Notes related to Painting

THREE EXHIBITIONS AT NSU ART MUSEUM

NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.

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THREE EXHIBITIONS AT NSU ART MUSEUM

NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.

MEXICAN MODERN ART ACCORDING TO NELKEN AND THE BLAISTEN COLLECTION

Fundación Casa de Mexico in Spain hosts the exhibition Modern Art of Mexico, with funds from the Blaisten Collection and curated by Daniel Garza Usabiaga, which takes an interesting look at the country's 20th century production through the eyes of Margarita Nelken (Madrid, Spain, 1894-Mexico City, Mexico, 1968).

By Álvaro de Benito
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MEXICAN MODERN ART ACCORDING TO NELKEN AND THE BLAISTEN COLLECTION

By Álvaro de Benito

Fundación Casa de Mexico in Spain hosts the exhibition Modern Art of Mexico, with funds from the Blaisten Collection and curated by Daniel Garza Usabiaga, which takes an interesting look at the country's 20th century production through the eyes of Margarita Nelken (Madrid, Spain, 1894-Mexico City, Mexico, 1968).

JOSÉ PARLA’S PAINTINGS AT PAMM

Pérez Art Museum presents the exhibition José Parla: Homecoming. Featuring new works and a site-specific mural exhibition, it marks the artist’s return to painting and Miami.

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JOSÉ PARLA’S PAINTINGS AT PAMM

Pérez Art Museum presents the exhibition José Parla: Homecoming. Featuring new works and a site-specific mural exhibition, it marks the artist’s return to painting and Miami.

VIVIAN SUTER AND THE RELEVANCE OF SURROUNDINGS AT MAAT IN LISBON

Lisbon's MAAT hosts the exhibition Disco, a show with more than half a thousand works by Vivian Suter (Buenos Aires, Argentina, 1949) with which the institution pays tribute to the pictorial production of the Swiss-Argentine artist and her particular exploration of the interaction with nature and the different techniques and possibilities applicable to painting.

By Álvaro de Benito
News

VIVIAN SUTER AND THE RELEVANCE OF SURROUNDINGS AT MAAT IN LISBON

By Álvaro de Benito

Lisbon's MAAT hosts the exhibition Disco, a show with more than half a thousand works by Vivian Suter (Buenos Aires, Argentina, 1949) with which the institution pays tribute to the pictorial production of the Swiss-Argentine artist and her particular exploration of the interaction with nature and the different techniques and possibilities applicable to painting.

GUILLERMO KUITCA: A CUBIST CHAPELL IN THE MUSÉE NATIONAL PICASSO-PARIS

The Argentine artist Guillermo Kuitca was commissioned to create a site-specific work in the chapel of the Hôtel Salé, home of the Musée national Picasso-Paris. The final commission, whose canvas is the walls of the chapel, can now be visited.

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GUILLERMO KUITCA: A CUBIST CHAPELL IN THE MUSÉE NATIONAL PICASSO-PARIS

The Argentine artist Guillermo Kuitca was commissioned to create a site-specific work in the chapel of the Hôtel Salé, home of the Musée national Picasso-Paris. The final commission, whose canvas is the walls of the chapel, can now be visited.

THE DAILY LIFE AND POPULAR EXPRESSION OF MILENA MÚZQUIZ IN TRAVESÍA CUATRO

Travesía Cuatro hosts at its Madrid headquarters Surf and Turf, the fifth exhibition that the gallery dedicates to Milena Múzquiz (Tijuana, Mexico, 1972), that gathers, with about thirty works, the continuity of the production that began after the aesthetic and technical change produced by the end of Los Súper Elegantes, a musical group that he shared with the Argentine Martiniano López Crozet, and which represented a platform that brought together his purest expression through voice and body, as well as with the aesthetic possibilities of costumes and image.

By Álvaro de Benito
News

THE DAILY LIFE AND POPULAR EXPRESSION OF MILENA MÚZQUIZ IN TRAVESÍA CUATRO

By Álvaro de Benito

Travesía Cuatro hosts at its Madrid headquarters Surf and Turf, the fifth exhibition that the gallery dedicates to Milena Múzquiz (Tijuana, Mexico, 1972), that gathers, with about thirty works, the continuity of the production that began after the aesthetic and technical change produced by the end of Los Súper Elegantes, a musical group that he shared with the Argentine Martiniano López Crozet, and which represented a platform that brought together his purest expression through voice and body, as well as with the aesthetic possibilities of costumes and image.

