TOWARDS MIGUEL ÁNGEL ROJAS' QUIEBRAMALES
Two decades after Miguel Ángel Rojas (1946, Bogotá, Colombia) conceptualized in his project David Quiebramales his denunciation of violence and the use of education as the most efficient vehicle towards a catharsis for those who suffer it, the Madrid headquarters of La Cometa revisits his most emblematic work and reinterprets it as the framework for a kind of thematic retrospective. This commemoration of that first David Quiebramales reinforces a view that is still difficult to overcome and that, even today, serves to trace those harmful social dynamics that are created between society and war, the institutional and the political systems.
The piece on which the exhibition revolves is meant as a plea in favour of reintegration, but not only in what is socially commonly accepted, but also in terms of canonical aesthetics. Nevertheless, his fortuitus meeting in 2004 with soldier Ramos, an antipersonnel mine-mutilated by war, became a chance conceptual representation of that incompleteness key to construct his denunciation. Taking the Renaissance sculpture par excellence, this incomplete David points to a past of social inequality, but also to a redemptive future through education that he will once again claim in Primaria.
In this similar approach, the room is completed with the installation Quiebramales (2004-2024), the materialization of this word made with graphite pencils, and whose disposition on the floor under the photographs of its matrix leads to conceptually linking the popular lexicography with the purpose of the object, this education that Rojas highlights as instrumental (also in Lee y multiplica (2013-2019), two mathematics and writing notebooks lined with mambe, also exhibited) and that stands as the primary tool that will erase the systemic errors of society and the economy that have been maintained for so many decades.
Quiebramales, by Miguel Ángel Rojas. Until April 20. La Cometa Gallery. San Lorenzo 11, Madrid, Spain.
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Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.
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The geometry in Jorge Cabieses' (Lima, Peru, 1971) usual outline is broken with the action of the spontaneity of the curved and almost organic stroke in his second solo exhibition in the Spanish capital. The Lima-born artist thus proposes, in a certain way, a dialogue between the artificial of the synthetic and the atavistic through the incorporation of those more spontaneous brushstrokes over the usual framework of rectitude that the artist usually presents.
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The vindication of the Peruvian Jorge Eduardo Eielson (Lima, Peru, 1924) looks fundamental, far beyond any framed motivation in the round figures of the anniversaries. However, the work being done around the centenary of his birth shows a titanic effort to explore one of the most versatile artists in the plastic arts and, perhaps in his best-known aspect, in the literature of contemporary Peru.
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The vindication of the Peruvian Jorge Eduardo Eielson (Lima, Peru, 1924) looks fundamental, far beyond any framed motivation in the round figures of the anniversaries. However, the work being done around the centenary of his birth shows a titanic effort to explore one of the most versatile artists in the plastic arts and, perhaps in his best-known aspect, in the literature of contemporary Peru.
Flavio Garciandía (Caibarién, Cuba, 1954) becomes the active and passive subject of his work in his first solo exhibition in Madrid.
FLAVIO GARCIANDÍA’S SELF-REVISIONISM
Flavio Garciandía (Caibarién, Cuba, 1954) becomes the active and passive subject of his work in his first solo exhibition in Madrid.
Valencian gallery Jorge Lopez is programming a solo exhibition by artist Claudia Joskowizc (Santa Cruz de la Sierra, Bolivia, 1968) that brings together the audiovisual and performative techniques with which the Bolivian artist builds the narrative and chronology of her native country.
CLAUDIA JOSKOWIZC, SOLO EXHBITION AT VALENCIA
Valencian gallery Jorge Lopez is programming a solo exhibition by artist Claudia Joskowizc (Santa Cruz de la Sierra, Bolivia, 1968) that brings together the audiovisual and performative techniques with which the Bolivian artist builds the narrative and chronology of her native country.
THE BALANCED REPRESENTATION OF LO LATINOAMERICANO IN THE JORGE M. PÉREZ COLLECTION
Quiebramales commemorates the twentieth anniversary of the conception of the David Quiebramales project. The exhibition at La Cometa gallery revisits the biopolitics that traverse the bodies affected by war, the structures that build (and destroy) a society, and education as a path to social justice.
