Interviews

Interview: Elliot Bostwick Davis

The new pavilion of the Museum of Fine Arts Boston, designed by Foster & Partners (London), creates a common space, where artworks from North, Central, and South America produced over the course of three millennia interact like in no other museum.

Interviews

Interview: Elliot Bostwick Davis

The new pavilion of the Museum of Fine Arts Boston, designed by Foster & Partners (London), creates a common space, where artworks from North, Central, and South America produced over the course of three millennia interact like in no other museum.

Sofía Hernández Chong Cuy ,Photographs Courtesy of Patricia Phelps de Cisneros Collection

This Mexican curator must rethink the future of one of the finest private collections of Latin American art in the world.

By Carolina Ledezma (New York)
Interviews

Sofía Hernández Chong Cuy

By Carolina Ledezma (New York)

This Mexican curator must rethink the future of one of the finest private collections of Latin American art in the world.

In the course of her life, Cecilia de Torres has been in close contact with some important figures of Latin American modern and contemporary art. But this is not the story of the gallerist who has built bridges for Latin American art to become known in the United States and Europe.

By Carolina Ledezma
Interviews

Cecilia de Torres

By Carolina Ledezma

In the course of her life, Cecilia de Torres has been in close contact with some important figures of Latin American modern and contemporary art. But this is not the story of the gallerist who has built bridges for Latin American art to become known in the United States and Europe.

 Carolina Ledezma (Cambridge Ma.)

Harvard Art Museum’s new Associate Curator of Modern and Contemporary Art would like Latin America to be referred to more often at this university in Cambridge, Ma. , as an example of how art is conceived in the world of today.

By Carolina Ledezma
Interviews

Mary Schneider-Enríquez

By Carolina Ledezma

Harvard Art Museum’s new Associate Curator of Modern and Contemporary Art would like Latin America to be referred to more often at this university in Cambridge, Ma. , as an example of how art is conceived in the world of today.

Mary Kate O'Hare, Photography: Carmen Ferreyra

The curator of Constructive Spirit. Abstract Art in South and North America, 1920s-50s defends the sui generis character of the abstract art that emerged in Uruguay, Argentina, Brazil, Venezuela and the United States in the mid-twentieth century.

By Carolina Ledezma
Interviews

Mary Kate O’Hare

By Carolina Ledezma

The curator of Constructive Spirit. Abstract Art in South and North America, 1920s-50s defends the sui generis character of the abstract art that emerged in Uruguay, Argentina, Brazil, Venezuela and the United States in the mid-twentieth century.

Berta Sichel photographed by Emilio García Hernández. Berta Sichel fotografiada por Emilio García Hernández.

Despite the lengthy trajectory of video art in the international context, Spain has been one of the last nations to incorporate audio visual works in its museums.

By Álvaro de Benito Fernández
Interviews

Sowing Seeds for the Future

By Álvaro de Benito Fernández

Despite the lengthy trajectory of video art in the international context, Spain has been one of the last nations to incorporate audio visual works in its museums.

Adriano Pedrosa

The name of Brazilian curator Adriano Pedrosa is inseparable from the process of creation of the role that an international curator may play in the 21st century.

By Adriana Herrera Tellez
Interviews

PROFILE : Adriano Pedrosa | y sus visiones alternativas

By Adriana Herrera Tellez

The name of Brazilian curator Adriano Pedrosa is inseparable from the process of creation of the role that an international curator may play in the 21st century.

PROFILE: Carlos Basualdo, Commissioner of the United States Pavilion at the 53rd Venice Biennial

The challenge to acquire visibility in order to communicate that which the artist wishes to convey

Carlos Basualdo is writing again, not from the intimacy of a poet, but as the speaker capable of conquering spaces in which the word of the artist resonates without interferences.

By Carolina Ledezma (Philadelphia)
Interviews

PROFILE: Carlos Basualdo, Commissioner of the United States Pavilion at the 53rd Venice Biennial

By Carolina Ledezma (Philadelphia)

The challenge to acquire visibility in order to communicate that which the artist wishes to convey

Carlos Basualdo is writing again, not from the intimacy of a poet, but as the speaker capable of conquering spaces in which the word of the artist resonates without interferences.

PROFILE: Julieta González

In January 2009, the Venezuelan Julieta González accepted the challenge of being assistant curator of Latin American art at Tate Modern, one of the four international museums (the others are MoMA, New York; Museum of Fine Arts, Houston; and The Blanton Museum of Art, Austin) that host Latin American art in their collections.

Interviews

PROFILE: Julieta González

In January 2009, the Venezuelan Julieta González accepted the challenge of being assistant curator of Latin American art at Tate Modern, one of the four international museums (the others are MoMA, New York; Museum of Fine Arts, Houston; and The Blanton Museum of Art, Austin) that host Latin American art in their collections.

PROFILE: Bonnie Clearwater:  A Catalyst in the Relationship between Art and Life in Miami

The name of Bonnie Clearwater, director of the Museum of Contemporary Art in North Miami, is associated to the vertiginous transformation of the Miami art scene.

Interviews

PROFILE: Bonnie Clearwater: A Catalyst in the Relationship between Art and Life in Miami

The name of Bonnie Clearwater, director of the Museum of Contemporary Art in North Miami, is associated to the vertiginous transformation of the Miami art scene.

PROFILE: Estrellita Brodsky: Rewriting the History of Latin American Art

Estrellita Brodsky´s name is already indissolubly linked to a broadening of the modern and contemporary art discourse towards a more comprehensive vision of Latin American art.

By Herrera, Adriana
Interviews

PROFILE: Estrellita Brodsky: Rewriting the History of Latin American Art

By Herrera, Adriana

Estrellita Brodsky´s name is already indissolubly linked to a broadening of the modern and contemporary art discourse towards a more comprehensive vision of Latin American art.