A TRIBUTE TO ROBERTO MAGALHÃES

The Jamestown Arts Center announced A Hard Rain’s A-Gonna Fall: An Intersection of Art and Science. This exhibition brings together 11 artists from all over the world.

Deeply influenced by the socio-natural context of Brazil, the work of Daniel Steegmann Mangrané (Barcelona, 1977; lives and works in Rio de Janeiro) looks into ecology as a tool to analyse the relationships of mutual transformation.

In Pinakothek der Moderne, the Chilean-born and New York-based architect who makes art—as Alfredo Jaar refers to himself— explores complex sociopolitical issues, bringing to the fore the ethics of representation. 

Edgard de Souza is showing a selection of works made during the least three years, including two in pandemic seclusion, in his third solo show at Vermelho. In the exhibition, the artist presents a set of four new sculptures in bronze, one in carved mahogany, and a series of new embroideries.

"Judith Lauand/Walking into the future". In that way Profilograma Judith (2000), by Augusto de Campos, one of the main names of concrete poetry in Brazil, celebrates the art of Judith Lauand (1922-2022).  The São Paulo artist, a female figure almost isolated in the country, was given a long retrospective with 124 works and extensive documentation, opened before her death at the end of last year, at São Paulo Museum of Art (MASP).

FOUNDRY SEOUL presented São Paulo-based emerging artist Fernanda Galvão in her first solo exhibition in Asia Oyster Dream.

MAHKU (Movimento dos Artistas Huni Kuin, or Huni Kuin Artists Movement), founded in 2013, is a collective of artists based between the city of Jordão and the Chico Curumim village, in the Kaxinawá (Huni Kuin) Indigenous Land of the Jordão River, state of Acre. Currently, MAHKU is one of the main players in the Brazilian contemporary art scene in general and Indigenous art in particular.

The Jamestown Arts Center announced A Hard Rain’s A-Gonna Fall: An Intersection of Art and Science. This exhibition brings together 11 artists from all over the world.

Deeply influenced by the socio-natural context of Brazil, the work of Daniel Steegmann Mangrané (Barcelona, 1977; lives and works in Rio de Janeiro) looks into ecology as a tool to analyse the relationships of mutual transformation.

In Pinakothek der Moderne, the Chilean-born and New York-based architect who makes art—as Alfredo Jaar refers to himself— explores complex sociopolitical issues, bringing to the fore the ethics of representation. 

Edgard de Souza is showing a selection of works made during the least three years, including two in pandemic seclusion, in his third solo show at Vermelho. In the exhibition, the artist presents a set of four new sculptures in bronze, one in carved mahogany, and a series of new embroideries.

"Judith Lauand/Walking into the future". In that way Profilograma Judith (2000), by Augusto de Campos, one of the main names of concrete poetry in Brazil, celebrates the art of Judith Lauand (1922-2022).  The São Paulo artist, a female figure almost isolated in the country, was given a long retrospective with 124 works and extensive documentation, opened before her death at the end of last year, at São Paulo Museum of Art (MASP).

FOUNDRY SEOUL presented São Paulo-based emerging artist Fernanda Galvão in her first solo exhibition in Asia Oyster Dream.

MAHKU (Movimento dos Artistas Huni Kuin, or Huni Kuin Artists Movement), founded in 2013, is a collective of artists based between the city of Jordão and the Chico Curumim village, in the Kaxinawá (Huni Kuin) Indigenous Land of the Jordão River, state of Acre. Currently, MAHKU is one of the main players in the Brazilian contemporary art scene in general and Indigenous art in particular.

Deeply influenced by the socio-natural context of Brazil, the work of Daniel Steegmann Mangrané (Barcelona, 1977; lives and works in Rio de Janeiro) looks into ecology as a tool to analyse the relationships of mutual transformation.

In Pinakothek der Moderne, the Chilean-born and New York-based architect who makes art—as Alfredo Jaar refers to himself— explores complex sociopolitical issues, bringing to the fore the ethics of representation. 

Edgard de Souza is showing a selection of works made during the least three years, including two in pandemic seclusion, in his third solo show at Vermelho. In the exhibition, the artist presents a set of four new sculptures in bronze, one in carved mahogany, and a series of new embroideries.

