CENTROPY – AFRICAN DIASPORA THROUGH BRAZIL TO SWITZERLAND
American artist Deana Lawson produces portraits of contemporary Black life that are meticulously staged yet profoundly intimate. Deana Lawson’s solo exhibition at the Kunsthalle Basel (Basel, Switzerland) takes place as one of the international collaborations of the 34th Bienal de São Paulo's - Faz escuro mas eu canto (Though it’s dark, still I sing)

For her participation at the 34th Bienal, Lawson was invited to travel to the northeastern state of Bahia, in Brazil. There she produced a set of photographs that portray people and places marked by the strong presence of cultures deriving from the African diaspora. These photographs are included in her exhibition at the Kunsthalle Basel, the first presentation in Switzerland and the largest institutional exhibition of her work to date. The title of the exhibition, Centropy, the opposite of entropy, describes the electrification of matter that leads to creative renewal and order.
Sensitive to the stereotypes in Western, African and afro-descendant portraiture, Lawson predominantly explores topics such as physicality, identity, gender and family in a practice that is grounded in thorough research on blackness and representativeness. Mostly produced in domestic indoor spaces, these photographs are endowed with an ambiguous atmosphere, between the voyeuristic, the theatrical, the ethnographic and the activist, without being completely subsumed by one of these possible interpretations.
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Deana Lawson, Chief, 2019. Courtesy of the artist and Sikkema Jenkins & Co., New York
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Deana Lawson, Chief, 2019. Courtesy of the artist and Sikkema Jenkins & Co., New York
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Deana Lawson, Vera, 2020. Courtesy of the artist and Sikkema Jenkins & Co., New York
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Deana Lawson, Axis, 2018. Courtesy of the artist and Sikkema Jenkins & Co., New York
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Deana Lawson, Oath, 2013. Courtesy of the artist and Sikkema Jenkins & Co., New York
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Deana Lawson, Kindgom Come, 2015. Courtesy of the artist and Sikkema Jenkins & Co., New York
Deana Lawson’s (1979, New York, USA) photographic work constitutes a unique, idiosyncratic and overwhelming portrait of the habits, lifestyles and rhizomatic cultural references of the African diaspora in her native US and around the world. Her photographs are meticulously staged, yet profoundly intimate images, often based on drawings and sketches that she realizes before the actual shooting session. This careful preparation process, though, doesn’t lead to a predictable outcome, since a large part of the photographs are taken in domestic interiors where Lawson is entering for the first time, thus creating a feeling which is both slightly uncanny and voyeuristic.
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The Fundação Bienal exhibits Vento [Wind] from November 14 to December 13 at the Ciccillo Matarazzo Pavilion as part of the program of the 34th Bienal de São Paulo – Though it’s dark, still I sing.
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utopias of common life - BRAZIL’S PARTICIPATION IN THE 17TH BIENNALE ARCHITETTURA
The national representation at the Brazilian Pavilion dialogues with the overall theme of the Biennale Architettura 2021, How Will We Live Together? Curated Arquitetos Associados and Henrique Penha, the exhibition is realized by the Fundação Bienal in partnership with the Special Secretariat for Culture.

With curatorship by Nathalia Lavigne, this group exhibition, deals with a notion of disappearance reflecting how such a practice can be interpreted as a strategic attitude in the current context. The show features works by Aleta Valente, Maryam Monalisa Gharavi, Nino Cais, Regina Parra, Sallisa Rosa and Thiago Honório.
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The Joburg Contemporary Art Foundation (JCAF) presents the second of three exhibitions that forms part of their research theme Female Identities in the Global South.
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utopias of common life - BRAZIL’S PARTICIPATION IN THE 17TH BIENNALE ARCHITETTURA
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With curatorship by Nathalia Lavigne, this group exhibition, deals with a notion of disappearance reflecting how such a practice can be interpreted as a strategic attitude in the current context. The show features works by Aleta Valente, Maryam Monalisa Gharavi, Nino Cais, Regina Parra, Sallisa Rosa and Thiago Honório.
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The Fundação Bienal exhibits Vento [Wind] from November 14 to December 13 at the Ciccillo Matarazzo Pavilion as part of the program of the 34th Bienal de São Paulo – Though it’s dark, still I sing.
VENTO [WIND] - GROUP EXHIBITION AT THE 34TH BIENAL DE SÃO PAULO
The Fundação Bienal exhibits Vento [Wind] from November 14 to December 13 at the Ciccillo Matarazzo Pavilion as part of the program of the 34th Bienal de São Paulo – Though it’s dark, still I sing.

