BELGIAN PAVILION AT THE VENICE BIENNALE
The collective Denicolai & Provoost / Antoinette Jattiot / Nord / Spec uloos, selected by the Wallonia-Brussels Federation and Wallonie-Bruxelles International, presents Petticoat Government to occupy the Belgian Pavilion at the 2024 Venice Biennale.
Bringing together the disciplines of art, curatorial practices, architecture, typography and cartography, the collective seeks to take up the exhibition format while working in collaborative and transdisciplinary mode to transform and explode it, in a fiction-like work in successive chapters that traverses time and space. Joining together here to make effective a crossing of boundaries both physical and symbolic, the members of the collective were already linked by long term collaborations and their role as mediators and critics in their respective fields, artistic or otherwise. It is from this position that they now propose to examine the ways we understand popular, alternative forms of collective organization and their modes of participation.
For the 2024 Venice Biennale, the collective has developed a multidisciplinary scenario based on the participation of processional giants from different communities in Belgium, France, Spain. Their journeys to Venice, which see them cross the Resia Pass in the Alps on March 9, 2024, and their subsequent journey northward to Charleroi and Dunkirk in 2025, inject a joyful disturbance into reality through a variety of effects of scale, highlighting tensions between the human and the non-human, landscape and architecture, borders and transgressions. Unlike a finished work, the project treats the Belgian Pavilion in Venice as a point of transit, representing the journey so far and yet to come in kaleidoscopic perspective. The elevated staging of the giants and the accompanying sound installation create an ungrounded space, a terrain of freedom where emphasis on the oral and the co-construction of narratives invites reconsideration of both ancient tales and modern myths.
An English phrase meaning government by women and hence an inversion of customary relations of power, the title is intended to allude to a continuing disruption. The project proposes a paradigm shift in blurring the frontiers between disciplines and between artistic and popular cultures. The collective and their many collaborators seek to realize the potential of the mixing of genres and attitudes as a means of exploring complexity and making present the worlds they are engaged with. Rather than a critique of the notion of the author per se, the project selected for the Belgian Pavilion at the Venice Biennale of 2024 is intended to highlight the potential of collective making and doing together as a vector of transformation.
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Petticoat Government, Different ways of representing giants (study), 2023. Courtesy of Petticoat Government (Denicolai & Provoost, Antoinette Jattiot, Nord, Spec uloos).
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Petticoat Government, Different ways of representing giants (study), 2023. Courtesy of Petticoat Government (Denicolai & Provoost, Antoinette Jattiot, Nord, Spec uloos).
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The giant Dame Nuje Patat crossing the Alps.
The collective
Petticoat Government could be described as a choral work, the manifestation of a collective body brought into being by seven people who came together to form a multidisciplinary collective: Sophie Boiron, Valentin Bollaert, Simona Denicolai, Pauline Fockedey, Pierre Huyghebaert, Antoinette Jattiot and Ivo Provoost. Maintaining the intimate interweaving of aesthetics and politics, the members of the Petticoat Government collective are united in their sensual approach to the world and their questioning of the notion of the artist/producer as creative individual. The forms that they develop on the basis of borrowings from popular culture, interrogated in terms of both form and content, allow the emergence of other languages that combine doubt, narrative, and even flight into magic as possible vehicles of emancipation.
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The CA2M (Museum Centro de Arte Dos de Mayo) presents the exhibition Ana Gallardo. Tembló acá un delirio. (A delirium trembled here). Curated by Alfredo Aracil and Violeta Janeiro, the show runs from March 2 to July 7, 2024.
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Archie Moore will transform the Australia Pavilion with his artwork that immerses the viewer in personal and universal stories by reflecting on Australia’s 254-year history within the 65,000+ year context of his Aboriginal family heritage.
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Archie Moore will transform the Australia Pavilion with his artwork that immerses the viewer in personal and universal stories by reflecting on Australia’s 254-year history within the 65,000+ year context of his Aboriginal family heritage.
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Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
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Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
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The Biennale di Venezia’s 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere, will open to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale; it will be curated by Adriano Pedrosa.
