WHAT IS POPULAR? THE COLLECTION AT IVAM CENTRE JULIO GONZÁLEZ

The collective Denicolai & Provoost / Antoinette Jattiot / Nord / Spec uloos, selected by the Wallonia-Brussels Federation and Wallonie-Bruxelles International, presents Petticoat Government to occupy the Belgian Pavilion at the 2024 Venice Biennale.

The 43rd edition of ARCOmadrid, Spain's International Contemporary Art Fair, has at its core the program The Shore, the Tide, the Current: An Oceanic Caribbean, which revolves around the artistic scenes of the territories connected by that sea.

The team of the General Directorate of Visual Arts and the Museo Universitario Arte Contemporáneo of the UNAM appointed Tatiana Cuevas Guevara, curator and art historian, as the next director of the MUAC.

Presente Continuo is a two-year training program for artists, thinkers, curators, researchers in the exact sciences, social sciences and humanities, scientists and technologists from all over Argentina. Application deadline: March 17, 2024.

The Zielinsky Gallery in Barcelona presented nada, todo (nothing, everything), an exhibition of Brazilian artist Antonio Luiz Morais de Andrade, also known as Almandrade.

Organized by Curator María Elena Ortiz, Surrealism and Us at Modern Art Museum of Forth Worth is inspired by the history of Surrealism in the Caribbean with connections to notions of the Afrosurreal in the United States. Representing a global perspective, this exhibition is the first intergenerational show dedicated to Caribbean and African diasporic art presented at the Modern.

The exhibition at Pivô not only celebrates Carolee Schneemann’s legacy but also expands on her ideas and proposes a dialogue between her works and two contemporary artists: Diego Bianchi and Márcia Falcão.

Until this April 2024, one of the recent galleries of the Pinacoteca Contemporânea - the new annex of the traditional and active Pinacoteca do Estado de São Paulo, which opened in 2023 - has become a special locus, where past and future, tradition and modernity, nostalgia and dazzle, fortress and ruin, among other poetic axes, present themselves to a visitor who is between perplexity and fascination. The author of this suspension of time is the Chinese artist Cao Fei (Guanghzou, 1978), one of the key artists of the contemporary world, who has her first solo show in South America, after (more discreet) appearances at the 29th São Paulo Biennial (2010) and the 9th Mercosul Biennial (2013), in Porto Alegre, in the south of the country.

The Denver Art Museum (DAM) presented Sandra Vásquez de la Horra: The Awake Volcanoes, the first solo show in a U.S. Museum for the Chilean artist, known for her participation at the 2022 Venice Biennale and being the recipient of the prestigious Käthe Kollwitz Prize for 2023.

The collective Denicolai & Provoost / Antoinette Jattiot / Nord / Spec uloos, selected by the Wallonia-Brussels Federation and Wallonie-Bruxelles International, presents Petticoat Government to occupy the Belgian Pavilion at the 2024 Venice Biennale.

The 43rd edition of ARCOmadrid, Spain's International Contemporary Art Fair, has at its core the program The Shore, the Tide, the Current: An Oceanic Caribbean, which revolves around the artistic scenes of the territories connected by that sea.

The team of the General Directorate of Visual Arts and the Museo Universitario Arte Contemporáneo of the UNAM appointed Tatiana Cuevas Guevara, curator and art historian, as the next director of the MUAC.

Presente Continuo is a two-year training program for artists, thinkers, curators, researchers in the exact sciences, social sciences and humanities, scientists and technologists from all over Argentina. Application deadline: March 17, 2024.

The Zielinsky Gallery in Barcelona presented nada, todo (nothing, everything), an exhibition of Brazilian artist Antonio Luiz Morais de Andrade, also known as Almandrade.

Organized by Curator María Elena Ortiz, Surrealism and Us at Modern Art Museum of Forth Worth is inspired by the history of Surrealism in the Caribbean with connections to notions of the Afrosurreal in the United States. Representing a global perspective, this exhibition is the first intergenerational show dedicated to Caribbean and African diasporic art presented at the Modern.

The exhibition at Pivô not only celebrates Carolee Schneemann’s legacy but also expands on her ideas and proposes a dialogue between her works and two contemporary artists: Diego Bianchi and Márcia Falcão.

