MÓNICA DE MIRANDA, SÓNIA VAZ BORGES, VÂNIA GALA: THE PORTUGAL PAVILION AT THE VENICE BIENNALE
Greenhouse, the collective project by artist-curators Mónica de Miranda, Sónia Vaz Borges and Vânia Gala, will represent Portugal at the 60th International Venice Biennale.
The artists will create a “Creole Garden” in Palazzo Franchetti, referencing private plots tended by enslaved people as acts of resistance and survival—an antithesis of the monocultural plantation. Densely planted and richly biodiverse, the “Creole Garden” fosters a discursive space of liberation, possibility and multiplicity. Created by artists from different backgrounds—visual art, history, and choreography—the project will enact a philosophy of participation, collaboration and interdisciplinary solidarity.
Connecting ideas of ecology, decolonisation, diaspora and migration, the artist-curators will construct a garden of plants native to African countries, which will grow in the palace’s main hall throughout the exhibition period. The project proposes soil as a vector of decolonial and ecological engagement, capable of both sustaining growth, as well as archiving traces of historical violence, connecting past, present and future, the politics of the land, history, body and identity.
The garden will stage a sound installation, sculptures, dance/performance, workshops and participatory events. Together, these components will create a transdisciplinary space of experimentation, encounter and collective possibility. Greenhouse will be grounded in four actions: Garden (Installation, Space, Time); Living Archive (Sound, Movement, Performance), School (Education, History, Revolution); Assemblies (Public, Communities and Publication).
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Mónica de Miranda, Crossing, 2024, inkjet print on cotton paper, 60x40 cm,
© Mónica de Miranda, Courtesy of the artist.
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Image from FMSMB/ Amílcar Cabral Archive
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Mónica de Miranda, Crossing, 2024, inkjet print on cotton paper, 60x40 cm,
© Mónica de Miranda, Courtesy of the artist.
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Image from FMSMB/ Amílcar Cabral Archive
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Mónica de Miranda, Creole Garden, 2024. Inkjet print on cotton paper, 120 x 80 cm. Courtesy of the artist. © Mónica de Miranda.
Greenhouse marks two celebrations: the centenary of Amílcar Cabral (1924–73), a Bissau-Guinean anticolonial leader and agronomist crucial to the country’s independence in 1973, and the 50th anniversary of the Carnation Revolution which deposed Portugal’s dictatorship on 25 April 1974. Emphasising the composite histories and identities that emerged from colonialism and the liberation struggles, Greenhouse proposes actions that enact radical and decolonial solidarities, and challenge monocultural norms of nation, knowledge, and agriculture.
The Pavilion unfixes hierarchical conventions, encouraging fluid modes of artistic production grounded not in binaries of theory and practice, artist and curator, but in their interconnection. The project transforms the exhibition space into a space for action and dialogue. Rather than a static experience, it proposes the creation of a “living archive.” The garden will be activated across the exhibition period, becoming a place of collective action and care, of multiple possibilities and pedagogy.
Conceived for the first time by three African-Portuguese women, the Portugal Pavilion proposes the emergence of various choreographies based on encounters and collaborations between public, communities and artists, in resonance with the theme of the 2024 Venice Biennale, Stranieri Ovunque – Foreigners Everywhere.
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Archie Moore will transform the Australia Pavilion with his artwork that immerses the viewer in personal and universal stories by reflecting on Australia’s 254-year history within the 65,000+ year context of his Aboriginal family heritage.
Ireland at Venice will present ROMANTIC IRELAND, an exhibition by Eimear Walshe, for the 60th International Art Exhibition of the Venice Biennale, curated by Sara Greavu and Project Arts Centre.
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The collective Denicolai & Provoost / Antoinette Jattiot / Nord / Spec uloos, selected by the Wallonia-Brussels Federation and Wallonie-Bruxelles International, presents Petticoat Government to occupy the Belgian Pavilion at the 2024 Venice Biennale.
