PINTA MIAMI: IDENTITY, FUTURE AND TERRITORY

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.

April 2025 marks the arrival of Pinta Lima in its 12th edition. It will be held April 24-27 at Casa Prado, Miraflores, Lima Peru. Applications for galleries will be open until January 18, 2025.

The Cisneros Institute is launching its first publication Momentum: Art & Ecology in Contemporary Latin America, a book that investigates how Latin American artists engage with their environments, addressing themes such as innovative relationships with the nonhuman, land disputes, colonial legacies, and visions for the future.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

Arte al Día takes a look at the curatorial selection that highlights works by Ibero-American galleries in the NEXT, RADAR and Main sections of Pinta Miami. The curatorial team for the 2024 edition of the fair is integrated by Irene Gelfman -global curator of Pinta and co-curator of FORO and Special Project-, Giuliana Vidarte -curator of NEXT and co-curator of FORO and Special Project- and Angelica Arbelaez -curator of RADAR.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

The Met’s bold new vision for the Oscar L. Tang and H.M. Agnes Hsu-Tang Wing –to be opened at 2030, presenting Modern and Contemporary art– is designed by Mexican architect Frida Escobedo, the first woman to design a new wing in the Museum’s 154-year history.

The exhibition Contar Rutinas (Counting Routines) dedicated by the Cerezales Antonino and Cinia Foundation to the work of Ana Amorim (São Paulo, Brazil, 1956) includes a selection of actions and performative works and installations that reflect the activity of the Brazilian artist from the 1980s to the present. The architecture of this exhibition is marked by the artist's daily conceptual and performative routines, reflecting their influence in the results of monumental dimensions.

Miami Art Week has just concluded, providing an excellent opportunity to reflect on Miami's evolution as a growing art center and a prominent player in the art market.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

CAF – Development Bank of Latin America and the Caribbean – and Pinta, an international platform for promoting Latin American art through fairs and artistic circuits across the region, have formalized a strategic alliance aimed at strengthening and promoting Latin American and Ibero-American art worldwide. This collaboration will culminate in a prominent Art Week to be held in Panama City in May 2025, a new initiative designed to position regional culture on the global stage.

The CCCB (Center of Contemporary Culture of Barcelona) dedicates a wide, meticulous and interesting exhibition that takes us into the natural and cultural heritage of the Amazon, with special emphasis on the art and thought of the cities and indigenous communities of the region. Amazonia. The Ancestral Future brings to the table a detailed vision of artistic practices and Amazonian culture through the work of an extensive list of artists who produce around their thinking and relationship with nature.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.

April 2025 marks the arrival of Pinta Lima in its 12th edition. It will be held April 24-27 at Casa Prado, Miraflores, Lima Peru. Applications for galleries will be open until January 18, 2025.

The Cisneros Institute is launching its first publication Momentum: Art & Ecology in Contemporary Latin America, a book that investigates how Latin American artists engage with their environments, addressing themes such as innovative relationships with the nonhuman, land disputes, colonial legacies, and visions for the future.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

Arte al Día takes a look at the curatorial selection that highlights works by Ibero-American galleries in the NEXT, RADAR and Main sections of Pinta Miami. The curatorial team for the 2024 edition of the fair is integrated by Irene Gelfman -global curator of Pinta and co-curator of FORO and Special Project-, Giuliana Vidarte -curator of NEXT and co-curator of FORO and Special Project- and Angelica Arbelaez -curator of RADAR.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

The Met’s bold new vision for the Oscar L. Tang and H.M. Agnes Hsu-Tang Wing –to be opened at 2030, presenting Modern and Contemporary art– is designed by Mexican architect Frida Escobedo, the first woman to design a new wing in the Museum’s 154-year history.

The exhibition Contar Rutinas (Counting Routines) dedicated by the Cerezales Antonino and Cinia Foundation to the work of Ana Amorim (São Paulo, Brazil, 1956) includes a selection of actions and performative works and installations that reflect the activity of the Brazilian artist from the 1980s to the present. The architecture of this exhibition is marked by the artist's daily conceptual and performative routines, reflecting their influence in the results of monumental dimensions.

