RUBEM VALENTIM AT ICA MIAMI: THINKING AND TRANSFORMATION
ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.
Valentim split the decade between Brazil, which was then poised between rapid industrialization and military dictatorship, and Europe, where he first came upon the African art and Third World politics that would influence his painting practice. Having moved from his native Salvador, Bahia, to Rio at the end of the previous decade, in the 1960s, Valentim produced crisp paintings, characterized by rational form and symmetrical composition. Like the most progressive artworks produced in Brazil at the time, such as the paintings of Waldemar Cordeiro and the photographic experiments of Geraldo de Barros, Valentim’s paintings of this period are characterized by compositional clarity and easy communicability, and concerned with offering tools to a quickly urbanizing population to better function with new systems and velocities of communication, new technologies, and new ways of living in modernizing––if still quite segregated and economically uneven––cities.
From 1963 to 1966, Valentim lived in Europe. Although he settled for most of this time in Rome, where he held his first exhibition outside Brazil, he also visited other cities. In London, he saw African sculptures for the first time in person. The impact of this encounter is registered in the paintings of this period: works that retain the sharp lines and shallow pictorial spaces of geometric abstraction, but in which generic forms become shapes that allude to totems, objects used in worship ceremonies, fragments of temple architecture, and to signs, such as axes and arrows, associated with Afro-Brazilian deities. Valentim’s sojourn abroad culminated with his participation in the First World Festival of Negro Arts held in Dakar, Senegal, in 1966.
In 1967, upon returning to live in Brasilia, the country’s new modern capital, Valentim began a radical series of works titled “Emblems.” Produced in shallow bas-relief, these works extend into the physical space of the viewer, rejecting any remaining illusionistic possibility that the picture plane offers. They also further reduce Valentim’s palette, often employing only a single color over a pristine white background. While still using abstracted geometric forms, Valentim searched to deepen his connection to the art of Afro-Brazilian religious practice, and create paintings as a technology to interpret cosmological meaning. In the process of embodying this new task, the paintings grow increasingly ideographic, whereby sign and meaning fuse and representation itself is troubled.
Valentim’s work can be found in the collections of the Museum of Modern Art, New York; Museum of Fine Arts, Boston; Pinacoteca do Estado de São Paulo; Museu de Arte Moderna do Rio de Janeiro; Museu de Arte Moderna da Bahia; Museu de Arte de Brasília; Museu de Arte de São Paulo (MASP); Museu Afro Brasil, São Paulo; and the Museum of Fine Arts, Houston. His work has been exhibited at the Venice Biennale and the São Paulo Biennial. In 2019, he was the subject of a major retrospective exhibition, “Rubem Valentim: Afro-Atlantic Constructions,” at MASP.
Crossroads: Rubem Valentim’s 1960s
November 21, 2024 – March 30, 2025
ICA Miami. 61 NE 41st Street, Miami, United States
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Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
MAGIC LIGHTS, BOILING SURFACES - REBECA CARAPIÁ, PIPILOTTI RIST AND RIVANE NEUENSCHWANDER
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.
THREE EXHIBITIONS AT NSU ART MUSEUM
NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.
The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.
OOLITE ARTS NAMED JOHN ABODEELY AS PRESIDENT AND CEO
The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.
Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.
ALEXANDRE ARRECHEA’S “BARE TOOL” AT LOCUST PROJECTS
Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.
The Brazilian gallery Vermelho inaugurated Elemental Change, Ximena Garrido-Lecca's first solo exhibition in the space.
XIMENA GARRIDO-LECCA AT VERMELHO - A NEW VISION OF THE SYSTEM
The Shame (Behind the Scene) is Cynthia Cohen’s first solo show in Miami, at Dot Fiftyone Gallery. The exhibition is curated by Laura Isola. Cohen’s paintings regenerate the historical gaze on the naked female body, creating new relationships between the work and the viewer. She disrupts the logic of art history, reinventing the relationship between subject and observer, private and public. Her work simultaneously veils and unveils sexuality.
On Saturday, November 9, 2024, a new edition of Gallery arrives to explore the neighborhoods of San Telmo and La Boca, in Buenos Aires, Argentina. Gallery promotes free tours through art circuits where visitors can discover a great diversity of galleries, museums, artists' studios and foundations. A great opportunity to bring contemporary art closer to the general public and promote the extraordinary local offer.
THE LAST GALLERY EDITION OF THE YEAR IN BUENOS AIRES
On Saturday, November 9, 2024, a new edition of Gallery arrives to explore the neighborhoods of San Telmo and La Boca, in Buenos Aires, Argentina. Gallery promotes free tours through art circuits where visitors can discover a great diversity of galleries, museums, artists' studios and foundations. A great opportunity to bring contemporary art closer to the general public and promote the extraordinary local offer.
Cecilia Vicuña's Quipu Gut is a large hanging sculpture of unspun wool dyed entirely red, made in 2017 and inspired by the ancient quipu system, that arrived at the Pérez Art Museum in Miami.
QUIPU GUT – CECILIA VICUÑA’S INSTALLATION AT PAMM
Cecilia Vicuña's Quipu Gut is a large hanging sculpture of unspun wool dyed entirely red, made in 2017 and inspired by the ancient quipu system, that arrived at the Pérez Art Museum in Miami.
The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.
AVAF IN MIAMI – AN INSTALLATION AT THE BASS
The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.
Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.
HURVIN ANDERSON’S LANDSCAPES AT PAMM
Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.
The exhibition Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona, at The Marguiles Collection at the Warehouse in Miami, presents 150 works by 36 artists from the Foto Colectania Collection, that currently comprises more than 3,000 photographs by Catalan, Spanish, and Portuguese authors, making it undoubtedly one of the most comprehensive private photography collections in the Iberian Peninsula.
NEW NARRATIVES IN THE FOTO COLECTANIA COLLECTION IN MIAMI
The exhibition Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona, at The Marguiles Collection at the Warehouse in Miami, presents 150 works by 36 artists from the Foto Colectania Collection, that currently comprises more than 3,000 photographs by Catalan, Spanish, and Portuguese authors, making it undoubtedly one of the most comprehensive private photography collections in the Iberian Peninsula.
Pérez Art Museum presents the exhibition José Parla: Homecoming. Featuring new works and a site-specific mural exhibition, it marks the artist’s return to painting and Miami.
JOSÉ PARLA’S PAINTINGS AT PAMM
Pérez Art Museum presents the exhibition José Parla: Homecoming. Featuring new works and a site-specific mural exhibition, it marks the artist’s return to painting and Miami.
Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.
PINTA MIAMI 2024 – THE LATIN AMERICAN GENE
Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
MAGIC LIGHTS, BOILING SURFACES - REBECA CARAPIÁ, PIPILOTTI RIST AND RIVANE NEUENSCHWANDER
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.
THREE EXHIBITIONS AT NSU ART MUSEUM
NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.
The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.
OOLITE ARTS NAMED JOHN ABODEELY AS PRESIDENT AND CEO
The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.
