JORGE EIELSON: ABOUT SHAMANS, PHILOSOPHIES AND NARRATIVES

The Elba Benítez gallery presented Carlos Garaicoa's exhibition, entitled π=3,1416. The show is made up of a body of unpublished works born from the artist's desire to delve into the pictorial tradition of Latin American geometric abstraction, this time on wood.

Quiebramales commemorates the twentieth anniversary of the conception of the David Quiebramales project. The exhibition at La Cometa gallery revisits the biopolitics that traverse the bodies affected by war, the structures that build (and destroy) a society, and education as a path to social justice.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.

On April 6, the emblematic auction of the Museo de Arte de Lima - MALI returns in its XXXI edition at Casa Prado. The event will feature more than 60 pieces of art divided into micro sessions that mark a journey from historical to contemporary.

The exhibition volcanic asterisk fruit avatar by the collective assume vivid astro focus (avaf) at Marlborough features Peruvian alpaca wool tapestries, anodized aluminum curtains, and acrylic paintings on double sheets of corrugated kraft paper.

The exhibition Teresa Solar Abbourd. Pájaro sueño de máquina (Bird dream of machine) in CA2M Museum presents two large installations that condense the artist's research in recent years. It is curated by Tania Pardo and Claudia Segura Campins.

Ways of disappearing is the solo exhibition of Peruvian artist Gonzalo Hernández at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Max Hernández Calvo.

The Museo de Arte de Lima - MALI presents Francis Alÿs. When faith moves mountains (2002). Two decades later. This exhibition will immerse visitors in the extraordinary work of the renowned Belgian artist, Francis Alÿs, exploring a momentous milestone that took place in Peru on April 11, 2002.

Two decades after Miguel Ángel Rojas (1946, Bogotá, Colombia) conceptualized in his project David Quiebramales his denunciation of violence and the use of education as the most efficient vehicle towards a catharsis for those who suffer it, the Madrid headquarters of La Cometa revisits his most emblematic work and reinterprets it as the framework for a kind of thematic retrospective. This commemoration of that first David Quiebramales reinforces a view that is still difficult to overcome and that, even today, serves to trace those harmful social dynamics that are created between society and war, the institutional and the political systems.

The Pontificia Universidad Católica (PUCP) launches the Eielson 100 festival, a week of celebration that concentrates a series of events, whose central date runs from April 8 to 15.

Lucila Gradin begins her work when creating her own natural dyes –through dyeing and medicinal plants from all over the world– and culminates it by pursuing the image that leaves every trace of this ancestral practice through embroidery, textiles and compositions on paper. The Argentine artist is part of the RADAR section of Pinta PArC 2024, together with COTT Gallery.

The geometry in Jorge Cabieses' (Lima, Peru, 1971) usual outline is broken with the action of the spontaneity of the curved and almost organic stroke in his second solo exhibition in the Spanish capital. The Lima-born artist thus proposes, in a certain way, a dialogue between the artificial of the synthetic and the atavistic through the incorporation of those more spontaneous brushstrokes over the usual framework of rectitude that the artist usually presents.

Casa de América inaugurated two exhibitions of Peruvian art: Memoria del Perú. Photographs 1890-1950, with works by various photographers that capture a significant period in the country's history, and Shipibo-Konibo. Portraits of my blood, with photographs by artist David Diaz on the life of the Shipibo-Konibo.

Museo del grabado ICPNA presents Antonio Raimondi and the official representation of nature in republican Peru, curated by Luis Felipe Villacorta.

Latin American surrealist photography will have a predominant place in the 4th edition of the Castilla y León International Photography Festival, to be held from April 17 in Palencia, Spain.

Mariella Agois. Geometric Systems. Paintings 2008-2023 is the first anthological exhibition of the Peruvian artist's geometric painting at the Museo de Arte de Lima (MALI). It is curated by Jorge Villacorta and Paulo Dam.

