XIMENA GARRIDO-LECCA AT VERMELHO - A NEW VISION OF THE SYSTEM
The Brazilian gallery Vermelho inaugurated Elemental Change, Ximena Garrido-Lecca's first solo exhibition in the space.
In the exhibition Elemental Change, Ximena Garrido-Lecca examines some of the issues and concepts concerning the different forms of adaptation of nature, its resilience and the complex relationship between belief systems and the exploitation of natural resources in the context of colonialism.
Her works articulate playful interactions between ancestral mythologies and scientific technologies, suggesting different paths to regeneration and symbiosis (such as mutualism, commensalism, parasitism and competition) within history and socio-political dynamics.
Garrido-Lecca imagines a future in which it would be possible to incorporate different ancestral knowledge, learn from nature and reconfigure relationships based on respect and coexistence.
Garrido-Lecca states: “Nature is in a process of perpetual adaptation and we are witnessing only a small fraction of it. Within such a broad context, it is clear that contemporary ecological issues are not isolated concerns: whether urban or rural, man-made or natural, they are intricately interconnected. This interconnectedness inspires us to reconsider the complex relationships between living things, worldviews and knowledge systems, and how they affect the adaptive flow of nature.”
Ximena Garrido-Lecca was born in Lima, in 1980, and lives and works between Mexico City and Lima.
In her practice, Garrido-Lecca employs a variety of materials and symbolic languages that focus on highlighting the tensions between ancestral knowledge and colonial structures.
Using historical references, she traces cycles of cultural, social and economic transformation, as well as power relations around changes in the use of natural resources. Her work addresses the relationships between nature and culture, while questioning traditional hierarchies of knowledge.
Her work is included in the collections of museums and institutions such as Tate Modern (London), MALBA (Buenos Aires), Kadist (San Francisco), Perez Art Museum (Miami), Boros Collection (Berlin), Frac de Pays de la Loire (Nantes), Coppel Collection (Mexico City) and Saatchi Collecton (London).
Her solo institutional exhibitions include the 34th São Paulo Biennial (2021); AMIL Project, Lima (2019); MALBA, Buenos Aires (2017).
Elemental Change. Individual exhibition by Ximena Garrido-Lecca.
Until December 21, 2024.
Vermelho Gallery. Rua Minas Gerais, 350, 01244-010. São Paulo, Brazil
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The approach and review of the work that the multidisciplinary Portuguese-Brazilian artist Fernando Lemos (Lisbon, Portugal, 1926 - São Paulo, Brazil, 2019) made in the framework of his relationship with Japan is the reason for the exhibitions that two centers of the Calouste Gulbenkian Foundation dedicate to his figure. It is worth remembering here that both of them transit in the Japanese concept that stands as the central axis of the new headquarters of the Centro de Arte Moderno, recently inaugurated, and on which the dialogue between both curatorial proposals pivots.
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The approach and review of the work that the multidisciplinary Portuguese-Brazilian artist Fernando Lemos (Lisbon, Portugal, 1926 - São Paulo, Brazil, 2019) made in the framework of his relationship with Japan is the reason for the exhibitions that two centers of the Calouste Gulbenkian Foundation dedicate to his figure. It is worth remembering here that both of them transit in the Japanese concept that stands as the central axis of the new headquarters of the Centro de Arte Moderno, recently inaugurated, and on which the dialogue between both curatorial proposals pivots.
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The Museum of Modern Art of São Paulo presents the 38th Panorama of Brazilian Art: Mil Graus [A thousand degrees], an exhibition curated by Germano Dushá and Thiago de Paula Souza, and co-curated by Ariana Nuala, whose title evokes the idea of a “heat-limit,” where everything is transformed, referring to the intense climatic and metaphysical conditions that challenge and lead to inevitable processes of transmutation. In this edition, the MAM biennial exhibition presents 34 artists from 16 Brazilian states.
