THE MONOGRAPHIC EXHIBITION BY BRITISH ARTIST FRANCIS BACON AT MASP

The exhibition volcanic asterisk fruit avatar by the collective assume vivid astro focus (avaf) at Marlborough features Peruvian alpaca wool tapestries, anodized aluminum curtains, and acrylic paintings on double sheets of corrugated kraft paper.

The Spanish international art fair ARCOmadrid takes place from March 6 to 10 with a great number of Latin American proposals, curatorial projects, galleries and artists.

The 60th International Art Exhibition of the Venice Biennale –to be held from April 20 to November 24, 2024– presents 332 participants, including Argentine artists, in the international exhibition Foreigners Everywhere.

The President of La Biennale di Venezia, Roberto Cicutto, and the Curator of the 60th International Art Exhibition, Adriano Pedrosa announced the title and theme of the Venice Biennale Arte 2024, which will take place from 20^th April to 24^th November 2024.

The Center for Curatorial Studies, Bard College (CCS Bard) announced that Adriano Pedrosa, Artistic Director of Museu de Arte de São Paulo Assis Chateaubriand (MASP), will receive the 2023 Audrey Irmas Award for Curatorial Excellence. 

The Board of La Biennale di Venezia appointed Adriano Pedrosa as Director of the Visual Arts Sector, with the specific task of curating the 60th International Art Exhibition to be held in 2024 (from April 20^th to November 24^th).

The exhibition Teresa Solar Abbourd. Pájaro sueño de máquina (Bird dream of machine) in CA2M Museum presents two large installations that condense the artist's research in recent years. It is curated by Tania Pardo and Claudia Segura Campins.

Two decades after Miguel Ángel Rojas (1946, Bogotá, Colombia) conceptualized in his project David Quiebramales his denunciation of violence and the use of education as the most efficient vehicle towards a catharsis for those who suffer it, the Madrid headquarters of La Cometa revisits his most emblematic work and reinterprets it as the framework for a kind of thematic retrospective. This commemoration of that first David Quiebramales reinforces a view that is still difficult to overcome and that, even today, serves to trace those harmful social dynamics that are created between society and war, the institutional and the political systems.

The National Gallery of Art announced the appointment of Natalia Ángeles Vieyra as the new associate curator of Latinx art. She will assume the position on June 30. Vieyra will play a key role in the museum's work. She will join a team of seven curators in the department of modern and contemporary art dedicated to 20th- and 21st-century art.

Delfina Foundation announced an international open call for its upcoming winter 2025 residency season (January 6^th–March 30^th) under its recurring thematic program science technology society. Deadline to apply: May 19^th, 2024.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography

The exhibition Lia D Castro: Everywhere and Nowhere, at MASP – Museu de Arte de São Paulo Assis Chateaubriand is the artist’s first solo show in a museum, and brings together 36 works, most of which are figurative paintings. The selected works explore scenarios where affection, dialogue and imagination become important tools for social transformation.

A man is waiting. In elegant clothes, the figure is placed in the center of what looks like a hotel bar. He plays the lead role on a sort of stage, an interior that is something of a cage, something of a scenic locus, as if a possible flirtation or a desired encounter would provide some catalysis of emergence, a quick enjoyment, an intense release, however short and finite, perhaps dismantling a routine of limits. Man in Blue (1954) works as a synthesis of the not so extensive but very significant gathering of the celebrated Francis Bacon (1909-1992) in A Beleza da Carne (The Beauty of Meat), at Masp (São Paulo Museum of Art). The exhibition is curated by Adriano Pedrosa, artistic director of the institution and curator of the current edition of the Venice Biennale, the 60th, on show until November in the Italian city, and co-curated by Laura Cosendey.

The exhibition volcanic asterisk fruit avatar by the collective assume vivid astro focus (avaf) at Marlborough features Peruvian alpaca wool tapestries, anodized aluminum curtains, and acrylic paintings on double sheets of corrugated kraft paper.

The Spanish international art fair ARCOmadrid takes place from March 6 to 10 with a great number of Latin American proposals, curatorial projects, galleries and artists.

The 60th International Art Exhibition of the Venice Biennale –to be held from April 20 to November 24, 2024– presents 332 participants, including Argentine artists, in the international exhibition Foreigners Everywhere.

The President of La Biennale di Venezia, Roberto Cicutto, and the Curator of the 60th International Art Exhibition, Adriano Pedrosa announced the title and theme of the Venice Biennale Arte 2024, which will take place from 20^th April to 24^th November 2024.

