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TWO GENERATIONS OF KAQCHIKEL ARTISTS ENGAGE IN DIALOGUE IN GUATEMALA

The exhibition brings together, for the first time in their homeland, the works of Rosa Elena Curruchich and Angélica Serech, drawing parallels between painting and weaving.

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TWO GENERATIONS OF KAQCHIKEL ARTISTS ENGAGE IN DIALOGUE IN GUATEMALA

The exhibition brings together, for the first time in their homeland, the works of Rosa Elena Curruchich and Angélica Serech, drawing parallels between painting and weaving.

ART AGAINST COLLAPSE: 193 ARTISTS IMAGINE ALTERNATIVE FUTURES

Into the Time Horizon, at the Nevada Museum of Art, unfolds as one of the most expansive surveys of environmental art in the United States, combining critical diagnosis with concrete proposals in the face of the climate crisis.

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ART AGAINST COLLAPSE: 193 ARTISTS IMAGINE ALTERNATIVE FUTURES

Into the Time Horizon, at the Nevada Museum of Art, unfolds as one of the most expansive surveys of environmental art in the United States, combining critical diagnosis with concrete proposals in the face of the climate crisis.

A CONTEMPORARY QUIPU TRAVERSES CASTELLO DI RIVOLI

The Chilean artist Cecilia Vicuña unfolds an intervention connecting ancestral practices, ecology, and shared memory.

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A CONTEMPORARY QUIPU TRAVERSES CASTELLO DI RIVOLI

The Chilean artist Cecilia Vicuña unfolds an intervention connecting ancestral practices, ecology, and shared memory.

SOI NIWE: THE SHIPIBO-KONIBO CULTURAL COLLECTIVE AT CASA FUGAZ

This exhibition brings together prominent artists from various Shipibo-Konibo communities, who now reside in the Cantagallo community, in Perú. Through their works, the collective shares artistic practices that are part of a living culture.

By María Laura Hernández de Agüero
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SOI NIWE: THE SHIPIBO-KONIBO CULTURAL COLLECTIVE AT CASA FUGAZ

By María Laura Hernández de Agüero

This exhibition brings together prominent artists from various Shipibo-Konibo communities, who now reside in the Cantagallo community, in Perú. Through their works, the collective shares artistic practices that are part of a living culture.

MIGUEL ESCOBAR INAUGURAL RECIPIENT OF THE IAN ROSENFELD FUND

Global selection underscores the Colombian singular pictorial language shaped by tension, staging, and introspective inquiry.

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MIGUEL ESCOBAR INAUGURAL RECIPIENT OF THE IAN ROSENFELD FUND

Global selection underscores the Colombian singular pictorial language shaped by tension, staging, and introspective inquiry.

MASP: CONTESTED NARRATIVES BETWEEN REPLICA AND WEAVING

Two parallel exhibitions revisit dominant narratives through practices that interrogate archive, materiality, and community in Latin America.

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MASP: CONTESTED NARRATIVES BETWEEN REPLICA AND WEAVING

Two parallel exhibitions revisit dominant narratives through practices that interrogate archive, materiality, and community in Latin America.

WHITNEY BIENNIAL 2026, A FIELD DENSE WITH ENCOUNTERS

The intergenerational selection traces a sensitive map of practices connected to the United States, where affective, political, and technological ties intertwine through an experimental lens.

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WHITNEY BIENNIAL 2026, A FIELD DENSE WITH ENCOUNTERS

The intergenerational selection traces a sensitive map of practices connected to the United States, where affective, political, and technological ties intertwine through an experimental lens.

30 años de irreverencia y visión en la Colección Fuentes Angarita. Foto Álvaro de Benito

La Neomudéjar presents over 130 works from the Fuentes Angarita Collection, mapping three decades of Latin American political art through themes of identity, gender, diaspora, and the memory of the body.

By Álvaro De Benito
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A REINTERPRETATION OF THE FUENTES ANGARITA COLLECTION AT LA NEOMUDÉJAR

By Álvaro De Benito

La Neomudéjar presents over 130 works from the Fuentes Angarita Collection, mapping three decades of Latin American political art through themes of identity, gender, diaspora, and the memory of the body.

