NINO CAIS AT CASA TRIÂNGULO: REFINING HIS POETIC PRODUCTION
In his third solo exhibition at Casa Triângulo, Clarão: From powder to body, from body to earth, artist Nino Cais brings together video, installation, collages and photographs that establish relationships between the everyday sphere and the religious universe that crossed his background.

Permeating biblical passages, the works gathered provoke dialogues about the material and the spiritual. Curated by Diego Matos, the show brings together 13 new works developed for the exhibition.
Over the years, Nino Cais has been patiently refining the sculptural meaning of his poetic production. The exhibition that guides us through the sign “Clarão” contemplates in a very evident way the expressive power of the body – our form of presence by the eyes of the world. Faithful to everyday objects, to his intimate and formative repertoire (which goes through Catholic and family semantics), the artist gives us a consistent set of works, adding symbols, utensils, words, balances, drawings and compositions. Therefore, he lets us realize that the political condition of art is inherent in any artistic gestures. Such gestures, steeped in implicit content and not always manual, bear the ephemerality of presence and of memory.
Therefore, it would seem that Nino Cais’s art is defined mainly by three underlying thrusts: the evocation of a basis of feelings and memories that constitute his own personal history; his continued appreciation of the intuitive power of creation; and his unique view of the language of sculpture, which he has refined and broadened based on the historical tradition of Brazilian art and the experimental exploration of his own feelings through other media and materials. By considering this conceptual, tripartite basis we can get an idea of his bearings, the compass guiding his critical perception of artistic practice.
Cais understands art as a trade, craft or occupation, something that is developed on a daily basis and demands time, routine and practice. It’s not that reflection is absent. Rather, reflection is the symbolic and abstract thread uniting all his production – whether graphic, material, objectual or performative. His activity is therefore imbued with a strong sense of presence, in which the artist himself is seen to be continuously implicit. His appropriations and assemblages – practices that are indissociable from the body of his oeuvre – are direct outgrowths of his desire for presence and evocation in art.
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Nino Cais. Santa Ceia (DETALHE) [DETAIL], 2023 - Cadeira de madeira, camisa e pratos de porcelana [Wooden chair, shirt and porcelain plates] . 135 x 45 x 45 cm - 12 peças [parts]
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Exhibition views. Courtesy Casa Triângulo.
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Nino Cais. Querência (DETALHE) [DETAIL], 2023 - Porcelana e farinha de trigo [Porcelain and wheat flour], 9 x 21 Ø cm - 12 peças [parts].
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Nino Cais. Querência (DETALHE) [DETAIL], 2023 - Porcelana e farinha de trigo [Porcelain and wheat flour], 9 x 21 Ø cm - 12 peças [parts].
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Exhibition views. Courtesy Casa Triângulo.
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Nino Cais. Santa Ceia (DETALHE) [DETAIL], 2023 - Cadeira de madeira, camisa e pratos de porcelana [Wooden chair, shirt and porcelain plates] . 135 x 45 x 45 cm - 12 peças [parts]
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Exhibition views. Courtesy Casa Triângulo.
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Exhibition views. Courtesy Casa Triângulo.
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Exhibition views. Courtesy Casa Triângulo.
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Nino Cais. Sebastião, 2023 - 3 arpões de aço e 3 camisas [3 steel harpoons and 3 shirts] - 170 x 13 cm cada [each].
Nino Cais (1969, São Paulo, Brazil. He lives and works in São Paulo, Brazil). Selected solo exhibitions: Poema a Dois/Cartas Queimadas, Fonte, São Paulo, Brazil [2021]; A Fábrica do Corpo Humano, Casa Triângulo, São Paulo, Brazil [2020]; Don't turn off the light, Fridman Gallery, New York, USA [2018]; Ópera do Vento, Casa Triângulo, São Paulo, Brazil [2017]; Teach me how to dance, Fridman Gallery, New York, USA [2016]; A Conquista da lua, Central Galeria, text by Valter Hugo Mãe, São Paulo, Brazil; Remanentes, curated by Francisco Medail, Gachi Prieto Gallery, Buenos Aires, Argentina [2015]; Um Cais Para Nino: a imagem na imagem, Paço das Artes, São Paulo, Brazil [2014]; Ser, desvanecer e reaparecer, Oficina Cultural Oswald de Andrade, São Paulo, Brazil [2011]; Temporada de Projetos, Paço das Artes, São Paulo, Brazil [2010]. Selected group exhibitions: Espelho Labirinto, Centro Cultural Banco do Brasil, Brasília, Brazil; Coleção Sartori: a arte contemporânea habita Antônio Prado, curated by Paulo Herkenhoff, Museu de Arte do Rio Grande do Sul, Porto Alegre, Brazil [2022], among others.
Clarão: do pó ao corpo, do corpo à terra. Solo exhibition by Nino Cais.
Until June 10th, 2023.
Casa Triângulo. Rua Estados Unidos, 1324. São Paulo, Brasil.
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The memories of a community narrated by the individuals who live in it. This is what visitors will discover at the exhibition Retratistas do Morro (Portraitists of the Hill), running at Sesc Pinheiros.
RETRATISTAS DO MORRO (PORTRAITISTS OF THE HILL) AT SESC SÃO PAULO
The memories of a community narrated by the individuals who live in it. This is what visitors will discover at the exhibition Retratistas do Morro (Portraitists of the Hill), running at Sesc Pinheiros.

