RENEWED LATIN AMERICAN PRESENCE IN THE THYSSEN PERFORMANCE SERIES “VISIÓN Y PRESENCIA 2025”
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.
The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.
Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).
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THE RYDER PROJECTS ANNOUNCED NEW CURATORS
The curatorial duo Carmen Lael Hines and Roberto Majano will be the new Head Curators at The RYDER Projects. This represents a new stage in the gallery that succeeds the period led by Rafa Barber, who has held this position heretofore.

The curatorial duo Carmen Lael Hines and Roberto Majano will be the new Head Curators at The RYDER Projects. This represents a new stage in the gallery that succeeds the period led by Rafa Barber, who has held this position heretofore.
THE RYDER PROJECTS ANNOUNCED NEW CURATORS
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Macaparana (b. José Souza Oliveira Filho, Pernambuco, Brazil, 1952) can find in his work a clear link with primitivism and African art or, at least, in the development and influence in the aesthetic and structural aspects of the same. It might seem something totally alien, given that the basic theoretical principles of the languages of concrete art that emerge without regard in his proposal seem to delve more into the aseptic of geometric forms than in the anthropological and sacred of ethnic art, but the relationship exists precisely because of a heritage raised from the geometric as an identity.

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From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made.
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The work that Lúa Coderch (Iquitos, Peru, 1982) has been doing around language takes over her recent solo show at Madrid's The Ryder Projects to consolidate a new relational vision of communicative practices. Exhausted and exuberant, title of this partially retrospective and almost thesis exhibition, also responds to the two apparently opposite moods, but with an inexorable link, of the vital needs that seep into contemporary society between individuals and a certain extimacy that, organically, seems to have been imposed.
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The work that Lúa Coderch (Iquitos, Peru, 1982) has been doing around language takes over her recent solo show at Madrid's The Ryder Projects to consolidate a new relational vision of communicative practices. Exhausted and exuberant, title of this partially retrospective and almost thesis exhibition, also responds to the two apparently opposite moods, but with an inexorable link, of the vital needs that seep into contemporary society between individuals and a certain extimacy that, organically, seems to have been imposed.

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The American Museum of the Cuban Diaspora presents Antonia Eiriz: In the Eye of the Sibyl, an exhibition showcasing the best of the painter’s work from 1960 to 1990, offering an exceptional insight into the creative journey of one of the most controversial and innovative artists in Cuban art of her time.
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The Museo Universitario de Arte Contemporáneo (MUAC) presents the work of French artist Kader Attia: A Descent into Paradise.
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The Atchugarry Museum of Contemporary Art (MACA) presents the exhibition Carmelo Arden Quin: In the Fabric of Constructive Art, curated by renowned historian and scholar Cristina Rossi.
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The Atchugarry Museum of Contemporary Art (MACA) presents the exhibition Carmelo Arden Quin: In the Fabric of Constructive Art, curated by renowned historian and scholar Cristina Rossi.

The curatorial duo Carmen Lael Hines and Roberto Majano will be the new Head Curators at The RYDER Projects. This represents a new stage in the gallery that succeeds the period led by Rafa Barber, who has held this position heretofore.
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The curatorial duo Carmen Lael Hines and Roberto Majano will be the new Head Curators at The RYDER Projects. This represents a new stage in the gallery that succeeds the period led by Rafa Barber, who has held this position heretofore.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.
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Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

Macaparana (b. José Souza Oliveira Filho, Pernambuco, Brazil, 1952) can find in his work a clear link with primitivism and African art or, at least, in the development and influence in the aesthetic and structural aspects of the same. It might seem something totally alien, given that the basic theoretical principles of the languages of concrete art that emerge without regard in his proposal seem to delve more into the aseptic of geometric forms than in the anthropological and sacred of ethnic art, but the relationship exists precisely because of a heritage raised from the geometric as an identity.

Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.
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Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.

From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made.
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The Chiloé Museum of Modern Art presents its 37th edition featuring photographs, paintings, sculptures, installations, performances, videos, and digital cinema in the exhibition Espectral (Spectral), which invites viewers to explore what stirs unease: the mysterious, the ethereal, and the unknown.
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The Chiloé Museum of Modern Art presents its 37th edition featuring photographs, paintings, sculptures, installations, performances, videos, and digital cinema in the exhibition Espectral (Spectral), which invites viewers to explore what stirs unease: the mysterious, the ethereal, and the unknown.

The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.
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The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.