MODERN MEXICO CITY IN JUAN GUZMÁN’S PHOTOGRAPHS, AT ICME

The exhibition dedicated to the German-born photojournalist, featuring a selection from his archive—now safeguarded by the Fundación Televisa—focuses on documenting the transformation and growth of Mexico City in the mid-20th century, highlighting its social and urban contrasts.

By Álvaro De Benito
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MODERN MEXICO CITY IN JUAN GUZMÁN’S PHOTOGRAPHS, AT ICME

By Álvaro De Benito

The exhibition dedicated to the German-born photojournalist, featuring a selection from his archive—now safeguarded by the Fundación Televisa—focuses on documenting the transformation and growth of Mexico City in the mid-20th century, highlighting its social and urban contrasts.

GARAICOA AND IBARRA FEATURED IN CAAM’S INAUGURAL GROUP SHOW

The CAAM opens its new season with an exhibition showcasing five recent acquisitions, highlighting works by Carlos Garaicoa and Karlo Andrei Ibarra that explore memory, space, and transformation.

By Álvaro De Benito
News

GARAICOA AND IBARRA FEATURED IN CAAM’S INAUGURAL GROUP SHOW

By Álvaro De Benito

The CAAM opens its new season with an exhibition showcasing five recent acquisitions, highlighting works by Carlos Garaicoa and Karlo Andrei Ibarra that explore memory, space, and transformation.

DIALOGUES WITH THE LEGACY OF BURLE MARX, AT MAC/CCB

Lugar de estar: o legado Burle Marx (A Place to Be: The Legacy of Burle Marx) is the exhibition presented by Lisbon’s MAC/CCB – Museum of Contemporary Art and Architecture Center, showcasing an extensive selection of landscape projects for public spaces developed by Roberto Burle Marx (São Paulo, Brazil, 1909 – Rio de Janeiro, Brazil, 1994) and his collaborators over nearly seventy years.

By Álvaro De Benito
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DIALOGUES WITH THE LEGACY OF BURLE MARX, AT MAC/CCB

By Álvaro De Benito

Lugar de estar: o legado Burle Marx (A Place to Be: The Legacy of Burle Marx) is the exhibition presented by Lisbon’s MAC/CCB – Museum of Contemporary Art and Architecture Center, showcasing an extensive selection of landscape projects for public spaces developed by Roberto Burle Marx (São Paulo, Brazil, 1909 – Rio de Janeiro, Brazil, 1994) and his collaborators over nearly seventy years.

BIOGRAPHICAL GEOLOGY: GISELA COLÓN PRESENTS HER FIRST RETROSPECTIVE IN PUERTO RICO

The Puerto Rican–American artist explores the relationship between geology, memory, and vital energy in an exhibition spanning more than three decades of work.

By Violeta Méndez
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BIOGRAPHICAL GEOLOGY: GISELA COLÓN PRESENTS HER FIRST RETROSPECTIVE IN PUERTO RICO

By Violeta Méndez

The Puerto Rican–American artist explores the relationship between geology, memory, and vital energy in an exhibition spanning more than three decades of work.

TROPICAL HYPERSTITION, A SPACE OF MEMORY AND RESISTANCE AT THE BIENNALE DI VENEZIA 2026

With the large-scale installation and performative work of Antonio José Guzmán and Iva Jankovic, Panama participates for the second time as a National Pavilion in the Biennale di Venezia 2026.

By Esther María Arjona
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TROPICAL HYPERSTITION, A SPACE OF MEMORY AND RESISTANCE AT THE BIENNALE DI VENEZIA 2026

By Esther María Arjona

With the large-scale installation and performative work of Antonio José Guzmán and Iva Jankovic, Panama participates for the second time as a National Pavilion in the Biennale di Venezia 2026.

THE HISTORY OF ART FROM BOGOTÁ AT MAP

The Colombian gallery presents a reconsideration of visual traditions, reactivating them through a contemporary lens; works by Carlos Castro Arias, Fernando Uhía, Raúl Cristancho, Javier Vanegas, Juan Carlos Delgado, and Miler Lagos will be on view.

