THE BRAZILIAN PAVILION AT THE 2024 VENICE BIENNALE
Ka’a Pûera: we are walking birds, Brazil’s participation at the 60th International Venice Biennale, features the resistance and artistic production of Brazil’s native peoples, updating the problematic issues of colonization.
The Hãhãwpuá Pavilion—as the Brazilian Pavilion is referred to in this edition of the Biennale—presents Ka’a Pûera: we are walking birds, curated by Arissana Pataxó, Denilson Baniwa, and Gustavo Caboco Wapichana. The title alludes to two interconnected interpretations. Firstly, it refers to areas of cropland which, after being harvested, become dormant, and low-lying vegetation emerges, revealing the potential for resurgence. In addition, the capoeira is also known by the Tupinambá as a small bird that lives in dense forests, camouflaging itself in the environment.
In this edition of the Biennale, the Hãhãwpuá Pavilion is notable for its presentation of native peoples and their artistic production, especially the resistance of the knowledge and practices of coastal inhabitants. The exhibition addresses issues of marginalization, dispossession, and rights violations, inviting reflection on resistance and the shared essence of humanity, birds, memory, and nature. Glicéria Tupinambá works with the Tupinambá Community of Serra do Padeiro and Olivença, in Bahia, to create her works. The Pavilion also features works by artists Olinda Tupinambá and Ziel Karapotó.
“The show brings together the Tupinambá Community and artists coming from the coastal peoples—the first to be transformed into foreigners in their own Hãhãw (ancestral territory)—in order to express a different perspective on the vast territory where more than three hundred indigenous peoples live (Hãhãwpuá). The Hãhãwpuá Pavilion tells a story of indigenous resistance in Brazil, the strength of the body present in the retaking of territory and adaptation to climatic emergencies,” say the curators.
The Tupinambá were considered extinct until 2001, when the Brazilian State finally recognised that not only had they never been exterminated, but that they were actively fighting to reclaim their territory and part of their culture, taken away by colonization.
“The exhibition is being held in the year in which one of the Tupinambá mantles returns to Brazil after a long period in European exile, where it had been since 1699 as a political prisoner. The garment spans time and brings the issues of colonization into the present day, while the Tupinambá and other peoples continue their anti-colonial struggles in their territories—like the Ka’a Pûera, birds that walk over resurgent forests,” the curators add.
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Ziel Karapotó, Cardume (School of Fish), 2023. Collection: Museu Paranaense, Curitiba. Courtesy of the artist.
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Ziel Karapotó, Cardume (School of Fish), 2023. Collection: Museu Paranaense, Curitiba. Courtesy of the artist.
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Workshop with the Tupinambá community of the Serra do Padeiro, at Bahia. Photo: Denilson Baniwa.
The term Hãhãwpuá
In this edition, the Brazil Pavilion is referred to by the curators as the Hãhãwpuá Pavilion, symbolizing Brazil as an indigenous territory, with ‘Hãhãw’ meaning ‘land’ in the Patxohã language. The name ‘Hãhãwpuá’ is used by the Pataxó to refer to the territory that, after colonization, became known as Brazil, but which has had, and still has, many other names.
Artists: Glicéria Tupinambá with the Tupinambá Community of Serra do Padeiro and Olivença; Olinda Tupinambá; and Ziel Karapotó.
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Visual artist Luciana Lamothe, who works in different disciplines, was appointed by the Ministry of Foreign Affairs to represent the country at the 2024 artistic event.
The President of La Biennale di Venezia, Roberto Cicutto, and the Curator of the 60th International Art Exhibition, Adriano Pedrosa announced the title and theme of the Venice Biennale Arte 2024, which will take place from 20th April to 24th November 2024.
THE 2024 VENICE BIENNALE ARTE’S THEME: STRANIERI OVUNQUE / STRANGERS EVERYWHERE
The President of La Biennale di Venezia, Roberto Cicutto, and the Curator of the 60th International Art Exhibition, Adriano Pedrosa announced the title and theme of the Venice Biennale Arte 2024, which will take place from 20th April to 24th November 2024.
With more than 100 works, the exhibition "Sounds of Bispo do Rosário" at the Oscar Niemeyer Museum introduces the legacy of the renowned artist in dialogue with other figures who were strongly influenced by his work.
ARTISTS IN DIALOGUE WITH BISPO DO ROSÁRIO'S WORK
With more than 100 works, the exhibition "Sounds of Bispo do Rosário" at the Oscar Niemeyer Museum introduces the legacy of the renowned artist in dialogue with other figures who were strongly influenced by his work.
The Biennale di Venezia’s 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere, will open to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale; it will be curated by Adriano Pedrosa.
