VOLCANIC ASTERISK FRUITY AVATAR
The exhibition volcanic asterisk fruit avatar by the collective assume vivid astro focus (avaf) at Marlborough features Peruvian alpaca wool tapestries, anodized aluminum curtains, and acrylic paintings on double sheets of corrugated kraft paper.

All the works in the exhibition have their germ in a mask created in 2008 for an immersive installation at Area Sacra di Largo Argentina –where the assassination of Julius Caesar occurred– in Rome, a public art project curated by Francesco Bonami, who commissioned them to open the site of archaeological interest for the first time to the public. This space was unused for a long time, during which time it was home to a colony of stray cats and became a feline sanctuary. To integrate its initial inhabitants, avaf decided to create two cat masks that were distributed at the inauguration, so that the public would not frighten the legitimate locals. Thus, visitors became animals and entered into other perspectives on the world: the mask has been associated with the concealment of identity and, paradoxically, sometimes covers our sight in order to be able to scrutinize freely. This also allows us to dilute the identity of individuals in a collective belonging, which connects with the associative practice of avaf.
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AVAF. CORCUNDA ATRAVESSADA, 2023
ACRÍLICO SOBRE DOBLE HOJA DE PAPEL KRAFT CORRUGADO
113 x 78 cm
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AVAF. CORCUNDA ATRAVESSADA, 2023
ACRÍLICO SOBRE DOBLE HOJA DE PAPEL KRAFT CORRUGADO
113 x 78 cm
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AVAF. OVO DA PHOENIX, 2023
ACRÍLICO SOBRE DOBLE HOJA DE PAPEL KRAFT CORRUGADO
33 x 30 cm
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AVAF. NEFERTITE, 2023
ACRÍLICO SOBRE DOBLE HOJA DE PAPEL KRAFT CORRUGADO
33 x 29 cm
Using a stencil of this mask, the collective held an exhibition that same year at Peres Projects in Berlin. Subsequently, the image of the mask continued to be manipulated until it became wallpaper. At La Conservera in Murcia, in 2010, the mask would reappear metaphorically in the form of a pyramid based on fragments of a labyrinthine installation previously exhibited at the National Museum of Art, Architecture and Design in Oslo. From the fragments of this pyramid came the idea to start creating paintings, which did not materialize until 2014 at Suzanne Geiss in New York.
From 2016, when autophagy becomes a constant, avaf begins to investigate how to reproduce the color intensity of the computer screen with acrylic and pigment starting from the initial shapes and glitches of the Rome mask archive. The idea of this illuminated color is to transmit energy to the viewer: there is a healing aspect to this tonal energy, which inoculates a positive and lively state. The mask is also conducive to this therapy, somewhere between healing by dissociation of identity and reconciliation with the incarnation of other species and forms of life. In the festive ecstasy of a carnival celebration, among masks and bright colors, we can symbolize and personify forgiveness, forgetfulness, offering or gratitude. We mask ourselves to heal, to make ourselves other (or to expose who we really are without limitations) for a limited period of time, and this performative action allows us to reconstruct ourselves in other facets.
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AVAF. FRANKENSTEIN BALLET, 2023
ACRÍLICO SOBRE DOBLE HOJA DE PAPEL KRAFT CORRUGADO
33 x 27 cm
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AVAF. FRANKENSTEIN BALLET, 2023
ACRÍLICO SOBRE DOBLE HOJA DE PAPEL KRAFT CORRUGADO
33 x 27 cm
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AVAF. CHACHACHÁ (CHAMINÉ CHAMAS CHAPÉU), 2023. ACRÍLICO SOBRE DOBLE HOJA DE PAPEL KRAFT CORRUGADO
32 x 29 cm
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AVAF. ESPANTA ESPÍRITO, 2023
ACRÍLICO SOBRE DOBLE HOJA DE PAPEL KRAFT CORRUGADO
30 x 30 cm
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AVAF. TRÊS ASSAS, TRÊS GARRAS, UM BICO PEITO, 2023
ACRÍLICO SOBRE DOBLE HOJA DE PAPEL KRAFT CORRUGADO
50 x 70 cm
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AVAF. O AR EM FOGO VORAZ, 2023
LANA DE ALPACA
200 x 133 cm
Between dogma and prayer, the use of color has been indisputable in the treatment of all kinds of discomforts and illnesses, of the body and the soul alike. It is therefore not surprising to learn that the avaf collective has been strengthening, through praxis, an artistic philosophy in which it argues that color must transcend its cultural meaning. From this certainty comes the inquiry into new ways of exposing oneself to brightness, to vibration, to the refulgent surface in disparate materials. It is worth remembering that etymologically, the Indo-European root of the word color means "that which covers". Color and mask are, therefore, twinned artifacts of concealment that transcend their initial nature to reveal a deeper truth, an impulse of healing and redirection of energy.
Volcanic asterisk fruit avatar. Exhibition of the collective Avaf.
Through March 23, 2024.
Marlborough. Orfila 5, Madrid 28010. Spain.
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NEW INC, New Museum's Cultural Incubator, Announces DEMO2024 Art and Technology Festival. Hosted by WSA and Water Street Projects the festival will take place from June 5 to 7, 2024. Keynote Speakers Include Andrew Thomas Huang, Gabriel Massan, Precious Okoyomon, New York City Council Member Chi Ossé, and Mahfuz and Chloe Sultan.
DEMO2024 ART AND TECHNOLOGY FESTIVAL
NEW INC, New Museum's Cultural Incubator, Announces DEMO2024 Art and Technology Festival. Hosted by WSA and Water Street Projects the festival will take place from June 5 to 7, 2024. Keynote Speakers Include Andrew Thomas Huang, Gabriel Massan, Precious Okoyomon, New York City Council Member Chi Ossé, and Mahfuz and Chloe Sultan.

