THE BEACH AS A FESTIVE AND DEMOCRATIC PLACE IN BITTENCOURT'S PHOTOGRAPHS

Rolf Art announces the institutional acquisition by the MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA (MNCARS) of the work La Clase, 1st year, 6th division, from the series Buena Memoria by Marcelo Brodsky (b.1954, Buenos Aires, Argentina).

The exhibition Image Cities by the photographer Anastasia Samoylova is the culmination of the first edition of the KBr Photo Award launched by Fundación MAPFRE in 2021. 

At the Museo de Bellas Artes, images by artist Alicia D'Amico are displayed in Podría ser yo (It could be me), that wereincluded in the historic essay by Elizabeth Jelin and Pablo Vila, published in 1987, on daily life in working-class neighborhoods.

Since 1999, Alÿs has been producing videos documenting the games traditionally played by children in streets and backyards around the world.

SP–Arte 2023 will feature more than 150 exhibitors and an expansion of the design sector. From March 29 to April 2, the Biennial Pavilion welcomes national and international art galleries, design studios, publishers, cultural institutions and independent spaces.

This exhibition illuminates how day jobs can spur creative growth by providing artists with unexpected new materials and methods, working knowledge of a specific industry that becomes an area of artistic interest or critique, or a predictable structure that opens space for unpredictable ideas.

"Judith Lauand/Walking into the future". In that way Profilograma Judith (2000), by Augusto de Campos, one of the main names of concrete poetry in Brazil, celebrates the art of Judith Lauand (1922-2022).  The São Paulo artist, a female figure almost isolated in the country, was given a long retrospective with 124 works and extensive documentation, opened before her death at the end of last year, at São Paulo Museum of Art (MASP).

Deeply influenced by the socio-natural context of Brazil, the work of Daniel Steegmann Mangrané (Barcelona, 1977; lives and works in Rio de Janeiro) looks into ecology as a tool to analyse the relationships of mutual transformation.

Museo del Barrio annouces Something Beautiful: Reframing La Colección, the museum’s most ambitious presentation of its unique, complex and culturally diverse permanent collection in over two decades.

Rolf Art announces the institutional acquisition by the MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA (MNCARS) of the work La Clase, 1st year, 6th division, from the series Buena Memoria by Marcelo Brodsky (b.1954, Buenos Aires, Argentina).

The exhibition Image Cities by the photographer Anastasia Samoylova is the culmination of the first edition of the KBr Photo Award launched by Fundación MAPFRE in 2021. 

At the Museo de Bellas Artes, images by artist Alicia D'Amico are displayed in Podría ser yo (It could be me), that wereincluded in the historic essay by Elizabeth Jelin and Pablo Vila, published in 1987, on daily life in working-class neighborhoods.

Since 1999, Alÿs has been producing videos documenting the games traditionally played by children in streets and backyards around the world.

SP–Arte 2023 will feature more than 150 exhibitors and an expansion of the design sector. From March 29 to April 2, the Biennial Pavilion welcomes national and international art galleries, design studios, publishers, cultural institutions and independent spaces.

This exhibition illuminates how day jobs can spur creative growth by providing artists with unexpected new materials and methods, working knowledge of a specific industry that becomes an area of artistic interest or critique, or a predictable structure that opens space for unpredictable ideas.

"Judith Lauand/Walking into the future". In that way Profilograma Judith (2000), by Augusto de Campos, one of the main names of concrete poetry in Brazil, celebrates the art of Judith Lauand (1922-2022).  The São Paulo artist, a female figure almost isolated in the country, was given a long retrospective with 124 works and extensive documentation, opened before her death at the end of last year, at São Paulo Museum of Art (MASP).

Deeply influenced by the socio-natural context of Brazil, the work of Daniel Steegmann Mangrané (Barcelona, 1977; lives and works in Rio de Janeiro) looks into ecology as a tool to analyse the relationships of mutual transformation.

Museo del Barrio annouces Something Beautiful: Reframing La Colección, the museum’s most ambitious presentation of its unique, complex and culturally diverse permanent collection in over two decades.

The exhibition Image Cities by the photographer Anastasia Samoylova is the culmination of the first edition of the KBr Photo Award launched by Fundación MAPFRE in 2021. 

At the Museo de Bellas Artes, images by artist Alicia D'Amico are displayed in Podría ser yo (It could be me), that wereincluded in the historic essay by Elizabeth Jelin and Pablo Vila, published in 1987, on daily life in working-class neighborhoods.

Since 1999, Alÿs has been producing videos documenting the games traditionally played by children in streets and backyards around the world.

SP–Arte 2023 will feature more than 150 exhibitors and an expansion of the design sector. From March 29 to April 2, the Biennial Pavilion welcomes national and international art galleries, design studios, publishers, cultural institutions and independent spaces.