The national representation at the Brazilian Pavilion dialogues with the overall theme of the Biennale Architettura 2021, How Will We Live Together? Curated Arquitetos Associados and Henrique Penha, the exhibition is realized by the Fundação Bienal in partnership with the Special Secretariat for Culture.
utopias of common life - BRAZIL’S PARTICIPATION IN THE 17TH BIENNALE ARCHITETTURA
The national representation at the Brazilian Pavilion dialogues with the overall theme of the Biennale Architettura 2021, How Will We Live Together? Curated Arquitetos Associados and Henrique Penha, the exhibition is realized by the Fundação Bienal in partnership with the Special Secretariat for Culture.

With curatorship by Nathalia Lavigne, this group exhibition, deals with a notion of disappearance reflecting how such a practice can be interpreted as a strategic attitude in the current context. The show features works by Aleta Valente, Maryam Monalisa Gharavi, Nino Cais, Regina Parra, Sallisa Rosa and Thiago Honório.
SÃO PAULO –PALACE OF THE ARTS EXHIBITS “TACTICS OF DISAPPEARANCE”
With curatorship by Nathalia Lavigne, this group exhibition, deals with a notion of disappearance reflecting how such a practice can be interpreted as a strategic attitude in the current context. The show features works by Aleta Valente, Maryam Monalisa Gharavi, Nino Cais, Regina Parra, Sallisa Rosa and Thiago Honório.

Featuring approximately 50 works by Latin American and Caribbean artists of Asian heritage, the exhibition explores the way in which Asian immigration influenced modern and contemporary art. No Ocean Between Us is permeated by a common theme of inclusiveness across ethnic identities and geographic backgrounds.
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The Joburg Contemporary Art Foundation (JCAF) presents the second of three exhibitions that forms part of their research theme Female Identities in the Global South.
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“POEMS BY TWO | BURNT LETTERS” AT FONTE ART RESIDENCY
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THE 34TH BIENAL DE SÃO PAULO INAUGURATES “THOUGH IT’S DARK, STILL I SING”
One of the main art events in Latin America, after a one-year postponement due to the pandemic, opens its main exhibition Faz escuro mas eu canto [Though it’s dark, still I sing] with more than one thousand works by 91 artists. Curated by Jacopo Crivelli Visconti (chief curator), Paulo Miyada (adjunct curator), and Carla Zaccagnini, Francesco Stocchi and Ruth Estévez (guest curators).
![VENTO [WIND] - GROUP EXHIBITION AT THE 34TH BIENAL DE SÃO PAULO VENTO [WIND] - GROUP EXHIBITION AT THE 34TH BIENAL DE SÃO PAULO](/var/artealdia_com/storage/images/noticias/vento-exposicion-colectiva-en-el-marco-de-la-34-bienal-de-sao-paulo/643143-1-esl-AR/VENTO-EXPOSICION-COLECTIVA-EN-EL-MARCO-DE-LA-34-BIENAL-DE-SAO-PAULO_grid_horizontal.png)
The Fundação Bienal exhibits Vento [Wind] from November 14 to December 13 at the Ciccillo Matarazzo Pavilion as part of the program of the 34th Bienal de São Paulo – Though it’s dark, still I sing.
VENTO [WIND] - GROUP EXHIBITION AT THE 34TH BIENAL DE SÃO PAULO
The Fundação Bienal exhibits Vento [Wind] from November 14 to December 13 at the Ciccillo Matarazzo Pavilion as part of the program of the 34th Bienal de São Paulo – Though it’s dark, still I sing.

The national representation at the Brazilian Pavilion dialogues with the overall theme of the Biennale Architettura 2021, How Will We Live Together? Curated Arquitetos Associados and Henrique Penha, the exhibition is realized by the Fundação Bienal in partnership with the Special Secretariat for Culture.
utopias of common life - BRAZIL’S PARTICIPATION IN THE 17TH BIENNALE ARCHITETTURA
The national representation at the Brazilian Pavilion dialogues with the overall theme of the Biennale Architettura 2021, How Will We Live Together? Curated Arquitetos Associados and Henrique Penha, the exhibition is realized by the Fundação Bienal in partnership with the Special Secretariat for Culture.