GERMÁN TAGLE'S REDEFINITION OF LANDSCAPE

Germán Tagle (Santiago, Chile, 1976) returns to Madrid's Daniel Cuevas, where he held his first exhibition two years ago, with El territorio portátil, a show in which the Chilean artist returns to the axes of landscape, painting and culture that have been the backbone of his latest productions.

By Álvaro de Benito Fernández
Reviews

GERMÁN TAGLE'S REDEFINITION OF LANDSCAPE

By Álvaro de Benito Fernández

Germán Tagle (Santiago, Chile, 1976) returns to Madrid's Daniel Cuevas, where he held his first exhibition two years ago, with El territorio portátil, a show in which the Chilean artist returns to the axes of landscape, painting and culture that have been the backbone of his latest productions.

September 18, 2024
LUCIO FONTANA. IL Y A BIEN EU UN FUTUR - UN FUTURO C'É STATO

Lucio Fontana made one of the most extraordinary and radical gestures of modern art in 1958 when he cut the surface of a monochromatic canvas with a razor blade. The exhibition “Il y a eu un futur- Un Futuro c'é stato” at the Musée Soulage, Rodez, revisits the legacy of this artist and offers a survey of his entire oeuvre, before and after the war, in Argentina and Italy.

By Patricia Avena Navarro
Reviews

LUCIO FONTANA. IL Y A BIEN EU UN FUTUR - UN FUTURO C'É STATO

By Patricia Avena Navarro

Lucio Fontana made one of the most extraordinary and radical gestures of modern art in 1958 when he cut the surface of a monochromatic canvas with a razor blade. The exhibition “Il y a eu un futur- Un Futuro c'é stato” at the Musée Soulage, Rodez, revisits the legacy of this artist and offers a survey of his entire oeuvre, before and after the war, in Argentina and Italy.

September 02, 2024
LIA D CASTRO’S FIRST SOLO EXHIBITION AT MASP

The exhibition Lia D Castro: Everywhere and Nowhere, at MASP – Museu de Arte de São Paulo Assis Chateaubriand is the artist’s first solo show in a museum, and brings together 36 works, most of which are figurative paintings. The selected works explore scenarios where affection, dialogue and imagination become important tools for social transformation.

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LIA D CASTRO’S FIRST SOLO EXHIBITION AT MASP

The exhibition Lia D Castro: Everywhere and Nowhere, at MASP – Museu de Arte de São Paulo Assis Chateaubriand is the artist’s first solo show in a museum, and brings together 36 works, most of which are figurative paintings. The selected works explore scenarios where affection, dialogue and imagination become important tools for social transformation.

MEIAC PRESENTS MARTÍN LÓPEZ LAM’S PAISAJE TRANSFERIDO

The Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) in Badajoz is exhibiting, under the title Paisaje Transferido, a wide-ranging show by MartÍn Lopez Lam (Lima, Peru, 1981), one of the main exponents of graphic art in Spain, where he has been living for the last two decades.

By Álvaro de Benito
News

MEIAC PRESENTS MARTÍN LÓPEZ LAM’S PAISAJE TRANSFERIDO

By Álvaro de Benito

The Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) in Badajoz is exhibiting, under the title Paisaje Transferido, a wide-ranging show by MartÍn Lopez Lam (Lima, Peru, 1981), one of the main exponents of graphic art in Spain, where he has been living for the last two decades.

AGLAÉ BASSENS’ SOLO DEBUT AT ICA MIAMI

MIAMI

Aglaé Bassens: Emptiful is the debut solo museum presentation for the Brooklyn-based painter at Institute of Contemporary Art Miami.

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AGLAÉ BASSENS’ SOLO DEBUT AT ICA MIAMI

MIAMI

Aglaé Bassens: Emptiful is the debut solo museum presentation for the Brooklyn-based painter at Institute of Contemporary Art Miami.

FERNANDO BOTERO: THE END OF A LIFE OF GREAT ARTISTIC LEGACY

Renowned artist Fernando Botero died on Friday, September 15, at the age of 91 at his residence in the Principality of Monaco.