Miami Art Week has just concluded, providing an excellent opportunity to reflect on Miami's evolution as a growing art center and a prominent player in the art market.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

CAF – Development Bank of Latin America and the Caribbean – and Pinta, an international platform for promoting Latin American art through fairs and artistic circuits across the region, have formalized a strategic alliance aimed at strengthening and promoting Latin American and Ibero-American art worldwide. This collaboration will culminate in a prominent Art Week to be held in Panama City in May 2025, a new initiative designed to position regional culture on the global stage.

The CCCB (Center of Contemporary Culture of Barcelona) dedicates a wide, meticulous and interesting exhibition that takes us into the natural and cultural heritage of the Amazon, with special emphasis on the art and thought of the cities and indigenous communities of the region. Amazonia. The Ancestral Future brings to the table a detailed vision of artistic practices and Amazonian culture through the work of an extensive list of artists who produce around their thinking and relationship with nature.

In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.

April 2025 marks the arrival of Pinta Lima in its 12th edition. It will be held April 24-27 at Casa Prado, Miraflores, Lima Peru. Applications for galleries will be open until January 18, 2025.

The Cisneros Institute is launching its first publication Momentum: Art & Ecology in Contemporary Latin America, a book that investigates how Latin American artists engage with their environments, addressing themes such as innovative relationships with the nonhuman, land disputes, colonial legacies, and visions for the future.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

Arte al Día takes a look at the curatorial selection that highlights works by Ibero-American galleries in the NEXT, RADAR and Main sections of Pinta Miami. The curatorial team for the 2024 edition of the fair is integrated by Irene Gelfman -global curator of Pinta and co-curator of FORO and Special Project-, Giuliana Vidarte -curator of NEXT and co-curator of FORO and Special Project- and Angelica Arbelaez -curator of RADAR.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

The Met’s bold new vision for the Oscar L. Tang and H.M. Agnes Hsu-Tang Wing –to be opened at 2030, presenting Modern and Contemporary art– is designed by Mexican architect Frida Escobedo, the first woman to design a new wing in the Museum’s 154-year history.

The exhibition Contar Rutinas (Counting Routines) dedicated by the Cerezales Antonino and Cinia Foundation to the work of Ana Amorim (São Paulo, Brazil, 1956) includes a selection of actions and performative works and installations that reflect the activity of the Brazilian artist from the 1980s to the present. The architecture of this exhibition is marked by the artist's daily conceptual and performative routines, reflecting their influence in the results of monumental dimensions.

Miami Art Week has just concluded, providing an excellent opportunity to reflect on Miami's evolution as a growing art center and a prominent player in the art market.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

CAF – Development Bank of Latin America and the Caribbean – and Pinta, an international platform for promoting Latin American art through fairs and artistic circuits across the region, have formalized a strategic alliance aimed at strengthening and promoting Latin American and Ibero-American art worldwide. This collaboration will culminate in a prominent Art Week to be held in Panama City in May 2025, a new initiative designed to position regional culture on the global stage.

The CCCB (Center of Contemporary Culture of Barcelona) dedicates a wide, meticulous and interesting exhibition that takes us into the natural and cultural heritage of the Amazon, with special emphasis on the art and thought of the cities and indigenous communities of the region. Amazonia. The Ancestral Future brings to the table a detailed vision of artistic practices and Amazonian culture through the work of an extensive list of artists who produce around their thinking and relationship with nature.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.

April 2025 marks the arrival of Pinta Lima in its 12th edition. It will be held April 24-27 at Casa Prado, Miraflores, Lima Peru. Applications for galleries will be open until January 18, 2025.

The Cisneros Institute is launching its first publication Momentum: Art & Ecology in Contemporary Latin America, a book that investigates how Latin American artists engage with their environments, addressing themes such as innovative relationships with the nonhuman, land disputes, colonial legacies, and visions for the future.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

Arte al Día takes a look at the curatorial selection that highlights works by Ibero-American galleries in the NEXT, RADAR and Main sections of Pinta Miami. The curatorial team for the 2024 edition of the fair is integrated by Irene Gelfman -global curator of Pinta and co-curator of FORO and Special Project-, Giuliana Vidarte -curator of NEXT and co-curator of FORO and Special Project- and Angelica Arbelaez -curator of RADAR.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

The Met’s bold new vision for the Oscar L. Tang and H.M. Agnes Hsu-Tang Wing –to be opened at 2030, presenting Modern and Contemporary art– is designed by Mexican architect Frida Escobedo, the first woman to design a new wing in the Museum’s 154-year history.

