THREE EXHIBITIONS AT NSU ART MUSEUM
NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.
Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS
This exhibition presents a visual conversation between two leading emerging artists that have profoundly influenced one another. Rose B. Simpson (b. 1983, Kha’p’oe Ówîngeh / Santa Clara Pueblo, NM; lives and works in Kha’p’oe Ówîngeh / Santa Clara Pueblo, NM) is a Native artist descended from a long matrilineage of Tewa tribe artists. Her work integrates ancestral Pueblo pottery traditions with metalwork, automotive design, performance, installation, music and creative writing. Vanessa German (b.1976, Milwaukee, WI; lives and works in Asheville, NC) is a self-taught citizen and LGBTQIA+ artist and activist, working across sculpture, communal ritual, and immersive installation. Both artists address structural racism, heteropatriarchy, and the persisting reverberations of resource extraction in a post-colonial world.
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vanessa german, BIRD #1, 2022 wood, foam, black pigment, grace, the dream of a human woman who became a bird to tell us that we are all more than human, glass bottles found at the trash dump for the Biltmore— the largest house in America, gold metallic paint, plaster, plaster gauze wood, ribbon, astroturf, love, an open heart. 65 1/2 x 24 x 60 inches (166.4 x 61 x 152.4 cm). Copyright of the artist.
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vanessa german, BIRD #1, 2022 wood, foam, black pigment, grace, the dream of a human woman who became a bird to tell us that we are all more than human, glass bottles found at the trash dump for the Biltmore— the largest house in America, gold metallic paint, plaster, plaster gauze wood, ribbon, astroturf, love, an open heart. 65 1/2 x 24 x 60 inches (166.4 x 61 x 152.4 cm). Copyright of the artist.
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Rose B. Simpson, Conjure II, 2022, Clay, grout, indigenous New Mexico pine from new studio build, 28 × 12 × 14 inches (71.1 × 30.5 × 35.6 cm), Collection of Noel E.D. Kirnon, Image courtesy of the artist and Jack Shainman Gallery, New York.
Cici McMonigle: Creatures for the Divine
The exhibition showcases Cici McMonigle’s ((b. 2001, Tianjin, China) exuberant and colorful paintings of fabulous beasts and monstrous creatures derived from Chinese and American western fables and tales, and a new series of painted wood cutouts inspired by traditional Chinese folk toys, which symbolize peace and prosperity. She notes that her work is a “distinctive and exaggerated blend of cultural spiritualism.”
For McMonigle, these creatures emerged from her exploration of her multicultural experience as an artist of half-Chinese and half-American heritage. Although South Florida is known for its diversity, McMonigle stands out as part-Chinese, as Asians represent less than two percent of Miami’s population. She contends that through her paintings she can create characters with ten legs, a thousand horns, and giant teeth, that still feel familiar and relatable to a broad audience. These paintings not only celebrate the coexistence of her diverse background, but also invite viewers to embark on their journey of storytelling.
Jacqueline de Jong: Vicious Circles
Vicious Circles is the first exhibition in the United States dedicated to artist Jacqueline de Jong (b.1939, Hengelo, Netherlands, d. 2024, Amsterdam, Netherlands). The exhibition considers the perpetual theme of war and protest within the artist’s oeuvre; whether in paintings dedicated to the rebellious spirit of rock ‘n’ roll, or haunting portrayals of the ongoing war in Ukraine, De Jong remained focused on the present, reacting to the now.
Vicious Circles questions how the present relates to history, and the ways in which De Jong’s decades of engagement with current events forces viewers to confront the harsh reality of humanity’s endless repetition of violent trauma, and the critical nature of art as a form of resistance.
The show takes its title from a painting within De Jong’s mid-1960s series, Private Lives of Cosmonauts. In this body of work, the artist took on the subject of the Cold War and what came to be known as The Space Race. The image juxtaposes the interior experience of an astronaut with the grand historical narrative of man’s entry into the cosmos. The candy-colored, spiral composition plays with the fantastical notion of looking down upon the hubbub of the world from a whirling, zero gravity perspective. Among the revelry, however, is the underlying threat of nuclear destruction that defined the Cold War era. Nothing can be taken at face value in the art of De Jong, duality is always at play, humor and solemnity must coexist.
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Jacqueline de Jong, Tournevicieux cosmonautique (les âmes les plus confuses se retrouvent un matin conditionnés par un peu de pesanteur) (Cosmonautical Vicious Circle (The Most Confused Souls Find Themselves One Morning Conditioned by a Little Gravity), 1966, Acrylic on canvas, 44.8 x 63.7 in (114 x 162 cm), Ortuzar Projects, New York.