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Siluetas sobre maleza [Silhouettes on grass] is a group exhibition at Museo Jumex that explores the ways in which bodies exist and inhabit territory. Spanning several generations, the exhibition features artists who explore the intertwined associations of body, land and identity in Latin America's history and present: Minia Biabiany (Guadalupe, 1988), Vivian Caccuri (Brazil, 1986), Frieda Toranzo Jaeger (Mexico, 1988), Ana Mendieta (Cuba, 1948 - USA, 1985), Nohemí Pérez (Colombia, 1962) and Vivian Suter (Argentina, 1949).
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“I imagine the museum as an archipelago. It is not a continent, but an archipelago (...) The idea today is to put the world in contact with the world, to put some parts of the world in contact with other parts of the world... We must multiply the number of worlds inside museums”. Édouard Glissant (Sainte-Marie, Martinique, 1929-Paris, France, 2011) expressed his vision of museum functionality in this metaphorical way in his work Poetics of Relationship (1990).
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April 2025 marks the arrival of Pinta Lima in its 12th edition. It will be held April 24-27 at Casa Prado, Miraflores, Lima Peru. Applications for galleries will be open until January 18, 2025.
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Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
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Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
The approach and review of the work that the multidisciplinary Portuguese-Brazilian artist Fernando Lemos (Lisbon, Portugal, 1926 - São Paulo, Brazil, 2019) made in the framework of his relationship with Japan is the reason for the exhibitions that two centers of the Calouste Gulbenkian Foundation dedicate to his figure. It is worth remembering here that both of them transit in the Japanese concept that stands as the central axis of the new headquarters of the Centro de Arte Moderno, recently inaugurated, and on which the dialogue between both curatorial proposals pivots.
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The approach and review of the work that the multidisciplinary Portuguese-Brazilian artist Fernando Lemos (Lisbon, Portugal, 1926 - São Paulo, Brazil, 2019) made in the framework of his relationship with Japan is the reason for the exhibitions that two centers of the Calouste Gulbenkian Foundation dedicate to his figure. It is worth remembering here that both of them transit in the Japanese concept that stands as the central axis of the new headquarters of the Centro de Arte Moderno, recently inaugurated, and on which the dialogue between both curatorial proposals pivots.
Under the general curatorship of Bonaventure by Soh Bejen Ndikung, the 36th São Paulo Biennial announces its title, curatorial concept, collaborators and visual identity, in addition to informing about an important change in its exhibition period. The title will be: Nem todo viandante anda estradas / Da humanidade como prática [Not All Travelers Walk Roads / Of Humanity as Practice].
THEME AND CURATORIAL CONCEPT FOR THE 36TH SÃO PAULO BIENNIAL ANNOUNCED
Under the general curatorship of Bonaventure by Soh Bejen Ndikung, the 36th São Paulo Biennial announces its title, curatorial concept, collaborators and visual identity, in addition to informing about an important change in its exhibition period. The title will be: Nem todo viandante anda estradas / Da humanidade como prática [Not All Travelers Walk Roads / Of Humanity as Practice].
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THE 38TH BRAZILIAN ART PANORAMA: ECOLOGY AND FUTURE
The Museum of Modern Art of São Paulo presents the 38th Panorama of Brazilian Art: Mil Graus [A thousand degrees], an exhibition curated by Germano Dushá and Thiago de Paula Souza, and co-curated by Ariana Nuala, whose title evokes the idea of a “heat-limit,” where everything is transformed, referring to the intense climatic and metaphysical conditions that challenge and lead to inevitable processes of transmutation. In this edition, the MAM biennial exhibition presents 34 artists from 16 Brazilian states.
Siluetas sobre maleza [Silhouettes on grass] is a group exhibition at Museo Jumex that explores the ways in which bodies exist and inhabit territory. Spanning several generations, the exhibition features artists who explore the intertwined associations of body, land and identity in Latin America's history and present: Minia Biabiany (Guadalupe, 1988), Vivian Caccuri (Brazil, 1986), Frieda Toranzo Jaeger (Mexico, 1988), Ana Mendieta (Cuba, 1948 - USA, 1985), Nohemí Pérez (Colombia, 1962) and Vivian Suter (Argentina, 1949).
