THE MODERNITY OF TARSILA DO AMARAL TAKES OVER THE GUGGENHEIM IN BILBAO

Madrid-based Maisterravalbuena proposes a vindication of the work of Sarah Grilo (Buenos Aires, Argentina,1917 - Madrid, Spain, 2007) through Soluciones para pensar, the second exhibition on this artist at the gallery. With a didactic and rediscovery vocation, the exhibition gathers a selection of paintings in different formats made between the 1960s and 1990s, many of them unpublished to the public. This work of selection and direct work of the gallery with the archive and the legacy of the Argentinean artist becomes fundamental in the structuring of the objective of creating opportunities for a greater knowledge of Grilo's work.

Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.

Felipe Romero (Bogota, Colombia, 1992) usually shows in his photographic proposal a high interest in conflict zones. While the scenario reflects this palpable but still intangible tension, it also serves as a reflective framework where the conflict and its protagonists meet.

The Hochschild Correa Collection boasts of being the most complete private collection of contemporary art from the Peruvian Amazon. Nevertheless, for more than a decade, it has been built on a varied and unrestricted collection, which has made it possible to bring together the different trends and techniques currently being used in the region, with a focus on dialogue and a certain relational patina among the works that make up the collection. 

The Badischer Kunstverein presents the work of the Brazilian poet and artist in their first extensive solo exhibition in Germany; To See Aloud  includes diverse facets of her artistic practice, ranging from early text works, videotext poems, publications and printed matter to photographs, objects, object poems and installations, all the way to her most recent performances and artworks in public spaces, including sound-based and collective activations.

The Institute of Contemporary Art Miami (ICA Miami) presents a retrospective of textile artist Olga de Amaral (Bogotá, 1932), a pioneer in material exploration and the expansion of textile art. The exhibition, in collaboration with the Fondation Cartier pour l’art contemporain in Paris, will be open from May 1 to October 12, showcasing over 50 works spanning six decades of her career, including pieces never before exhibited outside Colombia.

Madrid-based Maisterravalbuena proposes a vindication of the work of Sarah Grilo (Buenos Aires, Argentina,1917 - Madrid, Spain, 2007) through Soluciones para pensar, the second exhibition on this artist at the gallery. With a didactic and rediscovery vocation, the exhibition gathers a selection of paintings in different formats made between the 1960s and 1990s, many of them unpublished to the public. This work of selection and direct work of the gallery with the archive and the legacy of the Argentinean artist becomes fundamental in the structuring of the objective of creating opportunities for a greater knowledge of Grilo's work.

Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.

Felipe Romero (Bogota, Colombia, 1992) usually shows in his photographic proposal a high interest in conflict zones. While the scenario reflects this palpable but still intangible tension, it also serves as a reflective framework where the conflict and its protagonists meet.

The Hochschild Correa Collection boasts of being the most complete private collection of contemporary art from the Peruvian Amazon. Nevertheless, for more than a decade, it has been built on a varied and unrestricted collection, which has made it possible to bring together the different trends and techniques currently being used in the region, with a focus on dialogue and a certain relational patina among the works that make up the collection. 

The Badischer Kunstverein presents the work of the Brazilian poet and artist in their first extensive solo exhibition in Germany; To See Aloud  includes diverse facets of her artistic practice, ranging from early text works, videotext poems, publications and printed matter to photographs, objects, object poems and installations, all the way to her most recent performances and artworks in public spaces, including sound-based and collective activations.

The Institute of Contemporary Art Miami (ICA Miami) presents a retrospective of textile artist Olga de Amaral (Bogotá, 1932), a pioneer in material exploration and the expansion of textile art. The exhibition, in collaboration with the Fondation Cartier pour l’art contemporain in Paris, will be open from May 1 to October 12, showcasing over 50 works spanning six decades of her career, including pieces never before exhibited outside Colombia.

Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.

Felipe Romero (Bogota, Colombia, 1992) usually shows in his photographic proposal a high interest in conflict zones. While the scenario reflects this palpable but still intangible tension, it also serves as a reflective framework where the conflict and its protagonists meet.

The Hochschild Correa Collection boasts of being the most complete private collection of contemporary art from the Peruvian Amazon. Nevertheless, for more than a decade, it has been built on a varied and unrestricted collection, which has made it possible to bring together the different trends and techniques currently being used in the region, with a focus on dialogue and a certain relational patina among the works that make up the collection. 

