“A FANTASTIC BESTIARY” AT MAM CHILOÉ
The Chiloé Museum of Modern Art presents its 37th edition featuring photographs, paintings, sculptures, installations, performances, videos, and digital cinema in the exhibition Espectral (Spectral), which invites viewers to explore what stirs unease: the mysterious, the ethereal, and the unknown.

Curated by Coca González and Raúl Miranda, the exhibition brings together 19 Chilean artists and collectives, along with a guest artist from Brazil. Making the intangible tangible is one of the central themes of the show. Some works delve into mythological beings and symbolic rituals, while others play with the meaning of horror, strangeness, and the inexplicable. Certain pieces provoke physical interaction and challenge the viewer's perception, actively engaging the audience.
“The curatorial approach reflects the syncretism characteristic of Chile's territories from north to south, where ancestral narratives, scholarly or popular references, and political satire intertwine. The works re-signify these dimensions through diverse materials and languages, creating a fantastic bestiary”, said Miranda.
-
Consuelo Walker. La inasible experiencia de un cuerpo.
Cortesía de MAM Chiloé -
Consuelo Walker. La inasible experiencia de un cuerpo.
Cortesía de MAM Chiloé -
Ignacio Chiguay. Crisis de identidad de una virgen de advocación desconocida. Cortesía de MAM Chiloé
-
Ximena Zomosa. Acción Papay. Cortesía de MAM Chiloé
-
Guillermo Grez. Imagen de la muestra Espectral. Cortesía de MAM Chiloé
-
Antonio Becerro. Imagen de la muestra Espectral. Cortesía de MAM Chile
-
Clara Yáñez. Imagen de la muestra Espectral. Cortesía de MAM Chiloé
The artists featured in the exhibition include Ariel Aguirre, Paula Anguita, Juvenal Barría, Carolina Vassi, Antonio Becerro, Seba Calfuqueo, Ignacio Chiguay, Pablo Concha, Juana Gómez, Marinela Goulart, Guillermo Grez, Ritual Inhabitual, Felipe Landea, León y Cociña, Francisco Ríos, Javier Rodríguez Pino, Demian Schopf, Consuelo Walker, Clara Yáñez, and Ximena Zomosa.
“Through their works, these artists crossed worlds and cultures, in a transfer of symbols that are reborn today,” explains the co-curator.
The exhibition Espectral: 37th Annual Show will be on display until April 11, 2025, at Parque Municipal de Castro, Castro (Chile).
Related Topics
May interest you

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.
The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.
Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).
RENEWED LATIN AMERICAN PRESENCE IN THE THYSSEN PERFORMANCE SERIES “VISIÓN Y PRESENCIA 2025”
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.
The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.
Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.
The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.
Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).
RENEWED LATIN AMERICAN PRESENCE IN THE THYSSEN PERFORMANCE SERIES “VISIÓN Y PRESENCIA 2025”
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.
The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.
Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).

Brazilian artist Anna Costa e Silva (1988) is one of the selected artists for the Delfina Foundation’s Residency Program. Her production is focused on producing environments that encourage vulnerability, dialogue, and exchange.
ANNA COSTA E SILVA AT THE DELFINA FOUNDATION
Brazilian artist Anna Costa e Silva (1988) is one of the selected artists for the Delfina Foundation’s Residency Program. Her production is focused on producing environments that encourage vulnerability, dialogue, and exchange.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.
GABRIEL O'SHEA'S HUMAN AND REALISTIC TECHNOLOGICAL FUTURE
Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

The Museum of Contemporary Art of Lima (MAC Lima) presents La poesía es una invasión (Poetry is an invasion), a retrospective celebrating the 25-year career of José Aburto Zolezzi, a pioneer in experimental electronic literature.
POETRY IN THE DIGITAL WORLD AT MAC LIMA
The Museum of Contemporary Art of Lima (MAC Lima) presents La poesía es una invasión (Poetry is an invasion), a retrospective celebrating the 25-year career of José Aburto Zolezzi, a pioneer in experimental electronic literature.

The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.
FRANCISCA BENÍTEZ AND THE TRANSFORMATION OF SPACE AND SOCIETY
The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.

