LANGUAGE AND SOCIETY IN LÚA CODERCH'S WORK AT THE RYDER

The proposal of Día Muñoz (Guayaquil, Ecuador, 1989) goes through the materialized ideas of a posthumanist future from a speculative perspective in his recent exhibition “Creaturas” de la dimensión de lo inconsciente (Creatures from the dimension of the unconscious) at the Madrid-based Ponce+Robles. To this end, she concentrates on the scientific possibilities and the multiple options of resolution, starting from organic principles with which to operate and create those dimensions of biological character and fundamentally technical essence.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.

The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.

Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).

The curatorial duo Carmen Lael Hines and Roberto Majano will be the new Head Curators at The RYDER Projects. This represents a new stage in the gallery that succeeds the period led by Rafa Barber, who has held this position heretofore.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.

The Lima Art Museum (MALI) has announced the return of its emblematic event, thanks to the sponsorship of BBVA Global Wealth and RIMAC. The showcase will take place on February 21 at Playa del Golf, in the Asia beach resort.

La Casa Encendida is planning a large part of its artistic, exhibition program this season around the concept of Verbos encendidos, a framework line of argument that frames the theme and the perspective from which certain public, political and social issues are approached from the institution. Escuchar (Listen) is the first verb, chosen to start with it a call for attention towards the construction of spaces and tools that allow to overcome differences and find common spaces of understanding.

The Hochschild Correa Collection boasts of being the most complete private collection of contemporary art from the Peruvian Amazon. Nevertheless, for more than a decade, it has been built on a varied and unrestricted collection, which has made it possible to bring together the different trends and techniques currently being used in the region, with a focus on dialogue and a certain relational patina among the works that make up the collection. 

Helga de Alvear (Kirn/Nahe, Germany, 1936-Madrid, Spain, 2025) passed away at the age of 88. A fundamental figure of collecting and gallerism in Spain and Europe, her name remains as a metaphorical vocative and reference of one of the keys to the evolution and understanding of how contemporary art should be shared and communicated to facilitate its appreciation as a fundamental part of the times in which she lived. A true believer that artistic practices should come to the surface and be another representation of the motifs and realities that shaped each period of history, convulsive in the case of Spain, she approached it with the vision and experience of someone who finds a necessary space to appreciate the present and build a future.

The Museum of Contemporary Art of Lima (MAC) is organizing New Horizons of Digital Art, aimed at young people and adults, as part of the public program of the exhibition Artware 9. Lima Digital Art Biennial.

The proposal of Día Muñoz (Guayaquil, Ecuador, 1989) goes through the materialized ideas of a posthumanist future from a speculative perspective in his recent exhibition “Creaturas” de la dimensión de lo inconsciente (Creatures from the dimension of the unconscious) at the Madrid-based Ponce+Robles. To this end, she concentrates on the scientific possibilities and the multiple options of resolution, starting from organic principles with which to operate and create those dimensions of biological character and fundamentally technical essence.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.

The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.

Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).

The curatorial duo Carmen Lael Hines and Roberto Majano will be the new Head Curators at The RYDER Projects. This represents a new stage in the gallery that succeeds the period led by Rafa Barber, who has held this position heretofore.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.

The Lima Art Museum (MALI) has announced the return of its emblematic event, thanks to the sponsorship of BBVA Global Wealth and RIMAC. The showcase will take place on February 21 at Playa del Golf, in the Asia beach resort.

La Casa Encendida is planning a large part of its artistic, exhibition program this season around the concept of Verbos encendidos, a framework line of argument that frames the theme and the perspective from which certain public, political and social issues are approached from the institution. Escuchar (Listen) is the first verb, chosen to start with it a call for attention towards the construction of spaces and tools that allow to overcome differences and find common spaces of understanding.

The Hochschild Correa Collection boasts of being the most complete private collection of contemporary art from the Peruvian Amazon. Nevertheless, for more than a decade, it has been built on a varied and unrestricted collection, which has made it possible to bring together the different trends and techniques currently being used in the region, with a focus on dialogue and a certain relational patina among the works that make up the collection. 

