AMERICAS SOCIETY PRESENTS BISPO DO ROSARIO: ALL EXISTING MATERIALS ON EARTH

Propelled by this vital need for self-representation, Parayzo was conceived as an immersive installation that encourages the visitor’s physical and intellectual participation through the creation of an interactive ecosystem.

The project Retorno Solar (Solar Return) by Luis Enrique Zela-Koort, winner of the MAC Lima Art and Innovation Award 2022, proposes to return to the Sun as the representation of all that exists and has existed, witness and creative agent of the facts of the history of the Earth and of the fragment that, in this case, represents the history of humanity.

The exhibition Madalena Santos Reinbolt: una cabeza llena de planetas (A head full of planets) is the first solo exhibition of the Brazilian artist at the Museu de Arte de São Paulo.

Mamute art gallery inaugurates the exhibition Fulgor na Noite (Glare at night) with works on canvas by Camila Elis.

The 13^th edition of the Mercosul Biennial, anchored in the Trauma, dream and flight tripod and finished last November, had encouraging developments, especially due to the outstanding presence of emerging artists, the strong contact with the public and the resumption of powerful spaces and traditional attractions of the event, such as the Cais do Porto. However, there were problems in the organization of the exhibition, the most serious episode of which was the '(dis)invitation' of names to exhibit works, and a certain frustration with pieces that would have a technological appeal.

El Museo del Barrio presents Juan Francisco Elso’s exhibition Por América, offering a new, contemporary revisions on canonical figures and figures and theories from Latinx, Caribbean, and Latin American art history.

The largest exhibition ever dedicated to the work of Judith Lauand, with more than seven decades of production.

Penumbra Foundation’s new exhibition: Photography in Ink: A Look at Contemporary Copper-Plate Photogravure, displays a group of photogravure prints, which offers viewers the rare opportunity to expand their understanding of material photography.

This is one of the unique moments of the most recent contemporary art in Brazil. The final tracking shot of Olho da Rua, a video by Jonathas de Andrade now on display at Inhotim, one of Brazil's leading visual arts centers, is one of those happy moments in which the artist manages to capture with such precision the zeitgeist of his country (in this case, on a continental scale).

Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

Propelled by this vital need for self-representation, Parayzo was conceived as an immersive installation that encourages the visitor’s physical and intellectual participation through the creation of an interactive ecosystem.

The project Retorno Solar (Solar Return) by Luis Enrique Zela-Koort, winner of the MAC Lima Art and Innovation Award 2022, proposes to return to the Sun as the representation of all that exists and has existed, witness and creative agent of the facts of the history of the Earth and of the fragment that, in this case, represents the history of humanity.

The exhibition Madalena Santos Reinbolt: una cabeza llena de planetas (A head full of planets) is the first solo exhibition of the Brazilian artist at the Museu de Arte de São Paulo.

Mamute art gallery inaugurates the exhibition Fulgor na Noite (Glare at night) with works on canvas by Camila Elis.

The 13^th edition of the Mercosul Biennial, anchored in the Trauma, dream and flight tripod and finished last November, had encouraging developments, especially due to the outstanding presence of emerging artists, the strong contact with the public and the resumption of powerful spaces and traditional attractions of the event, such as the Cais do Porto. However, there were problems in the organization of the exhibition, the most serious episode of which was the '(dis)invitation' of names to exhibit works, and a certain frustration with pieces that would have a technological appeal.

El Museo del Barrio presents Juan Francisco Elso’s exhibition Por América, offering a new, contemporary revisions on canonical figures and figures and theories from Latinx, Caribbean, and Latin American art history.

The largest exhibition ever dedicated to the work of Judith Lauand, with more than seven decades of production.

Penumbra Foundation’s new exhibition: Photography in Ink: A Look at Contemporary Copper-Plate Photogravure, displays a group of photogravure prints, which offers viewers the rare opportunity to expand their understanding of material photography.

This is one of the unique moments of the most recent contemporary art in Brazil. The final tracking shot of Olho da Rua, a video by Jonathas de Andrade now on display at Inhotim, one of Brazil's leading visual arts centers, is one of those happy moments in which the artist manages to capture with such precision the zeitgeist of his country (in this case, on a continental scale).

Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

The project Retorno Solar (Solar Return) by Luis Enrique Zela-Koort, winner of the MAC Lima Art and Innovation Award 2022, proposes to return to the Sun as the representation of all that exists and has existed, witness and creative agent of the facts of the history of the Earth and of the fragment that, in this case, represents the history of humanity.

The exhibition Madalena Santos Reinbolt: una cabeza llena de planetas (A head full of planets) is the first solo exhibition of the Brazilian artist at the Museu de Arte de São Paulo.

Mamute art gallery inaugurates the exhibition Fulgor na Noite (Glare at night) with works on canvas by Camila Elis.

The 13^th edition of the Mercosul Biennial, anchored in the Trauma, dream and flight tripod and finished last November, had encouraging developments, especially due to the outstanding presence of emerging artists, the strong contact with the public and the resumption of powerful spaces and traditional attractions of the event, such as the Cais do Porto. However, there were problems in the organization of the exhibition, the most serious episode of which was the '(dis)invitation' of names to exhibit works, and a certain frustration with pieces that would have a technological appeal.

