LATIN AMERICA AT THE BIENNALE DI VENEZIA’S INTERNATIONAL EXHIBITION
The Biennale di Venezia’s 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere, will open to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale; it will be curated by Adriano Pedrosa.
Stranieri Ovunque – Foreigners Everywhere, the title of the 60th International Art Exhibition of La Biennale di Venezia, is drawn from a series of works started in 2004 by the Paris-born and Palermo-based Claire Fontaine collective. The works consist of neon sculptures in different colours that render in a growing number of languages the words “Foreigners Everywhere”. The phrase comes, in turn, from the name of a Turin collective who fought racism and xenophobia in Italy in the early 2000s.
“The expression Stranieri Ovunque – explains Adriano Pedrosa – has several meanings. First of all, that wherever you go and wherever you are you will always encounter foreigners— they/we are everywhere. Secondly, that no matter where you find yourself, you are always truly, and deep down inside, a foreigner”.
The exhibition has two sections: Nucleo Contemporaneo and Nucleo Storico. It features de participation of artists from all over the world, with a strong presence of Latin-American artists.
Nucleo Contemporaneo addresses the indigenous artist “frequently treated as a foreigner in his or her own land”, together with the queer artist, the outsider artists and the folk artist. “Indigenous artists have an emblematic presence and their work greets the public in the Central Pavilion, where the Mahku collective from Brazil will paint a monumental mural on the building’s façade, and in the Corderie, where the Maataho collective from Aotearoa/New Zealand will present a large-scale installation in the first room”.
Nucleo Storico presents global modernisms in the Global South. Three rooms are planned: Protraits, Abstractions and the worldwide Italian artistic diaspora in the 20th century.
"Two quite different but related elements have emerged – underlines Pedrosa – rather organically in the research and have been developed, appearing as leitmotivs throughout the International Exhibition. The first one is textiles, which have been explored by many artists in the show in multiple, from key historical figures in the Nucleo Storico, to many artists in the Nucleo Contemporaneo. […] These works reveal an interest in craft, tradition, and the handmade, and in techniques that were at times considered other or foreign, outsider or strange in the larger field of fine arts. […] A second motif is artists—artists related by blood, many of them Indigenous. […] Again tradition plays an important role here: the transmission of knowledge and practices from father or mother to son or daughter or among siblings and relatives".
The Exhibition will also include 90 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the city centre of Venice. 4 countries will be participating for the first time at the Biennale Arte: Republic of Benin, Ethiopia, United Republic of Tanzania, Democratic Republic of Timor Leste. Nicaragua, Republic of Panama and Senegal participate for the first time with their own pavilion.
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THE GERMAN PAVILION AT THE BENNALE DI VENEZIA
For the 60th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
EXPLORING THE MULTIVALENT NOTION OF DISPOSSESSION AT THE MAC PANAMÁ
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
Ka’a Pûera: we are walking birds, Brazil’s participation at the 60th International Venice Biennale, features the resistance and artistic production of Brazil’s native peoples, updating the problematic issues of colonization.
THE BRAZILIAN PAVILION AT THE 2024 VENICE BIENNALE
Ka’a Pûera: we are walking birds, Brazil’s participation at the 60th International Venice Biennale, features the resistance and artistic production of Brazil’s native peoples, updating the problematic issues of colonization.
Visual artist Luciana Lamothe, who works in different disciplines, was appointed by the Ministry of Foreign Affairs to represent the country at the 2024 artistic event.
LUCIANA LAMOTHE WILL REPRESENT ARGENTINA IN THE NEXT VENICE BIENNIAL
Visual artist Luciana Lamothe, who works in different disciplines, was appointed by the Ministry of Foreign Affairs to represent the country at the 2024 artistic event.
The President of La Biennale di Venezia, Roberto Cicutto, and the Curator of the 60th International Art Exhibition, Adriano Pedrosa announced the title and theme of the Venice Biennale Arte 2024, which will take place from 20th April to 24th November 2024.
THE 2024 VENICE BIENNALE ARTE’S THEME: STRANIERI OVUNQUE / STRANGERS EVERYWHERE
The President of La Biennale di Venezia, Roberto Cicutto, and the Curator of the 60th International Art Exhibition, Adriano Pedrosa announced the title and theme of the Venice Biennale Arte 2024, which will take place from 20th April to 24th November 2024.
