THREE ARTISTS QUESTIONING OFFICIAL NARRATIVES AT MAMBO
The Museum of Modern Art of Bogota (MAMBO) presents its first exhibition cycle of 2025 with Colombian artist Julieth Morales, Chilean artist Seba Calfuqueo, and Brazilian artist UÝRA. They address, from different perspectives, the relationship between identity, territory and memory, proposing new forms of resistance.

From the Misak people, Julieth Morales, with her exhibition Namui nu pirꝋ (Our Territory), articulates collective action and Indigenous female memory in a dialogue that challenges the boundaries between art and ritual. Her work highlights community weaving and territorial connection as forms of resistance and cultural reaffirmation.
Meanwhile, Seba Calfuqueo, a trans Mapuche artist, explores the intersection of gender, history, and the environment in their exhibition ANTÜ ÑI KURAM (Sun’s Egg). Their work recovers and reinterprets ancestral narratives, reflecting on colonization and the exclusion of dissident identities, while emphasizing the deep relationship between the Mapuche people and nature.
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Julieth Morales. Fotografía por Lorena Velasco. Cortesía del Museo de Arte Moderno de Bogotá
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Julieth Morales. Fotografía por Lorena Velasco. Cortesía del Museo de Arte Moderno de Bogotá
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Seba Calfuqueo. Pillan, 2023. Serie Natura. Registro Diego Argote. Cortesía del Museo de Arte Moderno de Bogotá
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UÝRA. Caos, 2018. Serie Mil Quase Mortos. Foto Matheus Belém. Cortesía del Museo de Arte Moderno de Bogotá
From the Brazilian Amazon, UÝRA and their exhibition Memórias de alagamento (Flooded Memories) immerse us in a vision where bodies of water act as living archives of history, resistance, and Indigenous spirituality. Their work denounces the impact of extractivism and excessive urbanization, reclaiming the memory of rivers and displaced communities.
This exhibition cycle fosters a dialogue between different geographies and temporalities, where bodies, landscapes, and histories intertwine to redefine the past and offer new interpretations of the present.
Although all three artists have participated in major biennials and international exhibitions, this marks their institutional solo debut at MAMBO. Through this, MAMBO reaffirms its role as a laboratory for contemporary artistic experimentation, a position it has upheld throughout its history.
The first 2025 cycle will take place from March 13 to June 1 at MAMBO, located at Calle 24 # 6-00, in downtown Bogota (Colombia).
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The Museum of Modern Art of Bogota (MAMBO) presents ReparaRenacer (RepairReborn), the first institutional exhibition in Colombia by Franco-Algerian artist Kader Attia. This exhibition highlights Attia’s work around the concept of repair, a central theme in his art that explores both physical and mental repair through various artistic techniques.

SKETCH gallery presents Un todo con partes separadas, an exhibition by Colombian artist David Julián Cortés (1998) that delves into the relationship between painting and weaving, using materials with a strong symbolic and cultural charge.

The Museo Nacional Centro de Arte Reina Sofía has announced the acquisitions made during the ARCO fair, through which both the institution and the Ministry of Culture expand the museum’s collections. Among the artists whose work is now part of the Madrid-based institution are Argentine artist Marta Minujín and Colombian artists Juan Pablo Echeverri and Luz Lizarazo—three figures with different career trajectories who bring a distinct Latin American perspective to a list of acquisitions largely focused on Spanish artists.
THE REINA SOFÍA ACQUIRES WORKS BY MINUJÍN, LIZARAZO AND ECHEVERRI AT ARCO FOR ITS COLLECTION
The Museo Nacional Centro de Arte Reina Sofía has announced the acquisitions made during the ARCO fair, through which both the institution and the Ministry of Culture expand the museum’s collections. Among the artists whose work is now part of the Madrid-based institution are Argentine artist Marta Minujín and Colombian artists Juan Pablo Echeverri and Luz Lizarazo—three figures with different career trajectories who bring a distinct Latin American perspective to a list of acquisitions largely focused on Spanish artists.

The organization has entrusted Mexican curator José Esparza Chong Cuy with the development of Perfiles | Arte latinoamericano, a curated journey that highlights, through ten selected figures, the diversity of visual approaches. As the curator himself states, it offers "a broad panorama of how to identify as artists and build community, proposing new ways of making, thinking, and living together."
THE LATIN AMERICAN GAZE IN ARCO’S “PROFILES” PROGRAM
The organization has entrusted Mexican curator José Esparza Chong Cuy with the development of Perfiles | Arte latinoamericano, a curated journey that highlights, through ten selected figures, the diversity of visual approaches. As the curator himself states, it offers "a broad panorama of how to identify as artists and build community, proposing new ways of making, thinking, and living together."