The exhibition Teresa Solar Abbourd. Pájaro sueño de máquina (Bird dream of machine) in CA2M Museum presents two large installations that condense the artist's research in recent years. It is curated by Tania Pardo and Claudia Segura Campins.
RESISTANCE AND EMPTINESS: TERESA SOLAR ABBOUD AT CA2M
The exhibition Teresa Solar Abbourd. Pájaro sueño de máquina (Bird dream of machine) in CA2M Museum presents two large installations that condense the artist's research in recent years. It is curated by Tania Pardo and Claudia Segura Campins.
The Elba Benítez gallery presented Carlos Garaicoa's exhibition, entitled π=3,1416. The show is made up of a body of unpublished works born from the artist's desire to delve into the pictorial tradition of Latin American geometric abstraction, this time on wood.
Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.
THE MONOGRAPHIC EXHIBITION BY BRITISH ARTIST FRANCIS BACON AT MASP
Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.
The geometry in Jorge Cabieses' (Lima, Peru, 1971) usual outline is broken with the action of the spontaneity of the curved and almost organic stroke in his second solo exhibition in the Spanish capital. The Lima-born artist thus proposes, in a certain way, a dialogue between the artificial of the synthetic and the atavistic through the incorporation of those more spontaneous brushstrokes over the usual framework of rectitude that the artist usually presents.
CABIESES’ INTERCEPTED IMAGE
The geometry in Jorge Cabieses' (Lima, Peru, 1971) usual outline is broken with the action of the spontaneity of the curved and almost organic stroke in his second solo exhibition in the Spanish capital. The Lima-born artist thus proposes, in a certain way, a dialogue between the artificial of the synthetic and the atavistic through the incorporation of those more spontaneous brushstrokes over the usual framework of rectitude that the artist usually presents.
Latin American surrealist photography will have a predominant place in the 4th edition of the Castilla y León International Photography Festival, to be held from April 17 in Palencia, Spain.
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Latin American surrealist photography will have a predominant place in the 4th edition of the Castilla y León International Photography Festival, to be held from April 17 in Palencia, Spain.
The vindication of the Peruvian Jorge Eduardo Eielson (Lima, Peru, 1924) looks fundamental, far beyond any framed motivation in the round figures of the anniversaries. However, the work being done around the centenary of his birth shows a titanic effort to explore one of the most versatile artists in the plastic arts and, perhaps in his best-known aspect, in the literature of contemporary Peru.
JORGE EIELSON, THE LAST QUIPUCAMAYOC
The vindication of the Peruvian Jorge Eduardo Eielson (Lima, Peru, 1924) looks fundamental, far beyond any framed motivation in the round figures of the anniversaries. However, the work being done around the centenary of his birth shows a titanic effort to explore one of the most versatile artists in the plastic arts and, perhaps in his best-known aspect, in the literature of contemporary Peru.
Flavio Garciandía (Caibarién, Cuba, 1954) becomes the active and passive subject of his work in his first solo exhibition in Madrid.
FLAVIO GARCIANDÍA’S SELF-REVISIONISM
Flavio Garciandía (Caibarién, Cuba, 1954) becomes the active and passive subject of his work in his first solo exhibition in Madrid.
Valencian gallery Jorge Lopez is programming a solo exhibition by artist Claudia Joskowizc (Santa Cruz de la Sierra, Bolivia, 1968) that brings together the audiovisual and performative techniques with which the Bolivian artist builds the narrative and chronology of her native country.
CLAUDIA JOSKOWIZC, SOLO EXHBITION AT VALENCIA
Valencian gallery Jorge Lopez is programming a solo exhibition by artist Claudia Joskowizc (Santa Cruz de la Sierra, Bolivia, 1968) that brings together the audiovisual and performative techniques with which the Bolivian artist builds the narrative and chronology of her native country.
