PINACOTECA MIGRANTE: SPAIN AT THE VENICE BIENNALE

The Ukranian Pavilion addresses the othering effect of war, two years into the Russian Invasion, in Net Making at the 60^th Venice Biennale.

For the 60th International Venice Biennale, Nemes designed the project as an immersive, painting-based Gesamtkunstwerk that expands the genre of painting and extends it to other media. Project curated by Róna Kopeczky.

Xirómero / Dryland is an interdisciplinary collective work conceived by Thanasis Deligiannis and Yannis Michalopoulos, created along with the artists Elia Kalogianni, Yorgos Kyvernitis, Kostas Chaikalis and Fotis Sagonas for the Greek Pavilion at the 60th Venice Biennale. The project is curated by Panos Giannikopoulos.

The exhibition of the 60th edition of the Venice Biennale - Stranieri Ovunque (Foregneirs Everywhere) - curated by Brazilian Adriano Pedrosa, presents 331 artists, significantly more than the usual number. More than a third of those artists come from Latin America.

For the 60th International Exhibition of la Biennale di Venezia Stranieri Ovunque (Foregneirs Everywhere), artist Claudia Alarcón and art-collective Silät are presenting their reflections on being treated as foreigners in their own country.

Concrete Wounds/Herida concreta is the exhibition that the Canary Islands' Centro Atlántico de Arte Moderno (CAAM) is dedicating to Karlo Andrei Ibarra (San Juan, Puerto Rico, 1982), one of the most promising and internationally renowned names of the Puerto Rican art scene.

Widline Cadet (Pétion-Ville, Haiti, 1992) brings together in her life experience several of the aspects and themes that, perhaps, have inspired more production among all those curatorial lines with more presence. Her biography, constructed through childhood memories, the environment of a generation and a country marked by its own strong culture or the phenomena of emigration, constitutes the framework in which the photographer develops the practical integrity of her work.

The Panama Pavilion at the 2024 Venice Art Biennale arises as a profound reflection on the enduring traces that migration leaves on individuals and their surroundings. Entitled Traces: On the Body and on the Land, this exhibition echoes the current migration crisis with a particular focus on the Panamanian context, interpreted by four artists through drawings, paintings, collages, glass sculptures, and installations.

Manifesta, the European nomadic biennial, as it is defined, returns to Spain after past editions in San Sebastian (2004) and Murcia (2010) and will hold its 15th edition in the Metropolitan Area of Barcelona from September 8 to November 24. The multidisciplinary program of actions and exhibitions will be developed around the concept of place and time, focusing, through the exhibition venues chosen in the twelve participating municipalities, on the past, present and future of this region.

The Mongolian Pavilion at the Venice Biennale presents artist Ochirbold Ayurzana with the exhibition Discovering the Present from the Future. The proposal is curated by Oyuntuya Oyunjargal, the Cultural Envoy of Mongolia to Germany, and co-curated by Gregor Jansen, director of the Kunsthalle Düsseldorf in Germany.

Engaging with the theme of Adriano Pedrosa’s main exhibition for the Venice Biennale, Stranieri Ovunque—Foreigners Everywhere, Vlatka Horvat’s project for the Croatian Pavilion by the Means at Hand, curated by Antonia Majaca, exists as an accumulative exhibition of artworks by a wide-ranging group of international artists living as “foreigners,” reflecting on questions and urgencies of the diasporic experience.

The monumental commission by British artist John Akomfrah RA for the 2024 Venice Biennale is a multi-layered exhibition which encourages visitors to experience the British Pavilion’s 19th century neoclassical building in a new way.

The Ukranian Pavilion addresses the othering effect of war, two years into the Russian Invasion, in Net Making at the 60^th Venice Biennale.

For the 60th International Venice Biennale, Nemes designed the project as an immersive, painting-based Gesamtkunstwerk that expands the genre of painting and extends it to other media. Project curated by Róna Kopeczky.

Xirómero / Dryland is an interdisciplinary collective work conceived by Thanasis Deligiannis and Yannis Michalopoulos, created along with the artists Elia Kalogianni, Yorgos Kyvernitis, Kostas Chaikalis and Fotis Sagonas for the Greek Pavilion at the 60th Venice Biennale. The project is curated by Panos Giannikopoulos.