The vindication of the Peruvian Jorge Eduardo Eielson (Lima, Peru, 1924) looks fundamental, far beyond any framed motivation in the round figures of the anniversaries. However, the work being done around the centenary of his birth shows a titanic effort to explore one of the most versatile artists in the plastic arts and, perhaps in his best-known aspect, in the literature of contemporary Peru.

Flavio Garciandía (Caibarién, Cuba, 1954) becomes the active and passive subject of his work in his first solo exhibition in Madrid.

Valencian gallery Jorge Lopez is programming a solo exhibition by artist Claudia Joskowizc (Santa Cruz de la Sierra, Bolivia, 1968) that brings together the audiovisual and performative techniques with which the Bolivian artist builds the narrative and chronology of her native country.

Bosco Sodi (Mexico, 1970) explores deeply in El día que nos volvimos a encontrar a universe quite distant from his recognizable large format and liveliness production to delve into the pleasures of the search for new material expressions and the abandonment of the chromatic in favour of texture, the depth of the absence of colour and concept.

The Elba Benítez gallery presented Carlos Garaicoa's exhibition, entitled π=3,1416. The show is made up of a body of unpublished works born from the artist's desire to delve into the pictorial tradition of Latin American geometric abstraction, this time on wood.

Quiebramales commemorates the twentieth anniversary of the conception of the David Quiebramales project. The exhibition at La Cometa gallery revisits the biopolitics that traverse the bodies affected by war, the structures that build (and destroy) a society, and education as a path to social justice.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.

On April 6, the emblematic auction of the Museo de Arte de Lima - MALI returns in its XXXI edition at Casa Prado. The event will feature more than 60 pieces of art divided into micro sessions that mark a journey from historical to contemporary.

The exhibition volcanic asterisk fruit avatar by the collective assume vivid astro focus (avaf) at Marlborough features Peruvian alpaca wool tapestries, anodized aluminum curtains, and acrylic paintings on double sheets of corrugated kraft paper.

The exhibition Teresa Solar Abbourd. Pájaro sueño de máquina (Bird dream of machine) in CA2M Museum presents two large installations that condense the artist's research in recent years. It is curated by Tania Pardo and Claudia Segura Campins.

Ways of disappearing is the solo exhibition of Peruvian artist Gonzalo Hernández at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Max Hernández Calvo.

The Museo de Arte de Lima - MALI presents Francis Alÿs. When faith moves mountains (2002). Two decades later. This exhibition will immerse visitors in the extraordinary work of the renowned Belgian artist, Francis Alÿs, exploring a momentous milestone that took place in Peru on April 11, 2002.

Two decades after Miguel Ángel Rojas (1946, Bogotá, Colombia) conceptualized in his project David Quiebramales his denunciation of violence and the use of education as the most efficient vehicle towards a catharsis for those who suffer it, the Madrid headquarters of La Cometa revisits his most emblematic work and reinterprets it as the framework for a kind of thematic retrospective. This commemoration of that first David Quiebramales reinforces a view that is still difficult to overcome and that, even today, serves to trace those harmful social dynamics that are created between society and war, the institutional and the political systems.

The Pontificia Universidad Católica (PUCP) launches the Eielson 100 festival, a week of celebration that concentrates a series of events, whose central date runs from April 8 to 15.

Lucila Gradin begins her work when creating her own natural dyes –through dyeing and medicinal plants from all over the world– and culminates it by pursuing the image that leaves every trace of this ancestral practice through embroidery, textiles and compositions on paper. The Argentine artist is part of the RADAR section of Pinta PArC 2024, together with COTT Gallery.

The geometry in Jorge Cabieses' (Lima, Peru, 1971) usual outline is broken with the action of the spontaneity of the curved and almost organic stroke in his second solo exhibition in the Spanish capital. The Lima-born artist thus proposes, in a certain way, a dialogue between the artificial of the synthetic and the atavistic through the incorporation of those more spontaneous brushstrokes over the usual framework of rectitude that the artist usually presents.

Casa de América inaugurated two exhibitions of Peruvian art: Memoria del Perú. Photographs 1890-1950, with works by various photographers that capture a significant period in the country's history, and Shipibo-Konibo. Portraits of my blood, with photographs by artist David Diaz on the life of the Shipibo-Konibo.