The Center for Curatorial Studies, Bard College (CCS Bard) announced that Adriano Pedrosa, Artistic Director of Museu de Arte de São Paulo Assis Chateaubriand (MASP), will receive the 2023 Audrey Irmas Award for Curatorial Excellence. 

The Board of La Biennale di Venezia appointed Adriano Pedrosa as Director of the Visual Arts Sector, with the specific task of curating the 60th International Art Exhibition to be held in 2024 (from April 20^th to November 24^th).

The exhibition Teresa Solar Abbourd. Pájaro sueño de máquina (Bird dream of machine) in CA2M Museum presents two large installations that condense the artist's research in recent years. It is curated by Tania Pardo and Claudia Segura Campins.

Two decades after Miguel Ángel Rojas (1946, Bogotá, Colombia) conceptualized in his project David Quiebramales his denunciation of violence and the use of education as the most efficient vehicle towards a catharsis for those who suffer it, the Madrid headquarters of La Cometa revisits his most emblematic work and reinterprets it as the framework for a kind of thematic retrospective. This commemoration of that first David Quiebramales reinforces a view that is still difficult to overcome and that, even today, serves to trace those harmful social dynamics that are created between society and war, the institutional and the political systems.

The National Gallery of Art announced the appointment of Natalia Ángeles Vieyra as the new associate curator of Latinx art. She will assume the position on June 30. Vieyra will play a key role in the museum's work. She will join a team of seven curators in the department of modern and contemporary art dedicated to 20th- and 21st-century art.

Delfina Foundation announced an international open call for its upcoming winter 2025 residency season (January 6^th–March 30^th) under its recurring thematic program science technology society. Deadline to apply: May 19^th, 2024.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography

The exhibition Lia D Castro: Everywhere and Nowhere, at MASP – Museu de Arte de São Paulo Assis Chateaubriand is the artist’s first solo show in a museum, and brings together 36 works, most of which are figurative paintings. The selected works explore scenarios where affection, dialogue and imagination become important tools for social transformation.

A man is waiting. In elegant clothes, the figure is placed in the center of what looks like a hotel bar. He plays the lead role on a sort of stage, an interior that is something of a cage, something of a scenic locus, as if a possible flirtation or a desired encounter would provide some catalysis of emergence, a quick enjoyment, an intense release, however short and finite, perhaps dismantling a routine of limits. Man in Blue (1954) works as a synthesis of the not so extensive but very significant gathering of the celebrated Francis Bacon (1909-1992) in A Beleza da Carne (The Beauty of Meat), at Masp (São Paulo Museum of Art). The exhibition is curated by Adriano Pedrosa, artistic director of the institution and curator of the current edition of the Venice Biennale, the 60th, on show until November in the Italian city, and co-curated by Laura Cosendey.

The Spanish international art fair ARCOmadrid takes place from March 6 to 10 with a great number of Latin American proposals, curatorial projects, galleries and artists.

The 60th International Art Exhibition of the Venice Biennale –to be held from April 20 to November 24, 2024– presents 332 participants, including Argentine artists, in the international exhibition Foreigners Everywhere.

The President of La Biennale di Venezia, Roberto Cicutto, and the Curator of the 60th International Art Exhibition, Adriano Pedrosa announced the title and theme of the Venice Biennale Arte 2024, which will take place from 20^th April to 24^th November 2024.

The Center for Curatorial Studies, Bard College (CCS Bard) announced that Adriano Pedrosa, Artistic Director of Museu de Arte de São Paulo Assis Chateaubriand (MASP), will receive the 2023 Audrey Irmas Award for Curatorial Excellence. 

The Board of La Biennale di Venezia appointed Adriano Pedrosa as Director of the Visual Arts Sector, with the specific task of curating the 60th International Art Exhibition to be held in 2024 (from April 20^th to November 24^th).

The exhibition Teresa Solar Abbourd. Pájaro sueño de máquina (Bird dream of machine) in CA2M Museum presents two large installations that condense the artist's research in recent years. It is curated by Tania Pardo and Claudia Segura Campins.

Two decades after Miguel Ángel Rojas (1946, Bogotá, Colombia) conceptualized in his project David Quiebramales his denunciation of violence and the use of education as the most efficient vehicle towards a catharsis for those who suffer it, the Madrid headquarters of La Cometa revisits his most emblematic work and reinterprets it as the framework for a kind of thematic retrospective. This commemoration of that first David Quiebramales reinforces a view that is still difficult to overcome and that, even today, serves to trace those harmful social dynamics that are created between society and war, the institutional and the political systems.