The EFG Latin America Art Award, in association with ArtNexus, announced Eduardo Berliner of Rio de Janeiro, Brazil, as the nominated artist for its annual acquisition award. The award will be presented at Pinta Miami 2024.
EDUARDO BERLINER: THE ARTIST NOMINATED FOR THE EFG LATIN AMERICAN AWARD AT SP ARTE 2024
The EFG Latin America Art Award, in association with ArtNexus, announced Eduardo Berliner of Rio de Janeiro, Brazil, as the nominated artist for its annual acquisition award. The award will be presented at Pinta Miami 2024.

Popular at IVAM Centre Julio González is an exhibition and research that revolves around the question: what is popular?
WHAT IS POPULAR? THE COLLECTION AT IVAM CENTRE JULIO GONZÁLEZ
Popular at IVAM Centre Julio González is an exhibition and research that revolves around the question: what is popular?

The collective Denicolai & Provoost / Antoinette Jattiot / Nord / Spec uloos, selected by the Wallonia-Brussels Federation and Wallonie-Bruxelles International, presents Petticoat Government to occupy the Belgian Pavilion at the 2024 Venice Biennale.
BELGIAN PAVILION AT THE VENICE BIENNALE
The collective Denicolai & Provoost / Antoinette Jattiot / Nord / Spec uloos, selected by the Wallonia-Brussels Federation and Wallonie-Bruxelles International, presents Petticoat Government to occupy the Belgian Pavilion at the 2024 Venice Biennale.

The 43rd edition of ARCOmadrid, Spain's International Contemporary Art Fair, has at its core the program The Shore, the Tide, the Current: An Oceanic Caribbean, which revolves around the artistic scenes of the territories connected by that sea.
ARCOmadrid 2024: THE CARIBBEAN SEA AS A CENTRAL PROJECT
The 43rd edition of ARCOmadrid, Spain's International Contemporary Art Fair, has at its core the program The Shore, the Tide, the Current: An Oceanic Caribbean, which revolves around the artistic scenes of the territories connected by that sea.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.
THE MONOGRAPHIC EXHIBITION BY BRITISH ARTIST FRANCIS BACON AT MASP
Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.

