AN UNDERWATER KINGDOM – SOPHIE ULLRICH EN PIERO ATCHUGARRY
All sauce, No shrimp is Sophie Ullrich’s anticipated solo exhibition at Piero Atchugarry. The artist presented a new collection of site-specific paintings and sculptures that entwines modern folklore and scientific inquiry.

Enriched by her upbringing alongside her mother, a biologist specializing in diabetes research, Ullrich’s childhood was immersed in laboratories brimming with the enchanting mystique of scientific instruments and apparatuses.
From an early age she adeptly combined scientific research with her vivid imagination, often concocting her own interpretations of centrifuges, pipettes and glass flasks, laying the groundwork for her artistic approach. Renowned for infusing her paintings with a playful yet deeply personal visual lexicon, Ullrich delightfully illuminates her innate spirit of inquiry through fables.
Mythical creatures have long captured humanity’s imagination, inspiring folklore and scientific exploration, while reflecting cultural beliefs, fears, desires and unexplained phenomena related to the natural world. Delving into the domains of myth and legend where Leviathan, Nessie (short for the Loch Ness Monster), The Lorely or Homer’s mermaids come alive— Ullrich’s All sauce, No shrimp plunges into her curiosity for the enigmatic depths of the underwater realm.
Two dancing Spirits emerge as central figures of the exhibition: The Heron (Hunter Spirit, 2024), a long-legged, long-necked bird and sacred symbol of rebirth in ancient Egyptian lore, gracefully wades in shallow waters, while The Dragon (Rare as Sphinx, 2024), embodying the artist’s reverence for prehistoric beasts, lurks in the ocean depths. Protected by two alligators in “Gator’s Gate” 2024, each spirit oversees its territory land and sea. Adding a touch of whimsy and accentuating her fascination with scientific instruments, Ullrich positions five engraved glass bowls as conduits for communication and vessels to house the two Spirits. Each glass vessel is filled with seagrass and tinted liquid, allowing the engravings to become visible underwater.
Ullrich’s signature leitmotif, a stylized headless figure with elongated limbs, graces the mythical hydrosphere throughout the exhibition. Golden Hair 2024, depicts the figure swimming through the kelp with the aid of a BEMA adult float band, a humorous tongue-and-cheek nod at the artists’ admitted swimming limitations, while in “HD-TV” 2024, the figure is engrossed in the world of live sea-monkeys, a recent interest that prompted Ullrich to purchase and raise her own personal tank of these novelty water-creatures. Among the paintings is a mishmash of advertisement elements, such as Sriracha hot sauce and Stir-fried Kimchi labels, that have long fueled Ullrich’s image rolodex. By blending myth, folklore, and scientific curiosity, Ullrich’s All sauce, No shrimp creates a thought-provoking body of work that invites viewers to explore the depths of their own imaginations.
Sophie Ullrich (b. 1990, Geneva, Switzerland) lives and works in Düsseldorf. Ullrich studied painting and visual arts under the guidance of Eberhard Havekost at the Kunstakademie Düsseldorf, Germany (2011-2018).
She has exhibited at Messe in St. Agnes, Berlin, Tube Culture Hall, Milano, Nosbaum & Reding Gallery, Brussels, Setareh Gallery, Düsseldorf and many more. In 2021, Ullrich participated in her first exhibition at Piero Atchugarry Gallery, the following year the gallery started representing her work. In 2023, Ullrich debuted a solo exhibition at Pueblo Garzón, following her residency at Tierra Garzón with Piero Atchugarry Gallery.
All sauce, No Shrimp. Solo exhibition by Sophie Ullrich.
Until September 7, 2024.
Piero Atchugarry Gallery. 5520 NE 4th Avenue, Miami, United States.
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MARISOL – A RETROSPECTIVE
Marisol: a retrospective is an itinerant exhibition on view at the Buffalo AKG Art Museum, featuring the collection of artworks Marisol kept in her personal possession and left to the museum.

The monumental commission by British artist John Akomfrah RA for the 2024 Venice Biennale is a multi-layered exhibition which encourages visitors to experience the British Pavilion’s 19th century neoclassical building in a new way.
THE SOUNDS OF TIME – UNITED KINGDOM AT THE VENICE BIENNALE
The monumental commission by British artist John Akomfrah RA for the 2024 Venice Biennale is a multi-layered exhibition which encourages visitors to experience the British Pavilion’s 19th century neoclassical building in a new way.

Cecilia Vicuña's Quipu Gut is a large hanging sculpture of unspun wool dyed entirely red, made in 2017 and inspired by the ancient quipu system, that arrived at the Pérez Art Museum in Miami.
QUIPU GUT – CECILIA VICUÑA’S INSTALLATION AT PAMM
Cecilia Vicuña's Quipu Gut is a large hanging sculpture of unspun wool dyed entirely red, made in 2017 and inspired by the ancient quipu system, that arrived at the Pérez Art Museum in Miami.

Galleria Continua presented in its Parisian space the Franco-Venezuelan artist Carlos Cruz-Diez’s first solo exhibition The Euphoria of Color (L’euphorie de la couleur).
THE EUPHORIA OF COLOR: CARLOS CRUZ-DIEZ IN GALLERIA CONTINUA

Fifteen artists working across the United States and Puerto Rico have been awarded the 2024 Latinx Artist Fellowships by the U.S. Latinx Forum (USLAF), with $50,0000 in unrestricted funding and a year-long program of professional engagement opportunities.
THE U.S. LATINX ART FORUM (USLAF) AWARDS LATINX ARTIST FELLOWSHIPS
Fifteen artists working across the United States and Puerto Rico have been awarded the 2024 Latinx Artist Fellowships by the U.S. Latinx Forum (USLAF), with $50,0000 in unrestricted funding and a year-long program of professional engagement opportunities.