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The 60th International Art Exhibition of the Venice Biennale –to be held from April 20 to November 24, 2024– presents 332 participants, including Argentine artists, in the international exhibition Foreigners Everywhere.
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
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Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
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Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
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A distribution through several of the Porto’s Serralves Foundation's venues are hosting until the end of May the first solo exhibition of Oscar Murillo (Zarzal, Colombia, 1986) in Portugal.
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A distribution through several of the Porto’s Serralves Foundation's venues are hosting until the end of May the first solo exhibition of Oscar Murillo (Zarzal, Colombia, 1986) in Portugal.
Edith Karlson will present Hora lupi for the Estonian Pavilion at the 60th International Venice Biennale from April 20 until November 24, 2024. Presented at the church of Chiesa di Santa Maria delle Penitenti, the exhibition explores primitive human urges in their banality and solemnity and questions the possibility of redemption in a world that is never worthy of it.
HORA LUPI: ESTONIAN PAVILION AT THE VENICE BIENNALE
Edith Karlson will present Hora lupi for the Estonian Pavilion at the 60th International Venice Biennale from April 20 until November 24, 2024. Presented at the church of Chiesa di Santa Maria delle Penitenti, the exhibition explores primitive human urges in their banality and solemnity and questions the possibility of redemption in a world that is never worthy of it.
Archie Moore will transform the Australia Pavilion with his artwork that immerses the viewer in personal and universal stories by reflecting on Australia’s 254-year history within the 65,000+ year context of his Aboriginal family heritage.
AUSTRALIA PAVILION AT THE VENICE BIENNALE
Archie Moore will transform the Australia Pavilion with his artwork that immerses the viewer in personal and universal stories by reflecting on Australia’s 254-year history within the 65,000+ year context of his Aboriginal family heritage.
Ireland at Venice will present ROMANTIC IRELAND, an exhibition by Eimear Walshe, for the 60th International Art Exhibition of the Venice Biennale, curated by Sara Greavu and Project Arts Centre.
IRISH PAVILION AT THE VENICE BIENNALE
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The collective Denicolai & Provoost / Antoinette Jattiot / Nord / Spec uloos, selected by the Wallonia-Brussels Federation and Wallonie-Bruxelles International, presents Petticoat Government to occupy the Belgian Pavilion at the 2024 Venice Biennale.
BELGIAN PAVILION AT THE VENICE BIENNALE
The collective Denicolai & Provoost / Antoinette Jattiot / Nord / Spec uloos, selected by the Wallonia-Brussels Federation and Wallonie-Bruxelles International, presents Petticoat Government to occupy the Belgian Pavilion at the 2024 Venice Biennale.
The 60th International Art Exhibition of the Venice Biennale –to be held from April 20 to November 24, 2024– presents 332 participants, including Argentine artists, in the international exhibition Foreigners Everywhere.
VENICE BIENNALE 2024: THE BROAD PARTICIPATION OF ARGENTINE ARTISTS
The 60th International Art Exhibition of the Venice Biennale –to be held from April 20 to November 24, 2024– presents 332 participants, including Argentine artists, in the international exhibition Foreigners Everywhere.
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
COSMIC TRACES: ROBERTO HUARCAYA AT THE VENICE BIENNALE
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
UNITED ARAB EMIRATES PAVILION AT THE VENICE BIENNALE
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
TAIWANESE PAVILION AT THE VENICE BIENNALE
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
A distribution through several of the Porto’s Serralves Foundation's venues are hosting until the end of May the first solo exhibition of Oscar Murillo (Zarzal, Colombia, 1986) in Portugal.
ÓSCAR MURILLO AT PORTO’S SERRALVES
A distribution through several of the Porto’s Serralves Foundation's venues are hosting until the end of May the first solo exhibition of Oscar Murillo (Zarzal, Colombia, 1986) in Portugal.
