LIA D CASTRO’S FIRST SOLO EXHIBITION AT MASP

Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.

The next Pompidou Museum project in Foz do Iguaçu will be presented by Luciana Pereira, Secretary of Culture of the State of Paraná, Brazil, at the Pinta Sud | ASU conference, to be held at the Casa de la Integración (CAF) on August 8, 2024. This will be the first Pompidou Center in Latin America.

Marli Matsumoto Arte Contemporânea featured artist Mayana Redin’s solo show Nenhum Mistério (No Mistery) at the gallery, with a presentation and critical text by José Augusto Ribeiro.

Fondazione Donnaregina per le arti contemporanee – museo Madre present Vai, vai, Saudade, a collective exhibition which offers a poetic pathway, exploring a series of stories related to the art produced in Brazil since WWII. Curated by Cristiano Raimondi.

Lucio Fontana made one of the most extraordinary and radical gestures of modern art in 1958 when he cut the surface of a monochromatic canvas with a razor blade. The exhibition “Il y a eu un futur- Un Futuro c'é stato” at the Musée Soulage, Rodez, revisits the legacy of this artist and offers a survey of his entire oeuvre, before and after the war, in Argentina and Italy.

A man is waiting. In elegant clothes, the figure is placed in the center of what looks like a hotel bar. He plays the lead role on a sort of stage, an interior that is something of a cage, something of a scenic locus, as if a possible flirtation or a desired encounter would provide some catalysis of emergence, a quick enjoyment, an intense release, however short and finite, perhaps dismantling a routine of limits. Man in Blue (1954) works as a synthesis of the not so extensive but very significant gathering of the celebrated Francis Bacon (1909-1992) in A Beleza da Carne (The Beauty of Meat), at Masp (São Paulo Museum of Art). The exhibition is curated by Adriano Pedrosa, artistic director of the institution and curator of the current edition of the Venice Biennale, the 60th, on show until November in the Italian city, and co-curated by Laura Cosendey.

The 14th Mercosur Biennial will be held between March 27 and June 1, 2025. The exhibition, which was originally planned to be held this year in Porto Alegre, was rescheduled as a result of the climatic catastrophes that affected southern Brazil.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.

The next Pompidou Museum project in Foz do Iguaçu will be presented by Luciana Pereira, Secretary of Culture of the State of Paraná, Brazil, at the Pinta Sud | ASU conference, to be held at the Casa de la Integración (CAF) on August 8, 2024. This will be the first Pompidou Center in Latin America.

Marli Matsumoto Arte Contemporânea featured artist Mayana Redin’s solo show Nenhum Mistério (No Mistery) at the gallery, with a presentation and critical text by José Augusto Ribeiro.

Fondazione Donnaregina per le arti contemporanee – museo Madre present Vai, vai, Saudade, a collective exhibition which offers a poetic pathway, exploring a series of stories related to the art produced in Brazil since WWII. Curated by Cristiano Raimondi.

Lucio Fontana made one of the most extraordinary and radical gestures of modern art in 1958 when he cut the surface of a monochromatic canvas with a razor blade. The exhibition “Il y a eu un futur- Un Futuro c'é stato” at the Musée Soulage, Rodez, revisits the legacy of this artist and offers a survey of his entire oeuvre, before and after the war, in Argentina and Italy.

A man is waiting. In elegant clothes, the figure is placed in the center of what looks like a hotel bar. He plays the lead role on a sort of stage, an interior that is something of a cage, something of a scenic locus, as if a possible flirtation or a desired encounter would provide some catalysis of emergence, a quick enjoyment, an intense release, however short and finite, perhaps dismantling a routine of limits. Man in Blue (1954) works as a synthesis of the not so extensive but very significant gathering of the celebrated Francis Bacon (1909-1992) in A Beleza da Carne (The Beauty of Meat), at Masp (São Paulo Museum of Art). The exhibition is curated by Adriano Pedrosa, artistic director of the institution and curator of the current edition of the Venice Biennale, the 60th, on show until November in the Italian city, and co-curated by Laura Cosendey.

The 14th Mercosur Biennial will be held between March 27 and June 1, 2025. The exhibition, which was originally planned to be held this year in Porto Alegre, was rescheduled as a result of the climatic catastrophes that affected southern Brazil.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.

The next Pompidou Museum project in Foz do Iguaçu will be presented by Luciana Pereira, Secretary of Culture of the State of Paraná, Brazil, at the Pinta Sud | ASU conference, to be held at the Casa de la Integración (CAF) on August 8, 2024. This will be the first Pompidou Center in Latin America.

Marli Matsumoto Arte Contemporânea featured artist Mayana Redin’s solo show Nenhum Mistério (No Mistery) at the gallery, with a presentation and critical text by José Augusto Ribeiro.

Fondazione Donnaregina per le arti contemporanee – museo Madre present Vai, vai, Saudade, a collective exhibition which offers a poetic pathway, exploring a series of stories related to the art produced in Brazil since WWII. Curated by Cristiano Raimondi.

Lucio Fontana made one of the most extraordinary and radical gestures of modern art in 1958 when he cut the surface of a monochromatic canvas with a razor blade. The exhibition “Il y a eu un futur- Un Futuro c'é stato” at the Musée Soulage, Rodez, revisits the legacy of this artist and offers a survey of his entire oeuvre, before and after the war, in Argentina and Italy.