LATIN AMERICA AT THE BIENNALE DI VENEZIA’S INTERNATIONAL EXHIBITION
The Biennale di Venezia’s 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere, will open to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale; it will be curated by Adriano Pedrosa.
Ka’a Pûera: we are walking birds, Brazil’s participation at the 60th International Venice Biennale, features the resistance and artistic production of Brazil’s native peoples, updating the problematic issues of colonization.
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Ka’a Pûera: we are walking birds, Brazil’s participation at the 60th International Venice Biennale, features the resistance and artistic production of Brazil’s native peoples, updating the problematic issues of colonization.
The CA2M (Museum Centro de Arte Dos de Mayo) presents the exhibition Ana Gallardo. Tembló acá un delirio. (A delirium trembled here). Curated by Alfredo Aracil and Violeta Janeiro, the show runs from March 2 to July 7, 2024.
ANA GALLARDO AT CA2M: RESISTANCE, GRIEF AND EMBODIMENT
The CA2M (Museum Centro de Arte Dos de Mayo) presents the exhibition Ana Gallardo. Tembló acá un delirio. (A delirium trembled here). Curated by Alfredo Aracil and Violeta Janeiro, the show runs from March 2 to July 7, 2024.
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IRISH PAVILION AT THE VENICE BIENNALE
Ireland at Venice will present ROMANTIC IRELAND, an exhibition by Eimear Walshe, for the 60th International Art Exhibition of the Venice Biennale, curated by Sara Greavu and Project Arts Centre.
Archie Moore will transform the Australia Pavilion with his artwork that immerses the viewer in personal and universal stories by reflecting on Australia’s 254-year history within the 65,000+ year context of his Aboriginal family heritage.
AUSTRALIA PAVILION AT THE VENICE BIENNALE
Archie Moore will transform the Australia Pavilion with his artwork that immerses the viewer in personal and universal stories by reflecting on Australia’s 254-year history within the 65,000+ year context of his Aboriginal family heritage.
Edith Karlson will present Hora lupi for the Estonian Pavilion at the 60th International Venice Biennale from April 20 until November 24, 2024. Presented at the church of Chiesa di Santa Maria delle Penitenti, the exhibition explores primitive human urges in their banality and solemnity and questions the possibility of redemption in a world that is never worthy of it.
HORA LUPI: ESTONIAN PAVILION AT THE VENICE BIENNALE
Edith Karlson will present Hora lupi for the Estonian Pavilion at the 60th International Venice Biennale from April 20 until November 24, 2024. Presented at the church of Chiesa di Santa Maria delle Penitenti, the exhibition explores primitive human urges in their banality and solemnity and questions the possibility of redemption in a world that is never worthy of it.
Greenhouse, the collective project by artist-curators Mónica de Miranda, Sónia Vaz Borges and Vânia Gala, will represent Portugal at the 60th International Venice Biennale.
MÓNICA DE MIRANDA, SÓNIA VAZ BORGES, VÂNIA GALA: THE PORTUGAL PAVILION AT THE VENICE BIENNALE
Greenhouse, the collective project by artist-curators Mónica de Miranda, Sónia Vaz Borges and Vânia Gala, will represent Portugal at the 60th International Venice Biennale.
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
UNITED ARAB EMIRATES PAVILION AT THE VENICE BIENNALE
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
TAIWANESE PAVILION AT THE VENICE BIENNALE
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
The 60th International Art Exhibition of the Venice Biennale –to be held from April 20 to November 24, 2024– presents 332 participants, including Argentine artists, in the international exhibition Foreigners Everywhere.
VENICE BIENNALE 2024: THE BROAD PARTICIPATION OF ARGENTINE ARTISTS
The 60th International Art Exhibition of the Venice Biennale –to be held from April 20 to November 24, 2024– presents 332 participants, including Argentine artists, in the international exhibition Foreigners Everywhere.
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
COSMIC TRACES: ROBERTO HUARCAYA AT THE VENICE BIENNALE
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
Bildmuseet presents Venezuelan artist Elias Crespin exhibition Chronomorphosis, opening March 15th, 2024.
CHRONOMORPHOSIS: ELIAS CRESPIN’S WORK AT SWEDEN
Bildmuseet presents Venezuelan artist Elias Crespin exhibition Chronomorphosis, opening March 15th, 2024.
