VERÓNICA RIEDEL'S LAST WEEK AT LA NEOMUDÉJAR

The Cultural Institute of Mexico in Spain hosts the exhibition Estrategias de recuperación (Recovery Strategies), featuring three recent projects by the photographer. Including the series Las flores mueren dos veces (Flowers Die Twice, 2021–2024), Palimpsesto (2024–2025), and Maíz (Corn) (2023–present), the Mexican photographer explores the elements and causes that create distortion and fragmentation in memory.

Fernando Pradilla presents Depresión Tropical (Tropical Depression), Gonzalo Fuenmayor’s (Barranquilla, Colombia, 1977) third solo exhibition at the gallery. The show brings together a new series of charcoal drawings created specifically for its Madrid headquarters. In this latest body of work—caught between references to nature and the artificial, between chaos and tranquility—the artist offers a vision in which climate becomes a metaphorical instrument for personal and cultural transformation, as well as a certain historiography.

The Albarrán Bourdais gallery, at its Madrid venue, is hosting the exhibition En movimiento, by Julio Le Parc (Mendoza, Argentina, 1928). With a celebratory tone, as this is the first solo exhibition dedicated to the Argentine artist in Spain in 30 years, the show explores a fundamental part of the work of this master of kinetic and op-art and does so with a selection of several pieces that illustrate key periods. Without being a retrospective, there is something of that essence in the way the tour is presented, which proposes, through connected groups, an analysis of the connection between the past and the present.

The concern about how the surrounding affects not only the individual but also artistic production connects with the principle by which Édgar Calel (San Juan Comalapa, Guatemala, 1987) has developed a unique project from scratch at La Oficina gallery. Sueños guardados en granos de maíz brings us to a specific moment of materialization, but it expands toward all the vertices with which the artist works, delving above all into the importance of ancestry, identity, and the spirituality that is related to space.

The Cultural Institute of Mexico in Spain hosts the exhibition Estrategias de recuperación (Recovery Strategies), featuring three recent projects by the photographer. Including the series Las flores mueren dos veces (Flowers Die Twice, 2021–2024), Palimpsesto (2024–2025), and Maíz (Corn) (2023–present), the Mexican photographer explores the elements and causes that create distortion and fragmentation in memory.

Fernando Pradilla presents Depresión Tropical (Tropical Depression), Gonzalo Fuenmayor’s (Barranquilla, Colombia, 1977) third solo exhibition at the gallery. The show brings together a new series of charcoal drawings created specifically for its Madrid headquarters. In this latest body of work—caught between references to nature and the artificial, between chaos and tranquility—the artist offers a vision in which climate becomes a metaphorical instrument for personal and cultural transformation, as well as a certain historiography.

The Albarrán Bourdais gallery, at its Madrid venue, is hosting the exhibition En movimiento, by Julio Le Parc (Mendoza, Argentina, 1928). With a celebratory tone, as this is the first solo exhibition dedicated to the Argentine artist in Spain in 30 years, the show explores a fundamental part of the work of this master of kinetic and op-art and does so with a selection of several pieces that illustrate key periods. Without being a retrospective, there is something of that essence in the way the tour is presented, which proposes, through connected groups, an analysis of the connection between the past and the present.

The concern about how the surrounding affects not only the individual but also artistic production connects with the principle by which Édgar Calel (San Juan Comalapa, Guatemala, 1987) has developed a unique project from scratch at La Oficina gallery. Sueños guardados en granos de maíz brings us to a specific moment of materialization, but it expands toward all the vertices with which the artist works, delving above all into the importance of ancestry, identity, and the spirituality that is related to space.

Fernando Pradilla presents Depresión Tropical (Tropical Depression), Gonzalo Fuenmayor’s (Barranquilla, Colombia, 1977) third solo exhibition at the gallery. The show brings together a new series of charcoal drawings created specifically for its Madrid headquarters. In this latest body of work—caught between references to nature and the artificial, between chaos and tranquility—the artist offers a vision in which climate becomes a metaphorical instrument for personal and cultural transformation, as well as a certain historiography.

