Hannah Collins

Museo de Arte de la Universidad Nacional, Bogota

By Camilo Chico Triana | December 17, 2010

Time will reveal it all, the selective exhibition of works by the British artist Hannah Collins at the Museo de Arte de la Universidad Nacional, is a reflection of the marginality and displacement in contemporary society. Under the curatorship of María Belén Sáez de Ibarra and David Campany, this show gathers together several films, including La mina (2001 – 2004), shot in Barcelona, and Parallel (2007), shot in Rome, Madrid and London. Through La mina, the viewer may observe how the gypsy community is marginalized and in turn marginalizes the society around it. Decades of indifference have produced a place that is characteristic of abandonment, a place which although physical, is mainly social, and is passed on from generation to generation. It is reminiscent of some African communities of the Colombian Pacific, which establish their ghettos in the big cities as a result of displacement forced by violence in Colombia.

House of doors [La casa de las puertas], 2005 – 2008. Gelatin silver print, 115.7 x 239.7 in. /Impresión de gelatina de plata, 294 x 609 cm. / Courtesy/Cortesía Museo de Arte de la Universidad Nacional.

Each of Collins’s portraits, whether in her films or in her large scale photographs, bares an everyday reality that gains importance at the moment of being observed by the viewer; all these works based on a minimal aesthetics, on what apparently has no relevance, constitute a powerful discourse in which the way in which humankind reveals itself depends on the place where these works are shown.