With curatorship by Nathalia Lavigne, this group exhibition, deals with a notion of disappearance reflecting how such a practice can be interpreted as a strategic attitude in the current context. The show features works by Aleta Valente, Maryam Monalisa Gharavi, Nino Cais, Regina Parra, Sallisa Rosa and Thiago Honório.
SÃO PAULO –PALACE OF THE ARTS EXHIBITS “TACTICS OF DISAPPEARANCE”
With curatorship by Nathalia Lavigne, this group exhibition, deals with a notion of disappearance reflecting how such a practice can be interpreted as a strategic attitude in the current context. The show features works by Aleta Valente, Maryam Monalisa Gharavi, Nino Cais, Regina Parra, Sallisa Rosa and Thiago Honório.

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NO OCEAN BETWEEN US – THE EXHIBITION THAT CELEBRATES ASIAN DIASPORA IN LATIN AMERICA & THE CARIBBEAN
Featuring approximately 50 works by Latin American and Caribbean artists of Asian heritage, the exhibition explores the way in which Asian immigration influenced modern and contemporary art. No Ocean Between Us is permeated by a common theme of inclusiveness across ethnic identities and geographic backgrounds.

The Joburg Contemporary Art Foundation (JCAF) presents the second of three exhibitions that forms part of their research theme Female Identities in the Global South.
THE GLOBAL SOUTH FROM AN AFRICAN PERSPECTIVE – MUSEUM EXHIBITION IN JOHANNESBURG
The Joburg Contemporary Art Foundation (JCAF) presents the second of three exhibitions that forms part of their research theme Female Identities in the Global South.

Drawing from possibilities of artistic creation through affectations, the artists Marcelo Amorim and Nino Cais present a joint exhibition at FONTE, an independent art and residency space they founded in 2013. With curatorship by Ana Roman, "Poemas a Dois e Cartas Queimadas" (Poems by Two and Burnt Letters) investigates the male body and its relations of nearness and distance with violence and love.
“POEMS BY TWO | BURNT LETTERS” AT FONTE ART RESIDENCY
Drawing from possibilities of artistic creation through affectations, the artists Marcelo Amorim and Nino Cais present a joint exhibition at FONTE, an independent art and residency space they founded in 2013. With curatorship by Ana Roman, "Poemas a Dois e Cartas Queimadas" (Poems by Two and Burnt Letters) investigates the male body and its relations of nearness and distance with violence and love.

One of the main art events in Latin America, after a one-year postponement due to the pandemic, opens its main exhibition Faz escuro mas eu canto [Though it’s dark, still I sing] with more than one thousand works by 91 artists. Curated by Jacopo Crivelli Visconti (chief curator), Paulo Miyada (adjunct curator), and Carla Zaccagnini, Francesco Stocchi and Ruth Estévez (guest curators).
THE 34TH BIENAL DE SÃO PAULO INAUGURATES “THOUGH IT’S DARK, STILL I SING”
One of the main art events in Latin America, after a one-year postponement due to the pandemic, opens its main exhibition Faz escuro mas eu canto [Though it’s dark, still I sing] with more than one thousand works by 91 artists. Curated by Jacopo Crivelli Visconti (chief curator), Paulo Miyada (adjunct curator), and Carla Zaccagnini, Francesco Stocchi and Ruth Estévez (guest curators).
![VENTO [WIND] - GROUP EXHIBITION AT THE 34TH BIENAL DE SÃO PAULO VENTO [WIND] - GROUP EXHIBITION AT THE 34TH BIENAL DE SÃO PAULO](/var/artealdia_com/storage/images/noticias/vento-exposicion-colectiva-en-el-marco-de-la-34-bienal-de-sao-paulo/643143-1-esl-AR/VENTO-EXPOSICION-COLECTIVA-EN-EL-MARCO-DE-LA-34-BIENAL-DE-SAO-PAULO_grid_horizontal.png)
The Fundação Bienal exhibits Vento [Wind] from November 14 to December 13 at the Ciccillo Matarazzo Pavilion as part of the program of the 34th Bienal de São Paulo – Though it’s dark, still I sing.
VENTO [WIND] - GROUP EXHIBITION AT THE 34TH BIENAL DE SÃO PAULO
The Fundação Bienal exhibits Vento [Wind] from November 14 to December 13 at the Ciccillo Matarazzo Pavilion as part of the program of the 34th Bienal de São Paulo – Though it’s dark, still I sing.