BODIES & TERRITORY: A GROUP EXHIBITION AT JUMEX MUSEUM
Siluetas sobre maleza [Silhouettes on grass] is a group exhibition at Museo Jumex that explores the ways in which bodies exist and inhabit territory. Spanning several generations, the exhibition features artists who explore the intertwined associations of body, land and identity in Latin America's history and present: Minia Biabiany (Guadalupe, 1988), Vivian Caccuri (Brazil, 1986), Frieda Toranzo Jaeger (Mexico, 1988), Ana Mendieta (Cuba, 1948 - USA, 1985), Nohemí Pérez (Colombia, 1962) and Vivian Suter (Argentina, 1949).
“I imagine the museum as an archipelago. It is not a continent, but an archipelago (...) The idea today is to put the world in contact with the world, to put some parts of the world in contact with other parts of the world... We must multiply the number of worlds inside museums”. Édouard Glissant (Sainte-Marie, Martinique, 1929-Paris, France, 2011) expressed his vision of museum functionality in this metaphorical way in his work Poetics of Relationship (1990).
CAN THE ARCHIPELAGO ENTER THE MUSEUM? IBEROAMERICA IN THE PROPOSAL OF THE HELGA DE ALVEAR MUSEUM
“I imagine the museum as an archipelago. It is not a continent, but an archipelago (...) The idea today is to put the world in contact with the world, to put some parts of the world in contact with other parts of the world... We must multiply the number of worlds inside museums”. Édouard Glissant (Sainte-Marie, Martinique, 1929-Paris, France, 2011) expressed his vision of museum functionality in this metaphorical way in his work Poetics of Relationship (1990).
On Saturday, November 9, 2024, a new edition of Gallery arrives to explore the neighborhoods of San Telmo and La Boca, in Buenos Aires, Argentina. Gallery promotes free tours through art circuits where visitors can discover a great diversity of galleries, museums, artists' studios and foundations. A great opportunity to bring contemporary art closer to the general public and promote the extraordinary local offer.
THE LAST GALLERY EDITION OF THE YEAR IN BUENOS AIRES
On Saturday, November 9, 2024, a new edition of Gallery arrives to explore the neighborhoods of San Telmo and La Boca, in Buenos Aires, Argentina. Gallery promotes free tours through art circuits where visitors can discover a great diversity of galleries, museums, artists' studios and foundations. A great opportunity to bring contemporary art closer to the general public and promote the extraordinary local offer.
ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.
RUBEM VALENTIM AT ICA MIAMI: THINKING AND TRANSFORMATION
ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.
The Museo Nacional de Artes Visuales in Montevideo, Uruguay, presents the work of Mexican artist Adela Casacuberta. It is a site-specific installation Pink mushrooms in the museum's gardens and an exhibition of her most recent works.
ADELA CASACUBERTA: MYCELIUM, FRAGMENTATION AND TRANSFORMATION
The Museo Nacional de Artes Visuales in Montevideo, Uruguay, presents the work of Mexican artist Adela Casacuberta. It is a site-specific installation Pink mushrooms in the museum's gardens and an exhibition of her most recent works.
April 2025 marks the arrival of Pinta Lima in its 12th edition. It will be held April 24-27 at Casa Prado, Miraflores, Lima Peru. Applications for galleries will be open until January 18, 2025.
PINTA LIMA 2025: OPEN GALLERY APPLICATIONS
April 2025 marks the arrival of Pinta Lima in its 12th edition. It will be held April 24-27 at Casa Prado, Miraflores, Lima Peru. Applications for galleries will be open until January 18, 2025.
