PINTA MIAMI 2024 – THE LATIN AMERICAN GENE

Pérez Art Museum presents the exhibition José Parla: Homecoming. Featuring new works and a site-specific mural exhibition, it marks the artist’s return to painting and Miami.

The exhibition Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona, at The Marguiles Collection at the Warehouse in Miami, presents 150 works by 36 artists from the Foto Colectania Collection, that currently comprises more than 3,000 photographs by Catalan, Spanish, and Portuguese authors, making it undoubtedly one of the most comprehensive private photography collections in the Iberian Peninsula. 

The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.

ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.

The Shame (Behind the Scene) is Cynthia Cohen’s first solo show in Miami, at Dot Fiftyone Gallery. The exhibition is curated by Laura Isola. Cohen’s paintings regenerate the historical gaze on the naked female body, creating new relationships between the work and the viewer. She disrupts the logic of art history, reinventing the relationship between subject and observer, private and public. Her work simultaneously veils and unveils sexuality.

NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.

The Rose Art Museum at Brandeis University announces Leonora Carrington: Dream Weaver, the new exhibition opening on January 22, 2025. The exhibition, curated by Dr. Gannit Ankori, Henry and Lois Foster Director and Chief Curator, will feature over 30 of Carrington’s spellbinding artworks, loaned from private collections, which have rarely been on public display.

The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.

The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

Pérez Art Museum presents the exhibition José Parla: Homecoming. Featuring new works and a site-specific mural exhibition, it marks the artist’s return to painting and Miami.

The exhibition Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona, at The Marguiles Collection at the Warehouse in Miami, presents 150 works by 36 artists from the Foto Colectania Collection, that currently comprises more than 3,000 photographs by Catalan, Spanish, and Portuguese authors, making it undoubtedly one of the most comprehensive private photography collections in the Iberian Peninsula. 

The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.

ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.

The Shame (Behind the Scene) is Cynthia Cohen’s first solo show in Miami, at Dot Fiftyone Gallery. The exhibition is curated by Laura Isola. Cohen’s paintings regenerate the historical gaze on the naked female body, creating new relationships between the work and the viewer. She disrupts the logic of art history, reinventing the relationship between subject and observer, private and public. Her work simultaneously veils and unveils sexuality.

NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.

The Rose Art Museum at Brandeis University announces Leonora Carrington: Dream Weaver, the new exhibition opening on January 22, 2025. The exhibition, curated by Dr. Gannit Ankori, Henry and Lois Foster Director and Chief Curator, will feature over 30 of Carrington’s spellbinding artworks, loaned from private collections, which have rarely been on public display.

The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.

The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

The exhibition Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona, at The Marguiles Collection at the Warehouse in Miami, presents 150 works by 36 artists from the Foto Colectania Collection, that currently comprises more than 3,000 photographs by Catalan, Spanish, and Portuguese authors, making it undoubtedly one of the most comprehensive private photography collections in the Iberian Peninsula. 

The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.

ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.

The Shame (Behind the Scene) is Cynthia Cohen’s first solo show in Miami, at Dot Fiftyone Gallery. The exhibition is curated by Laura Isola. Cohen’s paintings regenerate the historical gaze on the naked female body, creating new relationships between the work and the viewer. She disrupts the logic of art history, reinventing the relationship between subject and observer, private and public. Her work simultaneously veils and unveils sexuality.

NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.

The Rose Art Museum at Brandeis University announces Leonora Carrington: Dream Weaver, the new exhibition opening on January 22, 2025. The exhibition, curated by Dr. Gannit Ankori, Henry and Lois Foster Director and Chief Curator, will feature over 30 of Carrington’s spellbinding artworks, loaned from private collections, which have rarely been on public display.

The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.

The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

Pérez Art Museum presents the exhibition José Parla: Homecoming. Featuring new works and a site-specific mural exhibition, it marks the artist’s return to painting and Miami.

The exhibition Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona, at The Marguiles Collection at the Warehouse in Miami, presents 150 works by 36 artists from the Foto Colectania Collection, that currently comprises more than 3,000 photographs by Catalan, Spanish, and Portuguese authors, making it undoubtedly one of the most comprehensive private photography collections in the Iberian Peninsula. 

The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.

ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.

The Shame (Behind the Scene) is Cynthia Cohen’s first solo show in Miami, at Dot Fiftyone Gallery. The exhibition is curated by Laura Isola. Cohen’s paintings regenerate the historical gaze on the naked female body, creating new relationships between the work and the viewer. She disrupts the logic of art history, reinventing the relationship between subject and observer, private and public. Her work simultaneously veils and unveils sexuality.

NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.

The Rose Art Museum at Brandeis University announces Leonora Carrington: Dream Weaver, the new exhibition opening on January 22, 2025. The exhibition, curated by Dr. Gannit Ankori, Henry and Lois Foster Director and Chief Curator, will feature over 30 of Carrington’s spellbinding artworks, loaned from private collections, which have rarely been on public display.

The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.

The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

Pérez Art Museum presents the exhibition José Parla: Homecoming. Featuring new works and a site-specific mural exhibition, it marks the artist’s return to painting and Miami.

The exhibition Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona, at The Marguiles Collection at the Warehouse in Miami, presents 150 works by 36 artists from the Foto Colectania Collection, that currently comprises more than 3,000 photographs by Catalan, Spanish, and Portuguese authors, making it undoubtedly one of the most comprehensive private photography collections in the Iberian Peninsula. 

The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.

ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.

The Shame (Behind the Scene) is Cynthia Cohen’s first solo show in Miami, at Dot Fiftyone Gallery. The exhibition is curated by Laura Isola. Cohen’s paintings regenerate the historical gaze on the naked female body, creating new relationships between the work and the viewer. She disrupts the logic of art history, reinventing the relationship between subject and observer, private and public. Her work simultaneously veils and unveils sexuality.

NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.

The Rose Art Museum at Brandeis University announces Leonora Carrington: Dream Weaver, the new exhibition opening on January 22, 2025. The exhibition, curated by Dr. Gannit Ankori, Henry and Lois Foster Director and Chief Curator, will feature over 30 of Carrington’s spellbinding artworks, loaned from private collections, which have rarely been on public display.

The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.

The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.