METERS OF BEATRIZ MILHAZES
Pietrolina borrows the rhythm of a Carnival parade, brought to life in 33 acrylic shades.
SIXTY YEARS OF LEANDRO KATZ, TOGETHER FOR THE FIRST TIME, AT THE BELLAS ARTES
La noche y las palabras brings together the artist's installations, photographs, films, and drawings, curated by Francisco Lemus and Mariana Marchesi.
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