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THE HISTORY OF ART FROM BOGOTÁ AT MAP

The Colombian gallery presents a reconsideration of visual traditions, reactivating them through a contemporary lens; works by Carlos Castro Arias, Fernando Uhía, Raúl Cristancho, Javier Vanegas, Juan Carlos Delgado, and Miler Lagos will be on view.

“TERRITORIES IN CONNECTION”, LATIN AMERICAN ART IN CIUDAD DE LAS ARTES, PANAMA

Video, textiles and the body make up a network of relationships in constant construction in the exhibition curated by Irene Gelfman with the participation of artists from Latin America.

By Esther María Arjona
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“TERRITORIES IN CONNECTION”, LATIN AMERICAN ART IN CIUDAD DE LAS ARTES, PANAMA

By Esther María Arjona

Video, textiles and the body make up a network of relationships in constant construction in the exhibition curated by Irene Gelfman with the participation of artists from Latin America.

MARÍA LUCÍA ALEMÁN: "CULTURAL EXPRESSIONS ARE UNITING THE REGION MORE"

The executive director of MAC Panama, who will participate in the discussion Building Institutional Stories, part of the Pinta Panamá FORO initiative, envisions great opportunities for Central America with the strengthening of its institutions and joint work.

By Esther María Arjona
News

MARÍA LUCÍA ALEMÁN: "CULTURAL EXPRESSIONS ARE UNITING THE REGION MORE"

By Esther María Arjona

The executive director of MAC Panama, who will participate in the discussion Building Institutional Stories, part of the Pinta Panamá FORO initiative, envisions great opportunities for Central America with the strengthening of its institutions and joint work.

CAF AND PINTA FOUNDATION ANNOUNCE ALLIANCE TO STRENGTHEN THE LATIN AMERICAN ART ECOSYSTEM

The collaboration between the two institutions will promote cultural platforms, professional exchanges, and spaces for dialogue aimed at advancing Latin American art and its international projection.

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CAF AND PINTA FOUNDATION ANNOUNCE ALLIANCE TO STRENGTHEN THE LATIN AMERICAN ART ECOSYSTEM

The collaboration between the two institutions will promote cultural platforms, professional exchanges, and spaces for dialogue aimed at advancing Latin American art and its international projection.

ECOFEMINIST PERSPECTIVES AT THE PANAMANIAN CULTURAL CENTER OF SPAIN

The exhibition The Dimension of the Invisible: Ecofeminist Traces of Panamanian Art brings together 10 women artists who question the boundaries between nature, body and community at El Centro Cultural de España – Casa del Soldado. The exhibition is curated by Gladys Turner Bosso.

By Esther María Arjona
News

ECOFEMINIST PERSPECTIVES AT THE PANAMANIAN CULTURAL CENTER OF SPAIN

By Esther María Arjona

The exhibition The Dimension of the Invisible: Ecofeminist Traces of Panamanian Art brings together 10 women artists who question the boundaries between nature, body and community at El Centro Cultural de España – Casa del Soldado. The exhibition is curated by Gladys Turner Bosso.

THE VALUE OF SOVEREIGNTY IN MR. BROWN'S GARDEN, EXHIBITION AT THE INTEROCEANIC CANAL MUSEUM

The photographic exhibition of the American Tova Katzman leads the viewer to question the limits that mark the territory we inhabit.

By Esther María Arjona
News

THE VALUE OF SOVEREIGNTY IN MR. BROWN'S GARDEN, EXHIBITION AT THE INTEROCEANIC CANAL MUSEUM

By Esther María Arjona

The photographic exhibition of the American Tova Katzman leads the viewer to question the limits that mark the territory we inhabit.

LIGHT AND THE INVISIBLE, KNEUBÜHLER AND MUSSIOL AT THE ALLIANCE FRANÇAISE

The exhibition of the Swiss-Canadian photographers at the Alliance Française in Panama City invites the public to look beyond what we can usually see.