As part of the temporary exhibition Contactos. Textiles coloniales de los Andes (Contacts: Colonial Textiles from the Andes), the Chilean Museum of Pre-Columbian Art presents a mediation room for visitors, designed to bring them closer to the richness of Andean textile production and expand reflections on contemporary connections. This space invites the audience to think of weaving as a language that links people, memories, and territories, enabling collective and sensory experiences.
TOUCH AND TEXTILE CREATION AT THE CHILEAN PRECOLUMBIAN ART MUSEUM
As part of the temporary exhibition Contactos. Textiles coloniales de los Andes (Contacts: Colonial Textiles from the Andes), the Chilean Museum of Pre-Columbian Art presents a mediation room for visitors, designed to bring them closer to the richness of Andean textile production and expand reflections on contemporary connections. This space invites the audience to think of weaving as a language that links people, memories, and territories, enabling collective and sensory experiences.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.
The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.
Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).
RENEWED LATIN AMERICAN PRESENCE IN THE THYSSEN PERFORMANCE SERIES “VISIÓN Y PRESENCIA 2025”
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.
The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.
Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).

Brazilian artist Anna Costa e Silva (1988) is one of the selected artists for the Delfina Foundation’s Residency Program. Her production is focused on producing environments that encourage vulnerability, dialogue, and exchange.
ANNA COSTA E SILVA AT THE DELFINA FOUNDATION
Brazilian artist Anna Costa e Silva (1988) is one of the selected artists for the Delfina Foundation’s Residency Program. Her production is focused on producing environments that encourage vulnerability, dialogue, and exchange.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.
GABRIEL O'SHEA'S HUMAN AND REALISTIC TECHNOLOGICAL FUTURE
Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

The Museum of Contemporary Art of Lima (MAC Lima) presents La poesía es una invasión (Poetry is an invasion), a retrospective celebrating the 25-year career of José Aburto Zolezzi, a pioneer in experimental electronic literature.
POETRY IN THE DIGITAL WORLD AT MAC LIMA
The Museum of Contemporary Art of Lima (MAC Lima) presents La poesía es una invasión (Poetry is an invasion), a retrospective celebrating the 25-year career of José Aburto Zolezzi, a pioneer in experimental electronic literature.

The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.
FRANCISCA BENÍTEZ AND THE TRANSFORMATION OF SPACE AND SOCIETY
The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.

As part of the temporary exhibition Contactos. Textiles coloniales de los Andes (Contacts: Colonial Textiles from the Andes), the Chilean Museum of Pre-Columbian Art presents a mediation room for visitors, designed to bring them closer to the richness of Andean textile production and expand reflections on contemporary connections. This space invites the audience to think of weaving as a language that links people, memories, and territories, enabling collective and sensory experiences.
TOUCH AND TEXTILE CREATION AT THE CHILEAN PRECOLUMBIAN ART MUSEUM
As part of the temporary exhibition Contactos. Textiles coloniales de los Andes (Contacts: Colonial Textiles from the Andes), the Chilean Museum of Pre-Columbian Art presents a mediation room for visitors, designed to bring them closer to the richness of Andean textile production and expand reflections on contemporary connections. This space invites the audience to think of weaving as a language that links people, memories, and territories, enabling collective and sensory experiences.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.
The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.
Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).
RENEWED LATIN AMERICAN PRESENCE IN THE THYSSEN PERFORMANCE SERIES “VISIÓN Y PRESENCIA 2025”
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.
The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.
Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).

Brazilian artist Anna Costa e Silva (1988) is one of the selected artists for the Delfina Foundation’s Residency Program. Her production is focused on producing environments that encourage vulnerability, dialogue, and exchange.
ANNA COSTA E SILVA AT THE DELFINA FOUNDATION
Brazilian artist Anna Costa e Silva (1988) is one of the selected artists for the Delfina Foundation’s Residency Program. Her production is focused on producing environments that encourage vulnerability, dialogue, and exchange.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.
GABRIEL O'SHEA'S HUMAN AND REALISTIC TECHNOLOGICAL FUTURE
Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

The Museum of Contemporary Art of Lima (MAC Lima) presents La poesía es una invasión (Poetry is an invasion), a retrospective celebrating the 25-year career of José Aburto Zolezzi, a pioneer in experimental electronic literature.
POETRY IN THE DIGITAL WORLD AT MAC LIMA
The Museum of Contemporary Art of Lima (MAC Lima) presents La poesía es una invasión (Poetry is an invasion), a retrospective celebrating the 25-year career of José Aburto Zolezzi, a pioneer in experimental electronic literature.