LATIN AMERICA AT THE BIENNALE DI VENEZIA’S INTERNATIONAL EXHIBITION
The Biennale di Venezia’s 60th International Art Exhibition, titled Stranieri Ovunque – Foreigners Everywhere, will open to the public from Saturday April 20 to Sunday November 24, 2024, at the Giardini and the Arsenale; it will be curated by Adriano Pedrosa.
Through video, sound and mapping works, the exhibition Intangible Proof at MAGAZIN (Exhibition Space for Contemporary Architecture) explores how the territorialities of the Tagaeri Taromenane can be understood and visualized without violating their right to isolation and how spatial mapping techniques can be rethought to capture ways of living with the forest.
REPRESENTATIONS OF INDIGENOUS TERRITORIES IN ART AND LAW
Through video, sound and mapping works, the exhibition Intangible Proof at MAGAZIN (Exhibition Space for Contemporary Architecture) explores how the territorialities of the Tagaeri Taromenane can be understood and visualized without violating their right to isolation and how spatial mapping techniques can be rethought to capture ways of living with the forest.
How we remember tomorrow, an exhibition at the University of Queensland Art Museum celebrates storytelling across generations, through oceans and waterways and transcending eras and perspectives.
HOW WE REMEMBER TOMORROW
How we remember tomorrow, an exhibition at the University of Queensland Art Museum celebrates storytelling across generations, through oceans and waterways and transcending eras and perspectives.
Fondazione Prada presents Miranda July: New Society, the first solo museum exhibition of Miranda July’s work from March 7 to October 14, 2024 at the Osservatorio, located at Galleria Vittorio Emanuele II in Milan.
NEW SOCIETY: MIRANDA JULY’S FIRST SOLO MUSEUM EXHIBITION
Fondazione Prada presents Miranda July: New Society, the first solo museum exhibition of Miranda July’s work from March 7 to October 14, 2024 at the Osservatorio, located at Galleria Vittorio Emanuele II in Milan.
The 60th International Art Exhibition of the Venice Biennale –to be held from April 20 to November 24, 2024– presents 332 participants, including Argentine artists, in the international exhibition Foreigners Everywhere.
VENICE BIENNALE 2024: THE BROAD PARTICIPATION OF ARGENTINE ARTISTS
The 60th International Art Exhibition of the Venice Biennale –to be held from April 20 to November 24, 2024– presents 332 participants, including Argentine artists, in the international exhibition Foreigners Everywhere.
Ireland at Venice will present ROMANTIC IRELAND, an exhibition by Eimear Walshe, for the 60th International Art Exhibition of the Venice Biennale, curated by Sara Greavu and Project Arts Centre.
IRISH PAVILION AT THE VENICE BIENNALE
Ireland at Venice will present ROMANTIC IRELAND, an exhibition by Eimear Walshe, for the 60th International Art Exhibition of the Venice Biennale, curated by Sara Greavu and Project Arts Centre.
Archie Moore will transform the Australia Pavilion with his artwork that immerses the viewer in personal and universal stories by reflecting on Australia’s 254-year history within the 65,000+ year context of his Aboriginal family heritage.
AUSTRALIA PAVILION AT THE VENICE BIENNALE
Archie Moore will transform the Australia Pavilion with his artwork that immerses the viewer in personal and universal stories by reflecting on Australia’s 254-year history within the 65,000+ year context of his Aboriginal family heritage.
The collective Denicolai & Provoost / Antoinette Jattiot / Nord / Spec uloos, selected by the Wallonia-Brussels Federation and Wallonie-Bruxelles International, presents Petticoat Government to occupy the Belgian Pavilion at the 2024 Venice Biennale.
BELGIAN PAVILION AT THE VENICE BIENNALE
The collective Denicolai & Provoost / Antoinette Jattiot / Nord / Spec uloos, selected by the Wallonia-Brussels Federation and Wallonie-Bruxelles International, presents Petticoat Government to occupy the Belgian Pavilion at the 2024 Venice Biennale.
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
COSMIC TRACES: ROBERTO HUARCAYA AT THE VENICE BIENNALE
Peruvian photographer Roberto Huarcaya will represent his country at the Venice Biennale 2024 with his project Cosmic Traces.
For the 60th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.
THE GERMAN PAVILION AT THE BENNALE DI VENEZIA
For the 60th International Art Exhibition – La Biennale di Venezia – curator Çağla Ilk has invited artists Michael Akstaller, Yael Bartana, Robert Lippok, Ersan Mondtag, Nicole L’Huillier, and Jan St. Werner to participate in the German pavilion’s proposal, titled Thresholds. Proceeding from alternative readings of history and the future, the contribution extrapolates realms of experience from the liminal.
