ART IN THE TIME OF CLIMATE CHANGE
The Blanton Museum of Art at the University of Texas at Austin presents a special two-part exhibition that explores the history and contemporary urgency of climate-related issues.
Guest curated by journalist Jeff Goodell, who has written extensively on the topic, If the Sky Were Orange is the first exhibition at the Blanton to explore one topic across several of the museum’s temporary gallery spaces.
If the Sky Were Orange is presented in two parts: the first features work by contemporary artists that address climate change, accompanied by the responses from the climate and energy experts.
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Aaron Morse, Cloud World (#3), 2014, acrylic on canvas, 89 x 118 in., Blanton Museum of Art, The University of Texas at Austin, Gift of Portia Hein and Philip Martin, 2015.34, © Aaron Morse.
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Aaron Morse, Cloud World (#3), 2014, acrylic on canvas, 89 x 118 in., Blanton Museum of Art, The University of Texas at Austin, Gift of Portia Hein and Philip Martin, 2015.34, © Aaron Morse.
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Christine Sun Kim, The Sound of Temperature Rising, acrylic on wall adapted from charcoal paper drawing, Courtesy of the artist and François Ghebaly
The second part incorporates art from the Blanton's collection that spans a range of genres and time periods. While most of these works were not created to address climate change, Goodell selected them to represent climate-related themes and issues, further contextualizing the conversation. For example, the title of the show, If the Sky Were Orange, is inspired by a large painting in the Blanton's collection by Aaron Morse. Cloud World (#3) (2014) features jarring, hot-orange clouds floating above a massive seascape—a striking visual metaphor, Goodell suggests, for the greenhouse gases that are causing temperatures to rise on our planet. He notes that if those gases were such a visible color, as the title proposes, we would be far more aware of their presence in our atmosphere and their impact of on our environment.
A hotter planet and the related rise in sea levels are the two best-known issues around climate change, but the exhibition explores the complex interrelatedness of climate disruption and human knowledge and culture, including such benefits as the advancement of scientific research and related solutions like renewable energy and human and environmental adaptability.
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Jerry Bywaters, Oil Field Girls, 1940, oil on board, 29 5/8 x 24 1/2 in., Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1984
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Julian Charrière, Towards No Earthly Pole, 2019, 4k color film, 104:30 min, Courtesy of the artist and Sean Kelly Gallery
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Jerry Bywaters, Oil Field Girls, 1940, oil on board, 29 5/8 x 24 1/2 in., Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1984
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Nic Nicosia, Near (modern) Disaster #8, 1983, cibachrome print, 39 1/4 x 49 1/4 in., Blanton Museum of Art, The University of Texas at Austin, Gift of Fredericka Hunter and Ian Glennie in honor of Annette DiMeo Carlozzi, 2014
Contemporary artists featured: Julian Charrière, Jessie Homer French, John Gerrard, Amy Globus, Joan Jonas, Christine Sun Kim, Cannupa Hanska Luger, Sandra M. Sawatzky, Nyugen E. Smith and Jamey Stillings.
Writers featured: Amitav Ghosh, Jeff Goodell, Katharine Hayhoe, Elizabeth Kolbert, Sy Montgomery, Julian Brave, Noisecat, Olúfẹ́mi O. Táíwò, John Vaillant, Michael Webber and Amy Westervelt.
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Vernon Fisher, Man Cutting Globe, 1995, color lithograph, 28 x 36 in., Blanton Museum of Art, The University of Texas at Austin, Bequest of John A. Robertson, 2017
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Jessie Homer French, Mojave Burning, 2021, oil on canvas, 24 x 36 in., Courtesy of the artist and Various Small Fires
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Vernon Fisher, Man Cutting Globe, 1995, color lithograph, 28 x 36 in., Blanton Museum of Art, The University of Texas at Austin, Bequest of John A. Robertson, 2017
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Robert Cottingham, Hot, 1973, seventeen-color lithograph, 22 15/16 x 22 13/16, Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1974
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MoMA presents the topic of Architecture in the age of industry from the Collection 1880s–1940s in room 511. The exhibition explores how industrial structures in the United States sparked an architectural revolution in Europe.
The Blanton Museum of Art at The University of Texas at Austin presents Forces of Nature: Ancient Maya Art from the Los Angeles County Museum of Art, an exploration into the rich world of the supernatural in Maya art of the Classic period (250–900 CE), featuring 200 objects from LACMA's renowned collection of Ancient American art.
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The exhibition Manifiesto verde (Green Manifesto) at the Museo Moderno de Buenos Aires takes its title from the declaration written in 1971 by artist Nicolás García Uriburu in which he expressed his desire to denounce the antagonism between nature and civilization.
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ARCHITECTURE IN THE AGE OF INDUSTRY: MoMA COLLECTION 1880s–1940s
MoMA presents the topic of Architecture in the age of industry from the Collection 1880s–1940s in room 511. The exhibition explores how industrial structures in the United States sparked an architectural revolution in Europe.
