News

Delfina Foundation presents on April 4 Long Before the Walls, the first European solo exhibition by Uruguayan artist Ana Bidart. The show introduces a constellation of newly commissioned, site-specific installations and interventions at the Delfina house.

The CAV La Neomudéjar Museum is in its final days of exhibiting Ecos del Vacío (Echoes of the Void), a project developed by Guatemalan filmmaker and artist Verónica Riedel during her artistic residency at Kárstica Espacio de Creación, in the town of Cañada del Hoyo, Cuenca.

The Cultural Institute of Mexico in Spain hosts the exhibition Estrategias de recuperación (Recovery Strategies), featuring three recent projects by the photographer. Including the series Las flores mueren dos veces (Flowers Die Twice, 2021–2024), Palimpsesto (2024–2025), and Maíz (Corn) (2023–present), the Mexican photographer explores the elements and causes that create distortion and fragmentation in memory.

The exhibition I Am Godzilla at Moderna Museet Malmö is the Argentinan artist's first in Sweden, showcasing over 350 works, both new and older, many of which are being presented for the very first time.

The exhibition brings together a group of eight artists whose work, though diverse in technique and approach, shares a common concern for social justice and historical memory.

Textile artist Martha Le Parc passed away in Paris at the age of 88, surrounded by her children and her first husband, the iconic kinetic artist Julio Le Parc. Despite having been separated for decades, they spent their final days together at the American Hospital in the French capital after battling a severe lung infection.

The Casa Nacional del Bicentenario has inaugurated Una Casa. La Casa. Lo doméstico deviene territorios (A House. The House. The Domestic Becomes Territories). This is the first public exhibition of works from the collection of Abel Guaglianone and Joaquín Rodríguez.

Pinta Lima is the most important contemporary art fair in Peru, presenting in its 12th edition a solid program that celebrates the diversity of the Latin American artistic and cultural scene. Located at Casa Prado in Miraflores, Lima, the fair is an essential event where a network of artists, galleries, curators, and collectors from the region connect with the international scene.

Sesc SP announced the fourth edition of Frestas—Triennial of Arts for the third quarter of 2025 at Sesc Sorocaba. This initiative is part of the institution’s extensive cultural agenda in the countryside of São Paulo State, aiming to expand access to cultural assets, strengthen local and regional partnerships, and foster the contemporary art scene in the region.

The exhibition El incondicionado desocultamiento: las experimentaciones audiovisuales de Rafael Hastings (The Unconditioned Unveiling: Rafael Hastings’ Audiovisual Experimentations) has opened at the ICPNA San Miguel space, offering a revisit of the Peruvian visual artist’s filmic work.

The renowned artist Moico Yaker returns to the exhibition halls with a solo show after six years to present Conversaciones en el zoológico (Conversations at the Zoo), while Rafael Pascuale explores the relationship between the body and fragility in Espejos de una humanidad perdida (Mirrors of a Lost Humanity).

One hundred years after his birth, the Perez Art Museum Miami (PAMM) celebrates the career of the Argentine experimental artist, sculptor, poet and theorist.

For 66 days, the exhibition will spread throughout the city, bringing together works by 76 artists from different regions of the world, focusing on exchanges between various social contexts and artistic languages as a way to explore the multiplicity of experiences between art and life.

The Museo La Neomudéjar presents No hay más ciego que el que no quiere ver (No one is more blind than the one who refuses to see), a solo exhibition by Marisa Caichiolo (Santa Fe, Argentina, 1974). In this project, the artist explores and materializes pain and absence, primarily through embroidery. Drawing from her personal experiences, Caichiolo constructs narratives of resistance and instrumental memory to confront traumatic episodes—many of them rooted in forced disappearances.

The Museum of Modern Art of Bogota (MAMBO) presents its first exhibition cycle of 2025 with Colombian artist Julieth Morales, Chilean artist Seba Calfuqueo, and Brazilian artist UÝRA. They address, from different perspectives, the relationship between identity, territory and memory, proposing new forms of resistance.