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
MAGIC LIGHTS, BOILING SURFACES - REBECA CARAPIÁ, PIPILOTTI RIST AND RIVANE NEUENSCHWANDER
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
The approach and review of the work that the multidisciplinary Portuguese-Brazilian artist Fernando Lemos (Lisbon, Portugal, 1926 - São Paulo, Brazil, 2019) made in the framework of his relationship with Japan is the reason for the exhibitions that two centers of the Calouste Gulbenkian Foundation dedicate to his figure. It is worth remembering here that both of them transit in the Japanese concept that stands as the central axis of the new headquarters of the Centro de Arte Moderno, recently inaugurated, and on which the dialogue between both curatorial proposals pivots.
FERNANDO LEMOS AND JAPAN REVIEWED AT GULBENKIAN
The approach and review of the work that the multidisciplinary Portuguese-Brazilian artist Fernando Lemos (Lisbon, Portugal, 1926 - São Paulo, Brazil, 2019) made in the framework of his relationship with Japan is the reason for the exhibitions that two centers of the Calouste Gulbenkian Foundation dedicate to his figure. It is worth remembering here that both of them transit in the Japanese concept that stands as the central axis of the new headquarters of the Centro de Arte Moderno, recently inaugurated, and on which the dialogue between both curatorial proposals pivots.
Under the general curatorship of Bonaventure by Soh Bejen Ndikung, the 36th São Paulo Biennial announces its title, curatorial concept, collaborators and visual identity, in addition to informing about an important change in its exhibition period. The title will be: Nem todo viandante anda estradas / Da humanidade como prática [Not All Travelers Walk Roads / Of Humanity as Practice].
THEME AND CURATORIAL CONCEPT FOR THE 36TH SÃO PAULO BIENNIAL ANNOUNCED
Under the general curatorship of Bonaventure by Soh Bejen Ndikung, the 36th São Paulo Biennial announces its title, curatorial concept, collaborators and visual identity, in addition to informing about an important change in its exhibition period. The title will be: Nem todo viandante anda estradas / Da humanidade como prática [Not All Travelers Walk Roads / Of Humanity as Practice].
The Museum of Modern Art of São Paulo presents the 38th Panorama of Brazilian Art: Mil Graus [A thousand degrees], an exhibition curated by Germano Dushá and Thiago de Paula Souza, and co-curated by Ariana Nuala, whose title evokes the idea of a “heat-limit,” where everything is transformed, referring to the intense climatic and metaphysical conditions that challenge and lead to inevitable processes of transmutation. In this edition, the MAM biennial exhibition presents 34 artists from 16 Brazilian states.
THE 38TH BRAZILIAN ART PANORAMA: ECOLOGY AND FUTURE
The Museum of Modern Art of São Paulo presents the 38th Panorama of Brazilian Art: Mil Graus [A thousand degrees], an exhibition curated by Germano Dushá and Thiago de Paula Souza, and co-curated by Ariana Nuala, whose title evokes the idea of a “heat-limit,” where everything is transformed, referring to the intense climatic and metaphysical conditions that challenge and lead to inevitable processes of transmutation. In this edition, the MAM biennial exhibition presents 34 artists from 16 Brazilian states.
Siluetas sobre maleza [Silhouettes on grass] is a group exhibition at Museo Jumex that explores the ways in which bodies exist and inhabit territory. Spanning several generations, the exhibition features artists who explore the intertwined associations of body, land and identity in Latin America's history and present: Minia Biabiany (Guadalupe, 1988), Vivian Caccuri (Brazil, 1986), Frieda Toranzo Jaeger (Mexico, 1988), Ana Mendieta (Cuba, 1948 - USA, 1985), Nohemí Pérez (Colombia, 1962) and Vivian Suter (Argentina, 1949).
