MoMA – COMPANION PIECES, NEW PHOTOGRAPHY 2020
How do photographs speak to one another? Companion Pieces: New Photography 2020 traces conversations between images. Some happen between paired or pendant pictures that rely upon one another to convey a shared message; others use the visual rhyme or echoes that reverberate across multiple prints or in montage; still others occur between distinct photographic series that, woven together, deliver new or more complex accounts of the world.

By their very nature, photographic prints are iterative: an image captured on a single negative can exist in multiple printed forms, scales, proofs, or editions. Each corresponds to others that share its source, though sometimes their differences may be more immediately apparent than their similarities. Some photographers organize individual pictures into series or present them as books, enabling the construction of a sequence from one photo to the next. While many of the artists whose work is featured in Companion Pieces are accomplished photo-book makers, here they interrogate the expected cadence of a book (and we, too, are reading their images digitally, instead of in the form of a physical book that we hold in our hands). Some add new elements, interspersing them to build layers; others present a fragmented narrative, fashioned from distinct pieces that fit together anew.
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Dionne Lee. - Gelatin silver print (collage), graphite, 16 × 12″ - (40.6 × 30.5 cm). Courtesy the artist. © Dionne Lee
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Dionne Lee. AA O KK. 2019 - Gelatin silver prints (collage), graphite, each: 16 × 12" (40.6 × 30.5 cm). Courtesy the artist. © Dionne Lee
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Iñaki Bonillas. Marginalia . 2019 - Pigmented inkjet print, 50 13/16 × 43 5/16″ (129 × 110 cm). Courtesy the artist and kurimanzutto, Mexico City and New York. © Iñaki Bonillas
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Iñaki Bonillas. Marginalia . 2019 - Pigmented inkjet print, 50 13/16 × 43 5/16″ (129 × 110 cm). Courtesy the artist and kurimanzutto, Mexico City and New York. © Iñaki Bonillas
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Iñaki Bonillas. Marginalia . 2019 - Pigmented inkjet print, 50 13/16 × 43 5/16″ (129 × 110 cm). Courtesy the artist and kurimanzutto, Mexico City and New York. © Iñaki Bonillas
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Irina Rozovsky. Untitled from Miracle Center. 2019 - Pigmented inkjet prints and repurposed frame, 3 1/8 × 6″ (7.9 × 15.2 cm) when open. Courtesy the artist. © Irina Rozovsky
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Irina Rozovsky. Untitled from Miracle Center. 2020 - Pigmented inkjet print and repurposed frame, 6 1/2 × 9 1/4″ (16.5 × 23.5 cm). Courtesy the artist. © Irina Rozovsky
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Irina Rozovsky. Untitled from Miracle Center. 2019 - Pigmented inkjet prints and repurposed frame, 1 1/2 × 3″ (3.8 × 7.6 cm) when open. Courtesy the artist. © Irina Rozovsky
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Zora J Murff. Terri (talking about the freeway) from the series At No Point in Between. 2018 - Pigmented inkjet print, 40 × 32" (101.6 × 81.3 cm). Courtesy the artist and Webber Represents, London and New York. © Zora J Murff
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Zora J Murff. A Point (1) from the series At No Point in Between. 2018 - Pigmented inkjet print, 24 × 30″ (61 × 76.2 cm). Courtesy the artist and Webber Represents, London and New York. © Zora J Murff
This exhibition was conceived well before the pandemic forced us inside, physically isolating us from one another, compelling us to connect through our screens. We’d already become accustomed to the ways in which links thread one image to another through clicks. Artists cull images online, whether they come from generations past or were born in digital form and produced by the artists themselves. In realizing this exhibition on moma.org, we once again get to experience physical artworks—whether sculptural objects or framed prints on paper—as digital scrolls of images. And in our current reality of frequent looking online, we are eager for their companionship.
Since the first New Photography exhibition at MoMA in 1985, the series has introduced the work of almost 150 artists to wider audiences. This year, Companion Pieces brings together recent work by eight artists working in the United States and abroad: David Alekhuogie (American, born 1986), Özlem Altın (German, born 1977), Maria Antelman (Greek, born 1971), Iñaki Bonillas (Mexican, born 1981), Sohrab Hura (Indian, born 1981), Dionne Lee (American, born 1988), Zora J Murff (American, born 1987), and Irina Rozovsky (American, born Russia, 1981).
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Zora J Murff. A Point (2) from the series At No Point in Between. 2018 - Pigmented inkjet print, 24 × 30″ (61 × 76.2 cm). Courtesy the artist and Webber Represents, London and New York. © Zora J Murff
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Özlem Altın. Topography (of time, of body). 2019 - Pigmented inkjet print on canvas with ink, 44 1/8 × 198 13/16″ (112 × 505 cm). Installation view, Part of the Labyrinth, Göteborg International Biennial for Contemporary Art, Sweden, September 7–November 17, 2019. Courtesy the artist. Photo: Hendrik Zeitler. © Özlem Altın
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Özlem Altın. Topography (of time, of body). 2019 - Pigmented inkjet print on canvas with ink, 44 1/8 × 198 13/16″ (112 × 505 cm). Installation view, Part of the Labyrinth, Göteborg International Biennial for Contemporary Art, Sweden, September 7–November 17, 2019. Courtesy the artist. Photo: Hendrik Zeitler. © Özlem Altın
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Özlem Altın. Portal (Highpriestess). 2019 - Pigmented inkjet print with ink, framed, 43 1/4 × 39 3/8" (110 × 100 cm). Installation view, The Seventh Continent, 16th Istanbul Biennial, Turkey, September 14–November 10, 2019. Courtesy the artist. Photo: Sahir Ugur Eren. © Özlem Altın
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David Alekhuogie. Left: rancho cucamonga 34.1064° N, 117.5931° W; middle: echo park 34.0782° N, 118.2606° W; right: compton cvs 33.8958° N, 118.2201° W. 2018 - Pigmented inkjet prints on canvas, artist's frames, each: 22 × 17.75 × 1.75″ (55 × 45 × 4.5 cm). Courtesy the artist and Commonwealth and Council, Los Angeles. © David Alekhuogie
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David Alekhuogie. Target. 2019 - Pigmented inkjet print on canvas, UV varnish, 48 × 54" (121.9 × 137.2 cm). Courtesy the artist and Commonwealth and Council, Los Angeles. © David Alekhuogie
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Sohrab Hura. Untitled from the series Snow. 2015–ongoing - Pigmented inkjet print, 20 × 20" (50.8 × 50.8 cm). Courtesy the artist and Experimenter, Kolkata. © Sohrab Hura
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Sohrab Hura. Untitled from the series The Song of Sparrows in a Hundred Days of Summer. 2013–ongoing - Pigmented inkjet print, image: 5 1/2 × 7" (14 × 17.8 cm); sheet: 15 1/2 × 11" (39.4 × 27.9 cm). Courtesy the artist and Experimenter, Kolkata. © Sohrab Hura
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Maria Antelman. Hall of Mirrors. 2020 - Pigmented inkjet prints and wooden frame structure, 38 1/4 × 19″ (97.2 × 48.3 cm). Courtesy the artist and Melanie Flood Projects, Portland, OR. © Maria Antelman
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Maria Antelman. Hypnos. 2020 - Pigmented inkjet prints and wooden frame structure, 58 × 42" (147.3 × 106.7 cm). Courtesy the artist and Melanie Flood Projects, Portland, OR. © Maria Antelman