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FERNANDO BOTERO: THE END OF A LIFE OF GREAT ARTISTIC LEGACY

Renowned artist Fernando Botero died on Friday, September 15, at the age of 91 at his residence in the Principality of Monaco.

IOSI ARAMBURU IS arteBA 2023'S ARTIST NOMINEE FOR THE EFG LATIN AMERICAN AWARD

EFG Latin America Art Award, in collaboration with ArtNexus, presented arteba 2023's nominated artist. Iosu Aramburu is one of the finalists for the annual acquisition award, which will be announced at Pinta Miami during Miami Art Week.

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IOSI ARAMBURU IS arteBA 2023'S ARTIST NOMINEE FOR THE EFG LATIN AMERICAN AWARD

EFG Latin America Art Award, in collaboration with ArtNexus, presented arteba 2023's nominated artist. Iosu Aramburu is one of the finalists for the annual acquisition award, which will be announced at Pinta Miami during Miami Art Week.

MANY FORMS OF CARE: AN EXHIBITION AT THE MFA BOSTON

Tender Loving Care: Contemporary Art from the Collection at the Museum of fine Arts in Boston invites visitors to explore how contemporary artists trace and address concepts of care through their materials, subjects, ideas, and processes.

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MANY FORMS OF CARE: AN EXHIBITION AT THE MFA BOSTON

Tender Loving Care: Contemporary Art from the Collection at the Museum of fine Arts in Boston invites visitors to explore how contemporary artists trace and address concepts of care through their materials, subjects, ideas, and processes.

MARTÍN REYNA PRESENTED FLUIDES AT GALERIE BESSIERE, PARIS

The experience of visiting the exhibition of Martín Reyna (Buenos Aires, Argentina) at the galerie Bessiere called Fluides is truly captivating. To achieve this, the artist took full advantage of the topographical qualities of the exhibition space. Fluides is an installation that maps the artist's work including a selection of paintings, many of them in large format on paper as the main support.

By Patricia Avena Navarro
Reviews

MARTÍN REYNA PRESENTED FLUIDES AT GALERIE BESSIERE, PARIS

By Patricia Avena Navarro

The experience of visiting the exhibition of Martín Reyna (Buenos Aires, Argentina) at the galerie Bessiere called Fluides is truly captivating. To achieve this, the artist took full advantage of the topographical qualities of the exhibition space. Fluides is an installation that maps the artist's work including a selection of paintings, many of them in large format on paper as the main support.

August 15, 2023
TO DRESS GODS: ABOUT PURPLE SPELL BY SANTIAGO PAREDES AND BRIGITTE HOFFMAN

In March 1985, a breakthrough in filmmaking was released in United States’ theaters. Signed by Woody Allen and titled "The Purple Rose of Cairo", the search for the purple rose is nothing more than a way of approaching the impossible.

By Federico Curutchet
Reviews

TO DRESS GODS: ABOUT PURPLE SPELL BY SANTIAGO PAREDES AND BRIGITTE HOFFMAN

By Federico Curutchet

In March 1985, a breakthrough in filmmaking was released in United States’ theaters. Signed by Woody Allen and titled "The Purple Rose of Cairo", the search for the purple rose is nothing more than a way of approaching the impossible.

April 12, 2023
EMILIO MARTINEZ’S DIALOGUES WITH VAN GOGH AND LAUTREC

Emilio Martinez’s first solo museum exhibition Van Gogh, Lautrec, and me in NSU Art Museum. Curated by Bonnie Clearwater, Director and Chief Curator of the Museum.

News

EMILIO MARTINEZ’S DIALOGUES WITH VAN GOGH AND LAUTREC

Emilio Martinez’s first solo museum exhibition Van Gogh, Lautrec, and me in NSU Art Museum. Curated by Bonnie Clearwater, Director and Chief Curator of the Museum.

BETWEEN LAYOUTS, COLORS AND VIBRATIONS – JUDITH LAUAND: CONCRETE DETOUR

"Judith Lauand/Walking into the future". In that way Profilograma Judith (2000), by Augusto de Campos, one of the main names of concrete poetry in Brazil, celebrates the art of Judith Lauand (1922-2022).  The São Paulo artist, a female figure almost isolated in the country, was given a long retrospective with 124 works and extensive documentation, opened before her death at the end of last year, at São Paulo Museum of Art (MASP).