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Jacqueline de Jong, Tournevicieux cosmonautique (les âmes les plus confuses se retrouvent un matin conditionnés par un peu de pesanteur) (Cosmonautical Vicious Circle (The Most Confused Souls Find Themselves One Morning Conditioned by a Little Gravity), 1966, Acrylic on canvas, 44.8 x 63.7 in (114 x 162 cm), Ortuzar Projects, New York.
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Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.
ALEXANDRE ARRECHEA’S “BARE TOOL” AT LOCUST PROJECTS
Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.
The Rose Art Museum at Brandeis University announces Leonora Carrington: Dream Weaver, the new exhibition opening on January 22, 2025. The exhibition, curated by Dr. Gannit Ankori, Henry and Lois Foster Director and Chief Curator, will feature over 30 of Carrington’s spellbinding artworks, loaned from private collections, which have rarely been on public display.
LEONORA CARRINGTON’S EXHIBITION AT ROSE ART MUSEUM
The Rose Art Museum at Brandeis University announces Leonora Carrington: Dream Weaver, the new exhibition opening on January 22, 2025. The exhibition, curated by Dr. Gannit Ankori, Henry and Lois Foster Director and Chief Curator, will feature over 30 of Carrington’s spellbinding artworks, loaned from private collections, which have rarely been on public display.
The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.
CRAIG ROBINS COLLECTION: THE SLEEP OF REASON
The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.
The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.
OOLITE ARTS NAMED JOHN ABODEELY AS PRESIDENT AND CEO
The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.
Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.
REFLECTIONS ABOUT THE PHYSICAL AND EMOTIONAL BODY AT EL ESPACIO 23
Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.
In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.
ANGELICA ARBELAEZ: PINTA MIAMI AND THE LATIN AMERICAN ARTISTIC NARRATIVE
In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.
Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.
PINTA MIAMI 2024 – THE LATIN AMERICAN GENE
Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.
Pérez Art Museum presents the exhibition José Parla: Homecoming. Featuring new works and a site-specific mural exhibition, it marks the artist’s return to painting and Miami.
JOSÉ PARLA’S PAINTINGS AT PAMM
Pérez Art Museum presents the exhibition José Parla: Homecoming. Featuring new works and a site-specific mural exhibition, it marks the artist’s return to painting and Miami.
The exhibition Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona, at The Marguiles Collection at the Warehouse in Miami, presents 150 works by 36 artists from the Foto Colectania Collection, that currently comprises more than 3,000 photographs by Catalan, Spanish, and Portuguese authors, making it undoubtedly one of the most comprehensive private photography collections in the Iberian Peninsula.
NEW NARRATIVES IN THE FOTO COLECTANIA COLLECTION IN MIAMI
The exhibition Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona, at The Marguiles Collection at the Warehouse in Miami, presents 150 works by 36 artists from the Foto Colectania Collection, that currently comprises more than 3,000 photographs by Catalan, Spanish, and Portuguese authors, making it undoubtedly one of the most comprehensive private photography collections in the Iberian Peninsula.
The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.
AVAF IN MIAMI – AN INSTALLATION AT THE BASS
The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.
Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.
HURVIN ANDERSON’S LANDSCAPES AT PAMM
Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.
ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.
RUBEM VALENTIM AT ICA MIAMI: THINKING AND TRANSFORMATION
ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.
Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.
ALEXANDRE ARRECHEA’S “BARE TOOL” AT LOCUST PROJECTS
Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.
The Rose Art Museum at Brandeis University announces Leonora Carrington: Dream Weaver, the new exhibition opening on January 22, 2025. The exhibition, curated by Dr. Gannit Ankori, Henry and Lois Foster Director and Chief Curator, will feature over 30 of Carrington’s spellbinding artworks, loaned from private collections, which have rarely been on public display.
LEONORA CARRINGTON’S EXHIBITION AT ROSE ART MUSEUM
The Rose Art Museum at Brandeis University announces Leonora Carrington: Dream Weaver, the new exhibition opening on January 22, 2025. The exhibition, curated by Dr. Gannit Ankori, Henry and Lois Foster Director and Chief Curator, will feature over 30 of Carrington’s spellbinding artworks, loaned from private collections, which have rarely been on public display.
The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.
CRAIG ROBINS COLLECTION: THE SLEEP OF REASON
The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.
The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.
OOLITE ARTS NAMED JOHN ABODEELY AS PRESIDENT AND CEO
The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.
Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.
REFLECTIONS ABOUT THE PHYSICAL AND EMOTIONAL BODY AT EL ESPACIO 23
Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.
In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.
ANGELICA ARBELAEZ: PINTA MIAMI AND THE LATIN AMERICAN ARTISTIC NARRATIVE
In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.