This exhibition illuminates how day jobs can spur creative growth by providing artists with unexpected new materials and methods, working knowledge of a specific industry that becomes an area of artistic interest or critique, or a predictable structure that opens space for unpredictable ideas.

"Judith Lauand/Walking into the future". In that way Profilograma Judith (2000), by Augusto de Campos, one of the main names of concrete poetry in Brazil, celebrates the art of Judith Lauand (1922-2022).  The São Paulo artist, a female figure almost isolated in the country, was given a long retrospective with 124 works and extensive documentation, opened before her death at the end of last year, at São Paulo Museum of Art (MASP).

Deeply influenced by the socio-natural context of Brazil, the work of Daniel Steegmann Mangrané (Barcelona, 1977; lives and works in Rio de Janeiro) looks into ecology as a tool to analyse the relationships of mutual transformation.

Museo del Barrio annouces Something Beautiful: Reframing La Colección, the museum’s most ambitious presentation of its unique, complex and culturally diverse permanent collection in over two decades.

Rolf Art announces the institutional acquisition by the MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA (MNCARS) of the work La Clase, 1st year, 6th division, from the series Buena Memoria by Marcelo Brodsky (b.1954, Buenos Aires, Argentina).

The exhibition Image Cities by the photographer Anastasia Samoylova is the culmination of the first edition of the KBr Photo Award launched by Fundación MAPFRE in 2021. 

At the Museo de Bellas Artes, images by artist Alicia D'Amico are displayed in Podría ser yo (It could be me), that wereincluded in the historic essay by Elizabeth Jelin and Pablo Vila, published in 1987, on daily life in working-class neighborhoods.

Since 1999, Alÿs has been producing videos documenting the games traditionally played by children in streets and backyards around the world.

SP–Arte 2023 will feature more than 150 exhibitors and an expansion of the design sector. From March 29 to April 2, the Biennial Pavilion welcomes national and international art galleries, design studios, publishers, cultural institutions and independent spaces.

This exhibition illuminates how day jobs can spur creative growth by providing artists with unexpected new materials and methods, working knowledge of a specific industry that becomes an area of artistic interest or critique, or a predictable structure that opens space for unpredictable ideas.

"Judith Lauand/Walking into the future". In that way Profilograma Judith (2000), by Augusto de Campos, one of the main names of concrete poetry in Brazil, celebrates the art of Judith Lauand (1922-2022).  The São Paulo artist, a female figure almost isolated in the country, was given a long retrospective with 124 works and extensive documentation, opened before her death at the end of last year, at São Paulo Museum of Art (MASP).

Deeply influenced by the socio-natural context of Brazil, the work of Daniel Steegmann Mangrané (Barcelona, 1977; lives and works in Rio de Janeiro) looks into ecology as a tool to analyse the relationships of mutual transformation.

Museo del Barrio annouces Something Beautiful: Reframing La Colección, the museum’s most ambitious presentation of its unique, complex and culturally diverse permanent collection in over two decades.

Rolf Art announces the institutional acquisition by the MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA (MNCARS) of the work La Clase, 1st year, 6th division, from the series Buena Memoria by Marcelo Brodsky (b.1954, Buenos Aires, Argentina).

The exhibition Image Cities by the photographer Anastasia Samoylova is the culmination of the first edition of the KBr Photo Award launched by Fundación MAPFRE in 2021. 

At the Museo de Bellas Artes, images by artist Alicia D'Amico are displayed in Podría ser yo (It could be me), that wereincluded in the historic essay by Elizabeth Jelin and Pablo Vila, published in 1987, on daily life in working-class neighborhoods.

Since 1999, Alÿs has been producing videos documenting the games traditionally played by children in streets and backyards around the world.

SP–Arte 2023 will feature more than 150 exhibitors and an expansion of the design sector. From March 29 to April 2, the Biennial Pavilion welcomes national and international art galleries, design studios, publishers, cultural institutions and independent spaces.

This exhibition illuminates how day jobs can spur creative growth by providing artists with unexpected new materials and methods, working knowledge of a specific industry that becomes an area of artistic interest or critique, or a predictable structure that opens space for unpredictable ideas.

"Judith Lauand/Walking into the future". In that way Profilograma Judith (2000), by Augusto de Campos, one of the main names of concrete poetry in Brazil, celebrates the art of Judith Lauand (1922-2022).  The São Paulo artist, a female figure almost isolated in the country, was given a long retrospective with 124 works and extensive documentation, opened before her death at the end of last year, at São Paulo Museum of Art (MASP).

Deeply influenced by the socio-natural context of Brazil, the work of Daniel Steegmann Mangrané (Barcelona, 1977; lives and works in Rio de Janeiro) looks into ecology as a tool to analyse the relationships of mutual transformation.

Museo del Barrio annouces Something Beautiful: Reframing La Colección, the museum’s most ambitious presentation of its unique, complex and culturally diverse permanent collection in over two decades.