VIDEO PROJECT: THE PERSISTENCE OF THE SELF
Curated by Irene Gelfman, the Video Project section at Pinta PArC invited galleries to present projects that revolve around the themes of ancestral practices, community work, Amazonia and nature.
Video Project is the transversal section of all Pinta fairs that focuses exclusively on innovative and immersive proposals that work with the image in movement.
The persistence of the Self
The video selection builds bridges between diverse geographies and cultural traditions: those of the West, the Andes, and the Peruvian Amazon, both in the past and in the future. The selected artists address contemporary conflicts based on ancestral notions or practices such as weaving, ceramics, cave paintings, and rituals.
From the diversity of the audiovisual pieces, the viewer is invited to reflect on how in recent years there has been a need in art to return to traditions and practices that distance us from accelerated rhythms, a counterpart to what proposes and promises a feeling of satisfaction that is as immediate as it is ephemeral. The artists take up those practices that encoded sacred meanings and rituals, ancestral knowledge, and worldviews, which during the colonial era were prohibited, persecuted, and punished to be reinterpreted in a desperate attempt at environmental awareness and cultural preservation of the self.
The body of work reminds us how many past traditions and knowledge are alive in the present, safeguarded and nurtured by the communities of which they are a part. There is a persistence of certain minor, peripheral, or hybrid aesthetics associated with concerns related to the political situation in Latin America.
At the end of the journey, the viewer will not only have information that can be transmitted but will have experienced a sensitive experience that seeks to activate in their body the ability to produce modifications in the ways in which we negotiate our subjectivity.
Participating Artists:
Antonio Villa, Mentira la verdad (2024). Constitución Gallery (Buenos Aires, Argentina)
Yerko Zlatar, Tecnología Ancestral (2023). Younique Gallery (Paris, France | Lima, Peru)
Roxana Ramos, Erupción (2022). Remota Gallery (Salta, Argentina)
María Daud, Abrazos de Agua (2023). Yu&Va Gallery. (Santiago del Estero, Argentina)
Adrián Sosa, Fuerza Bruta (2020). Pabellón 4 (Buenos Aires, Argentina)
Claudia Coca, Carabela (2020). Del Paseo Gallery. (Punta del Este, Uruguay | Lima, Peru)
Antonio Paucar, Hampiq tushuy (2022) - La energía espiral del ayni (dedicated to my mother) (2023) Courtesy of the artist and Barbara Thumm Gallery
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Video Project de Antonio Villa. Constitución Galería. Pinta PArC 2024
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Video Project de Antonio Villa. Constitución Galería. Pinta PArC 2024
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Video Project de Claudia Coca. Galería del Paseo. Pinta PArC 2024.
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Antonio Paucar, Hampiq tushuy (2022) & La energía espiral del ayni (dedicado a mi madre) (2023) Cortesía del artista y la Galería Barbara Thumm
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Yerko Zlatar, Tecnología Ancestral (2023). Galerie Younique (París, Francia | Lima, Perú)
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Adrián Sosa, Fuerza Bruta (2020) Pabellón 4 Arte Contemporáneo (Buenos Aires, Argentina)
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Roxana Ramos, Erupción (2022) Remota Galería (Salta, Argentina)
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María Daud, Abrazos de Agua (2023) Yu&Va Galería. (Santiago del Estero, Argentina)
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Pinta PArC closed its 14th edition with more than 200 artists and 44 galleries. From April 24 to 28, 2024 at Casa Prado, the fair brought together curators, gallery owners, artists, collectors and art lovers.
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The Sculpture Garden is one of the characteristic sections of Pinta PArC. Located outdoors at the main entrance of Casa Prado and curated by Max Hernández Calvo, the proposal explores the relationship between sculpture, architecture and green areas.
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PINTA PArC 2024 AMPLIFIED THE LATIN-AMERICAN ARTISTIC EXPRESSION
Pinta PArC closed its 14th edition with more than 200 artists and 44 galleries. From April 24 to 28, 2024 at Casa Prado, the fair brought together curators, gallery owners, artists, collectors and art lovers.