"Judith Lauand/Walking into the future". In that way Profilograma Judith (2000), by Augusto de Campos, one of the main names of concrete poetry in Brazil, celebrates the art of Judith Lauand (1922-2022).  The São Paulo artist, a female figure almost isolated in the country, was given a long retrospective with 124 works and extensive documentation, opened before her death at the end of last year, at São Paulo Museum of Art (MASP).

FOUNDRY SEOUL presented São Paulo-based emerging artist Fernanda Galvão in her first solo exhibition in Asia Oyster Dream.

MAHKU (Movimento dos Artistas Huni Kuin, or Huni Kuin Artists Movement), founded in 2013, is a collective of artists based between the city of Jordão and the Chico Curumim village, in the Kaxinawá (Huni Kuin) Indigenous Land of the Jordão River, state of Acre. Currently, MAHKU is one of the main players in the Brazilian contemporary art scene in general and Indigenous art in particular.

The Jamestown Arts Center announced A Hard Rain’s A-Gonna Fall: An Intersection of Art and Science. This exhibition brings together 11 artists from all over the world.

Deeply influenced by the socio-natural context of Brazil, the work of Daniel Steegmann Mangrané (Barcelona, 1977; lives and works in Rio de Janeiro) looks into ecology as a tool to analyse the relationships of mutual transformation.

In Pinakothek der Moderne, the Chilean-born and New York-based architect who makes art—as Alfredo Jaar refers to himself— explores complex sociopolitical issues, bringing to the fore the ethics of representation. 

Edgard de Souza is showing a selection of works made during the least three years, including two in pandemic seclusion, in his third solo show at Vermelho. In the exhibition, the artist presents a set of four new sculptures in bronze, one in carved mahogany, and a series of new embroideries.

"Judith Lauand/Walking into the future". In that way Profilograma Judith (2000), by Augusto de Campos, one of the main names of concrete poetry in Brazil, celebrates the art of Judith Lauand (1922-2022).  The São Paulo artist, a female figure almost isolated in the country, was given a long retrospective with 124 works and extensive documentation, opened before her death at the end of last year, at São Paulo Museum of Art (MASP).

FOUNDRY SEOUL presented São Paulo-based emerging artist Fernanda Galvão in her first solo exhibition in Asia Oyster Dream.

MAHKU (Movimento dos Artistas Huni Kuin, or Huni Kuin Artists Movement), founded in 2013, is a collective of artists based between the city of Jordão and the Chico Curumim village, in the Kaxinawá (Huni Kuin) Indigenous Land of the Jordão River, state of Acre. Currently, MAHKU is one of the main players in the Brazilian contemporary art scene in general and Indigenous art in particular.

The Jamestown Arts Center announced A Hard Rain’s A-Gonna Fall: An Intersection of Art and Science. This exhibition brings together 11 artists from all over the world.

Deeply influenced by the socio-natural context of Brazil, the work of Daniel Steegmann Mangrané (Barcelona, 1977; lives and works in Rio de Janeiro) looks into ecology as a tool to analyse the relationships of mutual transformation.

In Pinakothek der Moderne, the Chilean-born and New York-based architect who makes art—as Alfredo Jaar refers to himself— explores complex sociopolitical issues, bringing to the fore the ethics of representation. 

Edgard de Souza is showing a selection of works made during the least three years, including two in pandemic seclusion, in his third solo show at Vermelho. In the exhibition, the artist presents a set of four new sculptures in bronze, one in carved mahogany, and a series of new embroideries.

"Judith Lauand/Walking into the future". In that way Profilograma Judith (2000), by Augusto de Campos, one of the main names of concrete poetry in Brazil, celebrates the art of Judith Lauand (1922-2022).  The São Paulo artist, a female figure almost isolated in the country, was given a long retrospective with 124 works and extensive documentation, opened before her death at the end of last year, at São Paulo Museum of Art (MASP).

FOUNDRY SEOUL presented São Paulo-based emerging artist Fernanda Galvão in her first solo exhibition in Asia Oyster Dream.

MAHKU (Movimento dos Artistas Huni Kuin, or Huni Kuin Artists Movement), founded in 2013, is a collective of artists based between the city of Jordão and the Chico Curumim village, in the Kaxinawá (Huni Kuin) Indigenous Land of the Jordão River, state of Acre. Currently, MAHKU is one of the main players in the Brazilian contemporary art scene in general and Indigenous art in particular.