The Art Basel in Basel fair concluded on June 16th, signaling the near end of the market season before summer. Despite the June London auctions (featuring works from antiquity to contemporary art) this year’s London season is notably diminished.
ART BASEL IN BASEL 2024: A FAIR FOR EVERY BUDGET?
The Art Basel in Basel fair concluded on June 16th, signaling the near end of the market season before summer. Despite the June London auctions (featuring works from antiquity to contemporary art) this year’s London season is notably diminished.

Calida Rawles presents Away with the Tides, an exhibition at Pérez Art Museum (PAMM) featuring all-new, site-specific works alongside a novel large-scale video installation. Marking Rawles’s first solo museum exhibition in the United States, Away with the Tides reflects aspects of Miami’s diverse communities, natural environments, and rich history.
CALIDA RAWLES’ DEBUT AT PAMM: AWAY WITH THE TIDES
Calida Rawles presents Away with the Tides, an exhibition at Pérez Art Museum (PAMM) featuring all-new, site-specific works alongside a novel large-scale video installation. Marking Rawles’s first solo museum exhibition in the United States, Away with the Tides reflects aspects of Miami’s diverse communities, natural environments, and rich history.

The exhibition Territorios: Latin American Contemporary Art in the Jorge M. Perez Collection shows a selection of works by more than 50 contemporary Latin American artists at the Centro Andaluz de Arte Contemporáneo (CAAC). It is curated by Jimena Blázquez Abascal, director of the CAAC.
TERRITORIES. CONTEMPORARY ART IN THE JORGE M. PÉREZ COLLECTION
The exhibition Territorios: Latin American Contemporary Art in the Jorge M. Perez Collection shows a selection of works by more than 50 contemporary Latin American artists at the Centro Andaluz de Arte Contemporáneo (CAAC). It is curated by Jimena Blázquez Abascal, director of the CAAC.

TOMAS REDRADO ART Gallery presented in Miami the fifth movement of MONTES NO VISIBLES (Unseen mountains), curated by Natalia Sosa Molina and Victor López Zumelzu. This new movement features the work of Andrea Ferrero (Peru), Julia Retz (Brazil), and Henry Palacio Clavijo (Colombia).

Xican-a.o.x. Body in Pérez Art Museum Miami (PAMM) is the first major exhibition to showcase work by artists who foreground the body as a site of political agency and imagination, artistic investigation, decolonization, and alternative forms of community.
BODIES AND POLITICS: A GROUP EXHIBITION AT PAMM
Xican-a.o.x. Body in Pérez Art Museum Miami (PAMM) is the first major exhibition to showcase work by artists who foreground the body as a site of political agency and imagination, artistic investigation, decolonization, and alternative forms of community.

The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.
LATIN AMERICAN ART TRIUMPHS AT AUCTION
The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.

Grounded in the many meanings and ideas of “home,” This Must Be the Place is a major new exhibition at Walker Art Center showcasing works drawn from across the Walker’s dynamic collections.
THIS MUST BE THE PLACE: INSIDE THE WALKER’S COLLECTION
Grounded in the many meanings and ideas of “home,” This Must Be the Place is a major new exhibition at Walker Art Center showcasing works drawn from across the Walker’s dynamic collections.

The Museum of Contemporary Art of the Americas presented the exhibition Women Who I Could’ve Been, featuring the latest work of renowned artist Ana Albertina Delgado.
THE MYSTERY OF LIFE IN ANA ALBERTINA DELGADO’S WORK
The Museum of Contemporary Art of the Americas presented the exhibition Women Who I Could’ve Been, featuring the latest work of renowned artist Ana Albertina Delgado.

Pilar Elgueta (Chile) is the selected artist for the Delfina Foundation’s Residency Program during Summer 2024. The artist-explorer activates ideas and images around the relation between the human being and landscape.
PILAR ELGUETA AT THE DELFINA FOUNDATION’S RESIDENCY PROGRAM
Pilar Elgueta (Chile) is the selected artist for the Delfina Foundation’s Residency Program during Summer 2024. The artist-explorer activates ideas and images around the relation between the human being and landscape.

Marisol: a retrospective is an itinerant exhibition on view at the Buffalo AKG Art Museum, featuring the collection of artworks Marisol kept in her personal possession and left to the museum.
MARISOL – A RETROSPECTIVE
Marisol: a retrospective is an itinerant exhibition on view at the Buffalo AKG Art Museum, featuring the collection of artworks Marisol kept in her personal possession and left to the museum.

The monumental commission by British artist John Akomfrah RA for the 2024 Venice Biennale is a multi-layered exhibition which encourages visitors to experience the British Pavilion’s 19th century neoclassical building in a new way.
THE SOUNDS OF TIME – UNITED KINGDOM AT THE VENICE BIENNALE
The monumental commission by British artist John Akomfrah RA for the 2024 Venice Biennale is a multi-layered exhibition which encourages visitors to experience the British Pavilion’s 19th century neoclassical building in a new way.

Cecilia Vicuña's Quipu Gut is a large hanging sculpture of unspun wool dyed entirely red, made in 2017 and inspired by the ancient quipu system, that arrived at the Pérez Art Museum in Miami.
QUIPU GUT – CECILIA VICUÑA’S INSTALLATION AT PAMM
Cecilia Vicuña's Quipu Gut is a large hanging sculpture of unspun wool dyed entirely red, made in 2017 and inspired by the ancient quipu system, that arrived at the Pérez Art Museum in Miami.