THE BALANCED REPRESENTATION OF LO LATINOAMERICANO IN THE JORGE M. PÉREZ COLLECTION
Quiebramales commemorates the twentieth anniversary of the conception of the David Quiebramales project. The exhibition at La Cometa gallery revisits the biopolitics that traverse the bodies affected by war, the structures that build (and destroy) a society, and education as a path to social justice.
The exhibition Teresa Solar Abbourd. Pájaro sueño de máquina (Bird dream of machine) in CA2M Museum presents two large installations that condense the artist's research in recent years. It is curated by Tania Pardo and Claudia Segura Campins.
RESISTANCE AND EMPTINESS: TERESA SOLAR ABBOUD AT CA2M
The exhibition Teresa Solar Abbourd. Pájaro sueño de máquina (Bird dream of machine) in CA2M Museum presents two large installations that condense the artist's research in recent years. It is curated by Tania Pardo and Claudia Segura Campins.
The Elba Benítez gallery presented Carlos Garaicoa's exhibition, entitled π=3,1416. The show is made up of a body of unpublished works born from the artist's desire to delve into the pictorial tradition of Latin American geometric abstraction, this time on wood.
Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.
THE MONOGRAPHIC EXHIBITION BY BRITISH ARTIST FRANCIS BACON AT MASP
Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.
The geometry in Jorge Cabieses' (Lima, Peru, 1971) usual outline is broken with the action of the spontaneity of the curved and almost organic stroke in his second solo exhibition in the Spanish capital. The Lima-born artist thus proposes, in a certain way, a dialogue between the artificial of the synthetic and the atavistic through the incorporation of those more spontaneous brushstrokes over the usual framework of rectitude that the artist usually presents.
CABIESES’ INTERCEPTED IMAGE
The geometry in Jorge Cabieses' (Lima, Peru, 1971) usual outline is broken with the action of the spontaneity of the curved and almost organic stroke in his second solo exhibition in the Spanish capital. The Lima-born artist thus proposes, in a certain way, a dialogue between the artificial of the synthetic and the atavistic through the incorporation of those more spontaneous brushstrokes over the usual framework of rectitude that the artist usually presents.
Latin American surrealist photography will have a predominant place in the 4th edition of the Castilla y León International Photography Festival, to be held from April 17 in Palencia, Spain.
SURREALISM IN LATIN AMERICA AT 4TH FIFCYL
Latin American surrealist photography will have a predominant place in the 4th edition of the Castilla y León International Photography Festival, to be held from April 17 in Palencia, Spain.
The vindication of the Peruvian Jorge Eduardo Eielson (Lima, Peru, 1924) looks fundamental, far beyond any framed motivation in the round figures of the anniversaries. However, the work being done around the centenary of his birth shows a titanic effort to explore one of the most versatile artists in the plastic arts and, perhaps in his best-known aspect, in the literature of contemporary Peru.
JORGE EIELSON, THE LAST QUIPUCAMAYOC
The vindication of the Peruvian Jorge Eduardo Eielson (Lima, Peru, 1924) looks fundamental, far beyond any framed motivation in the round figures of the anniversaries. However, the work being done around the centenary of his birth shows a titanic effort to explore one of the most versatile artists in the plastic arts and, perhaps in his best-known aspect, in the literature of contemporary Peru.
Flavio Garciandía (Caibarién, Cuba, 1954) becomes the active and passive subject of his work in his first solo exhibition in Madrid.
FLAVIO GARCIANDÍA’S SELF-REVISIONISM
Flavio Garciandía (Caibarién, Cuba, 1954) becomes the active and passive subject of his work in his first solo exhibition in Madrid.
Valencian gallery Jorge Lopez is programming a solo exhibition by artist Claudia Joskowizc (Santa Cruz de la Sierra, Bolivia, 1968) that brings together the audiovisual and performative techniques with which the Bolivian artist builds the narrative and chronology of her native country.
CLAUDIA JOSKOWIZC, SOLO EXHBITION AT VALENCIA
Valencian gallery Jorge Lopez is programming a solo exhibition by artist Claudia Joskowizc (Santa Cruz de la Sierra, Bolivia, 1968) that brings together the audiovisual and performative techniques with which the Bolivian artist builds the narrative and chronology of her native country.