Museo del grabado ICPNA presents Antonio Raimondi and the official representation of nature in republican Peru, curated by Luis Felipe Villacorta.

Latin American surrealist photography will have a predominant place in the 4th edition of the Castilla y León International Photography Festival, to be held from April 17 in Palencia, Spain.

Mariella Agois. Geometric Systems. Paintings 2008-2023 is the first anthological exhibition of the Peruvian artist's geometric painting at the Museo de Arte de Lima (MALI). It is curated by Jorge Villacorta and Paulo Dam.

The vindication of the Peruvian Jorge Eduardo Eielson (Lima, Peru, 1924) looks fundamental, far beyond any framed motivation in the round figures of the anniversaries. However, the work being done around the centenary of his birth shows a titanic effort to explore one of the most versatile artists in the plastic arts and, perhaps in his best-known aspect, in the literature of contemporary Peru.

Flavio Garciandía (Caibarién, Cuba, 1954) becomes the active and passive subject of his work in his first solo exhibition in Madrid.

Valencian gallery Jorge Lopez is programming a solo exhibition by artist Claudia Joskowizc (Santa Cruz de la Sierra, Bolivia, 1968) that brings together the audiovisual and performative techniques with which the Bolivian artist builds the narrative and chronology of her native country.

Bosco Sodi (Mexico, 1970) explores deeply in El día que nos volvimos a encontrar a universe quite distant from his recognizable large format and liveliness production to delve into the pleasures of the search for new material expressions and the abandonment of the chromatic in favour of texture, the depth of the absence of colour and concept.

Quiebramales commemorates the twentieth anniversary of the conception of the David Quiebramales project. The exhibition at La Cometa gallery revisits the biopolitics that traverse the bodies affected by war, the structures that build (and destroy) a society, and education as a path to social justice.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.

On April 6, the emblematic auction of the Museo de Arte de Lima - MALI returns in its XXXI edition at Casa Prado. The event will feature more than 60 pieces of art divided into micro sessions that mark a journey from historical to contemporary.

The exhibition volcanic asterisk fruit avatar by the collective assume vivid astro focus (avaf) at Marlborough features Peruvian alpaca wool tapestries, anodized aluminum curtains, and acrylic paintings on double sheets of corrugated kraft paper.

The exhibition Teresa Solar Abbourd. Pájaro sueño de máquina (Bird dream of machine) in CA2M Museum presents two large installations that condense the artist's research in recent years. It is curated by Tania Pardo and Claudia Segura Campins.

Ways of disappearing is the solo exhibition of Peruvian artist Gonzalo Hernández at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Max Hernández Calvo.

The Museo de Arte de Lima - MALI presents Francis Alÿs. When faith moves mountains (2002). Two decades later. This exhibition will immerse visitors in the extraordinary work of the renowned Belgian artist, Francis Alÿs, exploring a momentous milestone that took place in Peru on April 11, 2002.

Two decades after Miguel Ángel Rojas (1946, Bogotá, Colombia) conceptualized in his project David Quiebramales his denunciation of violence and the use of education as the most efficient vehicle towards a catharsis for those who suffer it, the Madrid headquarters of La Cometa revisits his most emblematic work and reinterprets it as the framework for a kind of thematic retrospective. This commemoration of that first David Quiebramales reinforces a view that is still difficult to overcome and that, even today, serves to trace those harmful social dynamics that are created between society and war, the institutional and the political systems.

The Pontificia Universidad Católica (PUCP) launches the Eielson 100 festival, a week of celebration that concentrates a series of events, whose central date runs from April 8 to 15.

Lucila Gradin begins her work when creating her own natural dyes –through dyeing and medicinal plants from all over the world– and culminates it by pursuing the image that leaves every trace of this ancestral practice through embroidery, textiles and compositions on paper. The Argentine artist is part of the RADAR section of Pinta PArC 2024, together with COTT Gallery.