MAHKU (Movimento dos Artistas Huni Kuin, or Huni Kuin Artists Movement), founded in 2013, is a collective of artists based between the city of Jordão and the Chico Curumim village, in the Kaxinawá (Huni Kuin) Indigenous Land of the Jordão River, state of Acre. Currently, MAHKU is one of the main players in the Brazilian contemporary art scene in general and Indigenous art in particular.
VISIONS BY ARTISTIC COLLECTIVE MAHKU AT MASP
MAHKU (Movimento dos Artistas Huni Kuin, or Huni Kuin Artists Movement), founded in 2013, is a collective of artists based between the city of Jordão and the Chico Curumim village, in the Kaxinawá (Huni Kuin) Indigenous Land of the Jordão River, state of Acre. Currently, MAHKU is one of the main players in the Brazilian contemporary art scene in general and Indigenous art in particular.

The Ecuadorian gallery Casa del Barrio inaugurated the exhibition Elemental by artist Pamela Suasti with 15 pieces made mainly with kneaded felt.

Zielinsky presents the exhibition Vestigios de los días (Vestiges of the days) of Shirly Paes Leme. The Brazilian artist's first solo show in Spain brings together a series of bronze sculptures and installations produced in recent years.

Vermelho Gallery presented two new exhibitions: O espaço entre eu e você (The space between me and you) by Marcelo Cidade and Estratos (Strata) by Ximena Garrido-Lecca.
EXPLORING BOUNDRIES AND TRANSFORMATIONS AT VERMELHO GALLERY

MoMA opened Chosen Memories: Contemporary Latin American Art from the Patricia Phelps de Cisneros Gift and Beyond, an exhibition that brings together 65 works by Latin American artists who have a special interest in history.
THREE LATIN AMERICAN ARTISTS AT MoMA
MoMA opened Chosen Memories: Contemporary Latin American Art from the Patricia Phelps de Cisneros Gift and Beyond, an exhibition that brings together 65 works by Latin American artists who have a special interest in history.

AVAF began using wallpapers as a first way to occupy the exhibition space, sometimes as a way to enhance it, sometimes as a way to transform it, among several other elements that make up his immersive installations. He works with a wide range of media, including installations, painting, sculpture, tapestry, neon and wallpaper, and his trainings vary depending on the projects he undertakes.
AVAF'S IMMERSIVE EXHIBITION
AVAF began using wallpapers as a first way to occupy the exhibition space, sometimes as a way to enhance it, sometimes as a way to transform it, among several other elements that make up his immersive installations. He works with a wide range of media, including installations, painting, sculpture, tapestry, neon and wallpaper, and his trainings vary depending on the projects he undertakes.