BODIES & TERRITORY: A GROUP EXHIBITION AT JUMEX MUSEUM
Siluetas sobre maleza [Silhouettes on grass] is a group exhibition at Museo Jumex that explores the ways in which bodies exist and inhabit territory. Spanning several generations, the exhibition features artists who explore the intertwined associations of body, land and identity in Latin America's history and present: Minia Biabiany (Guadalupe, 1988), Vivian Caccuri (Brazil, 1986), Frieda Toranzo Jaeger (Mexico, 1988), Ana Mendieta (Cuba, 1948 - USA, 1985), Nohemí Pérez (Colombia, 1962) and Vivian Suter (Argentina, 1949).
“I imagine the museum as an archipelago. It is not a continent, but an archipelago (...) The idea today is to put the world in contact with the world, to put some parts of the world in contact with other parts of the world... We must multiply the number of worlds inside museums”. Édouard Glissant (Sainte-Marie, Martinique, 1929-Paris, France, 2011) expressed his vision of museum functionality in this metaphorical way in his work Poetics of Relationship (1990).
CAN THE ARCHIPELAGO ENTER THE MUSEUM? IBEROAMERICA IN THE PROPOSAL OF THE HELGA DE ALVEAR MUSEUM
“I imagine the museum as an archipelago. It is not a continent, but an archipelago (...) The idea today is to put the world in contact with the world, to put some parts of the world in contact with other parts of the world... We must multiply the number of worlds inside museums”. Édouard Glissant (Sainte-Marie, Martinique, 1929-Paris, France, 2011) expressed his vision of museum functionality in this metaphorical way in his work Poetics of Relationship (1990).
On Saturday, November 9, 2024, a new edition of Gallery arrives to explore the neighborhoods of San Telmo and La Boca, in Buenos Aires, Argentina. Gallery promotes free tours through art circuits where visitors can discover a great diversity of galleries, museums, artists' studios and foundations. A great opportunity to bring contemporary art closer to the general public and promote the extraordinary local offer.
THE LAST GALLERY EDITION OF THE YEAR IN BUENOS AIRES
On Saturday, November 9, 2024, a new edition of Gallery arrives to explore the neighborhoods of San Telmo and La Boca, in Buenos Aires, Argentina. Gallery promotes free tours through art circuits where visitors can discover a great diversity of galleries, museums, artists' studios and foundations. A great opportunity to bring contemporary art closer to the general public and promote the extraordinary local offer.
ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.
RUBEM VALENTIM AT ICA MIAMI: THINKING AND TRANSFORMATION
ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.
The Museo Nacional de Artes Visuales in Montevideo, Uruguay, presents the work of Mexican artist Adela Casacuberta. It is a site-specific installation Pink mushrooms in the museum's gardens and an exhibition of her most recent works.
ADELA CASACUBERTA: MYCELIUM, FRAGMENTATION AND TRANSFORMATION
The Museo Nacional de Artes Visuales in Montevideo, Uruguay, presents the work of Mexican artist Adela Casacuberta. It is a site-specific installation Pink mushrooms in the museum's gardens and an exhibition of her most recent works.
April 2025 marks the arrival of Pinta Lima in its 12th edition. It will be held April 24-27 at Casa Prado, Miraflores, Lima Peru. Applications for galleries will be open until January 18, 2025.
PINTA LIMA 2025: OPEN GALLERY APPLICATIONS
April 2025 marks the arrival of Pinta Lima in its 12th edition. It will be held April 24-27 at Casa Prado, Miraflores, Lima Peru. Applications for galleries will be open until January 18, 2025.
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
MAGIC LIGHTS, BOILING SURFACES - REBECA CARAPIÁ, PIPILOTTI RIST AND RIVANE NEUENSCHWANDER
Inhotim is presenting three new projects at the end of 2024, in which the protagonists are Rebeca Carapiá, Pipilotti Rist and Rivane Neuenschwander. Three very different strategies by names of different visibilities and generations, which help to forge a moment in the institution that seems more connected to the fascinating and special nature of the place, without leaving aside lively questions about the strange days we are living through.