The Biennale di Venezia’s 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere, will open to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale; it will be curated by Adriano Pedrosa.
LATIN AMERICA AT THE BIENNALE DI VENEZIA’S INTERNATIONAL EXHIBITION
The Biennale di Venezia’s 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere, will open to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale; it will be curated by Adriano Pedrosa.
Ka’a Pûera: we are walking birds, Brazil’s participation at the 60th International Venice Biennale, features the resistance and artistic production of Brazil’s native peoples, updating the problematic issues of colonization.
THE BRAZILIAN PAVILION AT THE 2024 VENICE BIENNALE
Ka’a Pûera: we are walking birds, Brazil’s participation at the 60th International Venice Biennale, features the resistance and artistic production of Brazil’s native peoples, updating the problematic issues of colonization.
The CA2M (Museum Centro de Arte Dos de Mayo) presents the exhibition Ana Gallardo. Tembló acá un delirio. (A delirium trembled here). Curated by Alfredo Aracil and Violeta Janeiro, the show runs from March 2 to July 7, 2024.
ANA GALLARDO AT CA2M: RESISTANCE, GRIEF AND EMBODIMENT
The CA2M (Museum Centro de Arte Dos de Mayo) presents the exhibition Ana Gallardo. Tembló acá un delirio. (A delirium trembled here). Curated by Alfredo Aracil and Violeta Janeiro, the show runs from March 2 to July 7, 2024.
Popular at IVAM Centre Julio González is an exhibition and research that revolves around the question: what is popular?
WHAT IS POPULAR? THE COLLECTION AT IVAM CENTRE JULIO GONZÁLEZ
Popular at IVAM Centre Julio González is an exhibition and research that revolves around the question: what is popular?
Ireland at Venice will present ROMANTIC IRELAND, an exhibition by Eimear Walshe, for the 60th International Art Exhibition of the Venice Biennale, curated by Sara Greavu and Project Arts Centre.
IRISH PAVILION AT THE VENICE BIENNALE
Ireland at Venice will present ROMANTIC IRELAND, an exhibition by Eimear Walshe, for the 60th International Art Exhibition of the Venice Biennale, curated by Sara Greavu and Project Arts Centre.
Archie Moore will transform the Australia Pavilion with his artwork that immerses the viewer in personal and universal stories by reflecting on Australia’s 254-year history within the 65,000+ year context of his Aboriginal family heritage.
AUSTRALIA PAVILION AT THE VENICE BIENNALE
Archie Moore will transform the Australia Pavilion with his artwork that immerses the viewer in personal and universal stories by reflecting on Australia’s 254-year history within the 65,000+ year context of his Aboriginal family heritage.
Edith Karlson will present Hora lupi for the Estonian Pavilion at the 60th International Venice Biennale from April 20 until November 24, 2024. Presented at the church of Chiesa di Santa Maria delle Penitenti, the exhibition explores primitive human urges in their banality and solemnity and questions the possibility of redemption in a world that is never worthy of it.
HORA LUPI: ESTONIAN PAVILION AT THE VENICE BIENNALE
Edith Karlson will present Hora lupi for the Estonian Pavilion at the 60th International Venice Biennale from April 20 until November 24, 2024. Presented at the church of Chiesa di Santa Maria delle Penitenti, the exhibition explores primitive human urges in their banality and solemnity and questions the possibility of redemption in a world that is never worthy of it.
Greenhouse, the collective project by artist-curators Mónica de Miranda, Sónia Vaz Borges and Vânia Gala, will represent Portugal at the 60th International Venice Biennale.
MÓNICA DE MIRANDA, SÓNIA VAZ BORGES, VÂNIA GALA: THE PORTUGAL PAVILION AT THE VENICE BIENNALE
Greenhouse, the collective project by artist-curators Mónica de Miranda, Sónia Vaz Borges and Vânia Gala, will represent Portugal at the 60th International Venice Biennale.
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
UNITED ARAB EMIRATES PAVILION AT THE VENICE BIENNALE
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
TAIWANESE PAVILION AT THE VENICE BIENNALE
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