Gego: Measuring Infinity at Guggenheim is the first major museum retrospective of the artist work to be presented in the United States since 2005. It offers a fully integrated view of the influential German-Venezuelan artist and her distinctive approach to the language of abstraction.
GEGO’S EXHIBITION AT GUGGENHEIM, NEW YORK
Gego: Measuring Infinity at Guggenheim is the first major museum retrospective of the artist work to be presented in the United States since 2005. It offers a fully integrated view of the influential German-Venezuelan artist and her distinctive approach to the language of abstraction.

The exhibition A 18 minutos del sol (At 18 Minutes from the Sun) at the Museo de Arte Moderno de Buenos Aires addresses astronomical observation and access to outer space as the key elements to activate a dialogue between artistic imagination and scientific exploration.
THE SKY AND ITS HISTORY: THE GROUP EXHIBITION AT THE MUSEUM OF MODERN ART OF BUENOS AIRES
The exhibition A 18 minutos del sol (At 18 Minutes from the Sun) at the Museo de Arte Moderno de Buenos Aires addresses astronomical observation and access to outer space as the key elements to activate a dialogue between artistic imagination and scientific exploration.

On Friday, June 9, 2023 Gallery returns to explore the art circuit in the neighborhoods of Recoleta and Retiro in Buenos Aires, Argentina. Microcentro will also be added.
A NEW GALLERY TOUR IN BUENOS AIRES CITY
On Friday, June 9, 2023 Gallery returns to explore the art circuit in the neighborhoods of Recoleta and Retiro in Buenos Aires, Argentina. Microcentro will also be added.

León Ferrari. Recurrencias (León Ferrari. Recurrences) is the first solo exhibition that the Museo Nacional de Bellas Artes dedicates to the Argentinean artist.
LEÓN FERRARI AT BELLAS ARTES MUSEUM. A LIFE OF COMMITMENT AND SENSITIVITY
León Ferrari. Recurrencias (León Ferrari. Recurrences) is the first solo exhibition that the Museo Nacional de Bellas Artes dedicates to the Argentinean artist.

The call for the Chomer Award together with Meridiano opened. An unpublished work will be selected to be part of the Selene building in La Lucila. Deadline to apply: June 30.
OPEN CALL FOR GRUPO CHOMER AWARD IN ALLIANCE WITH MERIDIANO
The call for the Chomer Award together with Meridiano opened. An unpublished work will be selected to be part of the Selene building in La Lucila. Deadline to apply: June 30.

Melodia is a collective exhibition at Fonte residency featuring a compendium of distinctively composed artworks. Through a variety of processes, techniques, and multidimensional approaches, the exhibition poses the question: What if these diverse works formed a melody?
THE COLLECTIVE EXHIBITION AT FONTE RESIDENCY
Melodia is a collective exhibition at Fonte residency featuring a compendium of distinctively composed artworks. Through a variety of processes, techniques, and multidimensional approaches, the exhibition poses the question: What if these diverse works formed a melody?

Four years after de donation of Paulo Mendes da Rocha’s entire archive to Casa da Architectura, the Portuguese Center for Architecture presented two simultaneous exhibtions, a book and a ten-month parallel program of activities around the artist’s principles, aesthetics and ethics.
CASA DA ARQUITECTURA PRESENTS TWO EXHIBITIONS BY PAULO MENDES DA ROCHA
Four years after de donation of Paulo Mendes da Rocha’s entire archive to Casa da Architectura, the Portuguese Center for Architecture presented two simultaneous exhibtions, a book and a ten-month parallel program of activities around the artist’s principles, aesthetics and ethics.

The memories of a community narrated by the individuals who live in it. This is what visitors will discover at the exhibition Retratistas do Morro (Portraitists of the Hill), running at Sesc Pinheiros.
RETRATISTAS DO MORRO (PORTRAITISTS OF THE HILL) AT SESC SÃO PAULO
The memories of a community narrated by the individuals who live in it. This is what visitors will discover at the exhibition Retratistas do Morro (Portraitists of the Hill), running at Sesc Pinheiros.