By Mario Gioia, art critic and independent curator.
Reviews

BETWEEN LAYOUTS, COLORS AND VIBRATIONS – JUDITH LAUAND: CONCRETE DETOUR

By Mario Gioia, art critic and independent curator.

"Judith Lauand/Walking into the future". In that way Profilograma Judith (2000), by Augusto de Campos, one of the main names of concrete poetry in Brazil, celebrates the art of Judith Lauand (1922-2022).  The São Paulo artist, a female figure almost isolated in the country, was given a long retrospective with 124 works and extensive documentation, opened before her death at the end of last year, at São Paulo Museum of Art (MASP).

March 29, 2023
LUCIAN FREUD. NEW PERSPECTIVES IN LONDON AND MADRID

The Museo Nacional Thyssen-Bornemisza, in collaboration with the National Gallery of London, presents a retrospective dedicated to the British painter Lucian Freud (1922-2011), on the occasion of the centenary of his birth.

News

LUCIAN FREUD. NEW PERSPECTIVES IN LONDON AND MADRID

The Museo Nacional Thyssen-Bornemisza, in collaboration with the National Gallery of London, presents a retrospective dedicated to the British painter Lucian Freud (1922-2011), on the occasion of the centenary of his birth.

MARIO GIACOYA AT THE NATIONAL MUSEUM OF VISUAL ARTS OF URUGUAY

"Giacoya" is the first solo exhibition of Floridian artist Mario Giacoya (1951) at the National Museum of Visual Arts (MNAV).

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MARIO GIACOYA AT THE NATIONAL MUSEUM OF VISUAL ARTS OF URUGUAY

"Giacoya" is the first solo exhibition of Floridian artist Mario Giacoya (1951) at the National Museum of Visual Arts (MNAV).

THE EPHEMERAL IN THINGS - MARTINA SERVIO OLAVIDE IN 1+1

In her first solo exhibition, the artist from Córdoba moves between and beyond the limits of what can be said, from words and beyond them, with curatorship by Agustina Rinaldi.

By Santiago López
Reviews

THE EPHEMERAL IN THINGS - MARTINA SERVIO OLAVIDE IN 1+1

By Santiago López

In her first solo exhibition, the artist from Córdoba moves between and beyond the limits of what can be said, from words and beyond them, with curatorship by Agustina Rinaldi.

December 21, 2022
ANTONIO SEGUÍ AT GALERIE CLAUDE BERNARD, PARIS

The Claude Bernard Gallery is dedicating an exhibition as a tribute to the master Antonio Seguí, who passed away in February at the age of 88 in Buenos Aires.

By Patricia Avena Navarro
Reviews

ANTONIO SEGUÍ AT GALERIE CLAUDE BERNARD, PARIS

By Patricia Avena Navarro

The Claude Bernard Gallery is dedicating an exhibition as a tribute to the master Antonio Seguí, who passed away in February at the age of 88 in Buenos Aires.

December 13, 2022
RAQUEL FORNER AND HER SPATIAL WORKS TAKE THE BELLAS ARTES MUSEUM

Raquel Forner. Spatial Revelations. 1957-1987 at Museo de Bellas Artes de Buenos Aires exhibits the series of paintings, drawings and engravings of the Argentine artist, dedicated to exploring the conquest of the cosmos.

News

RAQUEL FORNER AND HER SPATIAL WORKS TAKE THE BELLAS ARTES MUSEUM

Raquel Forner. Spatial Revelations. 1957-1987 at Museo de Bellas Artes de Buenos Aires exhibits the series of paintings, drawings and engravings of the Argentine artist, dedicated to exploring the conquest of the cosmos.

GABRIELA AYZA ASCHMANN: HER CALL TOWARDS WILD (LIGHT)

The Spanish-German artist Gabriela Ayza Aschmann (Cologne, Germany, 1991) presents in Tomas Redrado Art a series of paintings created in 2022, as an experience of inquiry into the expanded borders of portraiture that strengthens her. It is a sustained practice that she carries out advancing against the background of the history of the avant-garde, but above all she acts as if she were tearing pages from her own life, to add them to art.