Es Baluard organizes Eugenio Dittborn. Pinturas Aeropostales, the first solo show in Spain of Eugenio Dittborn (Santiago, Chile, 1943), one of the key names in the development of Latin American conceptual art in the 1970s and 1980s. The exhibition focuses on the production of his aeropostal paintings, an artistic instrument that materializes his research and reflection on materials, the physical limits that constrain painting and its distribution and circulation.
ES BALUARD RECOVERS DITTBORN'S AEROPOSTAL PAINTINGS
Es Baluard organizes Eugenio Dittborn. Pinturas Aeropostales, the first solo show in Spain of Eugenio Dittborn (Santiago, Chile, 1943), one of the key names in the development of Latin American conceptual art in the 1970s and 1980s. The exhibition focuses on the production of his aeropostal paintings, an artistic instrument that materializes his research and reflection on materials, the physical limits that constrain painting and its distribution and circulation.

The work that Lúa Coderch (Iquitos, Peru, 1982) has been doing around language takes over her recent solo show at Madrid's The Ryder Projects to consolidate a new relational vision of communicative practices. Exhausted and exuberant, title of this partially retrospective and almost thesis exhibition, also responds to the two apparently opposite moods, but with an inexorable link, of the vital needs that seep into contemporary society between individuals and a certain extimacy that, organically, seems to have been imposed.
LANGUAGE AND SOCIETY IN LÚA CODERCH'S WORK AT THE RYDER
The work that Lúa Coderch (Iquitos, Peru, 1982) has been doing around language takes over her recent solo show at Madrid's The Ryder Projects to consolidate a new relational vision of communicative practices. Exhausted and exuberant, title of this partially retrospective and almost thesis exhibition, also responds to the two apparently opposite moods, but with an inexorable link, of the vital needs that seep into contemporary society between individuals and a certain extimacy that, organically, seems to have been imposed.

Fundación Ama Amoedo announced the selection for the FAARA Residency 2025 at its emblematic Casa Neptuna in José Ignacio, Uruguay.
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Fundación Ama Amoedo announced the selection for the FAARA Residency 2025 at its emblematic Casa Neptuna in José Ignacio, Uruguay.

Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.
DIALOGUE BETWEEN GEOMETRIC ABSTRACTION AND AMAZON AT CASA DE AMERICA
Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.

The American Museum of the Cuban Diaspora presents Antonia Eiriz: In the Eye of the Sibyl, an exhibition showcasing the best of the painter’s work from 1960 to 1990, offering an exceptional insight into the creative journey of one of the most controversial and innovative artists in Cuban art of her time.
A COMPREHENSIVE LOOK AT THE LEGACY OF ANTONIA EIRIZ
The American Museum of the Cuban Diaspora presents Antonia Eiriz: In the Eye of the Sibyl, an exhibition showcasing the best of the painter’s work from 1960 to 1990, offering an exceptional insight into the creative journey of one of the most controversial and innovative artists in Cuban art of her time.

The Museo Universitario de Arte Contemporáneo (MUAC) presents the work of French artist Kader Attia: A Descent into Paradise.
ATTIA'S GAZE AT THE MUAC
The Museo Universitario de Arte Contemporáneo (MUAC) presents the work of French artist Kader Attia: A Descent into Paradise.

The Atchugarry Museum of Contemporary Art (MACA) presents the exhibition Carmelo Arden Quin: In the Fabric of Constructive Art, curated by renowned historian and scholar Cristina Rossi.
GEOMETRY AND RUPTURE: ARDEN QUIN AT THE MACA
The Atchugarry Museum of Contemporary Art (MACA) presents the exhibition Carmelo Arden Quin: In the Fabric of Constructive Art, curated by renowned historian and scholar Cristina Rossi.

The curatorial duo Carmen Lael Hines and Roberto Majano will be the new Head Curators at The RYDER Projects. This represents a new stage in the gallery that succeeds the period led by Rafa Barber, who has held this position heretofore.
THE RYDER PROJECTS ANNOUNCED NEW CURATORS
The curatorial duo Carmen Lael Hines and Roberto Majano will be the new Head Curators at The RYDER Projects. This represents a new stage in the gallery that succeeds the period led by Rafa Barber, who has held this position heretofore.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.
GABRIEL O'SHEA'S HUMAN AND REALISTIC TECHNOLOGICAL FUTURE
Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

Macaparana (b. José Souza Oliveira Filho, Pernambuco, Brazil, 1952) can find in his work a clear link with primitivism and African art or, at least, in the development and influence in the aesthetic and structural aspects of the same. It might seem something totally alien, given that the basic theoretical principles of the languages of concrete art that emerge without regard in his proposal seem to delve more into the aseptic of geometric forms than in the anthropological and sacred of ethnic art, but the relationship exists precisely because of a heritage raised from the geometric as an identity.

Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.
EMPTINESS AND COLOR IN LÓPEZ-CHÁVEZ
Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.

From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made.
A JOURNEY THROUGH GABRIEL OROZCO'S TRAJECTORY AT THE JUMEX MUSEUM
From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made.

The Chiloé Museum of Modern Art presents its 37th edition featuring photographs, paintings, sculptures, installations, performances, videos, and digital cinema in the exhibition Espectral (Spectral), which invites viewers to explore what stirs unease: the mysterious, the ethereal, and the unknown.
“A FANTASTIC BESTIARY” AT MAM CHILOÉ
The Chiloé Museum of Modern Art presents its 37th edition featuring photographs, paintings, sculptures, installations, performances, videos, and digital cinema in the exhibition Espectral (Spectral), which invites viewers to explore what stirs unease: the mysterious, the ethereal, and the unknown.

The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.
FRANCISCA BENÍTEZ AND THE TRANSFORMATION OF SPACE AND SOCIETY
The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.

Es Baluard organizes Eugenio Dittborn. Pinturas Aeropostales, the first solo show in Spain of Eugenio Dittborn (Santiago, Chile, 1943), one of the key names in the development of Latin American conceptual art in the 1970s and 1980s. The exhibition focuses on the production of his aeropostal paintings, an artistic instrument that materializes his research and reflection on materials, the physical limits that constrain painting and its distribution and circulation.
ES BALUARD RECOVERS DITTBORN'S AEROPOSTAL PAINTINGS
Es Baluard organizes Eugenio Dittborn. Pinturas Aeropostales, the first solo show in Spain of Eugenio Dittborn (Santiago, Chile, 1943), one of the key names in the development of Latin American conceptual art in the 1970s and 1980s. The exhibition focuses on the production of his aeropostal paintings, an artistic instrument that materializes his research and reflection on materials, the physical limits that constrain painting and its distribution and circulation.

The work that Lúa Coderch (Iquitos, Peru, 1982) has been doing around language takes over her recent solo show at Madrid's The Ryder Projects to consolidate a new relational vision of communicative practices. Exhausted and exuberant, title of this partially retrospective and almost thesis exhibition, also responds to the two apparently opposite moods, but with an inexorable link, of the vital needs that seep into contemporary society between individuals and a certain extimacy that, organically, seems to have been imposed.
LANGUAGE AND SOCIETY IN LÚA CODERCH'S WORK AT THE RYDER
The work that Lúa Coderch (Iquitos, Peru, 1982) has been doing around language takes over her recent solo show at Madrid's The Ryder Projects to consolidate a new relational vision of communicative practices. Exhausted and exuberant, title of this partially retrospective and almost thesis exhibition, also responds to the two apparently opposite moods, but with an inexorable link, of the vital needs that seep into contemporary society between individuals and a certain extimacy that, organically, seems to have been imposed.

Fundación Ama Amoedo announced the selection for the FAARA Residency 2025 at its emblematic Casa Neptuna in José Ignacio, Uruguay.
FAARA 2025 RESIDENCY: THE SIX SELECTED ARTISTS
Fundación Ama Amoedo announced the selection for the FAARA Residency 2025 at its emblematic Casa Neptuna in José Ignacio, Uruguay.

Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.
DIALOGUE BETWEEN GEOMETRIC ABSTRACTION AND AMAZON AT CASA DE AMERICA
Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.

The American Museum of the Cuban Diaspora presents Antonia Eiriz: In the Eye of the Sibyl, an exhibition showcasing the best of the painter’s work from 1960 to 1990, offering an exceptional insight into the creative journey of one of the most controversial and innovative artists in Cuban art of her time.
A COMPREHENSIVE LOOK AT THE LEGACY OF ANTONIA EIRIZ
The American Museum of the Cuban Diaspora presents Antonia Eiriz: In the Eye of the Sibyl, an exhibition showcasing the best of the painter’s work from 1960 to 1990, offering an exceptional insight into the creative journey of one of the most controversial and innovative artists in Cuban art of her time.

