70'S I ALTRES COSES: THE EXHIBITION OF VERA CHAVES AT ZIELINKSY

One of Pinta BAphoto's already characteristic program is Fuera de Foco (Out of Focus). Curated by Bárbara Golubick, this section highlights emerging artists’ photography from different parts of the country. This year, Remota Galería (Salta) with Clara Johnston and Matías de la Guerra and Talenta (Buenos Aires) with Coni Rosman and Juan Pablo Tristán,  are exhibiting.

Casa Hoffmann presents the works of two exponents of contemporary photography in Colombia. Curated by Santiago Rueda, the exhibitions SABANA, by Iván Herrera (winner of the 2021 National Photography Award), and SOMA, by Katy Beltrán, take a look at the practices, processes, problems, and concepts that photography goes through in the context current.

In this exhibition, photographs from Brazil turn to the constructions of national identity and culture based on the photographic collection of the Museum of Modern Art in Rio de Janeiro. The exhibition presents around 270 works by 120 artists, produced from 1860 to the present. It also includes a commissioned work by Rio de Janeiro-based visual artist Aline Motta, and a revival of her installation Filha natural.

Since September, Fernanda Lopes is the new Artistic Director of the Brazilian art gallery Athena. She will be in charge of several actions such as exhibition projects, public talks, publications, accompaniment of the represented artists and innovative and experimental research initiatives. 

ArtYard inaugurated the new exhibition by Cuban artist Alexandre Arrechea. LANDSCAPE AND HIERARCHIES explores the relationship between the individual and the collective, and the domino effect that human actions may have on society and nature.

Colombian Artist Carlos Motta is presenting his largest exhibition in the US to date. Your Monsters, Our Idols celebrates commitment to radical difference and the debut of his Wex-commissioned project.

Ruido / Noise is the first international survey of the work of Colombian American artist Karen Lamassone. Spanning from her early years to today, the exhibit at Swiss Institute shows the artist’s commitment to portraying women as desiring subjects.

On the bicentennial anniversary of Brazil Independence, the Museu de Arte de São Paulo (MASP) presents the collective exhibition Brazilian Histories, proposing a critical reflection on the country’s history seen through an plural perspective.

The Museum im Kulturspeicher Würzburg presents exhibition CONCRETE GLOBAL! taking the idea of concrete art as a global phenomenon for the first time and examining its aesthetic manifestations, socio-political dimensions and its networks worldwide on the basis of key figures and works.

One of Pinta BAphoto's already characteristic program is Fuera de Foco (Out of Focus). Curated by Bárbara Golubick, this section highlights emerging artists’ photography from different parts of the country. This year, Remota Galería (Salta) with Clara Johnston and Matías de la Guerra and Talenta (Buenos Aires) with Coni Rosman and Juan Pablo Tristán,  are exhibiting.

Casa Hoffmann presents the works of two exponents of contemporary photography in Colombia. Curated by Santiago Rueda, the exhibitions SABANA, by Iván Herrera (winner of the 2021 National Photography Award), and SOMA, by Katy Beltrán, take a look at the practices, processes, problems, and concepts that photography goes through in the context current.

In this exhibition, photographs from Brazil turn to the constructions of national identity and culture based on the photographic collection of the Museum of Modern Art in Rio de Janeiro. The exhibition presents around 270 works by 120 artists, produced from 1860 to the present. It also includes a commissioned work by Rio de Janeiro-based visual artist Aline Motta, and a revival of her installation Filha natural.

Since September, Fernanda Lopes is the new Artistic Director of the Brazilian art gallery Athena. She will be in charge of several actions such as exhibition projects, public talks, publications, accompaniment of the represented artists and innovative and experimental research initiatives. 

ArtYard inaugurated the new exhibition by Cuban artist Alexandre Arrechea. LANDSCAPE AND HIERARCHIES explores the relationship between the individual and the collective, and the domino effect that human actions may have on society and nature.

Colombian Artist Carlos Motta is presenting his largest exhibition in the US to date. Your Monsters, Our Idols celebrates commitment to radical difference and the debut of his Wex-commissioned project.

Ruido / Noise is the first international survey of the work of Colombian American artist Karen Lamassone. Spanning from her early years to today, the exhibit at Swiss Institute shows the artist’s commitment to portraying women as desiring subjects.

On the bicentennial anniversary of Brazil Independence, the Museu de Arte de São Paulo (MASP) presents the collective exhibition Brazilian Histories, proposing a critical reflection on the country’s history seen through an plural perspective.

The Museum im Kulturspeicher Würzburg presents exhibition CONCRETE GLOBAL! taking the idea of concrete art as a global phenomenon for the first time and examining its aesthetic manifestations, socio-political dimensions and its networks worldwide on the basis of key figures and works.

Casa Hoffmann presents the works of two exponents of contemporary photography in Colombia. Curated by Santiago Rueda, the exhibitions SABANA, by Iván Herrera (winner of the 2021 National Photography Award), and SOMA, by Katy Beltrán, take a look at the practices, processes, problems, and concepts that photography goes through in the context current.

In this exhibition, photographs from Brazil turn to the constructions of national identity and culture based on the photographic collection of the Museum of Modern Art in Rio de Janeiro. The exhibition presents around 270 works by 120 artists, produced from 1860 to the present. It also includes a commissioned work by Rio de Janeiro-based visual artist Aline Motta, and a revival of her installation Filha natural.

Since September, Fernanda Lopes is the new Artistic Director of the Brazilian art gallery Athena. She will be in charge of several actions such as exhibition projects, public talks, publications, accompaniment of the represented artists and innovative and experimental research initiatives. 

