CORTÉS IN BOGOTA: MATERIALITY AS IDENTITY

Felipe Romero (Bogota, Colombia, 1992) usually shows in his photographic proposal a high interest in conflict zones. While the scenario reflects this palpable but still intangible tension, it also serves as a reflective framework where the conflict and its protagonists meet.

The Museum of Modern Art of Bogota (MAMBO) presents ReparaRenacer (RepairReborn), the first institutional exhibition in Colombia by Franco-Algerian artist Kader Attia. This exhibition highlights Attia’s work around the concept of repair, a central theme in his art that explores both physical and mental repair through various artistic techniques.

The Broad Museum is set to present Jeffrey Gibson: the space in which to place me, a special exhibition showcasing the artist’s multidimensional work. Adapted from its original presentation at the U.S. Pavilion at the 60th Biennale in 2024, this exhibition marks a historic moment—Gibson was the first Indigenous artist to represent the United States with a solo exhibition.

The Institute of Contemporary Art Miami (ICA Miami) presents a retrospective of textile artist Olga de Amaral (Bogotá, 1932), a pioneer in material exploration and the expansion of textile art. The exhibition, in collaboration with the Fondation Cartier pour l’art contemporain in Paris, will be open from May 1 to October 12, showcasing over 50 works spanning six decades of her career, including pieces never before exhibited outside Colombia.

The Museum of Modern Art of Bogota (MAMBO) presents its first exhibition cycle of 2025 with Colombian artist Julieth Morales, Chilean artist Seba Calfuqueo, and Brazilian artist UÝRA. They address, from different perspectives, the relationship between identity, territory and memory, proposing new forms of resistance.

Felipe Romero (Bogota, Colombia, 1992) usually shows in his photographic proposal a high interest in conflict zones. While the scenario reflects this palpable but still intangible tension, it also serves as a reflective framework where the conflict and its protagonists meet.

The Museum of Modern Art of Bogota (MAMBO) presents ReparaRenacer (RepairReborn), the first institutional exhibition in Colombia by Franco-Algerian artist Kader Attia. This exhibition highlights Attia’s work around the concept of repair, a central theme in his art that explores both physical and mental repair through various artistic techniques.

The Broad Museum is set to present Jeffrey Gibson: the space in which to place me, a special exhibition showcasing the artist’s multidimensional work. Adapted from its original presentation at the U.S. Pavilion at the 60th Biennale in 2024, this exhibition marks a historic moment—Gibson was the first Indigenous artist to represent the United States with a solo exhibition.

The Institute of Contemporary Art Miami (ICA Miami) presents a retrospective of textile artist Olga de Amaral (Bogotá, 1932), a pioneer in material exploration and the expansion of textile art. The exhibition, in collaboration with the Fondation Cartier pour l’art contemporain in Paris, will be open from May 1 to October 12, showcasing over 50 works spanning six decades of her career, including pieces never before exhibited outside Colombia.

The Museum of Modern Art of Bogota (MAMBO) presents its first exhibition cycle of 2025 with Colombian artist Julieth Morales, Chilean artist Seba Calfuqueo, and Brazilian artist UÝRA. They address, from different perspectives, the relationship between identity, territory and memory, proposing new forms of resistance.

The Museum of Modern Art of Bogota (MAMBO) presents ReparaRenacer (RepairReborn), the first institutional exhibition in Colombia by Franco-Algerian artist Kader Attia. This exhibition highlights Attia’s work around the concept of repair, a central theme in his art that explores both physical and mental repair through various artistic techniques.

The Broad Museum is set to present Jeffrey Gibson: the space in which to place me, a special exhibition showcasing the artist’s multidimensional work. Adapted from its original presentation at the U.S. Pavilion at the 60th Biennale in 2024, this exhibition marks a historic moment—Gibson was the first Indigenous artist to represent the United States with a solo exhibition.

The Institute of Contemporary Art Miami (ICA Miami) presents a retrospective of textile artist Olga de Amaral (Bogotá, 1932), a pioneer in material exploration and the expansion of textile art. The exhibition, in collaboration with the Fondation Cartier pour l’art contemporain in Paris, will be open from May 1 to October 12, showcasing over 50 works spanning six decades of her career, including pieces never before exhibited outside Colombia.

The Museum of Modern Art of Bogota (MAMBO) presents its first exhibition cycle of 2025 with Colombian artist Julieth Morales, Chilean artist Seba Calfuqueo, and Brazilian artist UÝRA. They address, from different perspectives, the relationship between identity, territory and memory, proposing new forms of resistance.

Felipe Romero (Bogota, Colombia, 1992) usually shows in his photographic proposal a high interest in conflict zones. While the scenario reflects this palpable but still intangible tension, it also serves as a reflective framework where the conflict and its protagonists meet.

The Museum of Modern Art of Bogota (MAMBO) presents ReparaRenacer (RepairReborn), the first institutional exhibition in Colombia by Franco-Algerian artist Kader Attia. This exhibition highlights Attia’s work around the concept of repair, a central theme in his art that explores both physical and mental repair through various artistic techniques.

The Broad Museum is set to present Jeffrey Gibson: the space in which to place me, a special exhibition showcasing the artist’s multidimensional work. Adapted from its original presentation at the U.S. Pavilion at the 60th Biennale in 2024, this exhibition marks a historic moment—Gibson was the first Indigenous artist to represent the United States with a solo exhibition.

The Institute of Contemporary Art Miami (ICA Miami) presents a retrospective of textile artist Olga de Amaral (Bogotá, 1932), a pioneer in material exploration and the expansion of textile art. The exhibition, in collaboration with the Fondation Cartier pour l’art contemporain in Paris, will be open from May 1 to October 12, showcasing over 50 works spanning six decades of her career, including pieces never before exhibited outside Colombia.

The Museum of Modern Art of Bogota (MAMBO) presents its first exhibition cycle of 2025 with Colombian artist Julieth Morales, Chilean artist Seba Calfuqueo, and Brazilian artist UÝRA. They address, from different perspectives, the relationship between identity, territory and memory, proposing new forms of resistance.

Felipe Romero (Bogota, Colombia, 1992) usually shows in his photographic proposal a high interest in conflict zones. While the scenario reflects this palpable but still intangible tension, it also serves as a reflective framework where the conflict and its protagonists meet.

The Museum of Modern Art of Bogota (MAMBO) presents ReparaRenacer (RepairReborn), the first institutional exhibition in Colombia by Franco-Algerian artist Kader Attia. This exhibition highlights Attia’s work around the concept of repair, a central theme in his art that explores both physical and mental repair through various artistic techniques.

The Broad Museum is set to present Jeffrey Gibson: the space in which to place me, a special exhibition showcasing the artist’s multidimensional work. Adapted from its original presentation at the U.S. Pavilion at the 60th Biennale in 2024, this exhibition marks a historic moment—Gibson was the first Indigenous artist to represent the United States with a solo exhibition.

The Institute of Contemporary Art Miami (ICA Miami) presents a retrospective of textile artist Olga de Amaral (Bogotá, 1932), a pioneer in material exploration and the expansion of textile art. The exhibition, in collaboration with the Fondation Cartier pour l’art contemporain in Paris, will be open from May 1 to October 12, showcasing over 50 works spanning six decades of her career, including pieces never before exhibited outside Colombia.

The Museum of Modern Art of Bogota (MAMBO) presents its first exhibition cycle of 2025 with Colombian artist Julieth Morales, Chilean artist Seba Calfuqueo, and Brazilian artist UÝRA. They address, from different perspectives, the relationship between identity, territory and memory, proposing new forms of resistance.