The geometry in Jorge Cabieses' (Lima, Peru, 1971) usual outline is broken with the action of the spontaneity of the curved and almost organic stroke in his second solo exhibition in the Spanish capital. The Lima-born artist thus proposes, in a certain way, a dialogue between the artificial of the synthetic and the atavistic through the incorporation of those more spontaneous brushstrokes over the usual framework of rectitude that the artist usually presents.

Casa de América inaugurated two exhibitions of Peruvian art: Memoria del Perú. Photographs 1890-1950, with works by various photographers that capture a significant period in the country's history, and Shipibo-Konibo. Portraits of my blood, with photographs by artist David Diaz on the life of the Shipibo-Konibo.

Museo del grabado ICPNA presents Antonio Raimondi and the official representation of nature in republican Peru, curated by Luis Felipe Villacorta.

Latin American surrealist photography will have a predominant place in the 4th edition of the Castilla y León International Photography Festival, to be held from April 17 in Palencia, Spain.

Mariella Agois. Geometric Systems. Paintings 2008-2023 is the first anthological exhibition of the Peruvian artist's geometric painting at the Museo de Arte de Lima (MALI). It is curated by Jorge Villacorta and Paulo Dam.

The vindication of the Peruvian Jorge Eduardo Eielson (Lima, Peru, 1924) looks fundamental, far beyond any framed motivation in the round figures of the anniversaries. However, the work being done around the centenary of his birth shows a titanic effort to explore one of the most versatile artists in the plastic arts and, perhaps in his best-known aspect, in the literature of contemporary Peru.

Flavio Garciandía (Caibarién, Cuba, 1954) becomes the active and passive subject of his work in his first solo exhibition in Madrid.

Valencian gallery Jorge Lopez is programming a solo exhibition by artist Claudia Joskowizc (Santa Cruz de la Sierra, Bolivia, 1968) that brings together the audiovisual and performative techniques with which the Bolivian artist builds the narrative and chronology of her native country.

Bosco Sodi (Mexico, 1970) explores deeply in El día que nos volvimos a encontrar a universe quite distant from his recognizable large format and liveliness production to delve into the pleasures of the search for new material expressions and the abandonment of the chromatic in favour of texture, the depth of the absence of colour and concept.

The Elba Benítez gallery presented Carlos Garaicoa's exhibition, entitled π=3,1416. The show is made up of a body of unpublished works born from the artist's desire to delve into the pictorial tradition of Latin American geometric abstraction, this time on wood.

Quiebramales commemorates the twentieth anniversary of the conception of the David Quiebramales project. The exhibition at La Cometa gallery revisits the biopolitics that traverse the bodies affected by war, the structures that build (and destroy) a society, and education as a path to social justice.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.

On April 6, the emblematic auction of the Museo de Arte de Lima - MALI returns in its XXXI edition at Casa Prado. The event will feature more than 60 pieces of art divided into micro sessions that mark a journey from historical to contemporary.

The exhibition volcanic asterisk fruit avatar by the collective assume vivid astro focus (avaf) at Marlborough features Peruvian alpaca wool tapestries, anodized aluminum curtains, and acrylic paintings on double sheets of corrugated kraft paper.

The exhibition Teresa Solar Abbourd. Pájaro sueño de máquina (Bird dream of machine) in CA2M Museum presents two large installations that condense the artist's research in recent years. It is curated by Tania Pardo and Claudia Segura Campins.

Ways of disappearing is the solo exhibition of Peruvian artist Gonzalo Hernández at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Max Hernández Calvo.

The Museo de Arte de Lima - MALI presents Francis Alÿs. When faith moves mountains (2002). Two decades later. This exhibition will immerse visitors in the extraordinary work of the renowned Belgian artist, Francis Alÿs, exploring a momentous milestone that took place in Peru on April 11, 2002.

Two decades after Miguel Ángel Rojas (1946, Bogotá, Colombia) conceptualized in his project David Quiebramales his denunciation of violence and the use of education as the most efficient vehicle towards a catharsis for those who suffer it, the Madrid headquarters of La Cometa revisits his most emblematic work and reinterprets it as the framework for a kind of thematic retrospective. This commemoration of that first David Quiebramales reinforces a view that is still difficult to overcome and that, even today, serves to trace those harmful social dynamics that are created between society and war, the institutional and the political systems.