Until this April 2024, one of the recent galleries of the Pinacoteca Contemporânea - the new annex of the traditional and active Pinacoteca do Estado de São Paulo, which opened in 2023 - has become a special locus, where past and future, tradition and modernity, nostalgia and dazzle, fortress and ruin, among other poetic axes, present themselves to a visitor who is between perplexity and fascination. The author of this suspension of time is the Chinese artist Cao Fei (Guanghzou, 1978), one of the key artists of the contemporary world, who has her first solo show in South America, after (more discreet) appearances at the 29th São Paulo Biennial (2010) and the 9th Mercosul Biennial (2013), in Porto Alegre, in the south of the country.

The Denver Art Museum (DAM) presented Sandra Vásquez de la Horra: The Awake Volcanoes, the first solo show in a U.S. Museum for the Chilean artist, known for her participation at the 2022 Venice Biennale and being the recipient of the prestigious Käthe Kollwitz Prize for 2023.

The 43rd edition of ARCOmadrid, Spain's International Contemporary Art Fair, has at its core the program The Shore, the Tide, the Current: An Oceanic Caribbean, which revolves around the artistic scenes of the territories connected by that sea.

The team of the General Directorate of Visual Arts and the Museo Universitario Arte Contemporáneo of the UNAM appointed Tatiana Cuevas Guevara, curator and art historian, as the next director of the MUAC.

Presente Continuo is a two-year training program for artists, thinkers, curators, researchers in the exact sciences, social sciences and humanities, scientists and technologists from all over Argentina. Application deadline: March 17, 2024.

The Zielinsky Gallery in Barcelona presented nada, todo (nothing, everything), an exhibition of Brazilian artist Antonio Luiz Morais de Andrade, also known as Almandrade.

Organized by Curator María Elena Ortiz, Surrealism and Us at Modern Art Museum of Forth Worth is inspired by the history of Surrealism in the Caribbean with connections to notions of the Afrosurreal in the United States. Representing a global perspective, this exhibition is the first intergenerational show dedicated to Caribbean and African diasporic art presented at the Modern.

The exhibition at Pivô not only celebrates Carolee Schneemann’s legacy but also expands on her ideas and proposes a dialogue between her works and two contemporary artists: Diego Bianchi and Márcia Falcão.

Until this April 2024, one of the recent galleries of the Pinacoteca Contemporânea - the new annex of the traditional and active Pinacoteca do Estado de São Paulo, which opened in 2023 - has become a special locus, where past and future, tradition and modernity, nostalgia and dazzle, fortress and ruin, among other poetic axes, present themselves to a visitor who is between perplexity and fascination. The author of this suspension of time is the Chinese artist Cao Fei (Guanghzou, 1978), one of the key artists of the contemporary world, who has her first solo show in South America, after (more discreet) appearances at the 29th São Paulo Biennial (2010) and the 9th Mercosul Biennial (2013), in Porto Alegre, in the south of the country.

The Denver Art Museum (DAM) presented Sandra Vásquez de la Horra: The Awake Volcanoes, the first solo show in a U.S. Museum for the Chilean artist, known for her participation at the 2022 Venice Biennale and being the recipient of the prestigious Käthe Kollwitz Prize for 2023.

The collective Denicolai & Provoost / Antoinette Jattiot / Nord / Spec uloos, selected by the Wallonia-Brussels Federation and Wallonie-Bruxelles International, presents Petticoat Government to occupy the Belgian Pavilion at the 2024 Venice Biennale.

The 43rd edition of ARCOmadrid, Spain's International Contemporary Art Fair, has at its core the program The Shore, the Tide, the Current: An Oceanic Caribbean, which revolves around the artistic scenes of the territories connected by that sea.

The team of the General Directorate of Visual Arts and the Museo Universitario Arte Contemporáneo of the UNAM appointed Tatiana Cuevas Guevara, curator and art historian, as the next director of the MUAC.

Presente Continuo is a two-year training program for artists, thinkers, curators, researchers in the exact sciences, social sciences and humanities, scientists and technologists from all over Argentina. Application deadline: March 17, 2024.

