A COMPLETE VISION TO THE CULTURAL AMAZON AT CCCB

The Pablo Goebel Fine Arts Gallery presents the work of master artist Francisco Toledo, a central figure in contemporary Mexican art. This exhibition celebrates the artistic legacy of the Oaxacan artist and revisits his exploration of the indigenous world, ancestral myths, and his unwavering commitment to his community. 

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

The Naming Natures: Natural History and Colonial Legacy art-science exhibition, supported by the Swiss National Science Foundation and the Federal Institute of Technology in Zurich, takes a critical look at natural history collections from colonial settings, combining scientific, historical, and museographic approaches.

Fundación Proa presents Los incas. Más allá de un imperio (The Incas: Beyond an Empire) in Buenos Aires, showcasing a unique selection of ceramics, textiles, stone objects, metals, and paintings that offer a fresh perspective on one of the most fascinating civilizations of pre-Hispanic America. This exhibition invites visitors to debunk myths and rediscover over four centuries of Andean culture.

From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made. 

The incipient collection of MARCO of Vigo -under construction, but with enough funds to delimit its influence and incidence-, makes its debut in the delimitation of its radius of action with the first exhibition built exclusively with its own funds. For the occasion, the outline that unites Una imagen de sí builds on the general idea that will guide the near future: that Galician art dialogues with the outside world, mainly Latin America, and draws a relational history.

Milan hosts an extraordinary exhibition marking the bicentenary of Peru’s independence, the 150th anniversary of Italy-Peru diplomatic ties, and the bicentenary of Antonio Raimondi, a Milanese explorer who greatly contributed to the country. Organized with the Consulate General of Peru, the display at MUDEC’s Agora highlights key moments in its liberation through museum artifacts.

Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.

Architectures and Ecologies of Amazonia will take place at the University of Pennsylvania—an international, interdisciplinary symposium and exhibition that highlights the agencies that have shaped and continue to be shaped by the great region.

The Pablo Goebel Fine Arts Gallery presents the work of master artist Francisco Toledo, a central figure in contemporary Mexican art. This exhibition celebrates the artistic legacy of the Oaxacan artist and revisits his exploration of the indigenous world, ancestral myths, and his unwavering commitment to his community. 

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

The Naming Natures: Natural History and Colonial Legacy art-science exhibition, supported by the Swiss National Science Foundation and the Federal Institute of Technology in Zurich, takes a critical look at natural history collections from colonial settings, combining scientific, historical, and museographic approaches.

Fundación Proa presents Los incas. Más allá de un imperio (The Incas: Beyond an Empire) in Buenos Aires, showcasing a unique selection of ceramics, textiles, stone objects, metals, and paintings that offer a fresh perspective on one of the most fascinating civilizations of pre-Hispanic America. This exhibition invites visitors to debunk myths and rediscover over four centuries of Andean culture.

From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made. 

The incipient collection of MARCO of Vigo -under construction, but with enough funds to delimit its influence and incidence-, makes its debut in the delimitation of its radius of action with the first exhibition built exclusively with its own funds. For the occasion, the outline that unites Una imagen de sí builds on the general idea that will guide the near future: that Galician art dialogues with the outside world, mainly Latin America, and draws a relational history.

Milan hosts an extraordinary exhibition marking the bicentenary of Peru’s independence, the 150th anniversary of Italy-Peru diplomatic ties, and the bicentenary of Antonio Raimondi, a Milanese explorer who greatly contributed to the country. Organized with the Consulate General of Peru, the display at MUDEC’s Agora highlights key moments in its liberation through museum artifacts.

Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.

Architectures and Ecologies of Amazonia will take place at the University of Pennsylvania—an international, interdisciplinary symposium and exhibition that highlights the agencies that have shaped and continue to be shaped by the great region.

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

The Naming Natures: Natural History and Colonial Legacy art-science exhibition, supported by the Swiss National Science Foundation and the Federal Institute of Technology in Zurich, takes a critical look at natural history collections from colonial settings, combining scientific, historical, and museographic approaches.

Fundación Proa presents Los incas. Más allá de un imperio (The Incas: Beyond an Empire) in Buenos Aires, showcasing a unique selection of ceramics, textiles, stone objects, metals, and paintings that offer a fresh perspective on one of the most fascinating civilizations of pre-Hispanic America. This exhibition invites visitors to debunk myths and rediscover over four centuries of Andean culture.

From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made. 