By Esther María Arjona
News

LIGHT AND THE INVISIBLE, KNEUBÜHLER AND MUSSIOL AT THE ALLIANCE FRANÇAISE

By Esther María Arjona

The exhibition of the Swiss-Canadian photographers at the Alliance Française in Panama City invites the public to look beyond what we can usually see.

FOUR ARTISTS EXPLORE AND RECONSTRUCT SPACE AT PINTA PANAMÁ 2026

During the Central American country’s art week, works that study histories, recreate them, and bring them into reflection will be presented. From the play with materials to the manipulation of space, Lulu Molinares, Cisco Merel, Arístides Ureña Ramos, and Isabel de Obaldía create pieces that propose alternative readings of memory, territory, and everyday life.

By Violeta Méndez
News

FOUR ARTISTS EXPLORE AND RECONSTRUCT SPACE AT PINTA PANAMÁ 2026

By Violeta Méndez

During the Central American country’s art week, works that study histories, recreate them, and bring them into reflection will be presented. From the play with materials to the manipulation of space, Lulu Molinares, Cisco Merel, Arístides Ureña Ramos, and Isabel de Obaldía create pieces that propose alternative readings of memory, territory, and everyday life.

THE BIOMUSEO, SCIENCE AND ARCHITECTURE OF THE FIRST LEVEL

On the Amador Causeway, right at the entrance to the Panama Canal of the Pacific Ocean, the Museum of Biodiversity takes place, with a structure that does not go unnoticed both for its shapes and for its color. It is an avant-garde building that coexists with the natural  environment.

By Esther María Arjona
News

THE BIOMUSEO, SCIENCE AND ARCHITECTURE OF THE FIRST LEVEL

By Esther María Arjona

On the Amador Causeway, right at the entrance to the Panama Canal of the Pacific Ocean, the Museum of Biodiversity takes place, with a structure that does not go unnoticed both for its shapes and for its color. It is an avant-garde building that coexists with the natural  environment.

CULTIVATING A VIRTUAL GARDEN: LEO CASTAÑEDA'S NEW INTERACTIVE DIGITAL WORK

Inspired by the Amazon rainforest and the Florida Everglades, the project commissioned for the 2026 Whitney Biennial invites players to explore the interconnections between natural ecosystems and technological systems.

News

CULTIVATING A VIRTUAL GARDEN: LEO CASTAÑEDA'S NEW INTERACTIVE DIGITAL WORK

Inspired by the Amazon rainforest and the Florida Everglades, the project commissioned for the 2026 Whitney Biennial invites players to explore the interconnections between natural ecosystems and technological systems.

"DAYS ARE NOT THE SAME": ZANELE MUHOLI AT CASA SANTA ANA

Amalanga Awafani, an exhibition by the South African visual artist in Panama City, leads us to think about the passage of time and how identity and dignity cease to be a constant.

By Esther María Arjona
News

"DAYS ARE NOT THE SAME": ZANELE MUHOLI AT CASA SANTA ANA

By Esther María Arjona

Amalanga Awafani, an exhibition by the South African visual artist in Panama City, leads us to think about the passage of time and how identity and dignity cease to be a constant.

MEXICAN CURATOR ANNOUNCED FOR LIVERPOOL BIENNIAL 2027

Lucía Sanromán and Aimee Harrison to co-curate the 14th edition of the festival, taking place from 5 June 2027 until 12 September 2027.

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MEXICAN CURATOR ANNOUNCED FOR LIVERPOOL BIENNIAL 2027

Lucía Sanromán and Aimee Harrison to co-curate the 14th edition of the festival, taking place from 5 June 2027 until 12 September 2027.

THE MONUMENTALITY OF THREAD: OLGA DE AMARAL AT MALBA

The museum presents the artist’s trajectory in relation to her contexts, documenting her artistic networks, her interventions in architecture, and her pioneering role in the development of textile practice in the Americas.

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THE MONUMENTALITY OF THREAD: OLGA DE AMARAL AT MALBA

The museum presents the artist’s trajectory in relation to her contexts, documenting her artistic networks, her interventions in architecture, and her pioneering role in the development of textile practice in the Americas.