The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.
FRANCISCA BENÍTEZ AND THE TRANSFORMATION OF SPACE AND SOCIETY
The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.

As part of the temporary exhibition Contactos. Textiles coloniales de los Andes (Contacts: Colonial Textiles from the Andes), the Chilean Museum of Pre-Columbian Art presents a mediation room for visitors, designed to bring them closer to the richness of Andean textile production and expand reflections on contemporary connections. This space invites the audience to think of weaving as a language that links people, memories, and territories, enabling collective and sensory experiences.
TOUCH AND TEXTILE CREATION AT THE CHILEAN PRECOLUMBIAN ART MUSEUM
As part of the temporary exhibition Contactos. Textiles coloniales de los Andes (Contacts: Colonial Textiles from the Andes), the Chilean Museum of Pre-Columbian Art presents a mediation room for visitors, designed to bring them closer to the richness of Andean textile production and expand reflections on contemporary connections. This space invites the audience to think of weaving as a language that links people, memories, and territories, enabling collective and sensory experiences.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.
The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.
Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).
RENEWED LATIN AMERICAN PRESENCE IN THE THYSSEN PERFORMANCE SERIES “VISIÓN Y PRESENCIA 2025”
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.
The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.
Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).

Brazilian artist Anna Costa e Silva (1988) is one of the selected artists for the Delfina Foundation’s Residency Program. Her production is focused on producing environments that encourage vulnerability, dialogue, and exchange.
ANNA COSTA E SILVA AT THE DELFINA FOUNDATION
Brazilian artist Anna Costa e Silva (1988) is one of the selected artists for the Delfina Foundation’s Residency Program. Her production is focused on producing environments that encourage vulnerability, dialogue, and exchange.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.
GABRIEL O'SHEA'S HUMAN AND REALISTIC TECHNOLOGICAL FUTURE
Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

The Museum of Contemporary Art of Lima (MAC Lima) presents La poesía es una invasión (Poetry is an invasion), a retrospective celebrating the 25-year career of José Aburto Zolezzi, a pioneer in experimental electronic literature.
POETRY IN THE DIGITAL WORLD AT MAC LIMA
The Museum of Contemporary Art of Lima (MAC Lima) presents La poesía es una invasión (Poetry is an invasion), a retrospective celebrating the 25-year career of José Aburto Zolezzi, a pioneer in experimental electronic literature.

The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.
FRANCISCA BENÍTEZ AND THE TRANSFORMATION OF SPACE AND SOCIETY
The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.

As part of the temporary exhibition Contactos. Textiles coloniales de los Andes (Contacts: Colonial Textiles from the Andes), the Chilean Museum of Pre-Columbian Art presents a mediation room for visitors, designed to bring them closer to the richness of Andean textile production and expand reflections on contemporary connections. This space invites the audience to think of weaving as a language that links people, memories, and territories, enabling collective and sensory experiences.
TOUCH AND TEXTILE CREATION AT THE CHILEAN PRECOLUMBIAN ART MUSEUM
As part of the temporary exhibition Contactos. Textiles coloniales de los Andes (Contacts: Colonial Textiles from the Andes), the Chilean Museum of Pre-Columbian Art presents a mediation room for visitors, designed to bring them closer to the richness of Andean textile production and expand reflections on contemporary connections. This space invites the audience to think of weaving as a language that links people, memories, and territories, enabling collective and sensory experiences.

Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.
The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.
Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).
RENEWED LATIN AMERICAN PRESENCE IN THE THYSSEN PERFORMANCE SERIES “VISIÓN Y PRESENCIA 2025”
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Visión y presencia, the cycle of performances by women artists organized by the Thyssen-Bornemisza Museum, reaches its fourth edition with a renewed program where, once again, the Latin American presence will play a very prominent role. As in previous editions, ten will be the creative proposals that will be staged in different spaces of the Madrid museum and that will be linked to the concept of their proposals, notably revolving around feminism, traditions, colonialism, immigration or ecology.
Canary Islands-based Mexican Gloria Godinez (Mexico City, Mexico, 1979) will be in charge of opening the cycle with Rojo descolonial en la pintura de Vincent van Gogh (Decolonial red in Vincent van Gogh's painting). The cycle will have a performative action every month, successively (except for July and August), and performances by Elisa Miralles, Yola Balanga, Cuba's Susana Pilar, Costa Rica's Eugenia S. Rudin, Paraguay's Eugenia Rudin and Elisa Miralles are scheduled. Rudin, Paraguay's Jessica Diaz, Chile's Laura Santander, Teresa Correa, Uruguay's Valentina Cardellino and Andrea Ghuisolfi, and O.R.G.I.A. along with three lectures by Brazilian curator Renata Ribeiro, Alma Cardoso and Diana Cuellar.
The Spanish Agency of International Cooperation for Development (AECID) has collaborated in the preparation of the program, as well as the Spanish Cultural Centers in Montevideo, Paraguay and Costa Rica and, for the first time, the Atlantic Center of Modern Art-CAAM of Gran Canaria.
Visión y presencia will be held from January 22 to December 10, 2025 at the Thyssen-Bornemisza Museum, Paseo del Prado, 8, Madrid (Spain).

Brazilian artist Anna Costa e Silva (1988) is one of the selected artists for the Delfina Foundation’s Residency Program. Her production is focused on producing environments that encourage vulnerability, dialogue, and exchange.
ANNA COSTA E SILVA AT THE DELFINA FOUNDATION
Brazilian artist Anna Costa e Silva (1988) is one of the selected artists for the Delfina Foundation’s Residency Program. Her production is focused on producing environments that encourage vulnerability, dialogue, and exchange.

Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.
GABRIEL O'SHEA'S HUMAN AND REALISTIC TECHNOLOGICAL FUTURE
Gabriel O'Shea (Metepec, Mexico, 1998) manages to delve into that huge and apparent dichotomy between the technological and the human (or the future and the real) in his most recent proposal at Hilario Galguera's Madrid headquarters, a series of paintings of high conceptual content that critically debate on several technical and thinking aspects.

The Museum of Contemporary Art of Lima (MAC Lima) presents La poesía es una invasión (Poetry is an invasion), a retrospective celebrating the 25-year career of José Aburto Zolezzi, a pioneer in experimental electronic literature.
POETRY IN THE DIGITAL WORLD AT MAC LIMA
The Museum of Contemporary Art of Lima (MAC Lima) presents La poesía es una invasión (Poetry is an invasion), a retrospective celebrating the 25-year career of José Aburto Zolezzi, a pioneer in experimental electronic literature.

The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.
FRANCISCA BENÍTEZ AND THE TRANSFORMATION OF SPACE AND SOCIETY
The Museo de Arte Contemporáneo in Santiago, Chile, presents Trabajo de campo (Fieldwork), the first retrospective exhibition of the multidisciplinary artist, curated by Joselyne Contreras, at its Parque Forestal venue.

As part of the temporary exhibition Contactos. Textiles coloniales de los Andes (Contacts: Colonial Textiles from the Andes), the Chilean Museum of Pre-Columbian Art presents a mediation room for visitors, designed to bring them closer to the richness of Andean textile production and expand reflections on contemporary connections. This space invites the audience to think of weaving as a language that links people, memories, and territories, enabling collective and sensory experiences.
TOUCH AND TEXTILE CREATION AT THE CHILEAN PRECOLUMBIAN ART MUSEUM
As part of the temporary exhibition Contactos. Textiles coloniales de los Andes (Contacts: Colonial Textiles from the Andes), the Chilean Museum of Pre-Columbian Art presents a mediation room for visitors, designed to bring them closer to the richness of Andean textile production and expand reflections on contemporary connections. This space invites the audience to think of weaving as a language that links people, memories, and territories, enabling collective and sensory experiences.