KAY EXPOSES "THE DARK SIDE OF COLLECTIVE MEMORIES" IN LIMA

Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.

The Hochschild Correa Collection boasts of being the most complete private collection of contemporary art from the Peruvian Amazon. Nevertheless, for more than a decade, it has been built on a varied and unrestricted collection, which has made it possible to bring together the different trends and techniques currently being used in the region, with a focus on dialogue and a certain relational patina among the works that make up the collection. 

Architectures and Ecologies of Amazonia will take place at the University of Pennsylvania—an international, interdisciplinary symposium and exhibition that highlights the agencies that have shaped and continue to be shaped by the great region.

Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.

The intervention Wasi Llamkha (Place and touch), by artist Andrea Canepa (Lima, Peru, 1980), stands on the South Patio of Madrid's Condeduque. This pavilion, designed as an ephemeral architectural structure, invites us to explore its sensorial value, far from the preeminence of the visual, and claims, by way of inspiration, the quipus, the forms of representation and recording of information from pre-Columbian Peru.

Maria Wills (Bogota, Colombia 1979) and Denilson Baniwa (Barcelos, Brazil, 1984) are the responsible for Wametisé: ideas for an amazofuturism, one of the special programs curated for ARCO 2025 and that navigates the Amazon and its growing impact on contemporary art. This proposal proposes a scenario of representation and dialogue through a selection of galleries and guest artists who will raise, through their works and their realities, the different conceptions of the Amazonian world and the possibilities of a collective future.

Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.

The Hochschild Correa Collection boasts of being the most complete private collection of contemporary art from the Peruvian Amazon. Nevertheless, for more than a decade, it has been built on a varied and unrestricted collection, which has made it possible to bring together the different trends and techniques currently being used in the region, with a focus on dialogue and a certain relational patina among the works that make up the collection. 

Architectures and Ecologies of Amazonia will take place at the University of Pennsylvania—an international, interdisciplinary symposium and exhibition that highlights the agencies that have shaped and continue to be shaped by the great region.

Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.

The intervention Wasi Llamkha (Place and touch), by artist Andrea Canepa (Lima, Peru, 1980), stands on the South Patio of Madrid's Condeduque. This pavilion, designed as an ephemeral architectural structure, invites us to explore its sensorial value, far from the preeminence of the visual, and claims, by way of inspiration, the quipus, the forms of representation and recording of information from pre-Columbian Peru.

Maria Wills (Bogota, Colombia 1979) and Denilson Baniwa (Barcelos, Brazil, 1984) are the responsible for Wametisé: ideas for an amazofuturism, one of the special programs curated for ARCO 2025 and that navigates the Amazon and its growing impact on contemporary art. This proposal proposes a scenario of representation and dialogue through a selection of galleries and guest artists who will raise, through their works and their realities, the different conceptions of the Amazonian world and the possibilities of a collective future.

The Hochschild Correa Collection boasts of being the most complete private collection of contemporary art from the Peruvian Amazon. Nevertheless, for more than a decade, it has been built on a varied and unrestricted collection, which has made it possible to bring together the different trends and techniques currently being used in the region, with a focus on dialogue and a certain relational patina among the works that make up the collection. 

Architectures and Ecologies of Amazonia will take place at the University of Pennsylvania—an international, interdisciplinary symposium and exhibition that highlights the agencies that have shaped and continue to be shaped by the great region.

Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.

The intervention Wasi Llamkha (Place and touch), by artist Andrea Canepa (Lima, Peru, 1980), stands on the South Patio of Madrid's Condeduque. This pavilion, designed as an ephemeral architectural structure, invites us to explore its sensorial value, far from the preeminence of the visual, and claims, by way of inspiration, the quipus, the forms of representation and recording of information from pre-Columbian Peru.

Maria Wills (Bogota, Colombia 1979) and Denilson Baniwa (Barcelos, Brazil, 1984) are the responsible for Wametisé: ideas for an amazofuturism, one of the special programs curated for ARCO 2025 and that navigates the Amazon and its growing impact on contemporary art. This proposal proposes a scenario of representation and dialogue through a selection of galleries and guest artists who will raise, through their works and their realities, the different conceptions of the Amazonian world and the possibilities of a collective future.

Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.

The Hochschild Correa Collection boasts of being the most complete private collection of contemporary art from the Peruvian Amazon. Nevertheless, for more than a decade, it has been built on a varied and unrestricted collection, which has made it possible to bring together the different trends and techniques currently being used in the region, with a focus on dialogue and a certain relational patina among the works that make up the collection. 

Architectures and Ecologies of Amazonia will take place at the University of Pennsylvania—an international, interdisciplinary symposium and exhibition that highlights the agencies that have shaped and continue to be shaped by the great region.

Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.

The intervention Wasi Llamkha (Place and touch), by artist Andrea Canepa (Lima, Peru, 1980), stands on the South Patio of Madrid's Condeduque. This pavilion, designed as an ephemeral architectural structure, invites us to explore its sensorial value, far from the preeminence of the visual, and claims, by way of inspiration, the quipus, the forms of representation and recording of information from pre-Columbian Peru.

Maria Wills (Bogota, Colombia 1979) and Denilson Baniwa (Barcelos, Brazil, 1984) are the responsible for Wametisé: ideas for an amazofuturism, one of the special programs curated for ARCO 2025 and that navigates the Amazon and its growing impact on contemporary art. This proposal proposes a scenario of representation and dialogue through a selection of galleries and guest artists who will raise, through their works and their realities, the different conceptions of the Amazonian world and the possibilities of a collective future.

Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.

The Hochschild Correa Collection boasts of being the most complete private collection of contemporary art from the Peruvian Amazon. Nevertheless, for more than a decade, it has been built on a varied and unrestricted collection, which has made it possible to bring together the different trends and techniques currently being used in the region, with a focus on dialogue and a certain relational patina among the works that make up the collection. 

Architectures and Ecologies of Amazonia will take place at the University of Pennsylvania—an international, interdisciplinary symposium and exhibition that highlights the agencies that have shaped and continue to be shaped by the great region.

Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.

The intervention Wasi Llamkha (Place and touch), by artist Andrea Canepa (Lima, Peru, 1980), stands on the South Patio of Madrid's Condeduque. This pavilion, designed as an ephemeral architectural structure, invites us to explore its sensorial value, far from the preeminence of the visual, and claims, by way of inspiration, the quipus, the forms of representation and recording of information from pre-Columbian Peru.

Maria Wills (Bogota, Colombia 1979) and Denilson Baniwa (Barcelos, Brazil, 1984) are the responsible for Wametisé: ideas for an amazofuturism, one of the special programs curated for ARCO 2025 and that navigates the Amazon and its growing impact on contemporary art. This proposal proposes a scenario of representation and dialogue through a selection of galleries and guest artists who will raise, through their works and their realities, the different conceptions of the Amazonian world and the possibilities of a collective future.