A man is waiting. In elegant clothes, the figure is placed in the center of what looks like a hotel bar. He plays the lead role on a sort of stage, an interior that is something of a cage, something of a scenic locus, as if a possible flirtation or a desired encounter would provide some catalysis of emergence, a quick enjoyment, an intense release, however short and finite, perhaps dismantling a routine of limits. Man in Blue (1954) works as a synthesis of the not so extensive but very significant gathering of the celebrated Francis Bacon (1909-1992) in A Beleza da Carne (The Beauty of Meat), at Masp (São Paulo Museum of Art). The exhibition is curated by Adriano Pedrosa, artistic director of the institution and curator of the current edition of the Venice Biennale, the 60th, on show until November in the Italian city, and co-curated by Laura Cosendey.

The 14th Mercosur Biennial will be held between March 27 and June 1, 2025. The exhibition, which was originally planned to be held this year in Porto Alegre, was rescheduled as a result of the climatic catastrophes that affected southern Brazil.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.

The next Pompidou Museum project in Foz do Iguaçu will be presented by Luciana Pereira, Secretary of Culture of the State of Paraná, Brazil, at the Pinta Sud | ASU conference, to be held at the Casa de la Integración (CAF) on August 8, 2024. This will be the first Pompidou Center in Latin America.

Marli Matsumoto Arte Contemporânea featured artist Mayana Redin’s solo show Nenhum Mistério (No Mistery) at the gallery, with a presentation and critical text by José Augusto Ribeiro.

Fondazione Donnaregina per le arti contemporanee – museo Madre present Vai, vai, Saudade, a collective exhibition which offers a poetic pathway, exploring a series of stories related to the art produced in Brazil since WWII. Curated by Cristiano Raimondi.

Lucio Fontana made one of the most extraordinary and radical gestures of modern art in 1958 when he cut the surface of a monochromatic canvas with a razor blade. The exhibition “Il y a eu un futur- Un Futuro c'é stato” at the Musée Soulage, Rodez, revisits the legacy of this artist and offers a survey of his entire oeuvre, before and after the war, in Argentina and Italy.

A man is waiting. In elegant clothes, the figure is placed in the center of what looks like a hotel bar. He plays the lead role on a sort of stage, an interior that is something of a cage, something of a scenic locus, as if a possible flirtation or a desired encounter would provide some catalysis of emergence, a quick enjoyment, an intense release, however short and finite, perhaps dismantling a routine of limits. Man in Blue (1954) works as a synthesis of the not so extensive but very significant gathering of the celebrated Francis Bacon (1909-1992) in A Beleza da Carne (The Beauty of Meat), at Masp (São Paulo Museum of Art). The exhibition is curated by Adriano Pedrosa, artistic director of the institution and curator of the current edition of the Venice Biennale, the 60th, on show until November in the Italian city, and co-curated by Laura Cosendey.

The 14th Mercosur Biennial will be held between March 27 and June 1, 2025. The exhibition, which was originally planned to be held this year in Porto Alegre, was rescheduled as a result of the climatic catastrophes that affected southern Brazil.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.

The next Pompidou Museum project in Foz do Iguaçu will be presented by Luciana Pereira, Secretary of Culture of the State of Paraná, Brazil, at the Pinta Sud | ASU conference, to be held at the Casa de la Integración (CAF) on August 8, 2024. This will be the first Pompidou Center in Latin America.

Marli Matsumoto Arte Contemporânea featured artist Mayana Redin’s solo show Nenhum Mistério (No Mistery) at the gallery, with a presentation and critical text by José Augusto Ribeiro.

Fondazione Donnaregina per le arti contemporanee – museo Madre present Vai, vai, Saudade, a collective exhibition which offers a poetic pathway, exploring a series of stories related to the art produced in Brazil since WWII. Curated by Cristiano Raimondi.

Lucio Fontana made one of the most extraordinary and radical gestures of modern art in 1958 when he cut the surface of a monochromatic canvas with a razor blade. The exhibition “Il y a eu un futur- Un Futuro c'é stato” at the Musée Soulage, Rodez, revisits the legacy of this artist and offers a survey of his entire oeuvre, before and after the war, in Argentina and Italy.

A man is waiting. In elegant clothes, the figure is placed in the center of what looks like a hotel bar. He plays the lead role on a sort of stage, an interior that is something of a cage, something of a scenic locus, as if a possible flirtation or a desired encounter would provide some catalysis of emergence, a quick enjoyment, an intense release, however short and finite, perhaps dismantling a routine of limits. Man in Blue (1954) works as a synthesis of the not so extensive but very significant gathering of the celebrated Francis Bacon (1909-1992) in A Beleza da Carne (The Beauty of Meat), at Masp (São Paulo Museum of Art). The exhibition is curated by Adriano Pedrosa, artistic director of the institution and curator of the current edition of the Venice Biennale, the 60th, on show until November in the Italian city, and co-curated by Laura Cosendey.

The 14th Mercosur Biennial will be held between March 27 and June 1, 2025. The exhibition, which was originally planned to be held this year in Porto Alegre, was rescheduled as a result of the climatic catastrophes that affected southern Brazil.