The exhibition of the 60th edition of the Venice Biennale - Stranieri Ovunque (Foregneirs Everywhere) - curated by Brazilian Adriano Pedrosa, presents 331 artists, significantly more than the usual number. More than a third of those artists come from Latin America.

For the 60th International Exhibition of la Biennale di Venezia Stranieri Ovunque (Foregneirs Everywhere), artist Claudia Alarcón and art-collective Silät are presenting their reflections on being treated as foreigners in their own country.

Concrete Wounds/Herida concreta is the exhibition that the Canary Islands' Centro Atlántico de Arte Moderno (CAAM) is dedicating to Karlo Andrei Ibarra (San Juan, Puerto Rico, 1982), one of the most promising and internationally renowned names of the Puerto Rican art scene.

Widline Cadet (Pétion-Ville, Haiti, 1992) brings together in her life experience several of the aspects and themes that, perhaps, have inspired more production among all those curatorial lines with more presence. Her biography, constructed through childhood memories, the environment of a generation and a country marked by its own strong culture or the phenomena of emigration, constitutes the framework in which the photographer develops the practical integrity of her work.

The Panama Pavilion at the 2024 Venice Art Biennale arises as a profound reflection on the enduring traces that migration leaves on individuals and their surroundings. Entitled Traces: On the Body and on the Land, this exhibition echoes the current migration crisis with a particular focus on the Panamanian context, interpreted by four artists through drawings, paintings, collages, glass sculptures, and installations.

Manifesta, the European nomadic biennial, as it is defined, returns to Spain after past editions in San Sebastian (2004) and Murcia (2010) and will hold its 15th edition in the Metropolitan Area of Barcelona from September 8 to November 24. The multidisciplinary program of actions and exhibitions will be developed around the concept of place and time, focusing, through the exhibition venues chosen in the twelve participating municipalities, on the past, present and future of this region.

The Mongolian Pavilion at the Venice Biennale presents artist Ochirbold Ayurzana with the exhibition Discovering the Present from the Future. The proposal is curated by Oyuntuya Oyunjargal, the Cultural Envoy of Mongolia to Germany, and co-curated by Gregor Jansen, director of the Kunsthalle Düsseldorf in Germany.

Engaging with the theme of Adriano Pedrosa’s main exhibition for the Venice Biennale, Stranieri Ovunque—Foreigners Everywhere, Vlatka Horvat’s project for the Croatian Pavilion by the Means at Hand, curated by Antonia Majaca, exists as an accumulative exhibition of artworks by a wide-ranging group of international artists living as “foreigners,” reflecting on questions and urgencies of the diasporic experience.

The monumental commission by British artist John Akomfrah RA for the 2024 Venice Biennale is a multi-layered exhibition which encourages visitors to experience the British Pavilion’s 19th century neoclassical building in a new way.

For the 60th International Venice Biennale, Nemes designed the project as an immersive, painting-based Gesamtkunstwerk that expands the genre of painting and extends it to other media. Project curated by Róna Kopeczky.

Xirómero / Dryland is an interdisciplinary collective work conceived by Thanasis Deligiannis and Yannis Michalopoulos, created along with the artists Elia Kalogianni, Yorgos Kyvernitis, Kostas Chaikalis and Fotis Sagonas for the Greek Pavilion at the 60th Venice Biennale. The project is curated by Panos Giannikopoulos.

The exhibition of the 60th edition of the Venice Biennale - Stranieri Ovunque (Foregneirs Everywhere) - curated by Brazilian Adriano Pedrosa, presents 331 artists, significantly more than the usual number. More than a third of those artists come from Latin America.

For the 60th International Exhibition of la Biennale di Venezia Stranieri Ovunque (Foregneirs Everywhere), artist Claudia Alarcón and art-collective Silät are presenting their reflections on being treated as foreigners in their own country.

Concrete Wounds/Herida concreta is the exhibition that the Canary Islands' Centro Atlántico de Arte Moderno (CAAM) is dedicating to Karlo Andrei Ibarra (San Juan, Puerto Rico, 1982), one of the most promising and internationally renowned names of the Puerto Rican art scene.

Widline Cadet (Pétion-Ville, Haiti, 1992) brings together in her life experience several of the aspects and themes that, perhaps, have inspired more production among all those curatorial lines with more presence. Her biography, constructed through childhood memories, the environment of a generation and a country marked by its own strong culture or the phenomena of emigration, constitutes the framework in which the photographer develops the practical integrity of her work.