The national representation at the Brazilian Pavilion dialogues with the overall theme of the Biennale Architettura 2021, How Will We Live Together? Curated Arquitetos Associados and Henrique Penha, the exhibition is realized by the Fundação Bienal in partnership with the Special Secretariat for Culture.
utopias of common life - BRAZIL’S PARTICIPATION IN THE 17TH BIENNALE ARCHITETTURA
The national representation at the Brazilian Pavilion dialogues with the overall theme of the Biennale Architettura 2021, How Will We Live Together? Curated Arquitetos Associados and Henrique Penha, the exhibition is realized by the Fundação Bienal in partnership with the Special Secretariat for Culture.

With curatorship by Nathalia Lavigne, this group exhibition, deals with a notion of disappearance reflecting how such a practice can be interpreted as a strategic attitude in the current context. The show features works by Aleta Valente, Maryam Monalisa Gharavi, Nino Cais, Regina Parra, Sallisa Rosa and Thiago Honório.
SÃO PAULO –PALACE OF THE ARTS EXHIBITS “TACTICS OF DISAPPEARANCE”
With curatorship by Nathalia Lavigne, this group exhibition, deals with a notion of disappearance reflecting how such a practice can be interpreted as a strategic attitude in the current context. The show features works by Aleta Valente, Maryam Monalisa Gharavi, Nino Cais, Regina Parra, Sallisa Rosa and Thiago Honório.

Featuring approximately 50 works by Latin American and Caribbean artists of Asian heritage, the exhibition explores the way in which Asian immigration influenced modern and contemporary art. No Ocean Between Us is permeated by a common theme of inclusiveness across ethnic identities and geographic backgrounds.
NO OCEAN BETWEEN US – THE EXHIBITION THAT CELEBRATES ASIAN DIASPORA IN LATIN AMERICA & THE CARIBBEAN
Featuring approximately 50 works by Latin American and Caribbean artists of Asian heritage, the exhibition explores the way in which Asian immigration influenced modern and contemporary art. No Ocean Between Us is permeated by a common theme of inclusiveness across ethnic identities and geographic backgrounds.

The Joburg Contemporary Art Foundation (JCAF) presents the second of three exhibitions that forms part of their research theme Female Identities in the Global South.
THE GLOBAL SOUTH FROM AN AFRICAN PERSPECTIVE – MUSEUM EXHIBITION IN JOHANNESBURG
The Joburg Contemporary Art Foundation (JCAF) presents the second of three exhibitions that forms part of their research theme Female Identities in the Global South.

Drawing from possibilities of artistic creation through affectations, the artists Marcelo Amorim and Nino Cais present a joint exhibition at FONTE, an independent art and residency space they founded in 2013. With curatorship by Ana Roman, "Poemas a Dois e Cartas Queimadas" (Poems by Two and Burnt Letters) investigates the male body and its relations of nearness and distance with violence and love.
“POEMS BY TWO | BURNT LETTERS” AT FONTE ART RESIDENCY
Drawing from possibilities of artistic creation through affectations, the artists Marcelo Amorim and Nino Cais present a joint exhibition at FONTE, an independent art and residency space they founded in 2013. With curatorship by Ana Roman, "Poemas a Dois e Cartas Queimadas" (Poems by Two and Burnt Letters) investigates the male body and its relations of nearness and distance with violence and love.

One of the main art events in Latin America, after a one-year postponement due to the pandemic, opens its main exhibition Faz escuro mas eu canto [Though it’s dark, still I sing] with more than one thousand works by 91 artists. Curated by Jacopo Crivelli Visconti (chief curator), Paulo Miyada (adjunct curator), and Carla Zaccagnini, Francesco Stocchi and Ruth Estévez (guest curators).
THE 34TH BIENAL DE SÃO PAULO INAUGURATES “THOUGH IT’S DARK, STILL I SING”
One of the main art events in Latin America, after a one-year postponement due to the pandemic, opens its main exhibition Faz escuro mas eu canto [Though it’s dark, still I sing] with more than one thousand works by 91 artists. Curated by Jacopo Crivelli Visconti (chief curator), Paulo Miyada (adjunct curator), and Carla Zaccagnini, Francesco Stocchi and Ruth Estévez (guest curators).