On view from October 21, 2019, through March 14, 2020, Sur moderno celebrates the arrival of the most important collection of abstract and concrete art from Latin America by dedicating an entire suite of galleries on the Museum’s third floor to the display of artists from Brazil, Venezuela, Argentina, and Uruguay.
This extraordinarily comprehensive collection of paintings, sculptures, and works on paper provides the foundation for a journey through the history of abstract and concrete art from South America at mid-century. The exhibition explores the transformative power of abstraction in South America, focusing on both the way that artists radically reinvented the art object itself and the role of art in the renewal of the social environment. This transformation, which occurs in dialogue with design and architecture, seeks to produce a shift in the viewer's consciousness. Also, it represents the apex of Latin American confidence in modernity.
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Alfredo Hlito (Argentine, 1923–1993). Ritmos cromáticos III (Chromatic Rhythms III), 1949. Oil on canvas, 39 3/8 × 39 3/8″ (100 × 100 cm). The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund
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María Freire (Uruguayan, 1917–2015). Untitled. 1954. Oil on canvas, 36 1/4 × 48 1/16″ (92 × 122 cm). The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Gabriel Pérez‑Barreiro
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Lygia Pape (Brazilian, 1927–2004). Untitled. 1956. Acrylic on wood, 13 3/4 × 13 3/4 × 3 1/8″ (35 × 35 × 8 cm). The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Sharon Rockefeller. Courtesy of Projeto Lygia Pape. Photographed by Jonathan Muzikar.
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Jesús Rafael Soto (Venezuelan, 1923–2005). Doble transparencia (Double Transparency). 1956. Oil on plexiglass and wood with metal rods and bolts, 21 5/8 × 21 5/8 × 12 5/8″ (55 × 55 × 32 cm). The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Ana Teresa Arismendi
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Hélio Oiticica (Brazilian, 1937–1980). Relevo neoconcreto (Neoconcrete Relief) 1960. Oil on wood, 37 7/8 × 51 1/4″ (96 × 130 cm). The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros in honor of Gary Garrels. © Projeto Hélio Oiticica
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Mira Schendel (Brazilian, born Switzerland. 1919–1988) Untitled. 1964. Oil and tempera on composition board and wood, 57 7/8 × 44 7/8 × 13/16″ (147 × 114 × 2 cm). The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Andrea and José Olympio Pereira.
Sur moderno highlights the work of Lygia Clark, Gego, Raúl Lozza, Hélio Oiticica, Jesús Rafael Soto, and Rhod Rothfuss, among others. It is also anchored by a selection of archival materials that situate the works within their local contexts.
The exhibition is organized by Inés Katzenstein, Curator of Latin American Art and Director of the Patricia Phelps de Cisneros Research Institute for the Study of Art from Latin America, The Museum of Modern Art; consulting curator María Amalia García, Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)–Universidad Nacional de San Martín; and Karen Grimson, Curatorial Assistant, Department of Drawings and Prints, The Museum of Modern Art.
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Installation view of Sur moderno: Journeys of Abstraction―The Patricia Phelps de Cisneros Gift, The Museum of Modern Art, New York, October 21, 2019 – March 14, 2020. © 2019 The Museum of Modern Art. Photo: Heidi Bohnenkamp
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Installation view of Sur moderno: Journeys of Abstraction―The Patricia Phelps de Cisneros Gift, The Museum of Modern Art, New York, October 21, 2019 – March 14, 2020. © 2019 The Museum of Modern Art. Photo: Heidi Bohnenkamp
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Installation view of Sur moderno: Journeys of Abstraction―The Patricia Phelps de Cisneros Gift, The Museum of Modern Art, New York, October 21, 2019 – March 14, 2020. © 2019 The Museum of Modern Art. Photo: Heidi Bohnenkamp
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Installation view of Sur moderno: Journeys of Abstraction―The Patricia Phelps de Cisneros Gift, The Museum of Modern Art, New York, October 21, 2019 – March 14, 2020. © 2019 The Museum of Modern Art. Photo: Heidi Bohnenkamp
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Installation view of Sur moderno: Journeys of Abstraction―The Patricia Phelps de Cisneros Gift, The Museum of Modern Art, New York, October 21, 2019 – March 14, 2020. © 2019 The Museum of Modern Art. Photo: Heidi Bohnenkamp