OFELIA ESPARZA SINCE 1945: MEXICAN TRADITIONS IN CALIFORNIA

The American museum shows a major retrospective of the Chicana artist’s work—an oeuvre that “embodies the power of art to preserve memory and culture.”

News

OFELIA ESPARZA SINCE 1945: MEXICAN TRADITIONS IN CALIFORNIA

The American museum shows a major retrospective of the Chicana artist’s work—an oeuvre that “embodies the power of art to preserve memory and culture.”

PINTA PANAMA ART WEEK 2026 REAFFIRMS THE COUNTRY AS A HUB FOR REGIONAL CONTEMPORARY ART

The event will unfold a public and free program including exhibitions, tours, talks, film screenings, music, and cultural and touristic experiences.

News

PINTA PANAMA ART WEEK 2026 REAFFIRMS THE COUNTRY AS A HUB FOR REGIONAL CONTEMPORARY ART

The event will unfold a public and free program including exhibitions, tours, talks, film screenings, music, and cultural and touristic experiences.

WALTER OTERO: A TROPICAL GALLERIST IN AMERICA'S ECOSYSTEM

Books are published about artists, museums, and collectors—but why not talk about the gallerist, the one who connects them all?

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WALTER OTERO: A TROPICAL GALLERIST IN AMERICA'S ECOSYSTEM

Books are published about artists, museums, and collectors—but why not talk about the gallerist, the one who connects them all?

ROBERTO BEHAR & ROSARIO MARQUARDT WIN THE LIFETIME ACHIEVEMENT AWARD AT THE ELLIES OOLITE ARTS AWARDS

The Argentine duo receives the award in recognition of a practice that merges art, architecture, and public space, creating social sculptures that transform the city.

News

ROBERTO BEHAR & ROSARIO MARQUARDT WIN THE LIFETIME ACHIEVEMENT AWARD AT THE ELLIES OOLITE ARTS AWARDS

The Argentine duo receives the award in recognition of a practice that merges art, architecture, and public space, creating social sculptures that transform the city.

OCEAN AND MEMORY, MAC PANAMÁ PRESENTS TWO NEW EXHIBITIONS

An ocean-centered research project and a historical retrospective dedicated to Trixie Briceño shape MAC Panamá’s current program.

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OCEAN AND MEMORY, MAC PANAMÁ PRESENTS TWO NEW EXHIBITIONS

An ocean-centered research project and a historical retrospective dedicated to Trixie Briceño shape MAC Panamá’s current program.

RODRIGUE MOUCHEZ ARMENDARIZ TO BECOME DAZIBAO’S NEW DIRECTOR

The French-Mexican curator will bring to the Montreal-based space “a rare combination of curatorial rigor, international perspective, and sustained commitment to artists.”

News

RODRIGUE MOUCHEZ ARMENDARIZ TO BECOME DAZIBAO’S NEW DIRECTOR

The French-Mexican curator will bring to the Montreal-based space “a rare combination of curatorial rigor, international perspective, and sustained commitment to artists.”

CRUZ-DIEZ AT ISLAA: COLOR AS AN EXPERIENCE IN CONSTANT TRANSFORMATION

The exhibition brings together 23 works that trace the Venezuelan artist’s fundamental investigations into chromatic perception.

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CRUZ-DIEZ AT ISLAA: COLOR AS AN EXPERIENCE IN CONSTANT TRANSFORMATION

The exhibition brings together 23 works that trace the Venezuelan artist’s fundamental investigations into chromatic perception.

ENERGY AND PATTERNS IN THE COSMOS, GISELA COLÓN IN CONNECTICUT

The Latin American artist draws inspiration from the landscapes of Puerto Rico and those of her adopted home in California to create sculptures that reveal the transformative power of nature.

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ENERGY AND PATTERNS IN THE COSMOS, GISELA COLÓN IN CONNECTICUT

The Latin American artist draws inspiration from the landscapes of Puerto Rico and those of her adopted home in California to create sculptures that reveal the transformative power of nature.

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