Helga de Alvear (Kirn/Nahe, Germany, 1936-Madrid, Spain, 2025) passed away at the age of 88. A fundamental figure of collecting and gallerism in Spain and Europe, her name remains as a metaphorical vocative and reference of one of the keys to the evolution and understanding of how contemporary art should be shared and communicated to facilitate its appreciation as a fundamental part of the times in which she lived. A true believer that artistic practices should come to the surface and be another representation of the motifs and realities that shaped each period of history, convulsive in the case of Spain, she approached it with the vision and experience of someone who finds a necessary space to appreciate the present and build a future.

The Museum of Contemporary Art of Lima (MAC) is organizing New Horizons of Digital Art, aimed at young people and adults, as part of the public program of the exhibition Artware 9. Lima Digital Art Biennial.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.

The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.

Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).

The curatorial duo Carmen Lael Hines and Roberto Majano will be the new Head Curators at The RYDER Projects. This represents a new stage in the gallery that succeeds the period led by Rafa Barber, who has held this position heretofore.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.

The Lima Art Museum (MALI) has announced the return of its emblematic event, thanks to the sponsorship of BBVA Global Wealth and RIMAC. The showcase will take place on February 21 at Playa del Golf, in the Asia beach resort.

La Casa Encendida is planning a large part of its artistic, exhibition program this season around the concept of Verbos encendidos, a framework line of argument that frames the theme and the perspective from which certain public, political and social issues are approached from the institution. Escuchar (Listen) is the first verb, chosen to start with it a call for attention towards the construction of spaces and tools that allow to overcome differences and find common spaces of understanding.

The Hochschild Correa Collection boasts of being the most complete private collection of contemporary art from the Peruvian Amazon. Nevertheless, for more than a decade, it has been built on a varied and unrestricted collection, which has made it possible to bring together the different trends and techniques currently being used in the region, with a focus on dialogue and a certain relational patina among the works that make up the collection. 

Helga de Alvear (Kirn/Nahe, Germany, 1936-Madrid, Spain, 2025) passed away at the age of 88. A fundamental figure of collecting and gallerism in Spain and Europe, her name remains as a metaphorical vocative and reference of one of the keys to the evolution and understanding of how contemporary art should be shared and communicated to facilitate its appreciation as a fundamental part of the times in which she lived. A true believer that artistic practices should come to the surface and be another representation of the motifs and realities that shaped each period of history, convulsive in the case of Spain, she approached it with the vision and experience of someone who finds a necessary space to appreciate the present and build a future.

The Museum of Contemporary Art of Lima (MAC) is organizing New Horizons of Digital Art, aimed at young people and adults, as part of the public program of the exhibition Artware 9. Lima Digital Art Biennial.

The proposal of Día Muñoz (Guayaquil, Ecuador, 1989) goes through the materialized ideas of a posthumanist future from a speculative perspective in his recent exhibition “Creaturas” de la dimensión de lo inconsciente (Creatures from the dimension of the unconscious) at the Madrid-based Ponce+Robles. To this end, she concentrates on the scientific possibilities and the multiple options of resolution, starting from organic principles with which to operate and create those dimensions of biological character and fundamentally technical essence.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.

The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.

Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).

The curatorial duo Carmen Lael Hines and Roberto Majano will be the new Head Curators at The RYDER Projects. This represents a new stage in the gallery that succeeds the period led by Rafa Barber, who has held this position heretofore.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.

The Lima Art Museum (MALI) has announced the return of its emblematic event, thanks to the sponsorship of BBVA Global Wealth and RIMAC. The showcase will take place on February 21 at Playa del Golf, in the Asia beach resort.

La Casa Encendida is planning a large part of its artistic, exhibition program this season around the concept of Verbos encendidos, a framework line of argument that frames the theme and the perspective from which certain public, political and social issues are approached from the institution. Escuchar (Listen) is the first verb, chosen to start with it a call for attention towards the construction of spaces and tools that allow to overcome differences and find common spaces of understanding.

