ANTHROPOCENE: THE ENVIRONMENT GROUP SHOW AT PROA
For the first time in Argentina Anthropocene is showing at PROA Foundation. A world-renowned exhibition by Canadian artists Edward Burtynsky, Jennifer Baichwall and Nicholas de Pencier.
Fundación Proa presents ANTHROPOCENE, an exhibition by the great Canadian photographer Edward Burtynsky for the first time in Argentina. Monumental photographs, films by artists Jennifer Baichwal and Nicholas de Pencier, and murals to be immersed through augmented reality devices are brought together in four rooms. Celebrated by the New York Times, the Financial Times or Hyperallergic, this exhibition is an opportunity to get to know the work of Canadian artists for the first time in Argentina.
Combining art, film, virtual reality, augmented reality and scientific research, the project investigates the human influence on the state, dynamics and future of the Earth. A contemporary exhibition that shows new forms of art production and focuses on the most current issue that makes us all responsible: the care of our planet.
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Edward Burtynsky, Jennifer Baichwal y Nicholas de Pencier. AR #4, Sudan, The Last Male Northern White Rhinoceros, Nanyuki, Kenya, 2016 (RA #4, Sudán, El último rinoceronte blanco norteño macho, Nanyuki, Kenia)
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Jennifer Baichwal y Nicholas de Pencier. Gotthard Base Tunnel, Gotthard, Switzerland, 2018. (Túnel de base de San Gotardo, San Gotardo, Suiza).
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Edward Burtynsky. Basque Coast #1, UNESCO Geopark, Zumaia, Spain, 2015. (Costa vasca #1, Geoparque de la UNESCO, Zumaia, España).
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Jennifer Baichwal y Nicholas de Pencier. Oil Refineries, Texas, USA, 2018. (Refinerías de petróleo, Texas, EE. UU).
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Edward Burtynsky. Phosphor Tailings #5, Near Lakeland, Florida, USA, 2012. (Escombros de fósforo #5, cerca de Lakeland, Florida, EE. UU.)
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Edward Burtynsky, Jennifer Baichwal y Nicholas de Pencier. AR #4, Sudan, The Last Male Northern White Rhinoceros, Nanyuki, Kenya, 2016 (RA #4, Sudán, El último rinoceronte blanco norteño macho, Nanyuki, Kenia)
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Edward Burtynsky. Dandora Landfill #3, Plastics Recycling, Nairobi, Kenya, 2016. (Basural Dandora #3, reciclaje de plásticos, Nairobi, Kenia)
Thanks to the presence of the artists, it will be possible to walk through the exhibition, dialogue with them and deepen on the multiple themes that unfold from their works.
Anthropocene, the new geological era that, broadly speaking, is defined by the results of human actions on the earth, is a project that has taken years of research, production and development for the photographers, documentary filmmakers and filmmakers who have been working together since approximately 2006.
The exhibition is comprised of photographs, videos and augmented reality pieces that document and seek to raise awareness about the impact of our actions on the environment.
"With the sheer power of his images and focus on dynamically drawn symmetries, circles, grids, and geometric lines, Edward Burtynsky poses a counterpoint to the proliferation of this dense and intricate web of interference with nature. His large-format images unleash a crescendo of shapes and colors, and the videos and filmic extensions by Jennifer Baichwal and Nicholas de Pencier –with their meticulous choice of angles, shots, and rhythms– present us with a display of visions of irresistible force, comparable to Beethoven's Fifth Symphony," explains Urs Stahel, curator of the exhibition.
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Jennifer Baichwal y Nicholas de Pencier. Elephant Tusk Burn, Nairobi National Park, Kenya, 2018. (Quema de colmillos de elefante, Parque Nacional de Nairobi, Kenia)
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Edward Burtynsky. Lithium Mines #1, Salt Flats, Atacama Desert, Chile, 2017. (Minas de litio #1, salares, Desierto de Atacama, Chile)
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Edward Burtynsky. Uralkali Potash Mine #4, Berezniki, Russia, 2017. (Mina de potasa Uralkali #4, Berezniki, Rusia)
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Jennifer Baichwal y Nicholas de Pencier. Coral Bleaching, Great Barrier Reef, Australia, 2018. (Blanqueamiento de corales, Gran Barrera de Coral, Australia)
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Jennifer Baichwal y Nicholas de Pencier. Elephant Tusk Burn, Nairobi National Park, Kenya, 2018. (Quema de colmillos de elefante, Parque Nacional de Nairobi, Kenia)
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Edward Burtynsky. Clearcut #1, Palm Oil Plantation, Borneo, Malaysia, 2016. (Tala Rasa #1, plantación de aceite de palma, Borneo, Malasia)
Edward Burtynsky is a prominent Canadian photographer and film producer. With a career spanning more than 40 years in the field of photographic filmmaking, Burtynsky is active as a teacher and artist. The landscapes outlined by the imposing General Motors plant in St. Catharines, Burtynsky's hometown, were the starting point for the further development of his photographic work. With his camera, Burtynsky relentlessly explores the impact we humans have on planet earth. His photographic series are in the collections of more than 60 museums around the world, including the National Gallery of Canada, the Museum of Modern Art, the Metropolitan Museum of Art and the Guggenheim Museum in New York, the Reina Sofia Museum in Madrid, the Tate Modern in London, and the Los Angeles County Museum of Art in California. As a teacher and maker Burtynsky has lectured at the National Gallery of Canada, Ottawa; the Library of Congress in Washington, D.C.; George Eastman House in Rochester, New York; the Canadian Centre for Architecture in Montreal; the Art Gallery of Ontario and the Metropolitan University of Toronto.