The Sculpture Garden is one of the characteristic sections of Pinta PArC. Located outdoors at the main entrance of Casa Prado and curated by Max Hernández Calvo, the proposal explores the relationship between sculpture, architecture and green areas.
SCULPTURE GARDEN: EXCHANGING LANGUAGES
The Sculpture Garden is one of the characteristic sections of Pinta PArC. Located outdoors at the main entrance of Casa Prado and curated by Max Hernández Calvo, the proposal explores the relationship between sculpture, architecture and green areas.
The EFG Latin America Art Award, in association with ArtNexus, announced Miguel Aguirre as Pinta PArC's nominated artist for the award.
MIGUEL AGUIRRE: PINTA PArC'S NOMINATED ARTIST FOR EFG LATIN AMERICA ART AWARD
The EFG Latin America Art Award, in association with ArtNexus, announced Miguel Aguirre as Pinta PArC's nominated artist for the award.
Pinta PArC is the official contemporary art fair in Peru. In its 11th edition –from April 25 to 28– the fair presents an experimental and ambitious program, with unique curatorial projects.
CURATORIAL PROJECTS AT PINTA PArC 2024
Pinta PArC is the official contemporary art fair in Peru. In its 11th edition –from April 25 to 28– the fair presents an experimental and ambitious program, with unique curatorial projects.
The eleventh edition of Pinta PArC –the official contemporary art fair in Peru– will be held from April 24 to 28. It is the most attractive international cultural event in the region, and a window to learn how Peru intertwines its rich history with the most current influences of contemporary art.
PINTA PArC: TRADITION AND PRESENT IN PERFECT SYNCHRONY
The eleventh edition of Pinta PArC –the official contemporary art fair in Peru– will be held from April 24 to 28. It is the most attractive international cultural event in the region, and a window to learn how Peru intertwines its rich history with the most current influences of contemporary art.
The NEXT section of Pinta PArC 2024 is set as a window to the Latin American emerging art scene, tracing a profound dialogue between diverse artistic systems and a dynamic collaboration with six galleries: Vigil Gonzales (Cusco and Buenos Aires), Salón Comunal (Bogotá), Enhorabuena Espacio (Madrid), Remota (Salta), Constitución (Buenos Aires) and Paseolab / Galería del Paseo (Lima and Punta del Este).
NEXT: VIBRANT PLATFORM AND TERRITORY FOR DIALOGUE
The NEXT section of Pinta PArC 2024 is set as a window to the Latin American emerging art scene, tracing a profound dialogue between diverse artistic systems and a dynamic collaboration with six galleries: Vigil Gonzales (Cusco and Buenos Aires), Salón Comunal (Bogotá), Enhorabuena Espacio (Madrid), Remota (Salta), Constitución (Buenos Aires) and Paseolab / Galería del Paseo (Lima and Punta del Este).
In the next edition of Pinta PArC 2024, Herlitzka & Co. (Buenos Aires) and Henrique Faria (New York) join forces to present a booth proposal that challenges conventional notions of contemporaneity and ancestry in Latin American art.
TURNING THE MEANINGS OF OUR CONTINENT UPSIDE DOWN: HERLITZKA & CO. + HENRIQUE FARIA AT PINTA PArC
In the next edition of Pinta PArC 2024, Herlitzka & Co. (Buenos Aires) and Henrique Faria (New York) join forces to present a booth proposal that challenges conventional notions of contemporaneity and ancestry in Latin American art.
Pinta PArC closed its 14th edition with more than 200 artists and 44 galleries. From April 24 to 28, 2024 at Casa Prado, the fair brought together curators, gallery owners, artists, collectors and art lovers.
PINTA PArC 2024 AMPLIFIED THE LATIN-AMERICAN ARTISTIC EXPRESSION
Pinta PArC closed its 14th edition with more than 200 artists and 44 galleries. From April 24 to 28, 2024 at Casa Prado, the fair brought together curators, gallery owners, artists, collectors and art lovers.