ArtYard inaugurated the new exhibition by Cuban artist Alexandre Arrechea. LANDSCAPE AND HIERARCHIES explores the relationship between the individual and the collective, and the domino effect that human actions may have on society and nature.

Colombian Artist Carlos Motta is presenting his largest exhibition in the US to date. Your Monsters, Our Idols celebrates commitment to radical difference and the debut of his Wex-commissioned project.

Ruido / Noise is the first international survey of the work of Colombian American artist Karen Lamassone. Spanning from her early years to today, the exhibit at Swiss Institute shows the artist’s commitment to portraying women as desiring subjects.

On the bicentennial anniversary of Brazil Independence, the Museu de Arte de São Paulo (MASP) presents the collective exhibition Brazilian Histories, proposing a critical reflection on the country’s history seen through an plural perspective.

The Museum im Kulturspeicher Würzburg presents exhibition CONCRETE GLOBAL! taking the idea of concrete art as a global phenomenon for the first time and examining its aesthetic manifestations, socio-political dimensions and its networks worldwide on the basis of key figures and works.

One of Pinta BAphoto's already characteristic program is Fuera de Foco (Out of Focus). Curated by Bárbara Golubick, this section highlights emerging artists’ photography from different parts of the country. This year, Remota Galería (Salta) with Clara Johnston and Matías de la Guerra and Talenta (Buenos Aires) with Coni Rosman and Juan Pablo Tristán,  are exhibiting.

Casa Hoffmann presents the works of two exponents of contemporary photography in Colombia. Curated by Santiago Rueda, the exhibitions SABANA, by Iván Herrera (winner of the 2021 National Photography Award), and SOMA, by Katy Beltrán, take a look at the practices, processes, problems, and concepts that photography goes through in the context current.

In this exhibition, photographs from Brazil turn to the constructions of national identity and culture based on the photographic collection of the Museum of Modern Art in Rio de Janeiro. The exhibition presents around 270 works by 120 artists, produced from 1860 to the present. It also includes a commissioned work by Rio de Janeiro-based visual artist Aline Motta, and a revival of her installation Filha natural.

Since September, Fernanda Lopes is the new Artistic Director of the Brazilian art gallery Athena. She will be in charge of several actions such as exhibition projects, public talks, publications, accompaniment of the represented artists and innovative and experimental research initiatives. 

ArtYard inaugurated the new exhibition by Cuban artist Alexandre Arrechea. LANDSCAPE AND HIERARCHIES explores the relationship between the individual and the collective, and the domino effect that human actions may have on society and nature.

Colombian Artist Carlos Motta is presenting his largest exhibition in the US to date. Your Monsters, Our Idols celebrates commitment to radical difference and the debut of his Wex-commissioned project.

Ruido / Noise is the first international survey of the work of Colombian American artist Karen Lamassone. Spanning from her early years to today, the exhibit at Swiss Institute shows the artist’s commitment to portraying women as desiring subjects.

On the bicentennial anniversary of Brazil Independence, the Museu de Arte de São Paulo (MASP) presents the collective exhibition Brazilian Histories, proposing a critical reflection on the country’s history seen through an plural perspective.

The Museum im Kulturspeicher Würzburg presents exhibition CONCRETE GLOBAL! taking the idea of concrete art as a global phenomenon for the first time and examining its aesthetic manifestations, socio-political dimensions and its networks worldwide on the basis of key figures and works.

One of Pinta BAphoto's already characteristic program is Fuera de Foco (Out of Focus). Curated by Bárbara Golubick, this section highlights emerging artists’ photography from different parts of the country. This year, Remota Galería (Salta) with Clara Johnston and Matías de la Guerra and Talenta (Buenos Aires) with Coni Rosman and Juan Pablo Tristán,  are exhibiting.

Casa Hoffmann presents the works of two exponents of contemporary photography in Colombia. Curated by Santiago Rueda, the exhibitions SABANA, by Iván Herrera (winner of the 2021 National Photography Award), and SOMA, by Katy Beltrán, take a look at the practices, processes, problems, and concepts that photography goes through in the context current.

In this exhibition, photographs from Brazil turn to the constructions of national identity and culture based on the photographic collection of the Museum of Modern Art in Rio de Janeiro. The exhibition presents around 270 works by 120 artists, produced from 1860 to the present. It also includes a commissioned work by Rio de Janeiro-based visual artist Aline Motta, and a revival of her installation Filha natural.

Since September, Fernanda Lopes is the new Artistic Director of the Brazilian art gallery Athena. She will be in charge of several actions such as exhibition projects, public talks, publications, accompaniment of the represented artists and innovative and experimental research initiatives. 

ArtYard inaugurated the new exhibition by Cuban artist Alexandre Arrechea. LANDSCAPE AND HIERARCHIES explores the relationship between the individual and the collective, and the domino effect that human actions may have on society and nature.

Colombian Artist Carlos Motta is presenting his largest exhibition in the US to date. Your Monsters, Our Idols celebrates commitment to radical difference and the debut of his Wex-commissioned project.

Ruido / Noise is the first international survey of the work of Colombian American artist Karen Lamassone. Spanning from her early years to today, the exhibit at Swiss Institute shows the artist’s commitment to portraying women as desiring subjects.

On the bicentennial anniversary of Brazil Independence, the Museu de Arte de São Paulo (MASP) presents the collective exhibition Brazilian Histories, proposing a critical reflection on the country’s history seen through an plural perspective.

The Museum im Kulturspeicher Würzburg presents exhibition CONCRETE GLOBAL! taking the idea of concrete art as a global phenomenon for the first time and examining its aesthetic manifestations, socio-political dimensions and its networks worldwide on the basis of key figures and works.