The Museo Universitario de Arte Contemporáneo (MUAC) presents the work of French artist Kader Attia: A Descent into Paradise.
ATTIA'S GAZE AT THE MUAC
The Museo Universitario de Arte Contemporáneo (MUAC) presents the work of French artist Kader Attia: A Descent into Paradise.

The Atchugarry Museum of Contemporary Art (MACA) presents the exhibition Carmelo Arden Quin: In the Fabric of Constructive Art, curated by renowned historian and scholar Cristina Rossi.
GEOMETRY AND RUPTURE: ARDEN QUIN AT THE MACA
The Atchugarry Museum of Contemporary Art (MACA) presents the exhibition Carmelo Arden Quin: In the Fabric of Constructive Art, curated by renowned historian and scholar Cristina Rossi.

The curatorial duo Carmen Lael Hines and Roberto Majano will be the new Head Curators at The RYDER Projects. This represents a new stage in the gallery that succeeds the period led by Rafa Barber, who has held this position heretofore.
THE RYDER PROJECTS ANNOUNCED NEW CURATORS
The curatorial duo Carmen Lael Hines and Roberto Majano will be the new Head Curators at The RYDER Projects. This represents a new stage in the gallery that succeeds the period led by Rafa Barber, who has held this position heretofore.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.
GABRIEL O'SHEA'S HUMAN AND REALISTIC TECHNOLOGICAL FUTURE
Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

Macaparana (b. José Souza Oliveira Filho, Pernambuco, Brazil, 1952) can find in his work a clear link with primitivism and African art or, at least, in the development and influence in the aesthetic and structural aspects of the same. It might seem something totally alien, given that the basic theoretical principles of the languages of concrete art that emerge without regard in his proposal seem to delve more into the aseptic of geometric forms than in the anthropological and sacred of ethnic art, but the relationship exists precisely because of a heritage raised from the geometric as an identity.

Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.
EMPTINESS AND COLOR IN LÓPEZ-CHÁVEZ
Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.

From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made.
A JOURNEY THROUGH GABRIEL OROZCO'S TRAJECTORY AT THE JUMEX MUSEUM
From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made.

The Chiloé Museum of Modern Art presents its 37th edition featuring photographs, paintings, sculptures, installations, performances, videos, and digital cinema in the exhibition Espectral (Spectral), which invites viewers to explore what stirs unease: the mysterious, the ethereal, and the unknown.
“A FANTASTIC BESTIARY” AT MAM CHILOÉ
The Chiloé Museum of Modern Art presents its 37th edition featuring photographs, paintings, sculptures, installations, performances, videos, and digital cinema in the exhibition Espectral (Spectral), which invites viewers to explore what stirs unease: the mysterious, the ethereal, and the unknown.

The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.
FRANCISCA BENÍTEZ AND THE TRANSFORMATION OF SPACE AND SOCIETY
The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.

Es Baluard organizes Eugenio Dittborn. Pinturas Aeropostales, the first solo show in Spain of Eugenio Dittborn (Santiago, Chile, 1943), one of the key names in the development of Latin American conceptual art in the 1970s and 1980s. The exhibition focuses on the production of his aeropostal paintings, an artistic instrument that materializes his research and reflection on materials, the physical limits that constrain painting and its distribution and circulation.
ES BALUARD RECOVERS DITTBORN'S AEROPOSTAL PAINTINGS
Es Baluard organizes Eugenio Dittborn. Pinturas Aeropostales, the first solo show in Spain of Eugenio Dittborn (Santiago, Chile, 1943), one of the key names in the development of Latin American conceptual art in the 1970s and 1980s. The exhibition focuses on the production of his aeropostal paintings, an artistic instrument that materializes his research and reflection on materials, the physical limits that constrain painting and its distribution and circulation.

The work that Lúa Coderch (Iquitos, Peru, 1982) has been doing around language takes over her recent solo show at Madrid's The Ryder Projects to consolidate a new relational vision of communicative practices. Exhausted and exuberant, title of this partially retrospective and almost thesis exhibition, also responds to the two apparently opposite moods, but with an inexorable link, of the vital needs that seep into contemporary society between individuals and a certain extimacy that, organically, seems to have been imposed.
LANGUAGE AND SOCIETY IN LÚA CODERCH'S WORK AT THE RYDER
The work that Lúa Coderch (Iquitos, Peru, 1982) has been doing around language takes over her recent solo show at Madrid's The Ryder Projects to consolidate a new relational vision of communicative practices. Exhausted and exuberant, title of this partially retrospective and almost thesis exhibition, also responds to the two apparently opposite moods, but with an inexorable link, of the vital needs that seep into contemporary society between individuals and a certain extimacy that, organically, seems to have been imposed.