By Adriana Herrera Téllez
Reviews

GABRIELA AYZA ASCHMANN: HER CALL TOWARDS WILD (LIGHT)

By Adriana Herrera Téllez

The Spanish-German artist Gabriela Ayza Aschmann (Cologne, Germany, 1991) presents in Tomas Redrado Art a series of paintings created in 2022, as an experience of inquiry into the expanded borders of portraiture that strengthens her. It is a sustained practice that she carries out advancing against the background of the history of the avant-garde, but above all she acts as if she were tearing pages from her own life, to add them to art.

November 15, 2022
FLORENCIA BÖHTLINGK NOMINATED IN arteBA FOR THE EFG LATIN AMERICAN ART AWARD

The EFG Latin America Art Award, in partnership with ArtNexus, presented the nominated artist for its annual acquisition award. Florencia Böhtlingk, from HACHE Gallery, Buenos Aires, adds up to the list of selected artists. The winner will be announced at Pinta Miami during Art Week in Miami.

News

FLORENCIA BÖHTLINGK NOMINATED IN arteBA FOR THE EFG LATIN AMERICAN ART AWARD

The EFG Latin America Art Award, in partnership with ArtNexus, presented the nominated artist for its annual acquisition award. Florencia Böhtlingk, from HACHE Gallery, Buenos Aires, adds up to the list of selected artists. The winner will be announced at Pinta Miami during Art Week in Miami.

A LEONORA CARRINGTON RETROSPECTIVE IN ARKEN MUSEUM OF MODERN ART

ARKEN Museum of Modern Art opens the first major Leonora Carrington exhibition in Scandinavia. The artist was one of Surrealism’s key figures, rebelling against power hierarchies and conventions with a magical universe filled with humor, witchcraft and spirit.

News

A LEONORA CARRINGTON RETROSPECTIVE IN ARKEN MUSEUM OF MODERN ART

ARKEN Museum of Modern Art opens the first major Leonora Carrington exhibition in Scandinavia. The artist was one of Surrealism’s key figures, rebelling against power hierarchies and conventions with a magical universe filled with humor, witchcraft and spirit.

KAREN LAMASSONNE’S DESIRING LANDSCAPES IN RUIDO / NOISE, THE EXHIBITION AT SWISS INSTITUE

Ruido / Noise is the first international survey of the work of Colombian American artist Karen Lamassone. Spanning from her early years to today, the exhibit at Swiss Institute shows the artist’s commitment to portraying women as desiring subjects.

News

KAREN LAMASSONNE’S DESIRING LANDSCAPES IN RUIDO / NOISE, THE EXHIBITION AT SWISS INSTITUE

Ruido / Noise is the first international survey of the work of Colombian American artist Karen Lamassone. Spanning from her early years to today, the exhibit at Swiss Institute shows the artist’s commitment to portraying women as desiring subjects.

SKIN (NOTES ON THE DISAPPEARING PAINTING)

During the last years painting has continued its course in permanent metamorphosis, adapting to the times, reviving from its previous deaths, stripping itself of accessories, undressing and even disappearing. A part of this process has focused on the mechanisms of production; the other, has been accompanied by an intense reflection that goes beyond painting and meditates on the status of image.

By Félix Suazo
Reviews

SKIN (NOTES ON THE DISAPPEARING PAINTING)

By Félix Suazo

During the last years painting has continued its course in permanent metamorphosis, adapting to the times, reviving from its previous deaths, stripping itself of accessories, undressing and even disappearing. A part of this process has focused on the mechanisms of production; the other, has been accompanied by an intense reflection that goes beyond painting and meditates on the status of image.

September 30, 2022
THE OSWALDO VIGAS FOUNDATION LAUNCHES THE ARTIST'S ONLINE CATALOG RAISONNÉ

The new catalog raisonné of Oswaldo Vigas is now available online, thanks to the artist's foundation. This is the first Venezuelan artist to have a complete catalog of this kind.

News

THE OSWALDO VIGAS FOUNDATION LAUNCHES THE ARTIST'S ONLINE CATALOG RAISONNÉ

The new catalog raisonné of Oswaldo Vigas is now available online, thanks to the artist's foundation. This is the first Venezuelan artist to have a complete catalog of this kind.

ISLAA PRESENTS “EROS RISING: VISIONS OF THE EROTIC IN LATIN AMERICAN ART”

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

News

ISLAA PRESENTS “EROS RISING: VISIONS OF THE EROTIC IN LATIN AMERICAN ART”

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

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