NEW DIGITIZATION PROJECT FOR THE CAYC FILES

The Institute for Studies on Latin American Art (ISLAA) presents Political/Subjective Maps: Anna Bella Geiger, Magali Lara, Lea Lublin, and Margarita Paksa. It will explore how these four visionary Conceptual artists have appropriated the visual language of maps to highlight entrenched power structures; mine social, political, emotional, and personal subjects; and imagine new ways of apprehending the world.

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

The Thyssen Museum's Vision and Presence series will be complemented with a set of lectures by Latin American women artists to be held at Casa de América.

The wind blows where it wishes is Gabriel Chaile’s adobe sculpture on the High Line at 24^th Street.

The Museo de Arte Latinoamericano de Buenos Aires (MALBA) opens Luz y Fuerza (Light and Strength), an exhibition that brings together nineteen contemporary Argentinean artists whose works revolve around spirituality.

The exhibition Manifiesto verde (Green Manifesto) at the Museo Moderno de Buenos Aires takes its title from the declaration written in 1971 by artist Nicolás García Uriburu in which he expressed his desire to denounce the antagonism between nature and civilization.

Penumbra Foundation presented Black Alchemy: Resolve (attempt #1), the first solo exhibition in New York City by the photographer Aaron R. Turner.

The Institute for Studies on Latin American Art (ISLAA) presents Political/Subjective Maps: Anna Bella Geiger, Magali Lara, Lea Lublin, and Margarita Paksa. It will explore how these four visionary Conceptual artists have appropriated the visual language of maps to highlight entrenched power structures; mine social, political, emotional, and personal subjects; and imagine new ways of apprehending the world.

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

The Thyssen Museum's Vision and Presence series will be complemented with a set of lectures by Latin American women artists to be held at Casa de América.

The wind blows where it wishes is Gabriel Chaile’s adobe sculpture on the High Line at 24^th Street.

The Museo de Arte Latinoamericano de Buenos Aires (MALBA) opens Luz y Fuerza (Light and Strength), an exhibition that brings together nineteen contemporary Argentinean artists whose works revolve around spirituality.

The exhibition Manifiesto verde (Green Manifesto) at the Museo Moderno de Buenos Aires takes its title from the declaration written in 1971 by artist Nicolás García Uriburu in which he expressed his desire to denounce the antagonism between nature and civilization.

Penumbra Foundation presented Black Alchemy: Resolve (attempt #1), the first solo exhibition in New York City by the photographer Aaron R. Turner.

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

The Thyssen Museum's Vision and Presence series will be complemented with a set of lectures by Latin American women artists to be held at Casa de América.

The wind blows where it wishes is Gabriel Chaile’s adobe sculpture on the High Line at 24^th Street.

The Museo de Arte Latinoamericano de Buenos Aires (MALBA) opens Luz y Fuerza (Light and Strength), an exhibition that brings together nineteen contemporary Argentinean artists whose works revolve around spirituality.

The exhibition Manifiesto verde (Green Manifesto) at the Museo Moderno de Buenos Aires takes its title from the declaration written in 1971 by artist Nicolás García Uriburu in which he expressed his desire to denounce the antagonism between nature and civilization.

Penumbra Foundation presented Black Alchemy: Resolve (attempt #1), the first solo exhibition in New York City by the photographer Aaron R. Turner.

The Institute for Studies on Latin American Art (ISLAA) presents Political/Subjective Maps: Anna Bella Geiger, Magali Lara, Lea Lublin, and Margarita Paksa. It will explore how these four visionary Conceptual artists have appropriated the visual language of maps to highlight entrenched power structures; mine social, political, emotional, and personal subjects; and imagine new ways of apprehending the world.

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

The Thyssen Museum's Vision and Presence series will be complemented with a set of lectures by Latin American women artists to be held at Casa de América.

The wind blows where it wishes is Gabriel Chaile’s adobe sculpture on the High Line at 24^th Street.

The Museo de Arte Latinoamericano de Buenos Aires (MALBA) opens Luz y Fuerza (Light and Strength), an exhibition that brings together nineteen contemporary Argentinean artists whose works revolve around spirituality.

The exhibition Manifiesto verde (Green Manifesto) at the Museo Moderno de Buenos Aires takes its title from the declaration written in 1971 by artist Nicolás García Uriburu in which he expressed his desire to denounce the antagonism between nature and civilization.

Penumbra Foundation presented Black Alchemy: Resolve (attempt #1), the first solo exhibition in New York City by the photographer Aaron R. Turner.

The Institute for Studies on Latin American Art (ISLAA) presents Political/Subjective Maps: Anna Bella Geiger, Magali Lara, Lea Lublin, and Margarita Paksa. It will explore how these four visionary Conceptual artists have appropriated the visual language of maps to highlight entrenched power structures; mine social, political, emotional, and personal subjects; and imagine new ways of apprehending the world.

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

The Thyssen Museum's Vision and Presence series will be complemented with a set of lectures by Latin American women artists to be held at Casa de América.

The wind blows where it wishes is Gabriel Chaile’s adobe sculpture on the High Line at 24^th Street.

The Museo de Arte Latinoamericano de Buenos Aires (MALBA) opens Luz y Fuerza (Light and Strength), an exhibition that brings together nineteen contemporary Argentinean artists whose works revolve around spirituality.

The exhibition Manifiesto verde (Green Manifesto) at the Museo Moderno de Buenos Aires takes its title from the declaration written in 1971 by artist Nicolás García Uriburu in which he expressed his desire to denounce the antagonism between nature and civilization.

Penumbra Foundation presented Black Alchemy: Resolve (attempt #1), the first solo exhibition in New York City by the photographer Aaron R. Turner.