Argentine artist Marta Minujín will restage her iconic 1985 photo-performance Payment of the Argentine Foreign Debt to Andy Warhol with Corn, the Latin American Corn, at Americas Society, in collaboration with Jewish Museum. The event is free and open to the public and will take place on March 26, 2024, 6pm at Americas Society. Registration required.
MARTA MINUJÍN WILL RESTAGE HER ICONIC 1985 PHOTO-PERFORMANCE
Argentine artist Marta Minujín will restage her iconic 1985 photo-performance Payment of the Argentine Foreign Debt to Andy Warhol with Corn, the Latin American Corn, at Americas Society, in collaboration with Jewish Museum. The event is free and open to the public and will take place on March 26, 2024, 6pm at Americas Society. Registration required.

The exhibition at Pivô not only celebrates Carolee Schneemann’s legacy but also expands on her ideas and proposes a dialogue between her works and two contemporary artists: Diego Bianchi and Márcia Falcão.
BODY-HOUSE: DIALOGUES BETWEEN CAROLEE SCHNEEMANN, DIEGO BIANCHI AND MÁRCIA FALCÃO
The exhibition at Pivô not only celebrates Carolee Schneemann’s legacy but also expands on her ideas and proposes a dialogue between her works and two contemporary artists: Diego Bianchi and Márcia Falcão.

Until this April 2024, one of the recent galleries of the Pinacoteca Contemporânea - the new annex of the traditional and active Pinacoteca do Estado de São Paulo, which opened in 2023 - has become a special locus, where past and future, tradition and modernity, nostalgia and dazzle, fortress and ruin, among other poetic axes, present themselves to a visitor who is between perplexity and fascination. The author of this suspension of time is the Chinese artist Cao Fei (Guanghzou, 1978), one of the key artists of the contemporary world, who has her first solo show in South America, after (more discreet) appearances at the 29th São Paulo Biennial (2010) and the 9th Mercosul Biennial (2013), in Porto Alegre, in the south of the country.
BETWEEN RETROTOPIAS, DRIFTS AND STILL LIFES – CAO FEI – THE FUTURE IS NOT A DREAM
Until this April 2024, one of the recent galleries of the Pinacoteca Contemporânea - the new annex of the traditional and active Pinacoteca do Estado de São Paulo, which opened in 2023 - has become a special locus, where past and future, tradition and modernity, nostalgia and dazzle, fortress and ruin, among other poetic axes, present themselves to a visitor who is between perplexity and fascination. The author of this suspension of time is the Chinese artist Cao Fei (Guanghzou, 1978), one of the key artists of the contemporary world, who has her first solo show in South America, after (more discreet) appearances at the 29th São Paulo Biennial (2010) and the 9th Mercosul Biennial (2013), in Porto Alegre, in the south of the country.

Exhibited for the first time since entering the collection of The Museum of Modern Art, Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala.
REGINA JOSÉ GALINDO: TIERRA AT MoMA
Exhibited for the first time since entering the collection of The Museum of Modern Art, Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala.

NEW INC, New Museum's Cultural Incubator, Announces DEMO2024 Art and Technology Festival. Hosted by WSA and Water Street Projects the festival will take place from June 5 to 7, 2024. Keynote Speakers Include Andrew Thomas Huang, Gabriel Massan, Precious Okoyomon, New York City Council Member Chi Ossé, and Mahfuz and Chloe Sultan.
DEMO2024 ART AND TECHNOLOGY FESTIVAL
NEW INC, New Museum's Cultural Incubator, Announces DEMO2024 Art and Technology Festival. Hosted by WSA and Water Street Projects the festival will take place from June 5 to 7, 2024. Keynote Speakers Include Andrew Thomas Huang, Gabriel Massan, Precious Okoyomon, New York City Council Member Chi Ossé, and Mahfuz and Chloe Sultan.

The EFG Latin America Art Award, in association with ArtNexus, announced Eduardo Berliner of Rio de Janeiro, Brazil, as the nominated artist for its annual acquisition award. The award will be presented at Pinta Miami 2024.
EDUARDO BERLINER: THE ARTIST NOMINATED FOR THE EFG LATIN AMERICAN AWARD AT SP ARTE 2024
The EFG Latin America Art Award, in association with ArtNexus, announced Eduardo Berliner of Rio de Janeiro, Brazil, as the nominated artist for its annual acquisition award. The award will be presented at Pinta Miami 2024.