The Badischer Kunstverein presents the work of the Brazilian poet and artist in their first extensive solo exhibition in Germany; To See Aloud  includes diverse facets of her artistic practice, ranging from early text works, videotext poems, publications and printed matter to photographs, objects, object poems and installations, all the way to her most recent performances and artworks in public spaces, including sound-based and collective activations.

The Institute of Contemporary Art Miami (ICA Miami) presents a retrospective of textile artist Olga de Amaral (Bogotá, 1932), a pioneer in material exploration and the expansion of textile art. The exhibition, in collaboration with the Fondation Cartier pour l’art contemporain in Paris, will be open from May 1 to October 12, showcasing over 50 works spanning six decades of her career, including pieces never before exhibited outside Colombia.

Madrid-based Maisterravalbuena proposes a vindication of the work of Sarah Grilo (Buenos Aires, Argentina,1917 - Madrid, Spain, 2007) through Soluciones para pensar, the second exhibition on this artist at the gallery. With a didactic and rediscovery vocation, the exhibition gathers a selection of paintings in different formats made between the 1960s and 1990s, many of them unpublished to the public. This work of selection and direct work of the gallery with the archive and the legacy of the Argentinean artist becomes fundamental in the structuring of the objective of creating opportunities for a greater knowledge of Grilo's work.

Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.

Felipe Romero (Bogota, Colombia, 1992) usually shows in his photographic proposal a high interest in conflict zones. While the scenario reflects this palpable but still intangible tension, it also serves as a reflective framework where the conflict and its protagonists meet.

The Hochschild Correa Collection boasts of being the most complete private collection of contemporary art from the Peruvian Amazon. Nevertheless, for more than a decade, it has been built on a varied and unrestricted collection, which has made it possible to bring together the different trends and techniques currently being used in the region, with a focus on dialogue and a certain relational patina among the works that make up the collection. 

The Badischer Kunstverein presents the work of the Brazilian poet and artist in their first extensive solo exhibition in Germany; To See Aloud  includes diverse facets of her artistic practice, ranging from early text works, videotext poems, publications and printed matter to photographs, objects, object poems and installations, all the way to her most recent performances and artworks in public spaces, including sound-based and collective activations.

The Institute of Contemporary Art Miami (ICA Miami) presents a retrospective of textile artist Olga de Amaral (Bogotá, 1932), a pioneer in material exploration and the expansion of textile art. The exhibition, in collaboration with the Fondation Cartier pour l’art contemporain in Paris, will be open from May 1 to October 12, showcasing over 50 works spanning six decades of her career, including pieces never before exhibited outside Colombia.

Madrid-based Maisterravalbuena proposes a vindication of the work of Sarah Grilo (Buenos Aires, Argentina,1917 - Madrid, Spain, 2007) through Soluciones para pensar, the second exhibition on this artist at the gallery. With a didactic and rediscovery vocation, the exhibition gathers a selection of paintings in different formats made between the 1960s and 1990s, many of them unpublished to the public. This work of selection and direct work of the gallery with the archive and the legacy of the Argentinean artist becomes fundamental in the structuring of the objective of creating opportunities for a greater knowledge of Grilo's work.

Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.

Felipe Romero (Bogota, Colombia, 1992) usually shows in his photographic proposal a high interest in conflict zones. While the scenario reflects this palpable but still intangible tension, it also serves as a reflective framework where the conflict and its protagonists meet.

The Hochschild Correa Collection boasts of being the most complete private collection of contemporary art from the Peruvian Amazon. Nevertheless, for more than a decade, it has been built on a varied and unrestricted collection, which has made it possible to bring together the different trends and techniques currently being used in the region, with a focus on dialogue and a certain relational patina among the works that make up the collection. 

The Badischer Kunstverein presents the work of the Brazilian poet and artist in their first extensive solo exhibition in Germany; To See Aloud  includes diverse facets of her artistic practice, ranging from early text works, videotext poems, publications and printed matter to photographs, objects, object poems and installations, all the way to her most recent performances and artworks in public spaces, including sound-based and collective activations.

The Institute of Contemporary Art Miami (ICA Miami) presents a retrospective of textile artist Olga de Amaral (Bogotá, 1932), a pioneer in material exploration and the expansion of textile art. The exhibition, in collaboration with the Fondation Cartier pour l’art contemporain in Paris, will be open from May 1 to October 12, showcasing over 50 works spanning six decades of her career, including pieces never before exhibited outside Colombia.