The Panama Pavilion at the 2024 Venice Art Biennale arises as a profound reflection on the enduring traces that migration leaves on individuals and their surroundings. Entitled Traces: On the Body and on the Land, this exhibition echoes the current migration crisis with a particular focus on the Panamanian context, interpreted by four artists through drawings, paintings, collages, glass sculptures, and installations.

Manifesta, the European nomadic biennial, as it is defined, returns to Spain after past editions in San Sebastian (2004) and Murcia (2010) and will hold its 15th edition in the Metropolitan Area of Barcelona from September 8 to November 24. The multidisciplinary program of actions and exhibitions will be developed around the concept of place and time, focusing, through the exhibition venues chosen in the twelve participating municipalities, on the past, present and future of this region.

The Mongolian Pavilion at the Venice Biennale presents artist Ochirbold Ayurzana with the exhibition Discovering the Present from the Future. The proposal is curated by Oyuntuya Oyunjargal, the Cultural Envoy of Mongolia to Germany, and co-curated by Gregor Jansen, director of the Kunsthalle Düsseldorf in Germany.

Engaging with the theme of Adriano Pedrosa’s main exhibition for the Venice Biennale, Stranieri Ovunque—Foreigners Everywhere, Vlatka Horvat’s project for the Croatian Pavilion by the Means at Hand, curated by Antonia Majaca, exists as an accumulative exhibition of artworks by a wide-ranging group of international artists living as “foreigners,” reflecting on questions and urgencies of the diasporic experience.

The monumental commission by British artist John Akomfrah RA for the 2024 Venice Biennale is a multi-layered exhibition which encourages visitors to experience the British Pavilion’s 19th century neoclassical building in a new way.

The Ukranian Pavilion addresses the othering effect of war, two years into the Russian Invasion, in Net Making at the 60^th Venice Biennale.

For the 60th International Venice Biennale, Nemes designed the project as an immersive, painting-based Gesamtkunstwerk that expands the genre of painting and extends it to other media. Project curated by Róna Kopeczky.

Xirómero / Dryland is an interdisciplinary collective work conceived by Thanasis Deligiannis and Yannis Michalopoulos, created along with the artists Elia Kalogianni, Yorgos Kyvernitis, Kostas Chaikalis and Fotis Sagonas for the Greek Pavilion at the 60th Venice Biennale. The project is curated by Panos Giannikopoulos.

The exhibition of the 60th edition of the Venice Biennale - Stranieri Ovunque (Foregneirs Everywhere) - curated by Brazilian Adriano Pedrosa, presents 331 artists, significantly more than the usual number. More than a third of those artists come from Latin America.

For the 60th International Exhibition of la Biennale di Venezia Stranieri Ovunque (Foregneirs Everywhere), artist Claudia Alarcón and art-collective Silät are presenting their reflections on being treated as foreigners in their own country.

Concrete Wounds/Herida concreta is the exhibition that the Canary Islands' Centro Atlántico de Arte Moderno (CAAM) is dedicating to Karlo Andrei Ibarra (San Juan, Puerto Rico, 1982), one of the most promising and internationally renowned names of the Puerto Rican art scene.

Widline Cadet (Pétion-Ville, Haiti, 1992) brings together in her life experience several of the aspects and themes that, perhaps, have inspired more production among all those curatorial lines with more presence. Her biography, constructed through childhood memories, the environment of a generation and a country marked by its own strong culture or the phenomena of emigration, constitutes the framework in which the photographer develops the practical integrity of her work.

The Panama Pavilion at the 2024 Venice Art Biennale arises as a profound reflection on the enduring traces that migration leaves on individuals and their surroundings. Entitled Traces: On the Body and on the Land, this exhibition echoes the current migration crisis with a particular focus on the Panamanian context, interpreted by four artists through drawings, paintings, collages, glass sculptures, and installations.

Manifesta, the European nomadic biennial, as it is defined, returns to Spain after past editions in San Sebastian (2004) and Murcia (2010) and will hold its 15th edition in the Metropolitan Area of Barcelona from September 8 to November 24. The multidisciplinary program of actions and exhibitions will be developed around the concept of place and time, focusing, through the exhibition venues chosen in the twelve participating municipalities, on the past, present and future of this region.

