Notes related to Panamá

TRACES – PANAMÁ’S DEBUT AT THE VENICE BIENNALE

The Panama Pavilion at the 2024 Venice Art Biennale arises as a profound reflection on the enduring traces that migration leaves on individuals and their surroundings. Entitled Traces: On the Body and on the Land, this exhibition echoes the current migration crisis with a particular focus on the Panamanian context, interpreted by four artists through drawings, paintings, collages, glass sculptures, and installations.

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TRACES – PANAMÁ’S DEBUT AT THE VENICE BIENNALE

The Panama Pavilion at the 2024 Venice Art Biennale arises as a profound reflection on the enduring traces that migration leaves on individuals and their surroundings. Entitled Traces: On the Body and on the Land, this exhibition echoes the current migration crisis with a particular focus on the Panamanian context, interpreted by four artists through drawings, paintings, collages, glass sculptures, and installations.

EXPLORING THE MULTIVALENT NOTION OF DISPOSSESSION AT THE MAC PANAMÁ

Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.

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EXPLORING THE MULTIVALENT NOTION OF DISPOSSESSION AT THE MAC PANAMÁ

Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.