EROTICISM AND REBELLION - CYNTHIA COHEN IN MIAMI

Antonio Pichillá Quiacaín was announced as ArtBo's nominated artist for the EFG Latin America Art Award, the company's annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

Cecilia Vicuña's Quipu Gut is a large hanging sculpture of unspun wool dyed entirely red, made in 2017 and inspired by the ancient quipu system, that arrived at the Pérez Art Museum in Miami.

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

Paraguay is rarely mentioned when discussing the global art market, but this might change in the coming years due to its growing activity in the contemporary art sector. This activity is primarily driven by local galleries, which, aware of the cultural isolation the country has experienced for many years, are actively promoting local collecting and seeking to promote their artists through fairs and participation in events like the current Pinta Sud|ASU.

Cecilia Lenardón's Special Project at Pinta BAphoto, curated by Irene Gelfman, presents an installation that pushes the representation of the body through photography to the limit, transforming the static image into a living and performative experience. Entitled Cuatro piezas clave (Four Key Pieces), the work invites us to reflect on the body's boundaries and its capacity to tolerate effort and repetition.

Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.

ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.

The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.

The exhibition Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona, at The Marguiles Collection at the Warehouse in Miami, presents 150 works by 36 artists from the Foto Colectania Collection, that currently comprises more than 3,000 photographs by Catalan, Spanish, and Portuguese authors, making it undoubtedly one of the most comprehensive private photography collections in the Iberian Peninsula. 

Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.

Antonio Pichillá Quiacaín was announced as ArtBo's nominated artist for the EFG Latin America Art Award, the company's annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

Cecilia Vicuña's Quipu Gut is a large hanging sculpture of unspun wool dyed entirely red, made in 2017 and inspired by the ancient quipu system, that arrived at the Pérez Art Museum in Miami.

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

Paraguay is rarely mentioned when discussing the global art market, but this might change in the coming years due to its growing activity in the contemporary art sector. This activity is primarily driven by local galleries, which, aware of the cultural isolation the country has experienced for many years, are actively promoting local collecting and seeking to promote their artists through fairs and participation in events like the current Pinta Sud|ASU.

Cecilia Lenardón's Special Project at Pinta BAphoto, curated by Irene Gelfman, presents an installation that pushes the representation of the body through photography to the limit, transforming the static image into a living and performative experience. Entitled Cuatro piezas clave (Four Key Pieces), the work invites us to reflect on the body's boundaries and its capacity to tolerate effort and repetition.

Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.

ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.

The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.

The exhibition Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona, at The Marguiles Collection at the Warehouse in Miami, presents 150 works by 36 artists from the Foto Colectania Collection, that currently comprises more than 3,000 photographs by Catalan, Spanish, and Portuguese authors, making it undoubtedly one of the most comprehensive private photography collections in the Iberian Peninsula. 

Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.

Cecilia Vicuña's Quipu Gut is a large hanging sculpture of unspun wool dyed entirely red, made in 2017 and inspired by the ancient quipu system, that arrived at the Pérez Art Museum in Miami.

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

Paraguay is rarely mentioned when discussing the global art market, but this might change in the coming years due to its growing activity in the contemporary art sector. This activity is primarily driven by local galleries, which, aware of the cultural isolation the country has experienced for many years, are actively promoting local collecting and seeking to promote their artists through fairs and participation in events like the current Pinta Sud|ASU.

Cecilia Lenardón's Special Project at Pinta BAphoto, curated by Irene Gelfman, presents an installation that pushes the representation of the body through photography to the limit, transforming the static image into a living and performative experience. Entitled Cuatro piezas clave (Four Key Pieces), the work invites us to reflect on the body's boundaries and its capacity to tolerate effort and repetition.

Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.

ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.

The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.

The exhibition Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona, at The Marguiles Collection at the Warehouse in Miami, presents 150 works by 36 artists from the Foto Colectania Collection, that currently comprises more than 3,000 photographs by Catalan, Spanish, and Portuguese authors, making it undoubtedly one of the most comprehensive private photography collections in the Iberian Peninsula. 

Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.

Antonio Pichillá Quiacaín was announced as ArtBo's nominated artist for the EFG Latin America Art Award, the company's annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

Cecilia Vicuña's Quipu Gut is a large hanging sculpture of unspun wool dyed entirely red, made in 2017 and inspired by the ancient quipu system, that arrived at the Pérez Art Museum in Miami.

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

Paraguay is rarely mentioned when discussing the global art market, but this might change in the coming years due to its growing activity in the contemporary art sector. This activity is primarily driven by local galleries, which, aware of the cultural isolation the country has experienced for many years, are actively promoting local collecting and seeking to promote their artists through fairs and participation in events like the current Pinta Sud|ASU.

Cecilia Lenardón's Special Project at Pinta BAphoto, curated by Irene Gelfman, presents an installation that pushes the representation of the body through photography to the limit, transforming the static image into a living and performative experience. Entitled Cuatro piezas clave (Four Key Pieces), the work invites us to reflect on the body's boundaries and its capacity to tolerate effort and repetition.

Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.

ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.

The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.

The exhibition Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona, at The Marguiles Collection at the Warehouse in Miami, presents 150 works by 36 artists from the Foto Colectania Collection, that currently comprises more than 3,000 photographs by Catalan, Spanish, and Portuguese authors, making it undoubtedly one of the most comprehensive private photography collections in the Iberian Peninsula. 

Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.

Antonio Pichillá Quiacaín was announced as ArtBo's nominated artist for the EFG Latin America Art Award, the company's annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

Cecilia Vicuña's Quipu Gut is a large hanging sculpture of unspun wool dyed entirely red, made in 2017 and inspired by the ancient quipu system, that arrived at the Pérez Art Museum in Miami.

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

Paraguay is rarely mentioned when discussing the global art market, but this might change in the coming years due to its growing activity in the contemporary art sector. This activity is primarily driven by local galleries, which, aware of the cultural isolation the country has experienced for many years, are actively promoting local collecting and seeking to promote their artists through fairs and participation in events like the current Pinta Sud|ASU.

Cecilia Lenardón's Special Project at Pinta BAphoto, curated by Irene Gelfman, presents an installation that pushes the representation of the body through photography to the limit, transforming the static image into a living and performative experience. Entitled Cuatro piezas clave (Four Key Pieces), the work invites us to reflect on the body's boundaries and its capacity to tolerate effort and repetition.

Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.

ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.

The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.

The exhibition Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona, at The Marguiles Collection at the Warehouse in Miami, presents 150 works by 36 artists from the Foto Colectania Collection, that currently comprises more than 3,000 photographs by Catalan, Spanish, and Portuguese authors, making it undoubtedly one of the most comprehensive private photography collections in the Iberian Peninsula. 

Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.