The Pontificia Universidad Católica (PUCP) launches the Eielson 100 festival, a week of celebration that concentrates a series of events, whose central date runs from April 8 to 15.

Lucila Gradin begins her work when creating her own natural dyes –through dyeing and medicinal plants from all over the world– and culminates it by pursuing the image that leaves every trace of this ancestral practice through embroidery, textiles and compositions on paper. The Argentine artist is part of the RADAR section of Pinta PArC 2024, together with COTT Gallery.

The geometry in Jorge Cabieses' (Lima, Peru, 1971) usual outline is broken with the action of the spontaneity of the curved and almost organic stroke in his second solo exhibition in the Spanish capital. The Lima-born artist thus proposes, in a certain way, a dialogue between the artificial of the synthetic and the atavistic through the incorporation of those more spontaneous brushstrokes over the usual framework of rectitude that the artist usually presents.

Casa de América inaugurated two exhibitions of Peruvian art: Memoria del Perú. Photographs 1890-1950, with works by various photographers that capture a significant period in the country's history, and Shipibo-Konibo. Portraits of my blood, with photographs by artist David Diaz on the life of the Shipibo-Konibo.

Museo del grabado ICPNA presents Antonio Raimondi and the official representation of nature in republican Peru, curated by Luis Felipe Villacorta.

Latin American surrealist photography will have a predominant place in the 4th edition of the Castilla y León International Photography Festival, to be held from April 17 in Palencia, Spain.

Mariella Agois. Geometric Systems. Paintings 2008-2023 is the first anthological exhibition of the Peruvian artist's geometric painting at the Museo de Arte de Lima (MALI). It is curated by Jorge Villacorta and Paulo Dam.

The vindication of the Peruvian Jorge Eduardo Eielson (Lima, Peru, 1924) looks fundamental, far beyond any framed motivation in the round figures of the anniversaries. However, the work being done around the centenary of his birth shows a titanic effort to explore one of the most versatile artists in the plastic arts and, perhaps in his best-known aspect, in the literature of contemporary Peru.

Flavio Garciandía (Caibarién, Cuba, 1954) becomes the active and passive subject of his work in his first solo exhibition in Madrid.

Valencian gallery Jorge Lopez is programming a solo exhibition by artist Claudia Joskowizc (Santa Cruz de la Sierra, Bolivia, 1968) that brings together the audiovisual and performative techniques with which the Bolivian artist builds the narrative and chronology of her native country.

Bosco Sodi (Mexico, 1970) explores deeply in El día que nos volvimos a encontrar a universe quite distant from his recognizable large format and liveliness production to delve into the pleasures of the search for new material expressions and the abandonment of the chromatic in favour of texture, the depth of the absence of colour and concept.

The Elba Benítez gallery presented Carlos Garaicoa's exhibition, entitled π=3,1416. The show is made up of a body of unpublished works born from the artist's desire to delve into the pictorial tradition of Latin American geometric abstraction, this time on wood.

Quiebramales commemorates the twentieth anniversary of the conception of the David Quiebramales project. The exhibition at La Cometa gallery revisits the biopolitics that traverse the bodies affected by war, the structures that build (and destroy) a society, and education as a path to social justice.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents, from March 22 to July 28, 2024, the exhibition Francis Bacon: The Beauty of Meat. Curated by Adriano Pedrosa, Laura Cosendey, and Isabela Ferreira Loures, the exhibition aims to highlight how the artist, with his innovative and impactful painting, paved the way for a queer presence in visual culture.

On April 6, the emblematic auction of the Museo de Arte de Lima - MALI returns in its XXXI edition at Casa Prado. The event will feature more than 60 pieces of art divided into micro sessions that mark a journey from historical to contemporary.