Through video, sound and mapping works, the exhibition Intangible Proof at MAGAZIN (Exhibition Space for Contemporary Architecture) explores how the territorialities of the Tagaeri Taromenane can be understood and visualized without violating their right to isolation and how spatial mapping techniques can be rethought to capture ways of living with the forest.
REPRESENTATIONS OF INDIGENOUS TERRITORIES IN ART AND LAW
Through video, sound and mapping works, the exhibition Intangible Proof at MAGAZIN (Exhibition Space for Contemporary Architecture) explores how the territorialities of the Tagaeri Taromenane can be understood and visualized without violating their right to isolation and how spatial mapping techniques can be rethought to capture ways of living with the forest.
A Lot with Little, a touring multi-channel film installation by Noemí Blager and Tapio Snellman at Centre for Architecture and Metropolitan Planning (CAMP), showcases architects worldwide who are innovating sustainable solutions in housing, education, building transformation, and disaster relief, emphasizing social impact alongside environmental consciousness.
INNOVATING WITH ENVIRONMENTAL CONSCIOUSNESS
A Lot with Little, a touring multi-channel film installation by Noemí Blager and Tapio Snellman at Centre for Architecture and Metropolitan Planning (CAMP), showcases architects worldwide who are innovating sustainable solutions in housing, education, building transformation, and disaster relief, emphasizing social impact alongside environmental consciousness.
How we remember tomorrow, an exhibition at the University of Queensland Art Museum celebrates storytelling across generations, through oceans and waterways and transcending eras and perspectives.
HOW WE REMEMBER TOMORROW
How we remember tomorrow, an exhibition at the University of Queensland Art Museum celebrates storytelling across generations, through oceans and waterways and transcending eras and perspectives.
Bildmuseet presents Venezuelan artist Elias Crespin exhibition Chronomorphosis, opening March 15th, 2024.
CHRONOMORPHOSIS: ELIAS CRESPIN’S WORK AT SWEDEN
Bildmuseet presents Venezuelan artist Elias Crespin exhibition Chronomorphosis, opening March 15th, 2024.
Fondazione Prada presents Miranda July: New Society, the first solo museum exhibition of Miranda July’s work from March 7 to October 14, 2024 at the Osservatorio, located at Galleria Vittorio Emanuele II in Milan.
NEW SOCIETY: MIRANDA JULY’S FIRST SOLO MUSEUM EXHIBITION
Fondazione Prada presents Miranda July: New Society, the first solo museum exhibition of Miranda July’s work from March 7 to October 14, 2024 at the Osservatorio, located at Galleria Vittorio Emanuele II in Milan.
Ireland at Venice will present ROMANTIC IRELAND, an exhibition by Eimear Walshe, for the 60th International Art Exhibition of the Venice Biennale, curated by Sara Greavu and Project Arts Centre.
IRISH PAVILION AT THE VENICE BIENNALE
Ireland at Venice will present ROMANTIC IRELAND, an exhibition by Eimear Walshe, for the 60th International Art Exhibition of the Venice Biennale, curated by Sara Greavu and Project Arts Centre.
Archie Moore will transform the Australia Pavilion with his artwork that immerses the viewer in personal and universal stories by reflecting on Australia’s 254-year history within the 65,000+ year context of his Aboriginal family heritage.
AUSTRALIA PAVILION AT THE VENICE BIENNALE
Archie Moore will transform the Australia Pavilion with his artwork that immerses the viewer in personal and universal stories by reflecting on Australia’s 254-year history within the 65,000+ year context of his Aboriginal family heritage.
The collective Denicolai & Provoost / Antoinette Jattiot / Nord / Spec uloos, selected by the Wallonia-Brussels Federation and Wallonie-Bruxelles International, presents Petticoat Government to occupy the Belgian Pavilion at the 2024 Venice Biennale.
BELGIAN PAVILION AT THE VENICE BIENNALE
The collective Denicolai & Provoost / Antoinette Jattiot / Nord / Spec uloos, selected by the Wallonia-Brussels Federation and Wallonie-Bruxelles International, presents Petticoat Government to occupy the Belgian Pavilion at the 2024 Venice Biennale.
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
COSMIC TRACES: ROBERTO HUARCAYA AT THE VENICE BIENNALE
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
For the 60th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.
THE GERMAN PAVILION AT THE BENNALE DI VENEZIA
For the 60th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
EXPLORING THE MULTIVALENT NOTION OF DISPOSSESSION AT THE MAC PANAMÁ
Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.