The exhibition Contar Rutinas (Counting Routines) dedicated by the Cerezales Antonino and Cinia Foundation to the work of Ana Amorim (São Paulo, Brazil, 1956) includes a selection of actions and performative works and installations that reflect the activity of the Brazilian artist from the 1980s to the present. The architecture of this exhibition is marked by the artist's daily conceptual and performative routines, reflecting their influence in the results of monumental dimensions.

Miami Art Week has just concluded, providing an excellent opportunity to reflect on Miami's evolution as a growing art center and a prominent player in the art market.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

CAF – Development Bank of Latin America and the Caribbean – and Pinta, an international platform for promoting Latin American art through fairs and artistic circuits across the region, have formalized a strategic alliance aimed at strengthening and promoting Latin American and Ibero-American art worldwide. This collaboration will culminate in a prominent Art Week to be held in Panama City in May 2025, a new initiative designed to position regional culture on the global stage.

The CCCB (Center of Contemporary Culture of Barcelona) dedicates a wide, meticulous and interesting exhibition that takes us into the natural and cultural heritage of the Amazon, with special emphasis on the art and thought of the cities and indigenous communities of the region. Amazonia. The Ancestral Future brings to the table a detailed vision of artistic practices and Amazonian culture through the work of an extensive list of artists who produce around their thinking and relationship with nature.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.

April 2025 marks the arrival of Pinta Lima in its 12th edition. It will be held April 24-27 at Casa Prado, Miraflores, Lima Peru. Applications for galleries will be open until January 18, 2025.

The Cisneros Institute is launching its first publication Momentum: Art & Ecology in Contemporary Latin America, a book that investigates how Latin American artists engage with their environments, addressing themes such as innovative relationships with the nonhuman, land disputes, colonial legacies, and visions for the future.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

Arte al Día takes a look at the curatorial selection that highlights works by Ibero-American galleries in the NEXT, RADAR and Main sections of Pinta Miami. The curatorial team for the 2024 edition of the fair is integrated by Irene Gelfman -global curator of Pinta and co-curator of FORO and Special Project-, Giuliana Vidarte -curator of NEXT and co-curator of FORO and Special Project- and Angelica Arbelaez -curator of RADAR.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

The Met’s bold new vision for the Oscar L. Tang and H.M. Agnes Hsu-Tang Wing –to be opened at 2030, presenting Modern and Contemporary art– is designed by Mexican architect Frida Escobedo, the first woman to design a new wing in the Museum’s 154-year history.

The exhibition Contar Rutinas (Counting Routines) dedicated by the Cerezales Antonino and Cinia Foundation to the work of Ana Amorim (São Paulo, Brazil, 1956) includes a selection of actions and performative works and installations that reflect the activity of the Brazilian artist from the 1980s to the present. The architecture of this exhibition is marked by the artist's daily conceptual and performative routines, reflecting their influence in the results of monumental dimensions.

Miami Art Week has just concluded, providing an excellent opportunity to reflect on Miami's evolution as a growing art center and a prominent player in the art market.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

CAF – Development Bank of Latin America and the Caribbean – and Pinta, an international platform for promoting Latin American art through fairs and artistic circuits across the region, have formalized a strategic alliance aimed at strengthening and promoting Latin American and Ibero-American art worldwide. This collaboration will culminate in a prominent Art Week to be held in Panama City in May 2025, a new initiative designed to position regional culture on the global stage.

The CCCB (Center of Contemporary Culture of Barcelona) dedicates a wide, meticulous and interesting exhibition that takes us into the natural and cultural heritage of the Amazon, with special emphasis on the art and thought of the cities and indigenous communities of the region. Amazonia. The Ancestral Future brings to the table a detailed vision of artistic practices and Amazonian culture through the work of an extensive list of artists who produce around their thinking and relationship with nature.