The Zielinsky Gallery in Barcelona presented nada, todo (nothing, everything), an exhibition of Brazilian artist Antonio Luiz Morais de Andrade, also known as Almandrade.

Organized by Curator María Elena Ortiz, Surrealism and Us at Modern Art Museum of Forth Worth is inspired by the history of Surrealism in the Caribbean with connections to notions of the Afrosurreal in the United States. Representing a global perspective, this exhibition is the first intergenerational show dedicated to Caribbean and African diasporic art presented at the Modern.

The exhibition at Pivô not only celebrates Carolee Schneemann’s legacy but also expands on her ideas and proposes a dialogue between her works and two contemporary artists: Diego Bianchi and Márcia Falcão.

Until this April 2024, one of the recent galleries of the Pinacoteca Contemporânea - the new annex of the traditional and active Pinacoteca do Estado de São Paulo, which opened in 2023 - has become a special locus, where past and future, tradition and modernity, nostalgia and dazzle, fortress and ruin, among other poetic axes, present themselves to a visitor who is between perplexity and fascination. The author of this suspension of time is the Chinese artist Cao Fei (Guanghzou, 1978), one of the key artists of the contemporary world, who has her first solo show in South America, after (more discreet) appearances at the 29th São Paulo Biennial (2010) and the 9th Mercosul Biennial (2013), in Porto Alegre, in the south of the country.

The Denver Art Museum (DAM) presented Sandra Vásquez de la Horra: The Awake Volcanoes, the first solo show in a U.S. Museum for the Chilean artist, known for her participation at the 2022 Venice Biennale and being the recipient of the prestigious Käthe Kollwitz Prize for 2023.

The collective Denicolai & Provoost / Antoinette Jattiot / Nord / Spec uloos, selected by the Wallonia-Brussels Federation and Wallonie-Bruxelles International, presents Petticoat Government to occupy the Belgian Pavilion at the 2024 Venice Biennale.

The 43rd edition of ARCOmadrid, Spain's International Contemporary Art Fair, has at its core the program The Shore, the Tide, the Current: An Oceanic Caribbean, which revolves around the artistic scenes of the territories connected by that sea.

The team of the General Directorate of Visual Arts and the Museo Universitario Arte Contemporáneo of the UNAM appointed Tatiana Cuevas Guevara, curator and art historian, as the next director of the MUAC.

Presente Continuo is a two-year training program for artists, thinkers, curators, researchers in the exact sciences, social sciences and humanities, scientists and technologists from all over Argentina. Application deadline: March 17, 2024.

The Zielinsky Gallery in Barcelona presented nada, todo (nothing, everything), an exhibition of Brazilian artist Antonio Luiz Morais de Andrade, also known as Almandrade.

Organized by Curator María Elena Ortiz, Surrealism and Us at Modern Art Museum of Forth Worth is inspired by the history of Surrealism in the Caribbean with connections to notions of the Afrosurreal in the United States. Representing a global perspective, this exhibition is the first intergenerational show dedicated to Caribbean and African diasporic art presented at the Modern.

The exhibition at Pivô not only celebrates Carolee Schneemann’s legacy but also expands on her ideas and proposes a dialogue between her works and two contemporary artists: Diego Bianchi and Márcia Falcão.

Until this April 2024, one of the recent galleries of the Pinacoteca Contemporânea - the new annex of the traditional and active Pinacoteca do Estado de São Paulo, which opened in 2023 - has become a special locus, where past and future, tradition and modernity, nostalgia and dazzle, fortress and ruin, among other poetic axes, present themselves to a visitor who is between perplexity and fascination. The author of this suspension of time is the Chinese artist Cao Fei (Guanghzou, 1978), one of the key artists of the contemporary world, who has her first solo show in South America, after (more discreet) appearances at the 29th São Paulo Biennial (2010) and the 9th Mercosul Biennial (2013), in Porto Alegre, in the south of the country.

The Denver Art Museum (DAM) presented Sandra Vásquez de la Horra: The Awake Volcanoes, the first solo show in a U.S. Museum for the Chilean artist, known for her participation at the 2022 Venice Biennale and being the recipient of the prestigious Käthe Kollwitz Prize for 2023.