The Mongolian Pavilion at the Venice Biennale presents artist Ochirbold Ayurzana with the exhibition Discovering the Present from the Future. The proposal is curated by Oyuntuya Oyunjargal, the Cultural Envoy of Mongolia to Germany, and co-curated by Gregor Jansen, director of the Kunsthalle Düsseldorf in Germany.

Engaging with the theme of Adriano Pedrosa’s main exhibition for the Venice Biennale, Stranieri Ovunque—Foreigners Everywhere, Vlatka Horvat’s project for the Croatian Pavilion by the Means at Hand, curated by Antonia Majaca, exists as an accumulative exhibition of artworks by a wide-ranging group of international artists living as “foreigners,” reflecting on questions and urgencies of the diasporic experience.

The monumental commission by British artist John Akomfrah RA for the 2024 Venice Biennale is a multi-layered exhibition which encourages visitors to experience the British Pavilion’s 19th century neoclassical building in a new way.

The Ukranian Pavilion addresses the othering effect of war, two years into the Russian Invasion, in Net Making at the 60^th Venice Biennale.

For the 60th International Venice Biennale, Nemes designed the project as an immersive, painting-based Gesamtkunstwerk that expands the genre of painting and extends it to other media. Project curated by Róna Kopeczky.

Xirómero / Dryland is an interdisciplinary collective work conceived by Thanasis Deligiannis and Yannis Michalopoulos, created along with the artists Elia Kalogianni, Yorgos Kyvernitis, Kostas Chaikalis and Fotis Sagonas for the Greek Pavilion at the 60th Venice Biennale. The project is curated by Panos Giannikopoulos.

The exhibition of the 60th edition of the Venice Biennale - Stranieri Ovunque (Foregneirs Everywhere) - curated by Brazilian Adriano Pedrosa, presents 331 artists, significantly more than the usual number. More than a third of those artists come from Latin America.

For the 60th International Exhibition of la Biennale di Venezia Stranieri Ovunque (Foregneirs Everywhere), artist Claudia Alarcón and art-collective Silät are presenting their reflections on being treated as foreigners in their own country.

Concrete Wounds/Herida concreta is the exhibition that the Canary Islands' Centro Atlántico de Arte Moderno (CAAM) is dedicating to Karlo Andrei Ibarra (San Juan, Puerto Rico, 1982), one of the most promising and internationally renowned names of the Puerto Rican art scene.

Widline Cadet (Pétion-Ville, Haiti, 1992) brings together in her life experience several of the aspects and themes that, perhaps, have inspired more production among all those curatorial lines with more presence. Her biography, constructed through childhood memories, the environment of a generation and a country marked by its own strong culture or the phenomena of emigration, constitutes the framework in which the photographer develops the practical integrity of her work.

The Panama Pavilion at the 2024 Venice Art Biennale arises as a profound reflection on the enduring traces that migration leaves on individuals and their surroundings. Entitled Traces: On the Body and on the Land, this exhibition echoes the current migration crisis with a particular focus on the Panamanian context, interpreted by four artists through drawings, paintings, collages, glass sculptures, and installations.

Manifesta, the European nomadic biennial, as it is defined, returns to Spain after past editions in San Sebastian (2004) and Murcia (2010) and will hold its 15th edition in the Metropolitan Area of Barcelona from September 8 to November 24. The multidisciplinary program of actions and exhibitions will be developed around the concept of place and time, focusing, through the exhibition venues chosen in the twelve participating municipalities, on the past, present and future of this region.

The Mongolian Pavilion at the Venice Biennale presents artist Ochirbold Ayurzana with the exhibition Discovering the Present from the Future. The proposal is curated by Oyuntuya Oyunjargal, the Cultural Envoy of Mongolia to Germany, and co-curated by Gregor Jansen, director of the Kunsthalle Düsseldorf in Germany.

Engaging with the theme of Adriano Pedrosa’s main exhibition for the Venice Biennale, Stranieri Ovunque—Foreigners Everywhere, Vlatka Horvat’s project for the Croatian Pavilion by the Means at Hand, curated by Antonia Majaca, exists as an accumulative exhibition of artworks by a wide-ranging group of international artists living as “foreigners,” reflecting on questions and urgencies of the diasporic experience.

The monumental commission by British artist John Akomfrah RA for the 2024 Venice Biennale is a multi-layered exhibition which encourages visitors to experience the British Pavilion’s 19th century neoclassical building in a new way.