The Albarrán Bourdais gallery, at its Madrid venue, is hosting the exhibition En movimiento, by Julio Le Parc (Mendoza, Argentina, 1928). With a celebratory tone, as this is the first solo exhibition dedicated to the Argentine artist in Spain in 30 years, the show explores a fundamental part of the work of this master of kinetic and op-art and does so with a selection of several pieces that illustrate key periods. Without being a retrospective, there is something of that essence in the way the tour is presented, which proposes, through connected groups, an analysis of the connection between the past and the present.

The concern about how the surrounding affects not only the individual but also artistic production connects with the principle by which Édgar Calel (San Juan Comalapa, Guatemala, 1987) has developed a unique project from scratch at La Oficina gallery. Sueños guardados en granos de maíz brings us to a specific moment of materialization, but it expands toward all the vertices with which the artist works, delving above all into the importance of ancestry, identity, and the spirituality that is related to space.

The Cultural Institute of Mexico in Spain hosts the exhibition Estrategias de recuperación (Recovery Strategies), featuring three recent projects by the photographer. Including the series Las flores mueren dos veces (Flowers Die Twice, 2021–2024), Palimpsesto (2024–2025), and Maíz (Corn) (2023–present), the Mexican photographer explores the elements and causes that create distortion and fragmentation in memory.

Fernando Pradilla presents Depresión Tropical (Tropical Depression), Gonzalo Fuenmayor’s (Barranquilla, Colombia, 1977) third solo exhibition at the gallery. The show brings together a new series of charcoal drawings created specifically for its Madrid headquarters. In this latest body of work—caught between references to nature and the artificial, between chaos and tranquility—the artist offers a vision in which climate becomes a metaphorical instrument for personal and cultural transformation, as well as a certain historiography.

The Albarrán Bourdais gallery, at its Madrid venue, is hosting the exhibition En movimiento, by Julio Le Parc (Mendoza, Argentina, 1928). With a celebratory tone, as this is the first solo exhibition dedicated to the Argentine artist in Spain in 30 years, the show explores a fundamental part of the work of this master of kinetic and op-art and does so with a selection of several pieces that illustrate key periods. Without being a retrospective, there is something of that essence in the way the tour is presented, which proposes, through connected groups, an analysis of the connection between the past and the present.

The concern about how the surrounding affects not only the individual but also artistic production connects with the principle by which Édgar Calel (San Juan Comalapa, Guatemala, 1987) has developed a unique project from scratch at La Oficina gallery. Sueños guardados en granos de maíz brings us to a specific moment of materialization, but it expands toward all the vertices with which the artist works, delving above all into the importance of ancestry, identity, and the spirituality that is related to space.

The Cultural Institute of Mexico in Spain hosts the exhibition Estrategias de recuperación (Recovery Strategies), featuring three recent projects by the photographer. Including the series Las flores mueren dos veces (Flowers Die Twice, 2021–2024), Palimpsesto (2024–2025), and Maíz (Corn) (2023–present), the Mexican photographer explores the elements and causes that create distortion and fragmentation in memory.

Fernando Pradilla presents Depresión Tropical (Tropical Depression), Gonzalo Fuenmayor’s (Barranquilla, Colombia, 1977) third solo exhibition at the gallery. The show brings together a new series of charcoal drawings created specifically for its Madrid headquarters. In this latest body of work—caught between references to nature and the artificial, between chaos and tranquility—the artist offers a vision in which climate becomes a metaphorical instrument for personal and cultural transformation, as well as a certain historiography.

The Albarrán Bourdais gallery, at its Madrid venue, is hosting the exhibition En movimiento, by Julio Le Parc (Mendoza, Argentina, 1928). With a celebratory tone, as this is the first solo exhibition dedicated to the Argentine artist in Spain in 30 years, the show explores a fundamental part of the work of this master of kinetic and op-art and does so with a selection of several pieces that illustrate key periods. Without being a retrospective, there is something of that essence in the way the tour is presented, which proposes, through connected groups, an analysis of the connection between the past and the present.

The concern about how the surrounding affects not only the individual but also artistic production connects with the principle by which Édgar Calel (San Juan Comalapa, Guatemala, 1987) has developed a unique project from scratch at La Oficina gallery. Sueños guardados en granos de maíz brings us to a specific moment of materialization, but it expands toward all the vertices with which the artist works, delving above all into the importance of ancestry, identity, and the spirituality that is related to space.