El Museo del Barrio presents Juan Francisco Elso’s exhibition Por América, offering a new, contemporary revisions on canonical figures and figures and theories from Latinx, Caribbean, and Latin American art history.

The largest exhibition ever dedicated to the work of Judith Lauand, with more than seven decades of production.

Penumbra Foundation’s new exhibition: Photography in Ink: A Look at Contemporary Copper-Plate Photogravure, displays a group of photogravure prints, which offers viewers the rare opportunity to expand their understanding of material photography.

This is one of the unique moments of the most recent contemporary art in Brazil. The final tracking shot of Olho da Rua, a video by Jonathas de Andrade now on display at Inhotim, one of Brazil's leading visual arts centers, is one of those happy moments in which the artist manages to capture with such precision the zeitgeist of his country (in this case, on a continental scale).

Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

Propelled by this vital need for self-representation, Parayzo was conceived as an immersive installation that encourages the visitor’s physical and intellectual participation through the creation of an interactive ecosystem.

The project Retorno Solar (Solar Return) by Luis Enrique Zela-Koort, winner of the MAC Lima Art and Innovation Award 2022, proposes to return to the Sun as the representation of all that exists and has existed, witness and creative agent of the facts of the history of the Earth and of the fragment that, in this case, represents the history of humanity.

The exhibition Madalena Santos Reinbolt: una cabeza llena de planetas (A head full of planets) is the first solo exhibition of the Brazilian artist at the Museu de Arte de São Paulo.

Mamute art gallery inaugurates the exhibition Fulgor na Noite (Glare at night) with works on canvas by Camila Elis.

The 13^th edition of the Mercosul Biennial, anchored in the Trauma, dream and flight tripod and finished last November, had encouraging developments, especially due to the outstanding presence of emerging artists, the strong contact with the public and the resumption of powerful spaces and traditional attractions of the event, such as the Cais do Porto. However, there were problems in the organization of the exhibition, the most serious episode of which was the '(dis)invitation' of names to exhibit works, and a certain frustration with pieces that would have a technological appeal.

El Museo del Barrio presents Juan Francisco Elso’s exhibition Por América, offering a new, contemporary revisions on canonical figures and figures and theories from Latinx, Caribbean, and Latin American art history.

The largest exhibition ever dedicated to the work of Judith Lauand, with more than seven decades of production.

Penumbra Foundation’s new exhibition: Photography in Ink: A Look at Contemporary Copper-Plate Photogravure, displays a group of photogravure prints, which offers viewers the rare opportunity to expand their understanding of material photography.

This is one of the unique moments of the most recent contemporary art in Brazil. The final tracking shot of Olho da Rua, a video by Jonathas de Andrade now on display at Inhotim, one of Brazil's leading visual arts centers, is one of those happy moments in which the artist manages to capture with such precision the zeitgeist of his country (in this case, on a continental scale).

Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

Propelled by this vital need for self-representation, Parayzo was conceived as an immersive installation that encourages the visitor’s physical and intellectual participation through the creation of an interactive ecosystem.

The project Retorno Solar (Solar Return) by Luis Enrique Zela-Koort, winner of the MAC Lima Art and Innovation Award 2022, proposes to return to the Sun as the representation of all that exists and has existed, witness and creative agent of the facts of the history of the Earth and of the fragment that, in this case, represents the history of humanity.

The exhibition Madalena Santos Reinbolt: una cabeza llena de planetas (A head full of planets) is the first solo exhibition of the Brazilian artist at the Museu de Arte de São Paulo.

Mamute art gallery inaugurates the exhibition Fulgor na Noite (Glare at night) with works on canvas by Camila Elis.

The 13^th edition of the Mercosul Biennial, anchored in the Trauma, dream and flight tripod and finished last November, had encouraging developments, especially due to the outstanding presence of emerging artists, the strong contact with the public and the resumption of powerful spaces and traditional attractions of the event, such as the Cais do Porto. However, there were problems in the organization of the exhibition, the most serious episode of which was the '(dis)invitation' of names to exhibit works, and a certain frustration with pieces that would have a technological appeal.

El Museo del Barrio presents Juan Francisco Elso’s exhibition Por América, offering a new, contemporary revisions on canonical figures and figures and theories from Latinx, Caribbean, and Latin American art history.

The largest exhibition ever dedicated to the work of Judith Lauand, with more than seven decades of production.

Penumbra Foundation’s new exhibition: Photography in Ink: A Look at Contemporary Copper-Plate Photogravure, displays a group of photogravure prints, which offers viewers the rare opportunity to expand their understanding of material photography.

This is one of the unique moments of the most recent contemporary art in Brazil. The final tracking shot of Olho da Rua, a video by Jonathas de Andrade now on display at Inhotim, one of Brazil's leading visual arts centers, is one of those happy moments in which the artist manages to capture with such precision the zeitgeist of his country (in this case, on a continental scale).

Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.