The Hochschild Correa Collection boasts of being the most complete private collection of contemporary art from the Peruvian Amazon. Nevertheless, for more than a decade, it has been built on a varied and unrestricted collection, which has made it possible to bring together the different trends and techniques currently being used in the region, with a focus on dialogue and a certain relational patina among the works that make up the collection. 

Helga de Alvear (Kirn/Nahe, Germany, 1936-Madrid, Spain, 2025) passed away at the age of 88. A fundamental figure of collecting and gallerism in Spain and Europe, her name remains as a metaphorical vocative and reference of one of the keys to the evolution and understanding of how contemporary art should be shared and communicated to facilitate its appreciation as a fundamental part of the times in which she lived. A true believer that artistic practices should come to the surface and be another representation of the motifs and realities that shaped each period of history, convulsive in the case of Spain, she approached it with the vision and experience of someone who finds a necessary space to appreciate the present and build a future.

The Museum of Contemporary Art of Lima (MAC) is organizing New Horizons of Digital Art, aimed at young people and adults, as part of the public program of the exhibition Artware 9. Lima Digital Art Biennial.

The proposal of Día Muñoz (Guayaquil, Ecuador, 1989) goes through the materialized ideas of a posthumanist future from a speculative perspective in his recent exhibition “Creaturas” de la dimensión de lo inconsciente (Creatures from the dimension of the unconscious) at the Madrid-based Ponce+Robles. To this end, she concentrates on the scientific possibilities and the multiple options of resolution, starting from organic principles with which to operate and create those dimensions of biological character and fundamentally technical essence.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.

Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.

The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.

Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).

The curatorial duo Carmen Lael Hines and Roberto Majano will be the new Head Curators at The RYDER Projects. This represents a new stage in the gallery that succeeds the period led by Rafa Barber, who has held this position heretofore.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

Casa de América, in Madrid, hosts Convergences / Divergences. Two Aesthetics in Dialogue, a complete exhibition curated by Ariel Jimenez in which Ye'kwana craftsmanship, a community of the Venezuelan Amazon rainforest, and modern and contemporary geometric abstraction, represented by more than a hundred works from the Juan Carlos Maldonado Collection, are in dialogue. The exhibition delves into the relationship between the different aesthetics developed contemporarily by both groups and, above all, highlights the reference to modern art movements and their partial debt to the techniques and motifs of the peoples of the Amazon.

The Lima Art Museum (MALI) has announced the return of its emblematic event, thanks to the sponsorship of BBVA Global Wealth and RIMAC. The showcase will take place on February 21 at Playa del Golf, in the Asia beach resort.

La Casa Encendida is planning a large part of its artistic, exhibition program this season around the concept of Verbos encendidos, a framework line of argument that frames the theme and the perspective from which certain public, political and social issues are approached from the institution. Escuchar (Listen) is the first verb, chosen to start with it a call for attention towards the construction of spaces and tools that allow to overcome differences and find common spaces of understanding.

The Hochschild Correa Collection boasts of being the most complete private collection of contemporary art from the Peruvian Amazon. Nevertheless, for more than a decade, it has been built on a varied and unrestricted collection, which has made it possible to bring together the different trends and techniques currently being used in the region, with a focus on dialogue and a certain relational patina among the works that make up the collection. 

Helga de Alvear (Kirn/Nahe, Germany, 1936-Madrid, Spain, 2025) passed away at the age of 88. A fundamental figure of collecting and gallerism in Spain and Europe, her name remains as a metaphorical vocative and reference of one of the keys to the evolution and understanding of how contemporary art should be shared and communicated to facilitate its appreciation as a fundamental part of the times in which she lived. A true believer that artistic practices should come to the surface and be another representation of the motifs and realities that shaped each period of history, convulsive in the case of Spain, she approached it with the vision and experience of someone who finds a necessary space to appreciate the present and build a future.

The Museum of Contemporary Art of Lima (MAC) is organizing New Horizons of Digital Art, aimed at young people and adults, as part of the public program of the exhibition Artware 9. Lima Digital Art Biennial.