The exhibition volcanic asterisk fruit avatar by the collective assume vivid astro focus (avaf) at Marlborough features Peruvian alpaca wool tapestries, anodized aluminum curtains, and acrylic paintings on double sheets of corrugated kraft paper.

The exhibition Teresa Solar Abbourd. Pájaro sueño de máquina (Bird dream of machine) in CA2M Museum presents two large installations that condense the artist's research in recent years. It is curated by Tania Pardo and Claudia Segura Campins.

Ways of disappearing is the solo exhibition of Peruvian artist Gonzalo Hernández at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Max Hernández Calvo.

The Museo de Arte de Lima - MALI presents Francis Alÿs. When faith moves mountains (2002). Two decades later. This exhibition will immerse visitors in the extraordinary work of the renowned Belgian artist, Francis Alÿs, exploring a momentous milestone that took place in Peru on April 11, 2002.

Two decades after Miguel Ángel Rojas (1946, Bogotá, Colombia) conceptualized in his project David Quiebramales his denunciation of violence and the use of education as the most efficient vehicle towards a catharsis for those who suffer it, the Madrid headquarters of La Cometa revisits his most emblematic work and reinterprets it as the framework for a kind of thematic retrospective. This commemoration of that first David Quiebramales reinforces a view that is still difficult to overcome and that, even today, serves to trace those harmful social dynamics that are created between society and war, the institutional and the political systems.

The Pontificia Universidad Católica (PUCP) launches the Eielson 100 festival, a week of celebration that concentrates a series of events, whose central date runs from April 8 to 15.

Lucila Gradin begins her work when creating her own natural dyes –through dyeing and medicinal plants from all over the world– and culminates it by pursuing the image that leaves every trace of this ancestral practice through embroidery, textiles and compositions on paper. The Argentine artist is part of the RADAR section of Pinta PArC 2024, together with COTT Gallery.

The geometry in Jorge Cabieses' (Lima, Peru, 1971) usual outline is broken with the action of the spontaneity of the curved and almost organic stroke in his second solo exhibition in the Spanish capital. The Lima-born artist thus proposes, in a certain way, a dialogue between the artificial of the synthetic and the atavistic through the incorporation of those more spontaneous brushstrokes over the usual framework of rectitude that the artist usually presents.

Casa de América inaugurated two exhibitions of Peruvian art: Memoria del Perú. Photographs 1890-1950, with works by various photographers that capture a significant period in the country's history, and Shipibo-Konibo. Portraits of my blood, with photographs by artist David Diaz on the life of the Shipibo-Konibo.

Museo del grabado ICPNA presents Antonio Raimondi and the official representation of nature in republican Peru, curated by Luis Felipe Villacorta.

Latin American surrealist photography will have a predominant place in the 4th edition of the Castilla y León International Photography Festival, to be held from April 17 in Palencia, Spain.

Mariella Agois. Geometric Systems. Paintings 2008-2023 is the first anthological exhibition of the Peruvian artist's geometric painting at the Museo de Arte de Lima (MALI). It is curated by Jorge Villacorta and Paulo Dam.

The vindication of the Peruvian Jorge Eduardo Eielson (Lima, Peru, 1924) looks fundamental, far beyond any framed motivation in the round figures of the anniversaries. However, the work being done around the centenary of his birth shows a titanic effort to explore one of the most versatile artists in the plastic arts and, perhaps in his best-known aspect, in the literature of contemporary Peru.

Flavio Garciandía (Caibarién, Cuba, 1954) becomes the active and passive subject of his work in his first solo exhibition in Madrid.

Valencian gallery Jorge Lopez is programming a solo exhibition by artist Claudia Joskowizc (Santa Cruz de la Sierra, Bolivia, 1968) that brings together the audiovisual and performative techniques with which the Bolivian artist builds the narrative and chronology of her native country.

Bosco Sodi (Mexico, 1970) explores deeply in El día que nos volvimos a encontrar a universe quite distant from his recognizable large format and liveliness production to delve into the pleasures of the search for new material expressions and the abandonment of the chromatic in favour of texture, the depth of the absence of colour and concept.