Jennifer Baichwal is a Canadian documentary filmmaker, writer and producer. She was born in 1965 in Montreal, Quebec and grew up in Victoria, British Columbia. She studied philosophy and theology at McGill University. In her artistic career Baichwal quickly became interested in documentary filmmaking. In interviews, she often comments that documentary is, for her, a tool that "allows her to reflect on things that are happening in the real world in a creative way."
Nicholas de Pencier is a Canadian cinematographer and film producer. He was born in Toronto, Canada. With more than 20 years of experience in the audiovisual field, de Pencier has made feature films and outstanding television series for CBC, PBS, Discovery, National Geographic and History Channel. His themes of interest are eclectic; in general, his productions are crossed by contents related to art and philosophy.
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The Hammer Museum at UCLA presents Joan Didion: What She Means, an exhibition where almost 60 artists seek to portray the iconic author.
The Museo de Arte Moderno in Bogota presents Jim Amaral: Etcétera, an exhibition dedicated to honour the extensive career of the eclectic artist, whose practice combines drawing, painting, sculpture, collage, assemblages and printmaking.
ETCÉTERAS: JIM AMARAL AT MAMBO
The Museo de Arte Moderno in Bogota presents Jim Amaral: Etcétera, an exhibition dedicated to honour the extensive career of the eclectic artist, whose practice combines drawing, painting, sculpture, collage, assemblages and printmaking.
The Museum of Contemporary Art of Buenos Aires presents Habitat, a selection of works by artist Luciana Levinton that includes large canvases and unusual supports.
HABITAT BY LUCIANA LEVINTON. THE SHOW AT MACBA
The Museum of Contemporary Art of Buenos Aires presents Habitat, a selection of works by artist Luciana Levinton that includes large canvases and unusual supports.
Penumbra Foundation’s new exhibition: Photography in Ink: A Look at Contemporary Copper-Plate Photogravure, displays a group of photogravure prints, which offers viewers the rare opportunity to expand their understanding of material photography.
PHOTOGRAPHY IN INK: A LOOK AT CONTEMPORARY COPPER-PLATE PHOTOGRAVURE
Penumbra Foundation’s new exhibition: Photography in Ink: A Look at Contemporary Copper-Plate Photogravure, displays a group of photogravure prints, which offers viewers the rare opportunity to expand their understanding of material photography.
The 18th International Architecture Exhibition, titled The Laboratory of the Future, will be open to the public from Saturday May 20 to Sunday November 26, 2023 at the Giardini and the Arsenale, and at Forte Marghera; it will be curated by Lesley Lokko and organised by La Biennale di Venezia.
BIENNALE ARCHITETTURA 2023: THE LABORATORY OF THE FUTURE
The 18th International Architecture Exhibition, titled The Laboratory of the Future, will be open to the public from Saturday May 20 to Sunday November 26, 2023 at the Giardini and the Arsenale, and at Forte Marghera; it will be curated by Lesley Lokko and organised by La Biennale di Venezia.
The exhibition Río Sil, lines and geometries by Irene Kopelman at the Fundación Cerezales Antonino y Cinia, approaches the landscape of the Sil river bank reiterating a model of observation that affects the relationship between art and natural sciences.
A GEOMOPHOLOGICAL MAP OF THE RIVER SIL: THE EXHIBITION OF IRENE KOPELMAN
The exhibition Río Sil, lines and geometries by Irene Kopelman at the Fundación Cerezales Antonino y Cinia, approaches the landscape of the Sil river bank reiterating a model of observation that affects the relationship between art and natural sciences.
Reynier Leyva Novo: Methuselah exhibited in El Museo del Barrio, reproduces through digital artwork the 6000-mile transnational migratory journey of a single monarch butterfly.
A BUTTERFLY FLYING ACROSS THE AMERICAN CONTINENT
Reynier Leyva Novo: Methuselah exhibited in El Museo del Barrio, reproduces through digital artwork the 6000-mile transnational migratory journey of a single monarch butterfly.