The National Gallery of Art announced the appointment of Natalia Ángeles Vieyra as the new associate curator of Latinx art. She will assume the position on June 30. Vieyra will play a key role in the museum's work. She will join a team of seven curators in the department of modern and contemporary art dedicated to 20th- and 21st-century art.

Delfina Foundation announced an international open call for its upcoming winter 2025 residency season (January 6^th–March 30^th) under its recurring thematic program science technology society. Deadline to apply: May 19^th, 2024.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography

The exhibition Lia D Castro: Everywhere and Nowhere, at MASP – Museu de Arte de São Paulo Assis Chateaubriand is the artist’s first solo show in a museum, and brings together 36 works, most of which are figurative paintings. The selected works explore scenarios where affection, dialogue and imagination become important tools for social transformation.

A man is waiting. In elegant clothes, the figure is placed in the center of what looks like a hotel bar. He plays the lead role on a sort of stage, an interior that is something of a cage, something of a scenic locus, as if a possible flirtation or a desired encounter would provide some catalysis of emergence, a quick enjoyment, an intense release, however short and finite, perhaps dismantling a routine of limits. Man in Blue (1954) works as a synthesis of the not so extensive but very significant gathering of the celebrated Francis Bacon (1909-1992) in A Beleza da Carne (The Beauty of Meat), at Masp (São Paulo Museum of Art). The exhibition is curated by Adriano Pedrosa, artistic director of the institution and curator of the current edition of the Venice Biennale, the 60th, on show until November in the Italian city, and co-curated by Laura Cosendey.

The exhibition volcanic asterisk fruit avatar by the collective assume vivid astro focus (avaf) at Marlborough features Peruvian alpaca wool tapestries, anodized aluminum curtains, and acrylic paintings on double sheets of corrugated kraft paper.

The Spanish international art fair ARCOmadrid takes place from March 6 to 10 with a great number of Latin American proposals, curatorial projects, galleries and artists.

The 60th International Art Exhibition of the Venice Biennale –to be held from April 20 to November 24, 2024– presents 332 participants, including Argentine artists, in the international exhibition Foreigners Everywhere.

The President of La Biennale di Venezia, Roberto Cicutto, and the Curator of the 60th International Art Exhibition, Adriano Pedrosa announced the title and theme of the Venice Biennale Arte 2024, which will take place from 20^th April to 24^th November 2024.

The Center for Curatorial Studies, Bard College (CCS Bard) announced that Adriano Pedrosa, Artistic Director of Museu de Arte de São Paulo Assis Chateaubriand (MASP), will receive the 2023 Audrey Irmas Award for Curatorial Excellence. 

The Board of La Biennale di Venezia appointed Adriano Pedrosa as Director of the Visual Arts Sector, with the specific task of curating the 60th International Art Exhibition to be held in 2024 (from April 20^th to November 24^th).

The exhibition Teresa Solar Abbourd. Pájaro sueño de máquina (Bird dream of machine) in CA2M Museum presents two large installations that condense the artist's research in recent years. It is curated by Tania Pardo and Claudia Segura Campins.

Two decades after Miguel Ángel Rojas (1946, Bogotá, Colombia) conceptualized in his project David Quiebramales his denunciation of violence and the use of education as the most efficient vehicle towards a catharsis for those who suffer it, the Madrid headquarters of La Cometa revisits his most emblematic work and reinterprets it as the framework for a kind of thematic retrospective. This commemoration of that first David Quiebramales reinforces a view that is still difficult to overcome and that, even today, serves to trace those harmful social dynamics that are created between society and war, the institutional and the political systems.

The National Gallery of Art announced the appointment of Natalia Ángeles Vieyra as the new associate curator of Latinx art. She will assume the position on June 30. Vieyra will play a key role in the museum's work. She will join a team of seven curators in the department of modern and contemporary art dedicated to 20th- and 21st-century art.

Delfina Foundation announced an international open call for its upcoming winter 2025 residency season (January 6^th–March 30^th) under its recurring thematic program science technology society. Deadline to apply: May 19^th, 2024.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography

The exhibition Lia D Castro: Everywhere and Nowhere, at MASP – Museu de Arte de São Paulo Assis Chateaubriand is the artist’s first solo show in a museum, and brings together 36 works, most of which are figurative paintings. The selected works explore scenarios where affection, dialogue and imagination become important tools for social transformation.

