HOW TO READ A POROUS WORK AT PINTA LIMA 2026
In conversation with Ilaria Conti, curator of the fair's Radar section, we learn how to adjust our gaze when encountering the Guatemalan work of Angélica Serech, presented by La Galería Rebelde.
BOTERO RETURNS TO SEOUL WITH HIS LARGEST RETROSPECTIVE IN ASIA
More than 112 works by the Colombian master — several never shown before — arrive at the Hangaram Art Museum in an exhibition on view through August 30, 2026.
CUBA PRESENTS "FREE MEN" AT THE VENICE BIENNALE
Cuban artist Roberto Diago presents a sculptural installation that turns the scar into an emblem of identity and precariousness into an act of sovereignty.
A CONVERSATION AROUND POLITICS, AFFECTION AND LISTENING WITH SOL HENARO
Director of the Museo Universitario del Chopo, Sol Henaro reflects on her role, the tensions within the institution, and the construction of communities from a curatorial perspective.
NEREIDA APAZA MAMANI: A HISTORY OF MIGRATION AND VIOLENCE AT THE ICPNA CULTURAL IN MIRAFLORES
The exhibition Lengua materna (Mother language) is a journey through the intimate and social spaces that have shaped the work of the artist.
"NOBODY CAN DEFEAT ME": THE BRAZILIAN PAVILION IN VENICE BETWEEN SPIRITUALITY, HISTORY, AND NATURE
Curated by Diane Lima, the exhibition brings together Adriana Varejão and Rosana Paulino for the first time to rewrite the wounds of colonialism.
CHALLENGING THE WESTERN CANON – IN CONVERSATION WITH MELANIE ROUMIGUIÈRE ON HER PARTICIPATION IN PINTA LIMA
Argentine by origin, the curator and former Director of the Visual Arts Department of the Artists in Berlin Program (DAAD) — a residency that connects creatives from around the world with Germany's cultural scene — has spent years building bridges between Latin American art scenes and the major centers of Western art.
PATRICK CHARPENEL: “CULTURALLY SPECIFIC INSTITUTIONS ARE BREAKING AN INCREASINGLY HOMOGENEOUS PATTERN”
What is a Culturally Specific Institution? Director of El Museo del Barrio for over eight years, Patrick Charpenel reflects on the role of museums in the United States, the visibility of Latinx communities, and the challenges of thinking about art beyond fixed categories and market logics.
CARLOS RUNCIE TANAKA’S CERAMICS IN PINTA LIMA’S SPECIAL PROJECT
"Repeating and mastering form, shaping clay spheres, is like offering a prayer with no beginning or end in time. When I look, I hear distant music" — Carlos Runcie Tanaka (A Zen Parable and Ten Small Stories, 2007)
THE IMAGE OF ANOTHER WORLD TAKES SHAPE IN A VIBRANT FORM: FIVE PERUVIAN ARTISTS AT PINTA LIMA 2026
Vásquez, Rodrigo, Másquez, Verovcha, and Yone Makino transform the space into a living organism. A Special Project that questions what it means to make art in Peru today.
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