The incipient collection of MARCO of Vigo -under construction, but with enough funds to delimit its influence and incidence-, makes its debut in the delimitation of its radius of action with the first exhibition built exclusively with its own funds. For the occasion, the outline that unites Una imagen de sí builds on the general idea that will guide the near future: that Galician art dialogues with the outside world, mainly Latin America, and draws a relational history.

Milan hosts an extraordinary exhibition marking the bicentenary of Peru’s independence, the 150th anniversary of Italy-Peru diplomatic ties, and the bicentenary of Antonio Raimondi, a Milanese explorer who greatly contributed to the country. Organized with the Consulate General of Peru, the display at MUDEC’s Agora highlights key moments in its liberation through museum artifacts.

Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.

Architectures and Ecologies of Amazonia will take place at the University of Pennsylvania—an international, interdisciplinary symposium and exhibition that highlights the agencies that have shaped and continue to be shaped by the great region.

The Pablo Goebel Fine Arts Gallery presents the work of master artist Francisco Toledo, a central figure in contemporary Mexican art. This exhibition celebrates the artistic legacy of the Oaxacan artist and revisits his exploration of the indigenous world, ancestral myths, and his unwavering commitment to his community. 

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

The Naming Natures: Natural History and Colonial Legacy art-science exhibition, supported by the Swiss National Science Foundation and the Federal Institute of Technology in Zurich, takes a critical look at natural history collections from colonial settings, combining scientific, historical, and museographic approaches.

Fundación Proa presents Los incas. Más allá de un imperio (The Incas: Beyond an Empire) in Buenos Aires, showcasing a unique selection of ceramics, textiles, stone objects, metals, and paintings that offer a fresh perspective on one of the most fascinating civilizations of pre-Hispanic America. This exhibition invites visitors to debunk myths and rediscover over four centuries of Andean culture.

From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made. 

The incipient collection of MARCO of Vigo -under construction, but with enough funds to delimit its influence and incidence-, makes its debut in the delimitation of its radius of action with the first exhibition built exclusively with its own funds. For the occasion, the outline that unites Una imagen de sí builds on the general idea that will guide the near future: that Galician art dialogues with the outside world, mainly Latin America, and draws a relational history.

Milan hosts an extraordinary exhibition marking the bicentenary of Peru’s independence, the 150th anniversary of Italy-Peru diplomatic ties, and the bicentenary of Antonio Raimondi, a Milanese explorer who greatly contributed to the country. Organized with the Consulate General of Peru, the display at MUDEC’s Agora highlights key moments in its liberation through museum artifacts.

Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.

Architectures and Ecologies of Amazonia will take place at the University of Pennsylvania—an international, interdisciplinary symposium and exhibition that highlights the agencies that have shaped and continue to be shaped by the great region.

The Pablo Goebel Fine Arts Gallery presents the work of master artist Francisco Toledo, a central figure in contemporary Mexican art. This exhibition celebrates the artistic legacy of the Oaxacan artist and revisits his exploration of the indigenous world, ancestral myths, and his unwavering commitment to his community. 

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

The Naming Natures: Natural History and Colonial Legacy art-science exhibition, supported by the Swiss National Science Foundation and the Federal Institute of Technology in Zurich, takes a critical look at natural history collections from colonial settings, combining scientific, historical, and museographic approaches.

Fundación Proa presents Los incas. Más allá de un imperio (The Incas: Beyond an Empire) in Buenos Aires, showcasing a unique selection of ceramics, textiles, stone objects, metals, and paintings that offer a fresh perspective on one of the most fascinating civilizations of pre-Hispanic America. This exhibition invites visitors to debunk myths and rediscover over four centuries of Andean culture.

From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made. 

The incipient collection of MARCO of Vigo -under construction, but with enough funds to delimit its influence and incidence-, makes its debut in the delimitation of its radius of action with the first exhibition built exclusively with its own funds. For the occasion, the outline that unites Una imagen de sí builds on the general idea that will guide the near future: that Galician art dialogues with the outside world, mainly Latin America, and draws a relational history.

Milan hosts an extraordinary exhibition marking the bicentenary of Peru’s independence, the 150th anniversary of Italy-Peru diplomatic ties, and the bicentenary of Antonio Raimondi, a Milanese explorer who greatly contributed to the country. Organized with the Consulate General of Peru, the display at MUDEC’s Agora highlights key moments in its liberation through museum artifacts.

Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.

Architectures and Ecologies of Amazonia will take place at the University of Pennsylvania—an international, interdisciplinary symposium and exhibition that highlights the agencies that have shaped and continue to be shaped by the great region.