A JOURNEY THROUGH GABRIEL OROZCO'S TRAJECTORY AT THE JUMEX MUSEUM

To commemorate the centenary of the first Surrealist Manifesto, kurimanzutto revisits its collection to present a selection of works produced over the past thirty years that draw inspiration from Surrealist practices or significantly reflect its legacy. This inventory will be on view until January 11, 2025.

The Pablo Goebel Fine Arts Gallery presents the work of master artist Francisco Toledo, a central figure in contemporary Mexican art. This exhibition celebrates the artistic legacy of the Oaxacan artist and revisits his exploration of the indigenous world, ancestral myths, and his unwavering commitment to his community. 

The CCCB (Center of Contemporary Culture of Barcelona) dedicates a wide, meticulous and interesting exhibition that takes us into the natural and cultural heritage of the Amazon, with special emphasis on the art and thought of the cities and indigenous communities of the region. Amazonia. The Ancestral Future brings to the table a detailed vision of artistic practices and Amazonian culture through the work of an extensive list of artists who produce around their thinking and relationship with nature.

Cuban artist Zilia Sánchez, known for her multidimensional paintings that challenge Minimalism with abstract, erotic forms, has died at the age 98. Her death was confirmed by the Museo de Arte de Puerto Rico and Galerie Lelong & Co., which has represented the artist since 2013.

Tensta konsthall has opened its doors to Imagine an After, a collective exhibition bringing together prominent international artists to explore how to envision a future in the aftermath of conflicts, displacement, and loss. In a world shaped by constant change and challenges, the exhibition invites reflection on the transformations that can emerge in moments of crisis and crossroads.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.

The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.

Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).

To commemorate the centenary of the first Surrealist Manifesto, kurimanzutto revisits its collection to present a selection of works produced over the past thirty years that draw inspiration from Surrealist practices or significantly reflect its legacy. This inventory will be on view until January 11, 2025.

The Pablo Goebel Fine Arts Gallery presents the work of master artist Francisco Toledo, a central figure in contemporary Mexican art. This exhibition celebrates the artistic legacy of the Oaxacan artist and revisits his exploration of the indigenous world, ancestral myths, and his unwavering commitment to his community. 

The CCCB (Center of Contemporary Culture of Barcelona) dedicates a wide, meticulous and interesting exhibition that takes us into the natural and cultural heritage of the Amazon, with special emphasis on the art and thought of the cities and indigenous communities of the region. Amazonia. The Ancestral Future brings to the table a detailed vision of artistic practices and Amazonian culture through the work of an extensive list of artists who produce around their thinking and relationship with nature.

Cuban artist Zilia Sánchez, known for her multidimensional paintings that challenge Minimalism with abstract, erotic forms, has died at the age 98. Her death was confirmed by the Museo de Arte de Puerto Rico and Galerie Lelong & Co., which has represented the artist since 2013.

Tensta konsthall has opened its doors to Imagine an After, a collective exhibition bringing together prominent international artists to explore how to envision a future in the aftermath of conflicts, displacement, and loss. In a world shaped by constant change and challenges, the exhibition invites reflection on the transformations that can emerge in moments of crisis and crossroads.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.

The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.

Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).

The Pablo Goebel Fine Arts Gallery presents the work of master artist Francisco Toledo, a central figure in contemporary Mexican art. This exhibition celebrates the artistic legacy of the Oaxacan artist and revisits his exploration of the indigenous world, ancestral myths, and his unwavering commitment to his community. 

The CCCB (Center of Contemporary Culture of Barcelona) dedicates a wide, meticulous and interesting exhibition that takes us into the natural and cultural heritage of the Amazon, with special emphasis on the art and thought of the cities and indigenous communities of the region. Amazonia. The Ancestral Future brings to the table a detailed vision of artistic practices and Amazonian culture through the work of an extensive list of artists who produce around their thinking and relationship with nature.

Cuban artist Zilia Sánchez, known for her multidimensional paintings that challenge Minimalism with abstract, erotic forms, has died at the age 98. Her death was confirmed by the Museo de Arte de Puerto Rico and Galerie Lelong & Co., which has represented the artist since 2013.

Tensta konsthall has opened its doors to Imagine an After, a collective exhibition bringing together prominent international artists to explore how to envision a future in the aftermath of conflicts, displacement, and loss. In a world shaped by constant change and challenges, the exhibition invites reflection on the transformations that can emerge in moments of crisis and crossroads.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.

The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.

Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).

To commemorate the centenary of the first Surrealist Manifesto, kurimanzutto revisits its collection to present a selection of works produced over the past thirty years that draw inspiration from Surrealist practices or significantly reflect its legacy. This inventory will be on view until January 11, 2025.

The Pablo Goebel Fine Arts Gallery presents the work of master artist Francisco Toledo, a central figure in contemporary Mexican art. This exhibition celebrates the artistic legacy of the Oaxacan artist and revisits his exploration of the indigenous world, ancestral myths, and his unwavering commitment to his community. 

The CCCB (Center of Contemporary Culture of Barcelona) dedicates a wide, meticulous and interesting exhibition that takes us into the natural and cultural heritage of the Amazon, with special emphasis on the art and thought of the cities and indigenous communities of the region. Amazonia. The Ancestral Future brings to the table a detailed vision of artistic practices and Amazonian culture through the work of an extensive list of artists who produce around their thinking and relationship with nature.

Cuban artist Zilia Sánchez, known for her multidimensional paintings that challenge Minimalism with abstract, erotic forms, has died at the age 98. Her death was confirmed by the Museo de Arte de Puerto Rico and Galerie Lelong & Co., which has represented the artist since 2013.

Tensta konsthall has opened its doors to Imagine an After, a collective exhibition bringing together prominent international artists to explore how to envision a future in the aftermath of conflicts, displacement, and loss. In a world shaped by constant change and challenges, the exhibition invites reflection on the transformations that can emerge in moments of crisis and crossroads.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.

The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.

Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).

To commemorate the centenary of the first Surrealist Manifesto, kurimanzutto revisits its collection to present a selection of works produced over the past thirty years that draw inspiration from Surrealist practices or significantly reflect its legacy. This inventory will be on view until January 11, 2025.

The Pablo Goebel Fine Arts Gallery presents the work of master artist Francisco Toledo, a central figure in contemporary Mexican art. This exhibition celebrates the artistic legacy of the Oaxacan artist and revisits his exploration of the indigenous world, ancestral myths, and his unwavering commitment to his community. 

The CCCB (Center of Contemporary Culture of Barcelona) dedicates a wide, meticulous and interesting exhibition that takes us into the natural and cultural heritage of the Amazon, with special emphasis on the art and thought of the cities and indigenous communities of the region. Amazonia. The Ancestral Future brings to the table a detailed vision of artistic practices and Amazonian culture through the work of an extensive list of artists who produce around their thinking and relationship with nature.

Cuban artist Zilia Sánchez, known for her multidimensional paintings that challenge Minimalism with abstract, erotic forms, has died at the age 98. Her death was confirmed by the Museo de Arte de Puerto Rico and Galerie Lelong & Co., which has represented the artist since 2013.

Tensta konsthall has opened its doors to Imagine an After, a collective exhibition bringing together prominent international artists to explore how to envision a future in the aftermath of conflicts, displacement, and loss. In a world shaped by constant change and challenges, the exhibition invites reflection on the transformations that can emerge in moments of crisis and crossroads.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.

The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.

Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).