Notes related to Panamá
![TRACES – PANAMÁ’S DEBUT AT THE VENICE BIENNALE TRACES – PANAMÁ’S DEBUT AT THE VENICE BIENNALE](/var/artealdia_com/storage/images/noticias/huellas-el-debut-de-panama-en-la-bienal-de-venecia/811317-1-esl-AR/HUELLAS-EL-DEBUT-DE-PANAMA-EN-LA-BIENAL-DE-VENECIA_grid_horizontal.jpg)
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TRACES – PANAMÁ’S DEBUT AT THE VENICE BIENNALE
The Panama Pavilion at the 2024 Venice Art Biennale arises as a profound reflection on the enduring traces that migration leaves on individuals and their surroundings. Entitled Traces: On the Body and on the Land, this exhibition echoes the current migration crisis with a particular focus on the Panamanian context, interpreted by four artists through drawings, paintings, collages, glass sculptures, and installations.
![EXPLORING THE MULTIVALENT NOTION OF DISPOSSESSION AT THE MAC PANAMÁ EXPLORING THE MULTIVALENT NOTION OF DISPOSSESSION AT THE MAC PANAMÁ](/var/artealdia_com/storage/images/noticias/reflexiones-sobre-el-despojo-en-el-mac-panama/804357-1-esl-AR/REFLEXIONES-SOBRE-EL-DESPOJO-EN-EL-MAC-PANAMA_grid_horizontal.jpg)
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EXPLORING THE MULTIVALENT NOTION OF DISPOSSESSION AT THE MAC PANAMÁ
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.