CHAOS AND REALITY: LUIS FELIPE NOÉ’S “ENTREVEROS” IN BIENALSUR
The renowned Argentine artist Luis Felipe “Yuyo” Noé is also a part of BIENALSUR 2021, the International Biennial of Contemporary Art of the South, which emerged at Argentina’s Universidad Nacional de Tres de Febrero and is held in 124 venues in 24 countries around the world. The installation "Entreveros BIENALSUR / MUNTREF" can be visited in Buenos Aires, at the MUNTREF Centro de Arte Contemporáneo (at its Hotel de Inmigrantes venue), until the end of December.
Curated by Diana Wechsler, artistic director of the biennial, “Entreveros” is a large-scale project-installation that was exhibited for the first time in 2017 as part of the exhibition “Noé. A Prospective Look”, at the National Museum of Fine Arts in Buenos Aires.
In its time, "Yuyo" Noé’s creation caused a strong impact, condensing his vision of a world in permanent change. The idea of chaos is present through the elements that make up the work, installing a critical outake on reality and even artistic practice itself. According to Wechsler, there is a dynamic tension that governs the untamed, centrifugal structure of the exhibit.
This impactful creation of Noah encapsulates his vision of an ever-changing world. Through the elements that constitute it, the idea of chaos is present, installing a critical look on reality and artistic practice itself. "The encounter of different planes, the voids that integrate spaces and the mirrors provide images from outside the work itself", describes the curator, adding that the human landscape that runs through the environment is also integrated into it. "Mirrors contribute to expanding chaos and unfailingly include the viewer in it," she explains.
Beyond the fragmented vision that “Entreveros” organizes, Wechsler remarks that the rhythm of vertical and diagonal shapes that build varied angles call for an articulated reading that expands creatively through color, which seems to jump from one side to the other making the structure vibrate and, with it, the space that the work defines.
"Obstinately, the artist invites us to inhabit chaos, to find ourselves in it and to enjoy its expansive force, its creative power and its uncertainty, thus opening the possibility of exploring other paths", concludes Wechsler.
As part of the inauguration, a long-term project was also presented by the Noé Foundation (with the presence of the artist), consisting of a stained glass window that will be installed on the third floor of the MUNTREF Sede Hotel de Inmigrantes.
“Entreveros BIENALSUR / MUNTREF” can be visited free of charge until the end of December, from Tuesday to Sunday between 11 AM and 6 PM with prior reservation through the Museum View MUNTREF mobile app, or by email to visitamuntref@untref.edu.ar.
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CARLOS GUINZBURG IN BUENOS AIRES: AN ODE TO SUSTAINABILITY, SCIENCE AND ART
Almost 51 years after the inauguration of an artwork that extolled communication and symbiosis between non-human living beings, science has now come to reinforce and update artistic concepts, with the reversion of an exhibition by the renowned Argentine artist Carlos Ginzburg. The conceptual and theoretical artist returned to Buenos Aires with the exhibition "MYCORHIZES: Trees communicate with each other through an ecological internet formed by the root-fungus symbiosis". The exhibition takes place within the framework of the International Biennial of Contemporary Art of the South (BIENALSUR 2021), and can be visited at the MUNTREF Sede Hotel de Inmigrantes, kilometer 0 of the international biennial that emerged at the University of Tres de Febrero in Argentina and is held in 50 cities around the world.
The International Biennial of Contemporary Art of the South, BIENALSUR 2021, arrives on November 10th and 17th at the Kirchner Cultural Center (CCK) with three exhibitions featuring works by almost 20 artists from America, Asia and Europe. The exhibitions analyze how information impacts on our subjectivities, and at the same time question the social, gender and ethnic inequalities that traditional historiography entails, drawing attention to the need to strengthen an ecological conscience in the face of our planet’s growing degradation.
BIENALSUR AT THE CCK (BUENOS AIRES): MASS CULTURE. DOMINANT HISTORICAL NARRATIONS AND THE ENVIRONMENTAL CRISIS
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Two new exhibitions were presented last week in the framework of BIENALSUR, the international biennial of contemporary art that is held simultaneously in 124 venues in 50 cities around the world. In this case, the expo’s are held at the Enrique Udaondo Provincial Museum Complex in Luján (Province of Buenos Aires), and are dedicated to the native peoples of the American continent.
IN BUENOS AIRES, BIENALSUR INAUGURATES EXHIBITIONS CENTERED ON ABORIGINAL CULTURE
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Colografias, the first European retrospective in honor of the Cuban engraver Belkis Ayón (Havana, 1967-1999) was inaugurated on November 16th at the Museo Nacional Centro de Arte Reina Sofía, in Madrid. The exhibition, which brings together around 80 works produced between 1986 and 1999, constitutes Km 10048 of the International Biennial of Contemporary Art of the South (BIENALSUR), since it is a part, as an associated exhibition, of the biennial held in 124 venues around the world.
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Colografias, the first European retrospective in honor of the Cuban engraver Belkis Ayón (Havana, 1967-1999) was inaugurated on November 16th at the Museo Nacional Centro de Arte Reina Sofía, in Madrid. The exhibition, which brings together around 80 works produced between 1986 and 1999, constitutes Km 10048 of the International Biennial of Contemporary Art of the South (BIENALSUR), since it is a part, as an associated exhibition, of the biennial held in 124 venues around the world.
Almost 51 years after the inauguration of an artwork that extolled communication and symbiosis between non-human living beings, science has now come to reinforce and update artistic concepts, with the reversion of an exhibition by the renowned Argentine artist Carlos Ginzburg. The conceptual and theoretical artist returned to Buenos Aires with the exhibition "MYCORHIZES: Trees communicate with each other through an ecological internet formed by the root-fungus symbiosis". The exhibition takes place within the framework of the International Biennial of Contemporary Art of the South (BIENALSUR 2021), and can be visited at the MUNTREF Sede Hotel de Inmigrantes, kilometer 0 of the international biennial that emerged at the University of Tres de Febrero in Argentina and is held in 50 cities around the world.
CARLOS GUINZBURG IN BUENOS AIRES: AN ODE TO SUSTAINABILITY, SCIENCE AND ART
Almost 51 years after the inauguration of an artwork that extolled communication and symbiosis between non-human living beings, science has now come to reinforce and update artistic concepts, with the reversion of an exhibition by the renowned Argentine artist Carlos Ginzburg. The conceptual and theoretical artist returned to Buenos Aires with the exhibition "MYCORHIZES: Trees communicate with each other through an ecological internet formed by the root-fungus symbiosis". The exhibition takes place within the framework of the International Biennial of Contemporary Art of the South (BIENALSUR 2021), and can be visited at the MUNTREF Sede Hotel de Inmigrantes, kilometer 0 of the international biennial that emerged at the University of Tres de Febrero in Argentina and is held in 50 cities around the world.