Fundación Ama Amoedo announced the selection for the FAARA Residency 2025 at its emblematic Casa Neptuna in José Ignacio, Uruguay.
FAARA 2025 RESIDENCY: THE SIX SELECTED ARTISTS
Fundación Ama Amoedo announced the selection for the FAARA Residency 2025 at its emblematic Casa Neptuna in José Ignacio, Uruguay.

Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.
DIALOGUE BETWEEN GEOMETRIC ABSTRACTION AND AMAZON AT CASA DE AMERICA
Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.

The American Museum of the Cuban Diaspora presents Antonia Eiriz: In the Eye of the Sibyl, an exhibition showcasing the best of the painter’s work from 1960 to 1990, offering an exceptional insight into the creative journey of one of the most controversial and innovative artists in Cuban art of her time.
A COMPREHENSIVE LOOK AT THE LEGACY OF ANTONIA EIRIZ
The American Museum of the Cuban Diaspora presents Antonia Eiriz: In the Eye of the Sibyl, an exhibition showcasing the best of the painter’s work from 1960 to 1990, offering an exceptional insight into the creative journey of one of the most controversial and innovative artists in Cuban art of her time.

The Museo Universitario de Arte Contemporáneo (MUAC) presents the work of French artist Kader Attia: A Descent into Paradise.
ATTIA'S GAZE AT THE MUAC
The Museo Universitario de Arte Contemporáneo (MUAC) presents the work of French artist Kader Attia: A Descent into Paradise.

The Atchugarry Museum of Contemporary Art (MACA) presents the exhibition Carmelo Arden Quin: In the Fabric of Constructive Art, curated by renowned historian and scholar Cristina Rossi.
GEOMETRY AND RUPTURE: ARDEN QUIN AT THE MACA
The Atchugarry Museum of Contemporary Art (MACA) presents the exhibition Carmelo Arden Quin: In the Fabric of Constructive Art, curated by renowned historian and scholar Cristina Rossi.

The curatorial duo Carmen Lael Hines and Roberto Majano will be the new Head Curators at The RYDER Projects. This represents a new stage in the gallery that succeeds the period led by Rafa Barber, who has held this position heretofore.
THE RYDER PROJECTS ANNOUNCED NEW CURATORS
The curatorial duo Carmen Lael Hines and Roberto Majano will be the new Head Curators at The RYDER Projects. This represents a new stage in the gallery that succeeds the period led by Rafa Barber, who has held this position heretofore.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.
GABRIEL O'SHEA'S HUMAN AND REALISTIC TECHNOLOGICAL FUTURE
Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

Macaparana (b. José Souza Oliveira Filho, Pernambuco, Brazil, 1952) can find in his work a clear link with primitivism and African art or, at least, in the development and influence in the aesthetic and structural aspects of the same. It might seem something totally alien, given that the basic theoretical principles of the languages of concrete art that emerge without regard in his proposal seem to delve more into the aseptic of geometric forms than in the anthropological and sacred of ethnic art, but the relationship exists precisely because of a heritage raised from the geometric as an identity.

Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.
EMPTINESS AND COLOR IN LÓPEZ-CHÁVEZ
Under the enlightening title of Los espacios del pánico (Estudios superficiales sobre el vacío y el color) (The spaces of panic-Surface studies on emptiness and color), the interesting individual exhibition that the Madrid gallery El Apartamento dedicates to Luis Enrique Lopez-Chavez (Manzanillo, Cuba, 1988) is developed as a thesis scenario for the almost scientific analysis that the Cuban artist has developed around the space of the void and the chromatic.

From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made.
A JOURNEY THROUGH GABRIEL OROZCO'S TRAJECTORY AT THE JUMEX MUSEUM
From February 1 to August 3, 2025, Museo Jumex presents Gabriel Orozco: Politécnico Nacional (Gabriel Orozco: National Polytechnic), the artist's first museum exhibition in Mexico since 2006; this survey explores key themes in the practice of the Mexican artist, who has constantly challenged what art can be and how it can be made.