Edith Karlson will present Hora lupi for the Estonian Pavilion at the 60th International Venice Biennale from April 20 until November 24, 2024. Presented at the church of Chiesa di Santa Maria delle Penitenti, the exhibition explores primitive human urges in their banality and solemnity and questions the possibility of redemption in a world that is never worthy of it.
HORA LUPI: ESTONIAN PAVILION AT THE VENICE BIENNALE
Edith Karlson will present Hora lupi for the Estonian Pavilion at the 60th International Venice Biennale from April 20 until November 24, 2024. Presented at the church of Chiesa di Santa Maria delle Penitenti, the exhibition explores primitive human urges in their banality and solemnity and questions the possibility of redemption in a world that is never worthy of it.
Archie Moore will transform the Australia Pavilion with his artwork that immerses the viewer in personal and universal stories by reflecting on Australia’s 254-year history within the 65,000+ year context of his Aboriginal family heritage.
AUSTRALIA PAVILION AT THE VENICE BIENNALE
Archie Moore will transform the Australia Pavilion with his artwork that immerses the viewer in personal and universal stories by reflecting on Australia’s 254-year history within the 65,000+ year context of his Aboriginal family heritage.
Ireland at Venice will present ROMANTIC IRELAND, an exhibition by Eimear Walshe, for the 60th International Art Exhibition of the Venice Biennale, curated by Sara Greavu and Project Arts Centre.
IRISH PAVILION AT THE VENICE BIENNALE
Ireland at Venice will present ROMANTIC IRELAND, an exhibition by Eimear Walshe, for the 60th International Art Exhibition of the Venice Biennale, curated by Sara Greavu and Project Arts Centre.
The collective Denicolai & Provoost / Antoinette Jattiot / Nord / Spec uloos, selected by the Wallonia-Brussels Federation and Wallonie-Bruxelles International, presents Petticoat Government to occupy the Belgian Pavilion at the 2024 Venice Biennale.
BELGIAN PAVILION AT THE VENICE BIENNALE
The collective Denicolai & Provoost / Antoinette Jattiot / Nord / Spec uloos, selected by the Wallonia-Brussels Federation and Wallonie-Bruxelles International, presents Petticoat Government to occupy the Belgian Pavilion at the 2024 Venice Biennale.
The 60th International Art Exhibition of the Venice Biennale –to be held from April 20 to November 24, 2024– presents 332 participants, including Argentine artists, in the international exhibition Foreigners Everywhere.
VENICE BIENNALE 2024: THE BROAD PARTICIPATION OF ARGENTINE ARTISTS
The 60th International Art Exhibition of the Venice Biennale –to be held from April 20 to November 24, 2024– presents 332 participants, including Argentine artists, in the international exhibition Foreigners Everywhere.
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
COSMIC TRACES: ROBERTO HUARCAYA AT THE VENICE BIENNALE
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
UNITED ARAB EMIRATES PAVILION AT THE VENICE BIENNALE
The National Pavilion UAE (United Arab Emirates) at the Venice Biennale 2024 announces its upcoming exhibition titled Abdullah Al Saadi: Sites of Memory, Sites of Amnesia, curated by Tarek Abou El Fetouh.
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
TAIWANESE PAVILION AT THE VENICE BIENNALE
Public Forum: “Thinking Like an Island” linked to the Taiwan Collateral Event Yuan Goang-Ming: Everyday War, organized by the Taipei Fine Arts Museum of Taiwan, presents public programs focusing on “island-thinking” during the opening week of the 60th International Venice Biennale.
A distribution through several of the Porto’s Serralves Foundation's venues are hosting until the end of May the first solo exhibition of Oscar Murillo (Zarzal, Colombia, 1986) in Portugal.
ÓSCAR MURILLO AT PORTO’S SERRALVES
A distribution through several of the Porto’s Serralves Foundation's venues are hosting until the end of May the first solo exhibition of Oscar Murillo (Zarzal, Colombia, 1986) in Portugal.