An exhibition that navigates the complex layers of womanhood, resilience, and the inherent solidarity forged through collective survival and the pursuit of safety in community, highlighting the invisible threads that connect women across different cultures.

The Museo Nacional Centro de Arte Reina Sofía has announced the acquisitions made during the ARCO fair, through which both the institution and the Ministry of Culture expand the museum’s collections. Among the artists whose work is now part of the Madrid-based institution are Argentine artist Marta Minujín and Colombian artists Juan Pablo Echeverri and Luz Lizarazo—three figures with different career trajectories who bring a distinct Latin American perspective to a list of acquisitions largely focused on Spanish artists.

The Argentine artist has introduced the Julio Le Parc Virtual Labyrinthus Museum, an enveloping digital space that invites the public to explore more than 500 works, including previously unseen pieces created especially for this platform.

The Colección Patricia Phelps de Cisneros (CPPC), in collaboration with The Museum of Modern Art (MoMA) Archives, Library, and Research Collections, announced the launch of Cisneros Research Guide. This bilingual research tool provides public access to over 200 curated digital assets, ensuring the long-term accessibility of key materials related to Latin American and Caribbean art and culture.

The visual art exhibition brings together a selection of works created through digital media, exploring experiences, imaginary worlds, and the artist’s personal wanderings.

The Institute of Contemporary Art Miami (ICA Miami) presents a retrospective of textile artist Olga de Amaral (Bogotá, 1932), a pioneer in material exploration and the expansion of textile art. The exhibition, in collaboration with the Fondation Cartier pour l’art contemporain in Paris, will be open from May 1 to October 12, showcasing over 50 works spanning six decades of her career, including pieces never before exhibited outside Colombia.

Madrid's Reina Sofia Museum, in collaboration with the Reina Sofia Museum Foundation, reinforces its growing involvement and strategy for the dissemination and study of Latin American contemporary art with the creation of the Cáder Institute of Central American Art (ICAC), dedicated to the research and dissemination of Central American art.

The intervention Wasi Llamkha (Place and touch), by artist Andrea Canepa (Lima, Peru, 1980), stands on the South Patio of Madrid's Condeduque. This pavilion, designed as an ephemeral architectural structure, invites us to explore its sensorial value, far from the preeminence of the visual, and claims, by way of inspiration, the quipus, the forms of representation and recording of information from pre-Columbian Peru.

With an innovative perspective and a personal scenic language, KAY presents a play that reveals how the myths of the Amazon have been distorted to conceal the violence lurking over the women and girls of the region. The performance will serve as the closing event of the tenth edition of the prestigious theater and dance festival Temporada Alta, organized by the Alianza Francesa de Lima.

Marres, House for Contemporary Culture, will present on March 15 the exhibition Vultures & Fireflies by Alejandro Galván; this is a painted chronicle of Mexico from the perspective of one of the largest working-class suburbs.

The Atchugarry Museum of Contemporary Art (MACA) presents the exhibition Carmelo Arden Quin: In the Fabric of Constructive Art, curated by renowned historian and scholar Cristina Rossi.

The Badischer Kunstverein presents the work of the Brazilian poet and artist in their first extensive solo exhibition in Germany; To See Aloud  includes diverse facets of her artistic practice, ranging from early text works, videotext poems, publications and printed matter to photographs, objects, object poems and installations, all the way to her most recent performances and artworks in public spaces, including sound-based and collective activations.

The Guggenheim Museum Bilbao hosts a retrospective exhibition of Tarsila do Amaral (Capivari, Brazil, 1886 - São Paulo, Brazil, 1973) focused on her conception and renovation of painting, as well as on her recognition as one of the key and most representative figures of the entry of avant-garde and modernizing pictorial languages in Latin America. A central name in Brazilian modernism, her style was consecrated as her own identity, a product of her desires and experiences, evoking both indigenous themes and the modernizing processes of a Brazil that was undergoing a constant transformation.

The MIT List Visual Arts Center presents The Great Learning, Pedro Gómez-Egaña’s exhibition that materializes our polyrhythmic experiences of time.

Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.