The Chiloé Museum of Modern Art presents its 37th edition featuring photographs, paintings, sculptures, installations, performances, videos, and digital cinema in the exhibition Espectral (Spectral), which invites viewers to explore what stirs unease: the mysterious, the ethereal, and the unknown.
“A FANTASTIC BESTIARY” AT MAM CHILOÉ
The Chiloé Museum of Modern Art presents its 37th edition featuring photographs, paintings, sculptures, installations, performances, videos, and digital cinema in the exhibition Espectral (Spectral), which invites viewers to explore what stirs unease: the mysterious, the ethereal, and the unknown.

The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.
FRANCISCA BENÍTEZ AND THE TRANSFORMATION OF SPACE AND SOCIETY
The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.

Es Baluard organizes Eugenio Dittborn. Pinturas Aeropostales, the first solo show in Spain of Eugenio Dittborn (Santiago, Chile, 1943), one of the key names in the development of Latin American conceptual art in the 1970s and 1980s. The exhibition focuses on the production of his aeropostal paintings, an artistic instrument that materializes his research and reflection on materials, the physical limits that constrain painting and its distribution and circulation.
ES BALUARD RECOVERS DITTBORN'S AEROPOSTAL PAINTINGS
Es Baluard organizes Eugenio Dittborn. Pinturas Aeropostales, the first solo show in Spain of Eugenio Dittborn (Santiago, Chile, 1943), one of the key names in the development of Latin American conceptual art in the 1970s and 1980s. The exhibition focuses on the production of his aeropostal paintings, an artistic instrument that materializes his research and reflection on materials, the physical limits that constrain painting and its distribution and circulation.

The work that Lúa Coderch (Iquitos, Peru, 1982) has been doing around language takes over her recent solo show at Madrid's The Ryder Projects to consolidate a new relational vision of communicative practices. Exhausted and exuberant, title of this partially retrospective and almost thesis exhibition, also responds to the two apparently opposite moods, but with an inexorable link, of the vital needs that seep into contemporary society between individuals and a certain extimacy that, organically, seems to have been imposed.
LANGUAGE AND SOCIETY IN LÚA CODERCH'S WORK AT THE RYDER
The work that Lúa Coderch (Iquitos, Peru, 1982) has been doing around language takes over her recent solo show at Madrid's The Ryder Projects to consolidate a new relational vision of communicative practices. Exhausted and exuberant, title of this partially retrospective and almost thesis exhibition, also responds to the two apparently opposite moods, but with an inexorable link, of the vital needs that seep into contemporary society between individuals and a certain extimacy that, organically, seems to have been imposed.

Fundación Ama Amoedo announced the selection for the FAARA Residency 2025 at its emblematic Casa Neptuna in José Ignacio, Uruguay.
FAARA 2025 RESIDENCY: THE SIX SELECTED ARTISTS
Fundación Ama Amoedo announced the selection for the FAARA Residency 2025 at its emblematic Casa Neptuna in José Ignacio, Uruguay.

Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.
DIALOGUE BETWEEN GEOMETRIC ABSTRACTION AND AMAZON AT CASA DE AMERICA
Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.

The American Museum of the Cuban Diaspora presents Antonia Eiriz: In the Eye of the Sibyl, an exhibition showcasing the best of the painter’s work from 1960 to 1990, offering an exceptional insight into the creative journey of one of the most controversial and innovative artists in Cuban art of her time.
A COMPREHENSIVE LOOK AT THE LEGACY OF ANTONIA EIRIZ
The American Museum of the Cuban Diaspora presents Antonia Eiriz: In the Eye of the Sibyl, an exhibition showcasing the best of the painter’s work from 1960 to 1990, offering an exceptional insight into the creative journey of one of the most controversial and innovative artists in Cuban art of her time.

The Museo Universitario de Arte Contemporáneo (MUAC) presents the work of French artist Kader Attia: A Descent into Paradise.
ATTIA'S GAZE AT THE MUAC
The Museo Universitario de Arte Contemporáneo (MUAC) presents the work of French artist Kader Attia: A Descent into Paradise.

The Atchugarry Museum of Contemporary Art (MACA) presents the exhibition Carmelo Arden Quin: In the Fabric of Constructive Art, curated by renowned historian and scholar Cristina Rossi.
GEOMETRY AND RUPTURE: ARDEN QUIN AT THE MACA
The Atchugarry Museum of Contemporary Art (MACA) presents the exhibition Carmelo Arden Quin: In the Fabric of Constructive Art, curated by renowned historian and scholar Cristina Rossi.