A man is waiting. In elegant clothes, the figure is placed in the center of what looks like a hotel bar. He plays the lead role on a sort of stage, an interior that is something of a cage, something of a scenic locus, as if a possible flirtation or a desired encounter would provide some catalysis of emergence, a quick enjoyment, an intense release, however short and finite, perhaps dismantling a routine of limits. Man in Blue (1954) works as a synthesis of the not so extensive but very significant gathering of the celebrated Francis Bacon (1909-1992) in A Beleza da Carne (The Beauty of Meat), at Masp (São Paulo Museum of Art). The exhibition is curated by Adriano Pedrosa, artistic director of the institution and curator of the current edition of the Venice Biennale, the 60th, on show until November in the Italian city, and co-curated by Laura Cosendey.

The exhibition volcanic asterisk fruit avatar by the collective assume vivid astro focus (avaf) at Marlborough features Peruvian alpaca wool tapestries, anodized aluminum curtains, and acrylic paintings on double sheets of corrugated kraft paper.

The Spanish international art fair ARCOmadrid takes place from March 6 to 10 with a great number of Latin American proposals, curatorial projects, galleries and artists.

The 60th International Art Exhibition of the Venice Biennale –to be held from April 20 to November 24, 2024– presents 332 participants, including Argentine artists, in the international exhibition Foreigners Everywhere.

The President of La Biennale di Venezia, Roberto Cicutto, and the Curator of the 60th International Art Exhibition, Adriano Pedrosa announced the title and theme of the Venice Biennale Arte 2024, which will take place from 20^th April to 24^th November 2024.

The Center for Curatorial Studies, Bard College (CCS Bard) announced that Adriano Pedrosa, Artistic Director of Museu de Arte de São Paulo Assis Chateaubriand (MASP), will receive the 2023 Audrey Irmas Award for Curatorial Excellence. 

The Board of La Biennale di Venezia appointed Adriano Pedrosa as Director of the Visual Arts Sector, with the specific task of curating the 60th International Art Exhibition to be held in 2024 (from April 20^th to November 24^th).

The exhibition Teresa Solar Abbourd. Pájaro sueño de máquina (Bird dream of machine) in CA2M Museum presents two large installations that condense the artist's research in recent years. It is curated by Tania Pardo and Claudia Segura Campins.

Two decades after Miguel Ángel Rojas (1946, Bogotá, Colombia) conceptualized in his project David Quiebramales his denunciation of violence and the use of education as the most efficient vehicle towards a catharsis for those who suffer it, the Madrid headquarters of La Cometa revisits his most emblematic work and reinterprets it as the framework for a kind of thematic retrospective. This commemoration of that first David Quiebramales reinforces a view that is still difficult to overcome and that, even today, serves to trace those harmful social dynamics that are created between society and war, the institutional and the political systems.

The National Gallery of Art announced the appointment of Natalia Ángeles Vieyra as the new associate curator of Latinx art. She will assume the position on June 30. Vieyra will play a key role in the museum's work. She will join a team of seven curators in the department of modern and contemporary art dedicated to 20th- and 21st-century art.

Delfina Foundation announced an international open call for its upcoming winter 2025 residency season (January 6^th–March 30^th) under its recurring thematic program science technology society. Deadline to apply: May 19^th, 2024.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography

The exhibition Lia D Castro: Everywhere and Nowhere, at MASP – Museu de Arte de São Paulo Assis Chateaubriand is the artist’s first solo show in a museum, and brings together 36 works, most of which are figurative paintings. The selected works explore scenarios where affection, dialogue and imagination become important tools for social transformation.

A man is waiting. In elegant clothes, the figure is placed in the center of what looks like a hotel bar. He plays the lead role on a sort of stage, an interior that is something of a cage, something of a scenic locus, as if a possible flirtation or a desired encounter would provide some catalysis of emergence, a quick enjoyment, an intense release, however short and finite, perhaps dismantling a routine of limits. Man in Blue (1954) works as a synthesis of the not so extensive but very significant gathering of the celebrated Francis Bacon (1909-1992) in A Beleza da Carne (The Beauty of Meat), at Masp (São Paulo Museum of Art). The exhibition is curated by Adriano Pedrosa, artistic director of the institution and curator of the current edition of the Venice Biennale, the 60th, on show until November in the Italian city, and co-curated by Laura Cosendey.